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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BA909F it is the complementary color #456F60. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BA909F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BA909F shade: #BF909A, #D0A2AD, #E1B4C0, #F2C6D3 and #FFD8E6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BA909F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BA909F shade: #BA909F, #A97E8C, #986C79, #875A66 and #764853

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BA909F shade: #BA919F, #BA9194 and #BA9191

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BA909F shade: #BA919F, #BA91AA, #BA91B6, #B391BA and #A891BA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BA909F shade matches the following richer shades: #BA919F, #C8829B, #D77497, #E56593 and #F4578F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BA909F shade: #BA919F, #AB9FA4, #9DAEA8, #8EBCAC and #80CAB0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BA909F shade: #BA91B6, #BA91AB, #BA91A0, #BA9195 and #BA9891

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BA909F shade: #995F74, #AA7789, #BA919F, #CAAAB5 and #DAC3CB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BA909F shade: #BA909F, #BAB391 and #91B0BA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BA909F shade: #BA909F, #A0BA91 and #91A0BA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BA909F shade: #BA909F, #BAB391, #91BAAB and #9198BA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BA909F shade: #BA909F, #B4BA91, #91BAAB and #9691BA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 23 / 15 / 27

HEX #BA909F

RGB 186 144 159

HSL 338.57, 0.23%, 0.65%

LAB 64.07, 18.23, -1.8

 

Complementary color

CMYK 38 / 0 / 14 / 56

HEX #456F60

RGB 69 111 96

HSL 158.57, 0.23%, 0.35%

LAB 43.48, -18.37, 3.74

 

CMYK 0 / 25 / 19 / 25

HEX #BF909A

RGB 191 144 154

HSL 347.23, 0.27%, 0.66%

LAB 64.45, 19.28, 1.64

 

CMYK 0 / 22 / 17 / 18

HEX #D0A2AD

RGB 208 162 173

HSL 345.65, 0.33%, 0.73%

LAB 71.06, 18.67, 0.85

 

CMYK 0 / 20 / 15 / 12

HEX #E1B4C0

RGB 225 180 192

HSL 344, 0.43%, 0.79%

LAB 77.55, 18.12, 0.11

 

CMYK 0 / 18 / 13 / 5

HEX #F2C6D3

RGB 242 198 211

HSL 342.27, 0.63%, 0.86%

LAB 83.95, 17.62, -0.58

 

CMYK 0 / 15 / 10 / 0

HEX #FFD8E6

RGB 255 216 230

HSL 338.46, 1%, 0.92%

LAB 89.9, 15.78, -1.81

 

CMYK 0 / 23 / 15 / 27

HEX #BA909F

RGB 186 144 159

HSL 338.57, 0.23%, 0.65%

LAB 64.07, 18.23, -1.8

 

CMYK 0 / 25 / 17 / 34

HEX #A97E8C

RGB 169 126 140

HSL 340.47, 0.2%, 0.58%

LAB 57.32, 18.86, -1.04

 

CMYK 0 / 29 / 20 / 40

HEX #986C79

RGB 152 108 121

HSL 342.27, 0.18%, 0.51%

LAB 50.43, 19.55, -0.22

 

CMYK 0 / 33 / 24 / 47

HEX #875A66

RGB 135 90 102

HSL 344, 0.2%, 0.44%

LAB 43.39, 20.34, 0.7

 

CMYK 0 / 39 / 30 / 54

HEX #764853

RGB 118 72 83

HSL 345.65, 0.24%, 0.37%

LAB 36.2, 21.23, 1.78

 

CMYK 0 / 22 / 15 / 27

HEX #BA919F

RGB 186 145 159

HSL 339.51, 0.23%, 0.65%

LAB 64.32, 17.68, -1.44

 

CMYK 0 / 22 / 20 / 27

HEX #BA9194

RGB 186 145 148

HSL 355.61, 0.23%, 0.65%

LAB 64.02, 15.9, 4.35

 

