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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BAB3F3 it is the complementary color #454C0C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BAB3F3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BAB3F3 shade: #BFB3EE, #D0C5FF, #E1D7FF, #F2E9FF and #FFFBFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BAB3F3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BAB3F3 shade: #BAB3F3, #A9A1E0, #988FCD, #877DBA and #766BA7

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BAB3F3 shade: #BAB4F3, #CBB4F3, #DDB4F3, #EEB4F3 and #F3B4E7

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BAB3F3 shade: #BAB4F3 and #B4B4F3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BAB3F3 shade matches the following richer shades: #BAB4F3 and #B5ACFA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BAB3F3 shade: #BAB4F3, #C0BBEC, #C5C2E5, #CBC9DE and #D0D0D7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BAB3F3 shade: #B4CFF3, #B4BEF3, #BAB4F3, #CBB4F3 and #DCB4F3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BAB3F3 shade: #7A6CE8, #9A90ED, #BAB4F3, #DBD7F8 and #FBFBFE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BAB3F3 shade: #BAB3F3, #F3B4E0 and #C6F3B4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BAB3F3 shade: #BAB3F3, #F3BAB4 and #B4F3BA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BAB3F3 shade: #BAB3F3, #F3B4E0, #ECF3B4 and #B4F3C6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BAB3F3 shade: #BAB3F3, #F3B4CD, #ECF3B4 and #B4F3D9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 23 / 26 / 0 / 5

HEX #BAB3F3

RGB 186 179 243

HSL 246.56, 0.73%, 0.83%

LAB 75.54, 15.78, -30.91

 

Complementary color

CMYK 9 / 0 / 84 / 70

HEX #454C0C

RGB 69 76 12

HSL 66.56, 0.73%, 0.17%

LAB 30.55, -11.98, 34.24

 

CMYK 20 / 25 / 0 / 7

HEX #BFB3EE

RGB 191 179 238

HSL 252.2, 0.63%, 0.82%

LAB 75.75, 16.15, -27.85

 

CMYK 18 / 23 / 0 / 0

HEX #D0C5FF

RGB 208 197 255

HSL 251.38, 1%, 0.89%

LAB 82.14, 15.28, -27.07

 

CMYK 12 / 16 / 0 / 0

HEX #E1D7FF

RGB 225 215 255

HSL 255, 1%, 0.92%

LAB 87.89, 10.95, -18.23

 

CMYK 5 / 9 / 0 / 0

HEX #F2E9FF

RGB 242 233 255

HSL 264.55, 1%, 0.96%

LAB 93.61, 6.99, -9.53

 

CMYK 0 / 2 / 0 / 0

HEX #FFFBFF

RGB 255 251 255

HSL 300, 1%, 0.99%

LAB 99.02, 2.03, -1.45

 

CMYK 23 / 26 / 0 / 5

HEX #BAB3F3

RGB 186 179 243

HSL 246.56, 0.73%, 0.83%

LAB 75.54, 15.78, -30.91

 

CMYK 25 / 28 / 0 / 12

HEX #A9A1E0

RGB 169 161 224

HSL 247.62, 0.5%, 0.75%

LAB 68.97, 16.27, -30.8

 

CMYK 26 / 30 / 0 / 20

HEX #988FCD

RGB 152 143 205

HSL 248.71, 0.38%, 0.68%

LAB 62.28, 16.8, -30.73

 

CMYK 27 / 33 / 0 / 27

HEX #877DBA

RGB 135 125 186

HSL 249.84, 0.31%, 0.61%

LAB 55.44, 17.41, -30.69

 

CMYK 29 / 36 / 0 / 35

HEX #766BA7

RGB 118 107 167

HSL 251, 0.25%, 0.54%

LAB 48.46, 18.09, -30.7

 

CMYK 23 / 26 / 0 / 5

HEX #BAB4F3

RGB 186 180 243

HSL 245.71, 0.72%, 0.83%

LAB 75.79, 15.23, -30.52

 

