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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BAA63A it is the complementary color #4559C5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BAA63A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BAA63A shade: #BFA635, #D0B848, #E1CA5B, #F2DC6E and #FFEE81

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BAA63A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BAA63A shade: #BAA63A, #A99427, #988214, #877001 and #765E00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BAA63A shade: #BAA63A, #BA833A, #BA613A, #BA3F3A and #BA3A3A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BAA63A shade: #BAA63A, #ABBA3A, #89BA3A, #66BA3A and #44BA3A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BAA63A shade matches the following richer shades: #BAA63A, #CDB326 and #E1C113

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BAA63A shade: #BAA63A, #A6984E, #928A62, #7E7D76 and #6A6F89

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BAA63A shade: #BA603A, #BA823A, #BAA43A, #ADBA3A and #8BBA3A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BAA63A shade: #7B6E26, #9A8A30, #BAA63A, #C9B754 and #D3C474

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BAA63A shade: #BAA63A, #3ABA3E and #713ABA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BAA63A shade: #BAA63A, #3ABAA4 and #A43ABA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BAA63A shade: #BAA63A, #3ABA3E, #3A4FBA and #BA3AB5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BAA63A shade: #BAA63A, #3ABA65, #3A4FBA and #BA3A8F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 11 / 69 / 27

HEX #BAA63A

RGB 186 166 58

HSL 50.63, 0.52%, 0.48%

LAB 68.03, -5.03, 56.13

 

Complementary color

CMYK 65 / 55 / 0 / 23

HEX #4559C5

RGB 69 89 197

HSL 230.63, 0.52%, 0.52%

LAB 41.91, 27.07, -58.83

 

CMYK 0 / 13 / 72 / 25

HEX #BFA635

RGB 191 166 53

HSL 49.13, 0.57%, 0.48%

LAB 68.46, -3.1, 58.72

 

CMYK 0 / 12 / 65 / 18

HEX #D0B848

RGB 208 184 72

HSL 49.41, 0.59%, 0.55%

LAB 74.92, -4.19, 58.06

 

CMYK 0 / 10 / 60 / 12

HEX #E1CA5B

RGB 225 202 91

HSL 49.7, 0.69%, 0.62%

LAB 81.29, -5.1, 57.1

 

CMYK 0 / 9 / 55 / 5

HEX #F2DC6E

RGB 242 220 110

HSL 50, 0.84%, 0.69%

LAB 87.58, -5.88, 56.01

 

CMYK 0 / 7 / 49 / 0

HEX #FFEE81

RGB 255 238 129

HSL 51.9, 1%, 0.75%

LAB 93.45, -8.13, 54.38

 

CMYK 0 / 11 / 69 / 27

HEX #BAA63A

RGB 186 166 58

HSL 50.63, 0.52%, 0.48%

LAB 68.03, -5.03, 56.13

 

CMYK 0 / 12 / 77 / 34

HEX #A99427

RGB 169 148 39

HSL 50.31, 0.63%, 0.41%

LAB 61.45, -3.86, 56.49

 

CMYK 0 / 14 / 87 / 40

HEX #988214

RGB 152 130 20

HSL 50, 0.77%, 0.34%

LAB 54.75, -2.42, 55.88

 

CMYK 0 / 17 / 99 / 47

HEX #877001

RGB 135 112 1

HSL 49.7, 0.99%, 0.27%

LAB 47.93, -0.7, 53.94

 

CMYK 0 / 20 / 100 / 54

HEX #765E00

RGB 118 94 0

HSL 47.8, 1%, 0.23%

LAB 40.99, 1.47, 48.43

 

CMYK 0 / 11 / 69 / 27

HEX #BAA63A

RGB 186 166 58

HSL 50.63, 0.52%, 0.48%

LAB 68.03, -5.03, 56.13

 

CMYK 0 / 30 / 69 / 27

HEX #BA833A

RGB 186 131 58

HSL 34.22, 0.52%, 0.48%

LAB 58.95, 14.03, 46.61

 

