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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BA818C it is the complementary color #457E73. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BA818C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BA818C shade: #BF8187, #D0939A, #E1A5AD, #F2B7C0 and #FFC9D3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BA818C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BA818C shade: #BA818C, #A96F79, #985D66, #874B53 and #763940

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BA818C shade: #BA818C and #BA8181

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BA818C shade: #BA818C, #BA819C, #BA81AB, #BA81BA and #AA81BA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BA818C shade matches the following richer shades: #BA818C, #C97283, #D96279, #E9526F and #F84366

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BA818C shade: #BA818C, #AA9196, #9AA1A0, #8BB1A9 and #7BC0B3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BA818C shade: #BA81AB, #BA819C, #BA818D, #BA8581 and #BA9481

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BA818C shade: #965260, #AB6774, #BA818C, #C89CA5 and #D7B7BD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BA818C shade: #BA818C, #BABA81 and #81A3BA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BA818C shade: #BA818C, #8DBA81 and #818DBA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BA818C shade: #BA818C, #BABA81, #81BAAE and #8181BA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BA818C shade: #BA818C, #A9BA81, #81BAAE and #9281BA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 31 / 25 / 27

HEX #BA818C

RGB 186 129 140

HSL 348.42, 0.29%, 0.62%

LAB 59.92, 23.59, 2.97

 

Complementary color

CMYK 45 / 0 / 9 / 51

HEX #457E73

RGB 69 126 115

HSL 168.42, 0.29%, 0.38%

LAB 48.79, -21.59, 0.15

 

CMYK 0 / 32 / 29 / 25

HEX #BF8187

RGB 191 129 135

HSL 354.19, 0.33%, 0.63%

LAB 60.36, 24.78, 6.55

 

CMYK 0 / 29 / 26 / 18

HEX #D0939A

RGB 208 147 154

HSL 353.11, 0.39%, 0.7%

LAB 66.98, 23.99, 5.54

 

CMYK 0 / 27 / 23 / 12

HEX #E1A5AD

RGB 225 165 173

HSL 352, 0.5%, 0.76%

LAB 73.5, 23.28, 4.62

 

CMYK 0 / 24 / 21 / 5

HEX #F2B7C0

RGB 242 183 192

HSL 350.85, 0.69%, 0.83%

LAB 79.93, 22.63, 3.77

 

CMYK 0 / 21 / 17 / 0

HEX #FFC9D3

RGB 255 201 211

HSL 348.89, 1%, 0.89%

LAB 85.87, 20.62, 2.37

 

CMYK 0 / 31 / 25 / 27

HEX #BA818C

RGB 186 129 140

HSL 348.42, 0.29%, 0.62%

LAB 59.92, 23.59, 2.97

 

CMYK 0 / 34 / 28 / 34

HEX #A96F79

RGB 169 111 121

HSL 349.66, 0.25%, 0.55%

LAB 53.15, 24.41, 3.98

 

CMYK 0 / 39 / 33 / 40

HEX #985D66

RGB 152 93 102

HSL 350.85, 0.24%, 0.48%

LAB 46.26, 25.32, 5.12

 

CMYK 0 / 44 / 39 / 47

HEX #874B53

RGB 135 75 83

HSL 352, 0.29%, 0.41%

LAB 39.25, 26.33, 6.47

 

CMYK 0 / 52 / 46 / 54

HEX #763940

RGB 118 57 64

HSL 353.11, 0.35%, 0.34%

LAB 32.14, 27.43, 8.14

 

CMYK 0 / 31 / 25 / 27

HEX #BA818C

RGB 186 129 140

HSL 348.42, 0.29%, 0.62%

LAB 59.92, 23.59, 2.97

 

CMYK 0 / 31 / 31 / 27

HEX #BA8181

RGB 186 129 129

HSL 0, 0.29%, 0.62%

LAB 59.64, 22.03, 8.88

 

