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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BA9230 it is the complementary color #456DCF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BA9230. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BA9230 shade: #BF922B, #D0A43E, #E1B651, #F2C864 and #FFDA77

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BA9230. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BA9230 shade: #BA9230, #A9801D, #986E0A, #875C00 and #764A00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BA9230 shade: #BA9230, #BA6D30, #BA4730 and #BA3030

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BA9230 shade: #BA9230, #BAB730, #97BA30, #72BA30 and #4DBA30

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BA9230 shade matches the following richer shades: #BA9230, #CD9A1D and #E0A20A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BA9230 shade: #BA9230, #A78A43, #948256, #817A69 and #6E727C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BA9230 shade: #BA4730, #BA6C30, #BA9030, #BAB530 and #9ABA30

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BA9230 shade: #785E1F, #997827, #BA9230, #CFA644 and #D7B665

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BA9230 shade: #BA9230, #3DBA30 and #5930BA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BA9230 shade: #BA9230, #30BA90 and #9030BA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BA9230 shade: #BA9230, #3DBA30, #3059BA and #AC30BA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BA9230 shade: #BA9230, #30BA4B, #3059BA and #BA309E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 22 / 74 / 27

HEX #BA9230

RGB 186 146 48

HSL 42.61, 0.59%, 0.46%

LAB 62.68, 5.25, 54.85

 

Complementary color

CMYK 67 / 47 / 0 / 19

HEX #456DCF

RGB 69 109 207

HSL 222.61, 0.59%, 0.54%

LAB 47.89, 17.92, -54.94

 

CMYK 0 / 24 / 77 / 25

HEX #BF922B

RGB 191 146 43

HSL 41.76, 0.63%, 0.46%

LAB 63.18, 7.25, 57.46

 

CMYK 0 / 21 / 70 / 18

HEX #D0A43E

RGB 208 164 62

HSL 41.92, 0.61%, 0.53%

LAB 69.69, 5.84, 56.84

 

CMYK 0 / 19 / 64 / 12

HEX #E1B651

RGB 225 182 81

HSL 42.08, 0.71%, 0.6%

LAB 76.1, 4.64, 55.85

 

CMYK 0 / 17 / 59 / 5

HEX #F2C864

RGB 242 200 100

HSL 42.25, 0.85%, 0.67%

LAB 82.44, 3.61, 54.69

 

CMYK 0 / 15 / 53 / 0

HEX #FFDA77

RGB 255 218 119

HSL 43.68, 1%, 0.73%

LAB 88.32, 1.1, 52.95

 

CMYK 0 / 22 / 74 / 27

HEX #BA9230

RGB 186 146 48

HSL 42.61, 0.59%, 0.46%

LAB 62.68, 5.25, 54.85

 

CMYK 0 / 24 / 83 / 34

HEX #A9801D

RGB 169 128 29

HSL 42.43, 0.71%, 0.39%

LAB 56.05, 6.79, 55.04

 

CMYK 0 / 28 / 93 / 40

HEX #986E0A

RGB 152 110 10

HSL 42.25, 0.88%, 0.32%

LAB 49.31, 8.66, 53.91

 

CMYK 0 / 32 / 100 / 47

HEX #875C00

RGB 135 92 0

HSL 40.89, 1%, 0.26%

LAB 42.47, 10.9, 50.4

 

CMYK 0 / 37 / 100 / 54

HEX #764A00

RGB 118 74 0

HSL 37.63, 1%, 0.23%

LAB 35.5, 13.44, 44.71

 

CMYK 0 / 22 / 74 / 27

HEX #BA9230

RGB 186 146 48

HSL 42.61, 0.59%, 0.46%

LAB 62.68, 5.25, 54.85

 

CMYK 0 / 41 / 74 / 27

HEX #BA6D30

RGB 186 109 48

HSL 26.52, 0.59%, 0.46%

LAB 53.59, 25.67, 45.69

 

