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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BAA453 it is the complementary color #455BAC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BAA453. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BAA453 shade: #BFA44E, #D0B661, #E1C874, #F2DA87 and #FFEC9A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BAA453. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BAA453 shade: #BAA453, #A99240, #98802D, #876E1A and #765C07

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BAA453 shade: #BAA453, #BA8853, #BA6D53 and #BA5353

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BAA453 shade: #BAA453, #B4BA53, #99BA53, #7DBA53 and #61BA53

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BAA453 shade matches the following richer shades: #BAA453, #CEAF40, #E1BA2C and #F4C519

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BAA453 shade: #BAA453, #A79967, #938E7A, #80838D and #6D78A1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BAA453 shade: #BA6D53, #BA8853, #BAA453, #B5BA53 and #9ABA53

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BAA453 shade: #867535, #A38E41, #BAA453, #C6B471 and #D2C38E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BAA453 shade: #BAA453, #55BA53 and #7B53BA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BAA453 shade: #BAA453, #53BAA4 and #A453BA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BAA453 shade: #BAA453, #55BA53, #5369BA and #B853BA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BAA453 shade: #BAA453, #53BA70, #5369BA and #BA539D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 12 / 55 / 27

HEX #BAA453

RGB 186 164 83

HSL 47.18, 0.43%, 0.53%

LAB 67.74, -2.25, 44.41

 

Complementary color

CMYK 60 / 47 / 0 / 33

HEX #455BAC

RGB 69 91 172

HSL 227.18, 0.43%, 0.47%

LAB 40.78, 17.06, -46.03

 

CMYK 0 / 14 / 59 / 25

HEX #BFA44E

RGB 191 164 78

HSL 45.66, 0.47%, 0.53%

LAB 68.15, -0.5, 47.44

 

CMYK 0 / 13 / 53 / 18

HEX #D0B661

RGB 208 182 97

HSL 45.95, 0.54%, 0.6%

LAB 74.65, -1.34, 46.22

 

CMYK 0 / 11 / 48 / 12

HEX #E1C874

RGB 225 200 116

HSL 46.24, 0.64%, 0.67%

LAB 81.06, -2.06, 44.98

 

CMYK 0 / 10 / 44 / 5

HEX #F2DA87

RGB 242 218 135

HSL 46.54, 0.8%, 0.74%

LAB 87.37, -2.67, 43.75

 

CMYK 0 / 7 / 40 / 0

HEX #FFEC9A

RGB 255 236 154

HSL 48.71, 1%, 0.8%

LAB 93.27, -4.74, 42.07

 

CMYK 0 / 12 / 55 / 27

HEX #BAA453

RGB 186 164 83

HSL 47.18, 0.43%, 0.53%

LAB 67.74, -2.25, 44.41

 

CMYK 0 / 14 / 62 / 34

HEX #A99240

RGB 169 146 64

HSL 46.86, 0.45%, 0.46%

LAB 61.1, -1.36, 45.6

 

CMYK 0 / 16 / 70 / 40

HEX #98802D

RGB 152 128 45

HSL 46.54, 0.54%, 0.39%

LAB 54.35, -0.27, 46.59

 

CMYK 0 / 19 / 81 / 47

HEX #876E1A

RGB 135 110 26

HSL 46.24, 0.68%, 0.32%

LAB 47.47, 1.1, 47.02

 

CMYK 0 / 22 / 94 / 54

HEX #765C07

RGB 118 92 7

HSL 45.95, 0.89%, 0.25%

LAB 40.44, 2.83, 46.11

 

CMYK 0 / 12 / 55 / 27

HEX #BAA453

RGB 186 164 83

HSL 47.18, 0.43%, 0.53%

LAB 67.74, -2.25, 44.41

 

CMYK 0 / 27 / 55 / 27

HEX #BA8853

RGB 186 136 83

HSL 30.87, 0.43%, 0.53%

LAB 60.49, 13.04, 35.71

 