CMYK 0 / 31 / 25 / 27

HEX #BA818C

RGB 186 129 140

HSL 348.42, 0.29%, 0.62%

LAB 59.92, 23.59, 2.97

 

CMYK 0 / 31 / 16 / 27

HEX #BA819C

RGB 186 129 156

HSL 331.58, 0.29%, 0.62%

LAB 60.37, 26.09, -5.54

 

CMYK 0 / 31 / 8 / 27

HEX #BA81AB

RGB 186 129 171

HSL 315.79, 0.29%, 0.62%

LAB 60.85, 28.65, -13.4

 

CMYK 0 / 31 / 0 / 27

HEX #BA81BA

RGB 186 129 186

HSL 300, 0.29%, 0.62%

LAB 61.38, 31.42, -21.13

 

CMYK 9 / 31 / 0 / 27

HEX #AA81BA

RGB 170 129 186

HSL 283.16, 0.29%, 0.62%

LAB 59.7, 26.16, -23.85

 

CMYK 0 / 31 / 25 / 27

HEX #BA818C

RGB 186 129 140

HSL 348.42, 0.29%, 0.62%

LAB 59.92, 23.59, 2.97

 

CMYK 0 / 43 / 35 / 21

HEX #C97283

RGB 201 114 131

HSL 348.28, 0.45%, 0.62%

LAB 58.12, 36.14, 5.81

 

CMYK 0 / 55 / 44 / 15

HEX #D96279

RGB 217 98 121

HSL 348.4, 0.61%, 0.62%

LAB 56.95, 48.79, 10.27

 

CMYK 0 / 65 / 52 / 9

HEX #E9526F

RGB 233 82 111

HSL 348.48, 0.77%, 0.62%

LAB 56.59, 60.21, 16.03

 

CMYK 0 / 73 / 59 / 3

HEX #F84366

RGB 248 67 102

HSL 348.4, 0.93%, 0.62%

LAB 57.01, 69.5, 22.33

 

CMYK 0 / 31 / 25 / 27

HEX #BA818C

RGB 186 129 140

HSL 348.42, 0.29%, 0.62%

LAB 59.92, 23.59, 2.97

 

CMYK 0 / 15 / 12 / 33

HEX #AA9196

RGB 170 145 150

HSL 348, 0.13%, 0.62%

LAB 62.51, 10.2, 0.82

 

CMYK 4 / 0 / 1 / 37

HEX #9AA1A0

RGB 154 161 160

HSL 171.43, 0.04%, 0.62%

LAB 65.67, -2.68, -0.35

 

CMYK 21 / 0 / 5 / 31

HEX #8BB1A9

RGB 139 177 169

HSL 167.37, 0.2%, 0.62%

LAB 69.33, -14.48, -0.13

 

CMYK 36 / 0 / 7 / 25

HEX #7BC0B3

RGB 123 192 179

HSL 168.7, 0.35%, 0.62%

LAB 73, -24.71, -0.35

 

CMYK 0 / 31 / 8 / 27

HEX #BA81AB

RGB 186 129 171

HSL 315.79, 0.29%, 0.62%

LAB 60.85, 28.65, -13.4

 

CMYK 0 / 31 / 16 / 27

HEX #BA819C

RGB 186 129 156

HSL 331.58, 0.29%, 0.62%

LAB 60.37, 26.09, -5.54

 

CMYK 0 / 31 / 24 / 27

HEX #BA818D

RGB 186 129 141

HSL 347.37, 0.29%, 0.62%

LAB 59.95, 23.74, 2.44

 

CMYK 0 / 28 / 31 / 27

HEX #BA8581

RGB 186 133 129

HSL 4.21, 0.29%, 0.62%

LAB 60.6, 19.81, 10.25

 

CMYK 0 / 20 / 31 / 27

HEX #BA9481

RGB 186 148 129

HSL 20, 0.29%, 0.62%

LAB 64.33, 11.47, 15.47

 

