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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BAA191 it is the complementary color #455E6E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BAA191. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BAA191 shade: #BFA18C, #D0B39F, #E1C5B2, #F2D7C5 and #FFE9D8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BAA191. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BAA191 shade: #BAA191, #A98F7E, #987D6B, #876B58 and #765945

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BAA191 shade: #BAA191, #BA9691 and #BA9191

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BAA191 shade: #BAA191, #BAAC91, #BAB791, #B2BA91 and #A7BA91

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BAA191 shade matches the following richer shades: #BAA191, #C89E82, #D79A74, #E59765 and #F49457

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BAA191 shade: #BAA191, #ABA49F, #9DA7AE, #8EAABC and #80ADCA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BAA191 shade: #BA9197, #BA9691, #BAA091, #BAAB91 and #BAB691

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BAA191 shade: #99765F, #AA8B77, #BAA191, #CAB6AA and #DACCC3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BAA191 shade: #BAA191, #A2BA91 and #9191BA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BAA191 shade: #BAA191, #91BAA0 and #A091BA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BAA191 shade: #BAA191, #A2BA91, #91AABA and #A991BA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BAA191 shade: #BAA191, #96BA91, #91AABA and #B591BA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 13 / 22 / 27

HEX #BAA191

RGB 186 161 145

HSL 23.41, 0.23%, 0.65%

LAB 68, 6.61, 11.71

 

Complementary color

CMYK 37 / 15 / 0 / 57

HEX #455E6E

RGB 69 94 110

HSL 203.41, 0.23%, 0.35%

LAB 38.54, -4.94, -12.09

 

CMYK 0 / 16 / 27 / 25

HEX #BFA18C

RGB 191 161 140

HSL 24.71, 0.28%, 0.65%

LAB 68.36, 7.82, 15.04

 

CMYK 0 / 14 / 24 / 18

HEX #D0B39F

RGB 208 179 159

HSL 24.49, 0.34%, 0.72%

LAB 74.92, 7.35, 14.07

 

CMYK 0 / 12 / 21 / 12

HEX #E1C5B2

RGB 225 197 178

HSL 24.26, 0.44%, 0.79%

LAB 81.38, 6.92, 13.15

 

CMYK 0 / 11 / 19 / 5

HEX #F2D7C5

RGB 242 215 197

HSL 24, 0.63%, 0.86%

LAB 87.73, 6.55, 12.29

 

CMYK 0 / 9 / 15 / 0

HEX #FFE9D8

RGB 255 233 216

HSL 26.15, 1%, 0.92%

LAB 93.67, 4.78, 10.96

 

CMYK 0 / 13 / 22 / 27

HEX #BAA191

RGB 186 161 145

HSL 23.41, 0.23%, 0.65%

LAB 68, 6.61, 11.71

 

CMYK 0 / 15 / 25 / 34

HEX #A98F7E

RGB 169 143 126

HSL 23.72, 0.2%, 0.58%

LAB 61.3, 7.07, 12.67

 

CMYK 0 / 18 / 30 / 40

HEX #987D6B

RGB 152 125 107

HSL 24, 0.18%, 0.51%

LAB 54.45, 7.61, 13.72

 

CMYK 0 / 21 / 35 / 47

HEX #876B58

RGB 135 107 88

HSL 24.26, 0.21%, 0.44%

LAB 47.46, 8.25, 14.88

 

CMYK 0 / 25 / 42 / 54

HEX #765945

RGB 118 89 69

HSL 24.49, 0.26%, 0.37%

LAB 40.29, 9.03, 16.18

 

CMYK 0 / 13 / 22 / 27

HEX #BAA191

RGB 186 161 145

HSL 23.41, 0.23%, 0.65%

LAB 68, 6.61, 11.71

 

CMYK 0 / 19 / 22 / 27

HEX #BA9691

RGB 186 150 145

HSL 7.32, 0.23%, 0.65%

LAB 65.2, 12.67, 7.72

 

