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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BA9F5D it is the complementary color #4560A2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BA9F5D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BA9F5D shade: #BF9F58, #D0B16B, #E1C37E, #F2D591 and #FFE7A4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BA9F5D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BA9F5D shade: #BA9F5D, #A98D4A, #987B37, #876924 and #765711

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BA9F5D shade: #BA9F5E, #BA865E, #BA6D5E and #BA5E5E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BA9F5D shade: #BA9F5E, #BAB85E, #A3BA5E, #8ABA5E and #71BA5E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BA9F5D shade matches the following richer shades: #BA9F5E, #CCA74B, #DFAF39 and #F1B626

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BA9F5D shade: #BA9F5E, #A79770, #958F83, #828896 and #6F80A8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BA9F5D shade: #BA6D5E, #BA865E, #BA9E5E, #BAB75E and #A4BA5E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BA9F5D shade: #8A733B, #A78B47, #BA9F5E, #C6B07B and #D2C198

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BA9F5D shade: #BA9F5D, #67BA5E and #795EBA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BA9F5D shade: #BA9F5D, #5EBA9E and #9E5EBA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BA9F5D shade: #BA9F5D, #67BA5E, #5E79BA and #B05EBA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BA9F5D shade: #BA9F5D, #5EBA70, #5E79BA and #BA5EA7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 15 / 50 / 27

HEX #BA9F5D

RGB 186 159 93

HSL 42.58, 0.4%, 0.55%

LAB 66.54, 1.32, 37.92

 

Complementary color

CMYK 57 / 41 / 0 / 36

HEX #4560A2

RGB 69 96 162

HSL 222.58, 0.4%, 0.45%

LAB 41.59, 10.41, -38.81

 

CMYK 0 / 17 / 54 / 25

HEX #BF9F58

RGB 191 159 88

HSL 41.36, 0.45%, 0.55%

LAB 66.96, 2.99, 41.1

 

CMYK 0 / 15 / 49 / 18

HEX #D0B16B

RGB 208 177 107

HSL 41.58, 0.52%, 0.62%

LAB 73.49, 2.19, 39.79

 

CMYK 0 / 13 / 44 / 12

HEX #E1C37E

RGB 225 195 126

HSL 41.82, 0.62%, 0.69%

LAB 79.92, 1.5, 38.52

 

CMYK 0 / 12 / 40 / 5

HEX #F2D591

RGB 242 213 145

HSL 42.06, 0.79%, 0.76%

LAB 86.26, 0.91, 37.3

 

CMYK 0 / 9 / 36 / 0

HEX #FFE7A4

RGB 255 231 164

HSL 44.18, 1%, 0.82%

LAB 92.17, -1.13, 35.63

 

CMYK 0 / 15 / 50 / 27

HEX #BA9F5D

RGB 186 159 93

HSL 42.58, 0.4%, 0.55%

LAB 66.54, 1.32, 37.92

 

CMYK 0 / 17 / 56 / 34

HEX #A98D4A

RGB 169 141 74

HSL 42.32, 0.39%, 0.48%

LAB 59.87, 2.16, 39.24

 

CMYK 0 / 19 / 64 / 40

HEX #987B37

RGB 152 123 55

HSL 42.06, 0.47%, 0.41%

LAB 53.08, 3.18, 40.54

 

CMYK 0 / 22 / 73 / 47

HEX #876924

RGB 135 105 36

HSL 41.82, 0.58%, 0.34%

LAB 46.15, 4.46, 41.64

 

CMYK 0 / 26 / 86 / 54

HEX #765711

RGB 118 87 17

HSL 41.58, 0.75%, 0.26%

LAB 39.08, 6.08, 42.04

 

CMYK 0 / 15 / 49 / 27

HEX #BA9F5E

RGB 186 159 94

HSL 42.39, 0.4%, 0.55%

LAB 66.55, 1.41, 37.41

 

CMYK 0 / 28 / 49 / 27

HEX #BA865E

RGB 186 134 94

HSL 26.09, 0.4%, 0.55%

LAB 60.16, 15.15, 29.34

 