CMYK 0 / 45 / 36 / 41

HEX #965260

RGB 150 82 96

HSL 347.65, 0.29%, 0.45%

LAB 43.31, 29.93, 4.5

 

CMYK 0 / 40 / 32 / 33

HEX #AB6774

RGB 171 103 116

HSL 348.53, 0.29%, 0.54%

LAB 51.4, 28.96, 4.45

 

CMYK 0 / 31 / 25 / 27

HEX #BA818C

RGB 186 129 140

HSL 348.42, 0.29%, 0.62%

LAB 59.92, 23.59, 2.97

 

CMYK 0 / 22 / 18 / 22

HEX #C89CA5

RGB 200 156 165

HSL 347.73, 0.29%, 0.7%

LAB 68.59, 17.74, 1.6

 

CMYK 0 / 15 / 12 / 16

HEX #D7B7BD

RGB 215 183 189

HSL 348.75, 0.29%, 0.78%

LAB 77.27, 12.44, 1.22

 

CMYK 0 / 31 / 25 / 27

HEX #BA818C

RGB 186 129 140

HSL 348.42, 0.29%, 0.62%

LAB 59.92, 23.59, 2.97

 

CMYK 0 / 0 / 31 / 27

HEX #BABA81

RGB 186 186 129

HSL 60, 0.29%, 0.62%

LAB 74.28, -9, 28.98

 

CMYK 31 / 12 / 0 / 27

HEX #81A3BA

RGB 129 163 186

HSL 204.21, 0.29%, 0.62%

LAB 65.28, -6.14, -15.64

 

CMYK 0 / 31 / 25 / 27

HEX #BA818C

RGB 186 129 140

HSL 348.42, 0.29%, 0.62%

LAB 59.92, 23.59, 2.97

 

CMYK 24 / 0 / 31 / 27

HEX #8DBA81

RGB 141 186 129

HSL 107.37, 0.29%, 0.62%

LAB 71.12, -25.87, 24.2

 

CMYK 31 / 24 / 0 / 27

HEX #818DBA

RGB 129 141 186

HSL 227.37, 0.29%, 0.62%

LAB 59.22, 6.26, -24.89

 

CMYK 0 / 31 / 25 / 27

HEX #BA818C

RGB 186 129 140

HSL 348.42, 0.29%, 0.62%

LAB 59.92, 23.59, 2.97

 

CMYK 0 / 0 / 31 / 27

HEX #BABA81

RGB 186 186 129

HSL 60, 0.29%, 0.62%

LAB 74.28, -9, 28.98

 

CMYK 31 / 0 / 6 / 27

HEX #81BAAE

RGB 129 186 174

HSL 167.37, 0.29%, 0.62%

LAB 71.45, -21.11, 0.15

 

CMYK 31 / 31 / 0 / 27

HEX #8181BA

RGB 129 129 186

HSL 240, 0.29%, 0.62%

LAB 56, 13.25, -29.86

 

CMYK 0 / 31 / 25 / 27

HEX #BA818C

RGB 186 129 140

HSL 348.42, 0.29%, 0.62%

LAB 59.92, 23.59, 2.97

 

CMYK 9 / 0 / 31 / 27

HEX #A9BA81

RGB 169 186 129

HSL 77.89, 0.29%, 0.62%

LAB 72.98, -15.58, 27.02

 

CMYK 31 / 0 / 6 / 27

HEX #81BAAE

RGB 129 186 174

HSL 167.37, 0.29%, 0.62%

LAB 71.45, -21.11, 0.15

 

CMYK 22 / 31 / 0 / 27

HEX #9281BA

RGB 146 129 186

HSL 257.89, 0.29%, 0.62%

LAB 57.42, 18.45, -27.55

 

Description

Color code: HEX #BA818C | qconv.com Color code: HEX #BA818C | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 186 red, 129 green and 140 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
186 129 140 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 31 magenta, 25 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 31% 25% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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