CMYK 0 / 22 / 22 / 27

HEX #BA9191

RGB 186 145 145

HSL 0, 0.23%, 0.65%

LAB 63.95, 15.44, 5.93

 

CMYK 0 / 13 / 22 / 27

HEX #BAA191

RGB 186 161 145

HSL 23.41, 0.23%, 0.65%

LAB 68, 6.61, 11.71

 

CMYK 0 / 8 / 22 / 27

HEX #BAAC91

RGB 186 172 145

HSL 39.51, 0.23%, 0.65%

LAB 70.86, 0.64, 15.72

 

CMYK 0 / 2 / 22 / 27

HEX #BAB791

RGB 186 183 145

HSL 55.61, 0.23%, 0.65%

LAB 73.77, -5.23, 19.75

 

CMYK 4 / 0 / 22 / 27

HEX #B2BA91

RGB 178 186 145

HSL 71.71, 0.23%, 0.65%

LAB 73.95, -9.84, 19.9

 

CMYK 10 / 0 / 22 / 27

HEX #A7BA91

RGB 167 186 145

HSL 87.8, 0.23%, 0.65%

LAB 73.14, -13.93, 18.66

 

CMYK 0 / 13 / 22 / 27

HEX #BAA191

RGB 186 161 145

HSL 23.41, 0.23%, 0.65%

LAB 68, 6.61, 11.71

 

CMYK 0 / 21 / 35 / 22

HEX #C89E82

RGB 200 158 130

HSL 24, 0.39%, 0.65%

LAB 68.27, 11.68, 20.57

 

CMYK 0 / 28 / 46 / 16

HEX #D79A74

RGB 215 154 116

HSL 23.03, 0.55%, 0.65%

LAB 68.62, 18.3, 28.96

 

CMYK 0 / 34 / 56 / 10

HEX #E59765

RGB 229 151 101

HSL 23.44, 0.71%, 0.65%

LAB 69.28, 24.22, 38.14

 

CMYK 0 / 39 / 64 / 4

HEX #F49457

RGB 244 148 87

HSL 23.31, 0.88%, 0.65%

LAB 70.25, 30.85, 46.96

 

CMYK 0 / 13 / 22 / 27

HEX #BAA191

RGB 186 161 145

HSL 23.41, 0.23%, 0.65%

LAB 68, 6.61, 11.71

 

CMYK 0 / 4 / 7 / 33

HEX #ABA49F

RGB 171 164 159

HSL 25, 0.07%, 0.65%

LAB 67.81, 1.62, 3.48

 

CMYK 10 / 4 / 0 / 32

HEX #9DA7AE

RGB 157 167 174

HSL 204.71, 0.09%, 0.65%

LAB 67.92, -2.1, -4.83

 

CMYK 24 / 10 / 0 / 26

HEX #8EAABC

RGB 142 170 188

HSL 203.48, 0.26%, 0.65%

LAB 68.12, -5.54, -12.41

 

CMYK 37 / 14 / 0 / 21

HEX #80ADCA

RGB 128 173 202

HSL 203.51, 0.41%, 0.65%

LAB 68.56, -7.81, -19.56

 

CMYK 0 / 22 / 19 / 27

HEX #BA9197

RGB 186 145 151

HSL 351.22, 0.23%, 0.65%

LAB 64.1, 16.38, 2.77

 

CMYK 0 / 19 / 22 / 27

HEX #BA9691

RGB 186 150 145

HSL 7.32, 0.23%, 0.65%

LAB 65.2, 12.67, 7.72

 

CMYK 0 / 14 / 22 / 27

HEX #BAA091

RGB 186 160 145

HSL 21.95, 0.23%, 0.65%

LAB 67.74, 7.16, 11.34

 

CMYK 0 / 8 / 22 / 27

HEX #BAAB91

RGB 186 171 145

HSL 38.05, 0.23%, 0.65%

LAB 70.6, 1.18, 15.36

 

CMYK 0 / 2 / 22 / 27

HEX #BAB691

RGB 186 182 145

HSL 54.15, 0.23%, 0.65%

LAB 73.51, -4.7, 19.39

 