CMYK 0 / 41 / 55 / 27

HEX #BA6D53

RGB 186 109 83

HSL 15.15, 0.43%, 0.53%

LAB 54.03, 27.97, 27.61

 

CMYK 0 / 55 / 55 / 27

HEX #BA5353

RGB 186 83 83

HSL 0, 0.43%, 0.53%

LAB 48.57, 41.61, 20.5

 

CMYK 0 / 12 / 55 / 27

HEX #BAA453

RGB 186 164 83

HSL 47.18, 0.43%, 0.53%

LAB 67.74, -2.25, 44.41

 

CMYK 3 / 0 / 55 / 27

HEX #B4BA53

RGB 180 186 83

HSL 63.5, 0.43%, 0.53%

LAB 73.18, -16.26, 50.57

 

CMYK 18 / 0 / 55 / 27

HEX #99BA53

RGB 153 186 83

HSL 79.22, 0.43%, 0.53%

LAB 71.22, -27.2, 47.81

 

CMYK 33 / 0 / 55 / 27

HEX #7DBA53

RGB 125 186 83

HSL 95.53, 0.43%, 0.53%

LAB 69.54, -37.71, 45.42

 

CMYK 48 / 0 / 55 / 27

HEX #61BA53

RGB 97 186 83

HSL 111.84, 0.43%, 0.53%

LAB 68.23, -46.81, 43.55

 

CMYK 0 / 12 / 55 / 27

HEX #BAA453

RGB 186 164 83

HSL 47.18, 0.43%, 0.53%

LAB 67.74, -2.25, 44.41

 

CMYK 0 / 15 / 69 / 19

HEX #CEAF40

RGB 206 175 64

HSL 46.9, 0.59%, 0.53%

LAB 72.33, -0.78, 58.66

 

CMYK 0 / 17 / 80 / 12

HEX #E1BA2C

RGB 225 186 44

HSL 47.07, 0.75%, 0.53%

LAB 76.86, 0.82, 70.79

 

CMYK 0 / 19 / 90 / 4

HEX #F4C519

RGB 244 197 25

HSL 47.12, 0.91%, 0.53%

LAB 81.42, 2.84, 79.81

 

CMYK 0 / 12 / 55 / 27

HEX #BAA453

RGB 186 164 83

HSL 47.18, 0.43%, 0.53%

LAB 67.74, -2.25, 44.41

 

CMYK 0 / 8 / 38 / 35

HEX #A79967

RGB 167 153 103

HSL 46.88, 0.27%, 0.53%

LAB 63.32, -2.33, 28.16

 

CMYK 0 / 3 / 17 / 42

HEX #938E7A

RGB 147 142 122

HSL 48, 0.1%, 0.53%

LAB 58.93, -1.69, 11.33

 

CMYK 9 / 7 / 0 / 45

HEX #80838D

RGB 128 131 141

HSL 226.15, 0.05%, 0.53%

LAB 54.81, 0.97, -5.76

 

CMYK 32 / 25 / 0 / 37

HEX #6D78A1

RGB 109 120 161

HSL 227.31, 0.22%, 0.53%

LAB 50.99, 5.94, -23.32

 

CMYK 0 / 41 / 55 / 27

HEX #BA6D53

RGB 186 109 83

HSL 15.15, 0.43%, 0.53%

LAB 54.03, 27.97, 27.61

 

CMYK 0 / 27 / 55 / 27

HEX #BA8853

RGB 186 136 83

HSL 30.87, 0.43%, 0.53%

LAB 60.49, 13.04, 35.71

 

CMYK 0 / 12 / 55 / 27

HEX #BAA453

RGB 186 164 83

HSL 47.18, 0.43%, 0.53%

LAB 67.74, -2.25, 44.41

 

CMYK 3 / 0 / 55 / 27

HEX #B5BA53

RGB 181 186 83

HSL 62.91, 0.43%, 0.53%

LAB 73.26, -15.84, 50.68

 

CMYK 17 / 0 / 55 / 27

HEX #9ABA53

RGB 154 186 83

HSL 78.64, 0.43%, 0.53%

LAB 71.29, -26.81, 47.9

 