CMYK 0 / 22 / 22 / 27

HEX #BA9191

RGB 186 145 145

HSL 0, 0.23%, 0.65%

LAB 63.95, 15.44, 5.93

 

CMYK 0 / 22 / 15 / 27

HEX #BA919F

RGB 186 145 159

HSL 339.51, 0.23%, 0.65%

LAB 64.32, 17.68, -1.44

 

CMYK 0 / 22 / 9 / 27

HEX #BA91AA

RGB 186 145 170

HSL 323.41, 0.23%, 0.65%

LAB 64.64, 19.57, -7.17

 

CMYK 0 / 22 / 2 / 27

HEX #BA91B6

RGB 186 145 182

HSL 305.85, 0.23%, 0.65%

LAB 65.02, 21.76, -13.36

 

CMYK 4 / 22 / 0 / 27

HEX #B391BA

RGB 179 145 186

HSL 289.76, 0.23%, 0.65%

LAB 64.47, 20.13, -16.5

 

CMYK 10 / 22 / 0 / 27

HEX #A891BA

RGB 168 145 186

HSL 273.66, 0.23%, 0.65%

LAB 63.44, 16.42, -18.15

 

CMYK 0 / 22 / 15 / 27

HEX #BA919F

RGB 186 145 159

HSL 339.51, 0.23%, 0.65%

LAB 64.32, 17.68, -1.44

 

CMYK 0 / 35 / 23 / 22

HEX #C8829B

RGB 200 130 155

HSL 338.57, 0.39%, 0.65%

LAB 62.18, 30.46, -2.12

 

CMYK 0 / 46 / 30 / 16

HEX #D77497

RGB 215 116 151

HSL 338.79, 0.55%, 0.65%

LAB 60.93, 42.63, -1.44

 

CMYK 0 / 56 / 36 / 10

HEX #E56593

RGB 229 101 147

HSL 338.44, 0.71%, 0.65%

LAB 59.95, 54.16, -0.33

 

CMYK 0 / 64 / 41 / 4

HEX #F4578F

RGB 244 87 143

HSL 338.6, 0.88%, 0.65%

LAB 59.92, 64.4, 2.23

 

CMYK 0 / 22 / 15 / 27

HEX #BA919F

RGB 186 145 159

HSL 339.51, 0.23%, 0.65%

LAB 64.32, 17.68, -1.44

 

CMYK 0 / 7 / 4 / 33

HEX #AB9FA4

RGB 171 159 164

HSL 335, 0.07%, 0.65%

LAB 66.62, 5.27, -1.03

 

CMYK 10 / 0 / 3 / 32

HEX #9DAEA8

RGB 157 174 168

HSL 158.82, 0.09%, 0.65%

LAB 69.66, -7.1, 1.05

 

CMYK 24 / 0 / 9 / 26

HEX #8EBCAC

RGB 142 188 172

HSL 159.13, 0.26%, 0.65%

LAB 72.69, -18.58, 3.14

 

CMYK 37 / 0 / 13 / 21

HEX #80CAB0

RGB 128 202 176

HSL 158.92, 0.41%, 0.65%

LAB 76.05, -28.87, 5.73

 

CMYK 0 / 22 / 2 / 27

HEX #BA91B6

RGB 186 145 182

HSL 305.85, 0.23%, 0.65%

LAB 65.02, 21.76, -13.36

 

CMYK 0 / 22 / 8 / 27

HEX #BA91AB

RGB 186 145 171

HSL 321.95, 0.23%, 0.65%

LAB 64.67, 19.75, -7.69

 

CMYK 0 / 22 / 14 / 27

HEX #BA91A0

RGB 186 145 160

HSL 338.05, 0.23%, 0.65%

LAB 64.35, 17.85, -1.96

 

CMYK 0 / 22 / 20 / 27

HEX #BA9195

RGB 186 145 149

HSL 354.15, 0.23%, 0.65%

LAB 64.05, 16.06, 3.82

 

CMYK 0 / 18 / 22 / 27

HEX #BA9891

RGB 186 152 145

HSL 10.24, 0.23%, 0.65%

LAB 65.7, 11.56, 8.44

 

