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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BAB2AA it is the complementary color #454D55. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BAB2AA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BAB2AA shade: #BFB2A5, #D0C4B8, #E1D6CB, #F2E8DE and #FFFAF1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BAB2AA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BAB2AA shade: #BAB2AA, #A9A097, #988E84, #877C71 and #766A5E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BAB2AA shade: #BAB2AA, #BAAEAA and #BAAAAA

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BAB2AA shade: #BAB2AA, #BAB6AA, #B9BAAA, #B5BAAA and #B1BAAA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BAB2AA shade matches the following richer shades: #BAB2AA, #C6B29E, #D2B292, #DFB285 and #EBB279

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BAB2AA shade: #BAB2AA, #ADB2B7, #A1B2C3, #95B2CF and #88B2DC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BAB2AA shade: #BAAAAB, #BAAEAA, #BAB2AA, #BAB6AA and #B9BAAA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BAB2AA shade: #95897D, #A79D94, #BAB2AA, #CCC7C1 and #DFDBD8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BAB2AA shade: #BAB2AA, #AFBAAA and #ACAABA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BAB2AA shade: #BAB2AA, #AABAB2 and #B2AABA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BAB2AA shade: #BAB2AA, #AFBAAA, #AAB2BA and #B5AABA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BAB2AA shade: #BAB2AA, #AABAAA, #AAB2BA and #BAAABA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 4 / 9 / 27

HEX #BAB2AA

RGB 186 178 170

HSL 30, 0.1%, 0.7%

LAB 73.01, 1.43, 5.09

 

Complementary color

CMYK 19 / 9 / 0 / 67

HEX #454D55

RGB 69 77 85

HSL 210, 0.1%, 0.3%

LAB 32.32, -1.25, -5.81

 

CMYK 0 / 7 / 14 / 25

HEX #BFB2A5

RGB 191 178 165

HSL 30, 0.17%, 0.7%

LAB 73.31, 2.42, 8.3

 

CMYK 0 / 6 / 12 / 18

HEX #D0C4B8

RGB 208 196 184

HSL 30, 0.2%, 0.77%

LAB 79.81, 2.16, 7.52

 

CMYK 0 / 5 / 10 / 12

HEX #E1D6CB

RGB 225 214 203

HSL 30, 0.27%, 0.84%

LAB 86.21, 1.92, 6.77

 

CMYK 0 / 4 / 8 / 5

HEX #F2E8DE

RGB 242 232 222

HSL 30, 0.43%, 0.91%

LAB 92.51, 1.7, 6.05

 

CMYK 0 / 2 / 5 / 0

HEX #FFFAF1

RGB 255 250 241

HSL 38.57, 1%, 0.97%

LAB 98.43, 0.13, 4.89

 

CMYK 0 / 4 / 9 / 27

HEX #BAB2AA

RGB 186 178 170

HSL 30, 0.1%, 0.7%

LAB 73.01, 1.43, 5.09

 

CMYK 0 / 5 / 11 / 34

HEX #A9A097

RGB 169 160 151

HSL 30, 0.09%, 0.63%

LAB 66.38, 1.67, 5.85

 

CMYK 0 / 7 / 13 / 40

HEX #988E84

RGB 152 142 132

HSL 30, 0.09%, 0.56%

LAB 59.61, 1.93, 6.65

 

CMYK 0 / 8 / 16 / 47

HEX #877C71

RGB 135 124 113

HSL 30, 0.09%, 0.49%

LAB 52.68, 2.23, 7.52

 

CMYK 0 / 10 / 20 / 54

HEX #766A5E

RGB 118 106 94

HSL 30, 0.11%, 0.42%

LAB 45.59, 2.58, 8.45

 

CMYK 0 / 4 / 9 / 27

HEX #BAB2AA

RGB 186 178 170

HSL 30, 0.1%, 0.7%

LAB 73.01, 1.43, 5.09

 

CMYK 0 / 6 / 9 / 27

HEX #BAAEAA

RGB 186 174 170

HSL 15, 0.1%, 0.7%

LAB 71.97, 3.59, 3.58

 