CMYK 0 / 62 / 74 / 27

HEX #BA4730

RGB 186 71 48

HSL 10, 0.59%, 0.46%

LAB 45.85, 45.14, 37.45

 

CMYK 0 / 74 / 74 / 27

HEX #BA3030

RGB 186 48 48

HSL 0, 0.59%, 0.46%

LAB 42.41, 54.49, 33.62

 

CMYK 0 / 22 / 74 / 27

HEX #BA9230

RGB 186 146 48

HSL 42.61, 0.59%, 0.46%

LAB 62.68, 5.25, 54.85

 

CMYK 0 / 2 / 74 / 27

HEX #BAB730

RGB 186 183 48

HSL 58.7, 0.59%, 0.46%

LAB 72.57, -14.36, 64.32

 

CMYK 19 / 0 / 74 / 27

HEX #97BA30

RGB 151 186 48

HSL 75.22, 0.59%, 0.46%

LAB 70.81, -30.54, 61.72

 

CMYK 39 / 0 / 74 / 27

HEX #72BA30

RGB 114 186 48

HSL 91.3, 0.59%, 0.46%

LAB 68.69, -44.53, 58.93

 

CMYK 59 / 0 / 74 / 27

HEX #4DBA30

RGB 77 186 48

HSL 107.39, 0.59%, 0.46%

LAB 67.21, -55.65, 56.97

 

CMYK 0 / 22 / 74 / 27

HEX #BA9230

RGB 186 146 48

HSL 42.61, 0.59%, 0.46%

LAB 62.68, 5.25, 54.85

 

CMYK 0 / 25 / 86 / 20

HEX #CD9A1D

RGB 205 154 29

HSL 42.61, 0.75%, 0.46%

LAB 66.66, 8.65, 65.58

 

CMYK 0 / 28 / 96 / 12

HEX #E0A20A

RGB 224 162 10

HSL 42.62, 0.91%, 0.46%

LAB 70.67, 12.37, 73.18

 

CMYK 0 / 22 / 74 / 27

HEX #BA9230

RGB 186 146 48

HSL 42.61, 0.59%, 0.46%

LAB 62.68, 5.25, 54.85

 

CMYK 0 / 17 / 60 / 35

HEX #A78A43

RGB 167 138 67

HSL 42.6, 0.43%, 0.46%

LAB 58.79, 2.38, 41.47

 

CMYK 0 / 12 / 42 / 42

HEX #948256

RGB 148 130 86

HSL 42.58, 0.26%, 0.46%

LAB 55, 0.36, 26.32

 

CMYK 0 / 5 / 19 / 49

HEX #817A69

RGB 129 122 105

HSL 42.5, 0.1%, 0.46%

LAB 51.39, -0.38, 10.27

 

CMYK 11 / 8 / 0 / 51

HEX #6E727C

RGB 110 114 124

HSL 222.86, 0.06%, 0.46%

LAB 48.01, 0.65, -6.03

 

CMYK 0 / 62 / 74 / 27

HEX #BA4730

RGB 186 71 48

HSL 10, 0.59%, 0.46%

LAB 45.85, 45.14, 37.45

 

CMYK 0 / 42 / 74 / 27

HEX #BA6C30

RGB 186 108 48

HSL 26.09, 0.59%, 0.46%

LAB 53.36, 26.21, 45.46

 

CMYK 0 / 23 / 74 / 27

HEX #BA9030

RGB 186 144 48

HSL 41.74, 0.59%, 0.46%

LAB 62.17, 6.34, 54.34

 

CMYK 0 / 3 / 74 / 27

HEX #BAB530

RGB 186 181 48

HSL 57.83, 0.59%, 0.46%

LAB 72.03, -13.34, 63.8

 

CMYK 17 / 0 / 74 / 27

HEX #9ABA30

RGB 154 186 48

HSL 73.91, 0.59%, 0.46%

LAB 71.01, -29.32, 61.98

 