CMYK 0 / 23 / 38 / 40

HEX #99765F

RGB 153 118 95

HSL 23.79, 0.23%, 0.49%

LAB 52.46, 10.42, 17.93

 

CMYK 0 / 18 / 30 / 33

HEX #AA8B77

RGB 170 139 119

HSL 23.53, 0.23%, 0.57%

LAB 60.2, 8.71, 15.11

 

CMYK 0 / 13 / 22 / 27

HEX #BAA191

RGB 186 161 145

HSL 23.41, 0.23%, 0.65%

LAB 68, 6.61, 11.71

 

CMYK 0 / 10 / 16 / 21

HEX #CAB6AA

RGB 202 182 170

HSL 22.5, 0.23%, 0.73%

LAB 75.4, 5.15, 8.69

 

CMYK 0 / 6 / 11 / 15

HEX #DACCC3

RGB 218 204 195

HSL 23.48, 0.24%, 0.81%

LAB 82.93, 3.34, 6.22

 

CMYK 0 / 13 / 22 / 27

HEX #BAA191

RGB 186 161 145

HSL 23.41, 0.23%, 0.65%

LAB 68, 6.61, 11.71

 

CMYK 13 / 0 / 22 / 27

HEX #A2BA91

RGB 162 186 145

HSL 95.12, 0.23%, 0.65%

LAB 72.79, -15.76, 18.12

 

CMYK 22 / 22 / 0 / 27

HEX #9191BA

RGB 145 145 186

HSL 240, 0.23%, 0.65%

LAB 61.49, 8.9, -21.3

 

CMYK 0 / 13 / 22 / 27

HEX #BAA191

RGB 186 161 145

HSL 23.41, 0.23%, 0.65%

LAB 68, 6.61, 11.71

 

CMYK 22 / 0 / 14 / 27

HEX #91BAA0

RGB 145 186 160

HSL 141.95, 0.23%, 0.65%

LAB 72.01, -19, 8.73

 

CMYK 14 / 22 / 0 / 27

HEX #A091BA

RGB 160 145 186

HSL 261.95, 0.23%, 0.65%

LAB 62.73, 13.76, -19.29

 

CMYK 0 / 13 / 22 / 27

HEX #BAA191

RGB 186 161 145

HSL 23.41, 0.23%, 0.65%

LAB 68, 6.61, 11.71

 

CMYK 13 / 0 / 22 / 27

HEX #A2BA91

RGB 162 186 145

HSL 95.12, 0.23%, 0.65%

LAB 72.79, -15.76, 18.12

 

CMYK 22 / 9 / 0 / 27

HEX #91AABA

RGB 145 170 186

HSL 203.41, 0.23%, 0.65%

LAB 68.25, -5.06, -11.08

 

CMYK 9 / 22 / 0 / 27

HEX #A991BA

RGB 169 145 186

HSL 275.12, 0.23%, 0.65%

LAB 63.53, 16.76, -18.01

 

CMYK 0 / 13 / 22 / 27

HEX #BAA191

RGB 186 161 145

HSL 23.41, 0.23%, 0.65%

LAB 68, 6.61, 11.71

 

CMYK 19 / 0 / 22 / 27

HEX #96BA91

RGB 150 186 145

HSL 112.68, 0.23%, 0.65%

LAB 71.99, -20.05, 16.89

 

CMYK 22 / 9 / 0 / 27

HEX #91AABA

RGB 145 170 186

HSL 203.41, 0.23%, 0.65%

LAB 68.25, -5.06, -11.08

 

CMYK 3 / 22 / 0 / 27

HEX #B591BA

RGB 181 145 186

HSL 292.68, 0.23%, 0.65%

LAB 64.66, 20.82, -16.19

 

Description

Color code: HEX #BAA191 | qconv.com Color code: HEX #BAA191 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 186 red, 161 green and 145 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
186 161 145 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 13 magenta, 22 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 13% 22% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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