CMYK 0 / 9 / 9 / 27

HEX #BAAAAA

RGB 186 170 170

HSL 0, 0.1%, 0.7%

LAB 70.93, 5.76, 2.08

 

CMYK 0 / 4 / 9 / 27

HEX #BAB2AA

RGB 186 178 170

HSL 30, 0.1%, 0.7%

LAB 73.01, 1.43, 5.09

 

CMYK 0 / 2 / 9 / 27

HEX #BAB6AA

RGB 186 182 170

HSL 45, 0.1%, 0.7%

LAB 74.06, -0.72, 6.6

 

CMYK 1 / 0 / 9 / 27

HEX #B9BAAA

RGB 185 186 170

HSL 63.75, 0.1%, 0.7%

LAB 75.04, -3.21, 7.99

 

CMYK 3 / 0 / 9 / 27

HEX #B5BAAA

RGB 181 186 170

HSL 78.75, 0.1%, 0.7%

LAB 74.73, -4.65, 7.5

 

CMYK 5 / 0 / 9 / 27

HEX #B1BAAA

RGB 177 186 170

HSL 93.75, 0.1%, 0.7%

LAB 74.42, -6.08, 7.03

 

CMYK 0 / 4 / 9 / 27

HEX #BAB2AA

RGB 186 178 170

HSL 30, 0.1%, 0.7%

LAB 73.01, 1.43, 5.09

 

CMYK 0 / 10 / 20 / 22

HEX #C6B29E

RGB 198 178 158

HSL 30, 0.26%, 0.7%

LAB 73.75, 3.94, 12.83

 

CMYK 0 / 15 / 30 / 18

HEX #D2B292

RGB 210 178 146

HSL 30, 0.42%, 0.7%

LAB 74.58, 6.86, 20.66

 

CMYK 0 / 20 / 40 / 13

HEX #DFB285

RGB 223 178 133

HSL 30, 0.58%, 0.7%

LAB 75.59, 10.41, 29.2

 

CMYK 0 / 24 / 49 / 8

HEX #EBB279

RGB 235 178 121

HSL 30, 0.74%, 0.7%

LAB 76.61, 14, 37.06

 

CMYK 0 / 4 / 9 / 27

HEX #BAB2AA

RGB 186 178 170

HSL 30, 0.1%, 0.7%

LAB 73.01, 1.43, 5.09

 

CMYK 5 / 3 / 0 / 28

HEX #ADB2B7

RGB 173 178 183

HSL 210, 0.06%, 0.7%

LAB 72.32, -0.78, -3.16

 

CMYK 17 / 9 / 0 / 24

HEX #A1B2C3

RGB 161 178 195

HSL 210, 0.22%, 0.7%

LAB 71.8, -2.28, -10.63

 

CMYK 28 / 14 / 0 / 19

HEX #95B2CF

RGB 149 178 207

HSL 210, 0.38%, 0.7%

LAB 71.37, -3.25, -17.92

 

CMYK 38 / 19 / 0 / 14

HEX #88B2DC

RGB 136 178 220

HSL 210, 0.55%, 0.7%

LAB 71.04, -3.64, -25.62

 

CMYK 0 / 9 / 8 / 27

HEX #BAAAAB

RGB 186 170 171

HSL 356.25, 0.1%, 0.7%

LAB 70.96, 5.94, 1.57

 

CMYK 0 / 6 / 9 / 27

HEX #BAAEAA

RGB 186 174 170

HSL 15, 0.1%, 0.7%

LAB 71.97, 3.59, 3.58

 

CMYK 0 / 4 / 9 / 27

HEX #BAB2AA

RGB 186 178 170

HSL 30, 0.1%, 0.7%

LAB 73.01, 1.43, 5.09

 

CMYK 0 / 2 / 9 / 27

HEX #BAB6AA

RGB 186 182 170

HSL 45, 0.1%, 0.7%

LAB 74.06, -0.72, 6.6

 