CMYK 16 / 26 / 0 / 5

HEX #CBB4F3

RGB 203 180 243

HSL 261.9, 0.72%, 0.83%

LAB 77.17, 20.38, -28.3

 

CMYK 9 / 26 / 0 / 5

HEX #DDB4F3

RGB 221 180 243

HSL 279.05, 0.72%, 0.83%

LAB 78.74, 25.99, -25.74

 

CMYK 2 / 26 / 0 / 5

HEX #EEB4F3

RGB 238 180 243

HSL 295.24, 0.72%, 0.83%

LAB 80.34, 31.39, -23.16

 

CMYK 0 / 26 / 5 / 5

HEX #F3B4E7

RGB 243 180 231

HSL 311.43, 0.72%, 0.83%

LAB 80.44, 30.85, -16.51

 

CMYK 23 / 26 / 0 / 5

HEX #BAB4F3

RGB 186 180 243

HSL 245.71, 0.72%, 0.83%

LAB 75.79, 15.23, -30.52

 

CMYK 26 / 26 / 0 / 5

HEX #B4B4F3

RGB 180 180 243

HSL 240, 0.72%, 0.83%

LAB 75.34, 13.46, -31.26

 

CMYK 23 / 26 / 0 / 5

HEX #BAB4F3

RGB 186 180 243

HSL 245.71, 0.72%, 0.83%

LAB 75.79, 15.23, -30.52

 

CMYK 28 / 31 / 0 / 2

HEX #B5ACFA

RGB 181 172 250

HSL 246.92, 0.89%, 0.83%

LAB 73.7, 19.85, -37.58

 

CMYK 23 / 26 / 0 / 5

HEX #BAB4F3

RGB 186 180 243

HSL 245.71, 0.72%, 0.83%

LAB 75.79, 15.23, -30.52

 

CMYK 19 / 21 / 0 / 7

HEX #C0BBEC

RGB 192 187 236

HSL 246.12, 0.56%, 0.83%

LAB 77.76, 11.64, -23.7

 

CMYK 14 / 15 / 0 / 10

HEX #C5C2E5

RGB 197 194 229

HSL 245.14, 0.4%, 0.83%

LAB 79.68, 7.91, -16.99

 

CMYK 9 / 9 / 0 / 13

HEX #CBC9DE

RGB 203 201 222

HSL 245.71, 0.24%, 0.83%

LAB 81.7, 4.68, -10.16

 

CMYK 3 / 3 / 0 / 16

HEX #D0D0D7

RGB 208 208 215

HSL 240, 0.08%, 0.83%

LAB 83.67, 1.3, -3.47

 

CMYK 26 / 15 / 0 / 5

HEX #B4CFF3

RGB 180 207 243

HSL 214.29, 0.72%, 0.83%

LAB 82.27, -1.17, -20.67

 

CMYK 26 / 22 / 0 / 5

HEX #B4BEF3

RGB 180 190 243

HSL 230.48, 0.72%, 0.83%

LAB 77.88, 7.97, -27.37

 

CMYK 23 / 26 / 0 / 5

HEX #BAB4F3

RGB 186 180 243

HSL 245.71, 0.72%, 0.83%

LAB 75.79, 15.23, -30.52

 

CMYK 16 / 26 / 0 / 5

HEX #CBB4F3

RGB 203 180 243

HSL 261.9, 0.72%, 0.83%

LAB 77.17, 20.38, -28.3

 

CMYK 9 / 26 / 0 / 5

HEX #DCB4F3

RGB 220 180 243

HSL 278.1, 0.72%, 0.83%

LAB 78.65, 25.68, -25.89

 

CMYK 47 / 53 / 0 / 9

HEX #7A6CE8

RGB 122 108 232

HSL 246.77, 0.73%, 0.67%

LAB 52.61, 36.79, -61.32

 