CMYK 0 / 48 / 69 / 27

HEX #BA613A

RGB 186 97 58

HSL 18.28, 0.52%, 0.48%

LAB 51.03, 32.67, 37.83

 

CMYK 0 / 66 / 69 / 27

HEX #BA3F3A

RGB 186 63 58

HSL 2.34, 0.52%, 0.48%

LAB 44.66, 49.17, 30.38

 

CMYK 0 / 69 / 69 / 27

HEX #BA3A3A

RGB 186 58 58

HSL 0, 0.52%, 0.48%

LAB 43.9, 51.23, 29.47

 

CMYK 0 / 11 / 69 / 27

HEX #BAA63A

RGB 186 166 58

HSL 50.63, 0.52%, 0.48%

LAB 68.03, -5.03, 56.13

 

CMYK 8 / 0 / 69 / 27

HEX #ABBA3A

RGB 171 186 58

HSL 67.03, 0.52%, 0.48%

LAB 72.28, -21.75, 60.03

 

CMYK 26 / 0 / 69 / 27

HEX #89BA3A

RGB 137 186 58

HSL 82.97, 0.52%, 0.48%

LAB 69.99, -35.46, 56.97

 

CMYK 45 / 0 / 69 / 27

HEX #66BA3A

RGB 102 186 58

HSL 99.38, 0.52%, 0.48%

LAB 68.2, -47.79, 54.55

 

CMYK 63 / 0 / 69 / 27

HEX #44BA3A

RGB 68 186 58

HSL 115.31, 0.52%, 0.48%

LAB 67.02, -56.97, 52.94

 

CMYK 0 / 11 / 69 / 27

HEX #BAA63A

RGB 186 166 58

HSL 50.63, 0.52%, 0.48%

LAB 68.03, -5.03, 56.13

 

CMYK 0 / 13 / 81 / 20

HEX #CDB326

RGB 205 179 38

HSL 50.66, 0.69%, 0.48%

LAB 73.13, -4.4, 68.55

 

CMYK 0 / 14 / 92 / 12

HEX #E1C113

RGB 225 193 19

HSL 50.68, 0.84%, 0.48%

LAB 78.58, -3.38, 77.82

 

CMYK 0 / 11 / 69 / 27

HEX #BAA63A

RGB 186 166 58

HSL 50.63, 0.52%, 0.48%

LAB 68.03, -5.03, 56.13

 

CMYK 0 / 8 / 53 / 35

HEX #A6984E

RGB 166 152 78

HSL 50.45, 0.36%, 0.48%

LAB 62.6, -4.82, 40.39

 

CMYK 0 / 5 / 33 / 43

HEX #928A62

RGB 146 138 98

HSL 50, 0.2%, 0.48%

LAB 57.24, -3.45, 22.54

 

CMYK 0 / 1 / 6 / 51

HEX #7E7D76

RGB 126 125 118

HSL 52.5, 0.03%, 0.48%

LAB 52.3, -0.97, 3.94

 

CMYK 23 / 19 / 0 / 46

HEX #6A6F89

RGB 106 111 137

HSL 230.32, 0.13%, 0.48%

LAB 47.29, 4.11, -14.89

 

CMYK 0 / 48 / 69 / 27

HEX #BA603A

RGB 186 96 58

HSL 17.81, 0.52%, 0.48%

LAB 50.82, 33.2, 37.59

 

CMYK 0 / 30 / 69 / 27

HEX #BA823A

RGB 186 130 58

HSL 33.75, 0.52%, 0.48%

LAB 58.7, 14.59, 46.35

 

CMYK 0 / 12 / 69 / 27

HEX #BAA43A

RGB 186 164 58

HSL 49.69, 0.52%, 0.48%

LAB 67.5, -3.97, 55.59

 

CMYK 7 / 0 / 69 / 27

HEX #ADBA3A

RGB 173 186 58

HSL 66.09, 0.52%, 0.48%

LAB 72.43, -20.91, 60.23

 

CMYK 25 / 0 / 69 / 27

HEX #8BBA3A

RGB 139 186 58

HSL 82.03, 0.52%, 0.48%

LAB 70.11, -34.69, 57.13

 