CMYK 0 / 13 / 60 / 47

HEX #867535

RGB 134 117 53

HSL 47.41, 0.43%, 0.37%

LAB 49.55, -1.76, 37.07

 

CMYK 0 / 13 / 60 / 36

HEX #A38E41

RGB 163 142 65

HSL 47.14, 0.43%, 0.45%

LAB 59.45, -1.75, 43.1

 

CMYK 0 / 12 / 55 / 27

HEX #BAA453

RGB 186 164 83

HSL 47.18, 0.43%, 0.53%

LAB 67.74, -2.25, 44.41

 

CMYK 0 / 9 / 43 / 22

HEX #C6B471

RGB 198 180 113

HSL 47.29, 0.43%, 0.61%

LAB 73.44, -2.91, 36.45

 

CMYK 0 / 7 / 32 / 18

HEX #D2C38E

RGB 210 195 142

HSL 46.76, 0.43%, 0.69%

LAB 78.86, -2.64, 28.59

 

CMYK 0 / 12 / 55 / 27

HEX #BAA453

RGB 186 164 83

HSL 47.18, 0.43%, 0.53%

LAB 67.74, -2.25, 44.41

 

CMYK 54 / 0 / 55 / 27

HEX #55BA53

RGB 85 186 83

HSL 118.83, 0.43%, 0.53%

LAB 67.78, -50.14, 42.9

 

CMYK 34 / 55 / 0 / 27

HEX #7B53BA

RGB 123 83 186

HSL 263.3, 0.43%, 0.53%

LAB 44.15, 38.74, -48.6

 

CMYK 0 / 12 / 55 / 27

HEX #BAA453

RGB 186 164 83

HSL 47.18, 0.43%, 0.53%

LAB 67.74, -2.25, 44.41

 

CMYK 55 / 0 / 12 / 27

HEX #53BAA4

RGB 83 186 164

HSL 167.18, 0.43%, 0.53%

LAB 69.21, -35.28, 2.13

 

CMYK 12 / 55 / 0 / 27

HEX #A453BA

RGB 164 83 186

HSL 287.18, 0.43%, 0.53%

LAB 49.04, 49.43, -40.52

 

CMYK 0 / 12 / 55 / 27

HEX #BAA453

RGB 186 164 83

HSL 47.18, 0.43%, 0.53%

LAB 67.74, -2.25, 44.41

 

CMYK 54 / 0 / 55 / 27

HEX #55BA53

RGB 85 186 83

HSL 118.83, 0.43%, 0.53%

LAB 67.78, -50.14, 42.9

 

CMYK 55 / 44 / 0 / 27

HEX #5369BA

RGB 83 105 186

HSL 227.18, 0.43%, 0.53%

LAB 46.29, 15.84, -45.36

 

CMYK 1 / 55 / 0 / 27

HEX #B853BA

RGB 184 83 186

HSL 298.83, 0.43%, 0.53%

LAB 51.75, 54.81, -36.07

 

CMYK 0 / 12 / 55 / 27

HEX #BAA453

RGB 186 164 83

HSL 47.18, 0.43%, 0.53%

LAB 67.74, -2.25, 44.41

 

CMYK 55 / 0 / 40 / 27

HEX #53BA70

RGB 83 186 112

HSL 136.89, 0.43%, 0.53%

LAB 68.11, -46.31, 28.7

 

CMYK 55 / 44 / 0 / 27

HEX #5369BA

RGB 83 105 186

HSL 227.18, 0.43%, 0.53%

LAB 46.29, 15.84, -45.36

 

CMYK 0 / 55 / 16 / 27

HEX #BA539D

RGB 186 83 157

HSL 316.89, 0.43%, 0.53%

LAB 50.76, 50.51, -20.62

 

Description

Color code: HEX #BAA453 | qconv.com Color code: HEX #BAA453 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 186 red, 164 green and 83 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
186 164 83 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 12 magenta, 55 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 12% 55% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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