CMYK 35 / 39 / 0 / 7

HEX #9A90ED

RGB 154 144 237

HSL 246.45, 0.72%, 0.75%

LAB 64.1, 24.95, -45.64

 

CMYK 23 / 26 / 0 / 5

HEX #BAB4F3

RGB 186 180 243

HSL 245.71, 0.72%, 0.83%

LAB 75.79, 15.23, -30.52

 

CMYK 12 / 13 / 0 / 3

HEX #DBD7F8

RGB 219 215 248

HSL 247.27, 0.7%, 0.91%

LAB 87.21, 7.64, -15.6

 

CMYK 1 / 1 / 0 / 0

HEX #FBFBFE

RGB 251 251 254

HSL 240, 0.6%, 0.99%

LAB 98.69, 0.53, -1.44

 

CMYK 23 / 26 / 0 / 5

HEX #BAB3F3

RGB 186 179 243

HSL 246.56, 0.73%, 0.83%

LAB 75.54, 15.78, -30.91

 

CMYK 0 / 26 / 8 / 5

HEX #F3B4E0

RGB 243 180 224

HSL 318.1, 0.72%, 0.83%

LAB 80.22, 29.65, -13.07

 

CMYK 19 / 0 / 26 / 5

HEX #C6F3B4

RGB 198 243 180

HSL 102.86, 0.72%, 0.83%

LAB 91.42, -25.72, 25.77

 

CMYK 23 / 26 / 0 / 5

HEX #BAB3F3

RGB 186 179 243

HSL 246.56, 0.73%, 0.83%

LAB 75.54, 15.78, -30.91

 

CMYK 0 / 23 / 26 / 5

HEX #F3BAB4

RGB 243 186 180

HSL 5.71, 0.72%, 0.83%

LAB 80.44, 19.7, 10.99

 

CMYK 26 / 0 / 23 / 5

HEX #B4F3BA

RGB 180 243 186

HSL 125.71, 0.72%, 0.83%

LAB 90.48, -30.69, 21.24

 

CMYK 23 / 26 / 0 / 5

HEX #BAB3F3

RGB 186 179 243

HSL 246.56, 0.73%, 0.83%

LAB 75.54, 15.78, -30.91

 

CMYK 0 / 26 / 8 / 5

HEX #F3B4E0

RGB 243 180 224

HSL 318.1, 0.72%, 0.83%

LAB 80.22, 29.65, -13.07

 

CMYK 3 / 0 / 26 / 5

HEX #ECF3B4

RGB 236 243 180

HSL 66.67, 0.72%, 0.83%

LAB 93.98, -12.27, 29.68

 

CMYK 26 / 0 / 19 / 5

HEX #B4F3C6

RGB 180 243 198

HSL 137.14, 0.72%, 0.83%

LAB 90.73, -28.58, 15.4

 

CMYK 23 / 26 / 0 / 5

HEX #BAB3F3

RGB 186 179 243

HSL 246.56, 0.73%, 0.83%

LAB 75.54, 15.78, -30.91

 

CMYK 0 / 26 / 16 / 5

HEX #F3B4CD

RGB 243 180 205

HSL 336.19, 0.72%, 0.83%

LAB 79.67, 26.55, -3.62

 

CMYK 3 / 0 / 26 / 5

HEX #ECF3B4

RGB 236 243 180

HSL 66.67, 0.72%, 0.83%

LAB 93.98, -12.27, 29.68

 

CMYK 26 / 0 / 11 / 5

HEX #B4F3D9

RGB 180 243 217

HSL 155.24, 0.72%, 0.83%

LAB 91.15, -24.99, 6.16

 

Description

Color code: HEX #BAB3F3 | qconv.com Color code: HEX #BAB3F3 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 186 red, 179 green and 243 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
186 179 243 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 23 cyan, 26 magenta, none yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
23% 26% 0% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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