CMYK 0 / 41 / 49 / 27

HEX #BA6D5E

RGB 186 109 94

HSL 9.78, 0.4%, 0.55%

LAB 54.22, 28.97, 21.57

 

CMYK 0 / 49 / 49 / 27

HEX #BA5E5E

RGB 186 94 94

HSL 0, 0.4%, 0.55%

LAB 50.98, 36.99, 17.2

 

CMYK 0 / 15 / 49 / 27

HEX #BA9F5E

RGB 186 159 94

HSL 42.39, 0.4%, 0.55%

LAB 66.55, 1.41, 37.41

 

CMYK 0 / 1 / 49 / 27

HEX #BAB85E

RGB 186 184 94

HSL 58.7, 0.4%, 0.55%

LAB 73.24, -11.8, 45.53

 

CMYK 12 / 0 / 49 / 27

HEX #A3BA5E

RGB 163 186 94

HSL 75, 0.4%, 0.55%

LAB 72.04, -22.17, 43.67

 

CMYK 26 / 0 / 49 / 27

HEX #8ABA5E

RGB 138 186 94

HSL 91.3, 0.4%, 0.55%

LAB 70.41, -31.78, 41.32

 

CMYK 39 / 0 / 49 / 27

HEX #71BA5E

RGB 113 186 94

HSL 107.61, 0.4%, 0.55%

LAB 69.07, -40.48, 39.37

 

CMYK 0 / 15 / 49 / 27

HEX #BA9F5E

RGB 186 159 94

HSL 42.39, 0.4%, 0.55%

LAB 66.55, 1.41, 37.41

 

CMYK 0 / 18 / 63 / 20

HEX #CCA74B

RGB 204 167 75

HSL 42.79, 0.56%, 0.55%

LAB 70.16, 3.27, 51.46

 

CMYK 0 / 22 / 74 / 13

HEX #DFAF39

RGB 223 175 57

HSL 42.65, 0.72%, 0.55%

LAB 73.96, 6.22, 63.61

 

CMYK 0 / 24 / 84 / 5

HEX #F1B626

RGB 241 182 38

HSL 42.56, 0.88%, 0.55%

LAB 77.46, 9.62, 73.64

 

CMYK 0 / 15 / 49 / 27

HEX #BA9F5E

RGB 186 159 94

HSL 42.39, 0.4%, 0.55%

LAB 66.55, 1.41, 37.41

 

CMYK 0 / 10 / 33 / 35

HEX #A79770

RGB 167 151 112

HSL 42.55, 0.24%, 0.55%

LAB 62.94, -0.11, 22.73

 

CMYK 0 / 4 / 12 / 42

HEX #958F83

RGB 149 143 131

HSL 40, 0.08%, 0.55%

LAB 59.59, 0.05, 7.17

 

CMYK 13 / 9 / 0 / 41

HEX #828896

RGB 130 136 150

HSL 222, 0.09%, 0.55%

LAB 56.64, 0.78, -8.22

 

CMYK 34 / 24 / 0 / 34

HEX #6F80A8

RGB 111 128 168

HSL 222.11, 0.25%, 0.55%

LAB 53.65, 3.7, -23.27

 

CMYK 0 / 41 / 49 / 27

HEX #BA6D5E

RGB 186 109 94

HSL 9.78, 0.4%, 0.55%

LAB 54.22, 28.97, 21.57

 

CMYK 0 / 28 / 49 / 27

HEX #BA865E

RGB 186 134 94

HSL 26.09, 0.4%, 0.55%

LAB 60.16, 15.15, 29.34

 

CMYK 0 / 15 / 49 / 27

HEX #BA9E5E

RGB 186 158 94

HSL 41.74, 0.4%, 0.55%

LAB 66.29, 1.96, 37.09

 

CMYK 0 / 2 / 49 / 27

HEX #BAB75E

RGB 186 183 94

HSL 58.04, 0.4%, 0.55%

LAB 72.97, -11.29, 45.21

 

CMYK 12 / 0 / 49 / 27

HEX #A4BA5E

RGB 164 186 94

HSL 74.35, 0.4%, 0.55%

LAB 72.11, -21.77, 43.78

 