CMYK 0 / 38 / 24 / 40

HEX #995F74

RGB 153 95 116

HSL 338.28, 0.23%, 0.49%

LAB 47.26, 26.61, -1.86

 

CMYK 0 / 30 / 19 / 33

HEX #AA7789

RGB 170 119 137

HSL 338.82, 0.23%, 0.57%

LAB 55.63, 22.71, -1.76

 

CMYK 0 / 22 / 15 / 27

HEX #BA919F

RGB 186 145 159

HSL 339.51, 0.23%, 0.65%

LAB 64.32, 17.68, -1.44

 

CMYK 0 / 16 / 10 / 21

HEX #CAAAB5

RGB 202 170 181

HSL 339.38, 0.23%, 0.73%

LAB 72.66, 13.45, -1.29

 

CMYK 0 / 11 / 7 / 15

HEX #DAC3CB

RGB 218 195 203

HSL 339.13, 0.24%, 0.81%

LAB 80.88, 9.45, -1.05

 

CMYK 0 / 23 / 15 / 27

HEX #BA909F

RGB 186 144 159

HSL 338.57, 0.23%, 0.65%

LAB 64.07, 18.23, -1.8

 

CMYK 0 / 4 / 22 / 27

HEX #BAB391

RGB 186 179 145

HSL 49.76, 0.23%, 0.65%

LAB 72.71, -3.11, 18.29

 

CMYK 22 / 5 / 0 / 27

HEX #91B0BA

RGB 145 176 186

HSL 194.63, 0.23%, 0.65%

LAB 69.91, -8.3, -8.61

 

CMYK 0 / 23 / 15 / 27

HEX #BA909F

RGB 186 144 159

HSL 338.57, 0.23%, 0.65%

LAB 64.07, 18.23, -1.8

 

CMYK 14 / 0 / 22 / 27

HEX #A0BA91

RGB 160 186 145

HSL 98.05, 0.23%, 0.65%

LAB 72.65, -16.49, 17.9

 

CMYK 22 / 14 / 0 / 27

HEX #91A0BA

RGB 145 160 186

HSL 218.05, 0.23%, 0.65%

LAB 65.52, 0.44, -15.18

 

CMYK 0 / 23 / 15 / 27

HEX #BA909F

RGB 186 144 159

HSL 338.57, 0.23%, 0.65%

LAB 64.07, 18.23, -1.8

 

CMYK 0 / 4 / 22 / 27

HEX #BAB391

RGB 186 179 145

HSL 49.76, 0.23%, 0.65%

LAB 72.71, -3.11, 18.29

 

CMYK 22 / 0 / 8 / 27

HEX #91BAAB

RGB 145 186 171

HSL 158.05, 0.23%, 0.65%

LAB 72.28, -16.8, 3.11

 

CMYK 22 / 18 / 0 / 27

HEX #9198BA

RGB 145 152 186

HSL 229.76, 0.23%, 0.65%

LAB 63.36, 4.92, -18.45

 

CMYK 0 / 23 / 15 / 27

HEX #BA909F

RGB 186 144 159

HSL 338.57, 0.23%, 0.65%

LAB 64.07, 18.23, -1.8

 

CMYK 3 / 0 / 22 / 27

HEX #B4BA91

RGB 180 186 145

HSL 68.78, 0.23%, 0.65%

LAB 74.1, -9.08, 20.14

 

CMYK 22 / 0 / 8 / 27

HEX #91BAAB

RGB 145 186 171

HSL 158.05, 0.23%, 0.65%

LAB 72.28, -16.8, 3.11

 

CMYK 19 / 22 / 0 / 27

HEX #9691BA

RGB 150 145 186

HSL 247.32, 0.23%, 0.65%

LAB 61.9, 10.5, -20.65

 

Description

Color code: HEX #BA909F | qconv.com Color code: HEX #BA909F | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 186 red, 144 green and 159 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
186 144 159 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 23 magenta, 15 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 23% 15% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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