CMYK 1 / 0 / 9 / 27

HEX #B9BAAA

RGB 185 186 170

HSL 63.75, 0.1%, 0.7%

LAB 75.04, -3.21, 7.99

 

CMYK 0 / 8 / 16 / 42

HEX #95897D

RGB 149 137 125

HSL 30, 0.1%, 0.54%

LAB 57.81, 2.39, 8.05

 

CMYK 0 / 6 / 11 / 35

HEX #A79D94

RGB 167 157 148

HSL 28.42, 0.1%, 0.62%

LAB 65.33, 2.05, 6

 

CMYK 0 / 4 / 9 / 27

HEX #BAB2AA

RGB 186 178 170

HSL 30, 0.1%, 0.7%

LAB 73.01, 1.43, 5.09

 

CMYK 0 / 2 / 5 / 20

HEX #CCC7C1

RGB 204 199 193

HSL 32.73, 0.1%, 0.78%

LAB 80.48, 0.67, 3.6

 

CMYK 0 / 2 / 3 / 13

HEX #DFDBD8

RGB 223 219 216

HSL 25.71, 0.1%, 0.86%

LAB 87.63, 0.83, 1.94

 

CMYK 0 / 4 / 9 / 27

HEX #BAB2AA

RGB 186 178 170

HSL 30, 0.1%, 0.7%

LAB 73.01, 1.43, 5.09

 

CMYK 6 / 0 / 9 / 27

HEX #AFBAAA

RGB 175 186 170

HSL 101.25, 0.1%, 0.7%

LAB 74.28, -6.79, 6.8

 

CMYK 8 / 9 / 0 / 27

HEX #ACAABA

RGB 172 170 186

HSL 247.5, 0.1%, 0.7%

LAB 70.22, 3.83, -7.93

 

CMYK 0 / 4 / 9 / 27

HEX #BAB2AA

RGB 186 178 170

HSL 30, 0.1%, 0.7%

LAB 73.01, 1.43, 5.09

 

CMYK 9 / 0 / 4 / 27

HEX #AABAB2

RGB 170 186 178

HSL 150, 0.1%, 0.7%

LAB 74.11, -7.05, 2.16

 

CMYK 4 / 9 / 0 / 27

HEX #B2AABA

RGB 178 170 186

HSL 270, 0.1%, 0.7%

LAB 70.7, 5.89, -7.16

 

CMYK 0 / 4 / 9 / 27

HEX #BAB2AA

RGB 186 178 170

HSL 30, 0.1%, 0.7%

LAB 73.01, 1.43, 5.09

 

CMYK 6 / 0 / 9 / 27

HEX #AFBAAA

RGB 175 186 170

HSL 101.25, 0.1%, 0.7%

LAB 74.28, -6.79, 6.8

 

CMYK 9 / 4 / 0 / 27

HEX #AAB2BA

RGB 170 178 186

HSL 210, 0.1%, 0.7%

LAB 72.18, -1.2, -5.04

 

CMYK 3 / 9 / 0 / 27

HEX #B5AABA

RGB 181 170 186

HSL 281.25, 0.1%, 0.7%

LAB 70.95, 6.93, -6.77

 

CMYK 0 / 4 / 9 / 27

HEX #BAB2AA

RGB 186 178 170

HSL 30, 0.1%, 0.7%

LAB 73.01, 1.43, 5.09

 

CMYK 9 / 0 / 9 / 27

HEX #AABAAA

RGB 170 186 170

HSL 120, 0.1%, 0.7%

LAB 73.91, -8.56, 6.22

 

CMYK 9 / 4 / 0 / 27

HEX #AAB2BA

RGB 170 178 186

HSL 210, 0.1%, 0.7%

LAB 72.18, -1.2, -5.04

 

CMYK 0 / 9 / 0 / 27

HEX #BAAABA

RGB 186 170 186

HSL 300, 0.1%, 0.7%

LAB 71.37, 8.67, -6.1

 

Description

Color code: HEX #BAB2AA | qconv.com Color code: HEX #BAB2AA | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 186 red, 178 green and 170 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
186 178 170 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 4 magenta, 9 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 4% 9% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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