CMYK 0 / 11 / 69 / 52

HEX #7B6E26

RGB 123 110 38

HSL 50.82, 0.53%, 0.32%

LAB 46.32, -3.95, 40.5

 

CMYK 0 / 10 / 69 / 40

HEX #9A8A30

RGB 154 138 48

HSL 50.94, 0.52%, 0.4%

LAB 57.33, -4.73, 48.41

 

CMYK 0 / 11 / 69 / 27

HEX #BAA63A

RGB 186 166 58

HSL 50.63, 0.52%, 0.48%

LAB 68.03, -5.03, 56.13

 

CMYK 0 / 9 / 58 / 21

HEX #C9B754

RGB 201 183 84

HSL 50.77, 0.52%, 0.56%

LAB 74.14, -5.83, 51.67

 

CMYK 0 / 7 / 45 / 17

HEX #D3C474

RGB 211 196 116

HSL 50.53, 0.52%, 0.64%

LAB 78.8, -5.67, 41.91

 

CMYK 0 / 11 / 69 / 27

HEX #BAA63A

RGB 186 166 58

HSL 50.63, 0.52%, 0.48%

LAB 68.03, -5.03, 56.13

 

CMYK 69 / 0 / 67 / 27

HEX #3ABA3E

RGB 58 186 62

HSL 121.88, 0.52%, 0.48%

LAB 66.8, -58.64, 51

 

CMYK 39 / 69 / 0 / 27

HEX #713ABA

RGB 113 58 186

HSL 265.78, 0.52%, 0.48%

LAB 37.99, 50.02, -58.59

 

CMYK 0 / 11 / 69 / 27

HEX #BAA63A

RGB 186 166 58

HSL 50.63, 0.52%, 0.48%

LAB 68.03, -5.03, 56.13

 

CMYK 69 / 0 / 12 / 27

HEX #3ABAA4

RGB 58 186 164

HSL 169.69, 0.52%, 0.48%

LAB 68.53, -39.77, 1.06

 

CMYK 12 / 69 / 0 / 27

HEX #A43ABA

RGB 164 58 186

HSL 289.69, 0.52%, 0.48%

LAB 44.89, 60.8, -47.12

 

CMYK 0 / 11 / 69 / 27

HEX #BAA63A

RGB 186 166 58

HSL 50.63, 0.52%, 0.48%

LAB 68.03, -5.03, 56.13

 

CMYK 69 / 0 / 67 / 27

HEX #3ABA3E

RGB 58 186 62

HSL 121.88, 0.52%, 0.48%

LAB 66.8, -58.64, 51

 

CMYK 69 / 58 / 0 / 27

HEX #3A4FBA

RGB 58 79 186

HSL 230.16, 0.52%, 0.48%

LAB 37.91, 27.89, -58.94

 

CMYK 0 / 69 / 3 / 27

HEX #BA3AB5

RGB 186 58 181

HSL 302.34, 0.52%, 0.48%

LAB 48.01, 64.92, -39.03

 

CMYK 0 / 11 / 69 / 27

HEX #BAA63A

RGB 186 166 58

HSL 50.63, 0.52%, 0.48%

LAB 68.03, -5.03, 56.13

 

CMYK 69 / 0 / 46 / 27

HEX #3ABA65

RGB 58 186 101

HSL 140.16, 0.52%, 0.48%

LAB 67.24, -53.44, 33.14

 

CMYK 69 / 58 / 0 / 27

HEX #3A4FBA

RGB 58 79 186

HSL 230.16, 0.52%, 0.48%

LAB 37.91, 27.89, -58.94

 

CMYK 0 / 69 / 23 / 27

HEX #BA3A8F

RGB 186 58 143

HSL 320.16, 0.52%, 0.48%

LAB 46.24, 59.26, -19.2

 

Description

Color code: HEX #BAA63A | qconv.com Color code: HEX #BAA63A | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 186 red, 166 green and 58 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
186 166 58 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 11 magenta, 69 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 11% 69% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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