CMYK 0 / 22 / 74 / 53

HEX #785E1F

RGB 120 94 31

HSL 42.47, 0.59%, 0.3%

LAB 41.37, 3.52, 38.51

 

CMYK 0 / 22 / 75 / 40

HEX #997827

RGB 153 120 39

HSL 42.63, 0.59%, 0.38%

LAB 52.23, 4.37, 47.08

 

CMYK 0 / 22 / 74 / 27

HEX #BA9230

RGB 186 146 48

HSL 42.61, 0.59%, 0.46%

LAB 62.68, 5.25, 54.85

 

CMYK 0 / 20 / 67 / 19

HEX #CFA644

RGB 207 166 68

HSL 42.3, 0.59%, 0.54%

LAB 70.14, 4.66, 54.69

 

CMYK 0 / 15 / 53 / 16

HEX #D7B665

RGB 215 182 101

HSL 42.63, 0.59%, 0.62%

LAB 75.35, 1.91, 45.24

 

CMYK 0 / 22 / 74 / 27

HEX #BA9230

RGB 186 146 48

HSL 42.61, 0.59%, 0.46%

LAB 62.68, 5.25, 54.85

 

CMYK 67 / 0 / 74 / 27

HEX #3DBA30

RGB 61 186 48

HSL 114.35, 0.59%, 0.46%

LAB 66.77, -59.27, 56.39

 

CMYK 52 / 74 / 0 / 27

HEX #5930BA

RGB 89 48 186

HSL 257.83, 0.59%, 0.46%

LAB 33.53, 50.83, -65.99

 

CMYK 0 / 22 / 74 / 27

HEX #BA9230

RGB 186 146 48

HSL 42.61, 0.59%, 0.46%

LAB 62.68, 5.25, 54.85

 

CMYK 74 / 0 / 23 / 27

HEX #30BA90

RGB 48 186 144

HSL 161.74, 0.59%, 0.46%

LAB 67.84, -46.19, 11.01

 

CMYK 23 / 74 / 0 / 27

HEX #9030BA

RGB 144 48 186

HSL 281.74, 0.59%, 0.46%

LAB 40.55, 60.51, -54.24

 

CMYK 0 / 22 / 74 / 27

HEX #BA9230

RGB 186 146 48

HSL 42.61, 0.59%, 0.46%

LAB 62.68, 5.25, 54.85

 

CMYK 67 / 0 / 74 / 27

HEX #3DBA30

RGB 61 186 48

HSL 114.35, 0.59%, 0.46%

LAB 66.77, -59.27, 56.39

 

CMYK 74 / 52 / 0 / 27

HEX #3059BA

RGB 48 89 186

HSL 222.17, 0.59%, 0.46%

LAB 40.11, 20.01, -55.39

 

CMYK 8 / 74 / 0 / 27

HEX #AC30BA

RGB 172 48 186

HSL 293.91, 0.59%, 0.46%

LAB 44.84, 66.16, -47.12

 

CMYK 0 / 22 / 74 / 27

HEX #BA9230

RGB 186 146 48

HSL 42.61, 0.59%, 0.46%

LAB 62.68, 5.25, 54.85

 

CMYK 74 / 0 / 60 / 27

HEX #30BA4B

RGB 48 186 75

HSL 131.74, 0.59%, 0.46%

LAB 66.71, -58.89, 45.15

 

CMYK 74 / 52 / 0 / 27

HEX #3059BA

RGB 48 89 186

HSL 222.17, 0.59%, 0.46%

LAB 40.11, 20.01, -55.39

 

CMYK 0 / 74 / 15 / 27

HEX #BA309E

RGB 186 48 158

HSL 312.17, 0.59%, 0.46%

LAB 45.66, 64.82, -29.1

 

Description

Color code: HEX #BA9230 | qconv.com Color code: HEX #BA9230 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 186 red, 146 green and 48 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
186 146 48 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 22 magenta, 74 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 22% 74% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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