CMYK 0 / 17 / 57 / 46

HEX #8A733B

RGB 138 115 59

HSL 42.53, 0.4%, 0.39%

LAB 49.47, 1.7, 33.96

 

CMYK 0 / 17 / 57 / 35

HEX #A78B47

RGB 167 139 71

HSL 42.5, 0.4%, 0.47%

LAB 59.1, 2.14, 39.81

 

CMYK 0 / 15 / 49 / 27

HEX #BA9F5E

RGB 186 159 94

HSL 42.39, 0.4%, 0.55%

LAB 66.55, 1.41, 37.41

 

CMYK 0 / 11 / 38 / 22

HEX #C6B07B

RGB 198 176 123

HSL 42.4, 0.4%, 0.63%

LAB 72.55, 0.32, 30.06

 

CMYK 0 / 8 / 28 / 18

HEX #D2C198

RGB 210 193 152

HSL 42.41, 0.39%, 0.71%

LAB 78.52, -0.3, 22.85

 

CMYK 0 / 15 / 50 / 27

HEX #BA9F5D

RGB 186 159 93

HSL 42.58, 0.4%, 0.55%

LAB 66.54, 1.32, 37.92

 

CMYK 45 / 0 / 49 / 27

HEX #67BA5E

RGB 103 186 94

HSL 114.13, 0.4%, 0.55%

LAB 68.61, -43.62, 38.71

 

CMYK 35 / 49 / 0 / 27

HEX #795EBA

RGB 121 94 186

HSL 257.61, 0.4%, 0.55%

LAB 46.47, 31.82, -44.91

 

CMYK 0 / 15 / 50 / 27

HEX #BA9F5D

RGB 186 159 93

HSL 42.58, 0.4%, 0.55%

LAB 66.54, 1.32, 37.92

 

CMYK 49 / 0 / 15 / 27

HEX #5EBA9E

RGB 94 186 158

HSL 161.74, 0.4%, 0.55%

LAB 69.45, -34.24, 5.81

 

CMYK 15 / 49 / 0 / 27

HEX #9E5EBA

RGB 158 94 186

HSL 281.74, 0.4%, 0.55%

LAB 50.48, 42.01, -38.3

 

CMYK 0 / 15 / 50 / 27

HEX #BA9F5D

RGB 186 159 93

HSL 42.58, 0.4%, 0.55%

LAB 66.54, 1.32, 37.92

 

CMYK 45 / 0 / 49 / 27

HEX #67BA5E

RGB 103 186 94

HSL 114.13, 0.4%, 0.55%

LAB 68.61, -43.62, 38.71

 

CMYK 49 / 35 / 0 / 27

HEX #5E79BA

RGB 94 121 186

HSL 222.39, 0.4%, 0.55%

LAB 51.38, 8.52, -37.26

 

CMYK 5 / 49 / 0 / 27

HEX #B05EBA

RGB 176 94 186

HSL 293.48, 0.4%, 0.55%

LAB 52.71, 47.16, -34.64

 

CMYK 0 / 15 / 50 / 27

HEX #BA9F5D

RGB 186 159 93

HSL 42.58, 0.4%, 0.55%

LAB 66.54, 1.32, 37.92

 

CMYK 49 / 0 / 40 / 27

HEX #5EBA70

RGB 94 186 112

HSL 131.74, 0.4%, 0.55%

LAB 68.51, -43.48, 29.3

 

CMYK 49 / 35 / 0 / 27

HEX #5E79BA

RGB 94 121 186

HSL 222.39, 0.4%, 0.55%

LAB 51.38, 8.52, -37.26

 

CMYK 0 / 49 / 10 / 27

HEX #BA5EA7

RGB 186 94 167

HSL 312.39, 0.4%, 0.55%

LAB 53.21, 46.72, -22.73

 

Description

Color code: HEX #BA9F5D | qconv.com Color code: HEX #BA9F5D | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 186 red, 159 green and 93 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
186 159 93 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 15 magenta, 50 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 15% 50% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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