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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BAC6CF it is the complementary color #453930. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BAC6CF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BAC6CF shade: #BFC6CA, #D0D8DD, #E1EAF0 and #F2FCFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BAC6CF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BAC6CF shade: #BAC6CF, #A9B4BC, #98A2A9, #879096 and #767E83

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BAC6CF shade: #B9C5CE, #B9C0CE, #B9BACE, #BEB9CE and #C4B9CE

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BAC6CF shade: #B9C5CE, #B9C0CE, #B9BACE and #B9B9CE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BAC6CF shade matches the following richer shades: #B9C5CE, #B0C7D8, #A6C8E1, #9DC9EB and #93CBF4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BAC6CF shade: #B9C5CE, #C3C4C5, #CCC3BB, #D6C1B2 and #DFC0A8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BAC6CF shade: #B9CECC, #B9CBCE, #B9C6CE, #B9C0CE and #B9BACE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BAC6CF shade: #899DAD, #A1B1BD, #B9C5CE, #D2D9DF and #EAEEF0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BAC6CF shade: #BAC6CF, #C6B9CE and #CECEB9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BAC6CF shade: #BAC6CF, #CEB9C6 and #C6CEB9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BAC6CF shade: #BAC6CF, #C6B9CE, #CEC2B9 and #C1CEB9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BAC6CF shade: #BAC6CF, #CDB9CE, #CEC2B9 and #BBCEB9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 10 / 4 / 0 / 19

HEX #BAC6CF

RGB 186 198 207

HSL 205.71, 0.18%, 0.77%

LAB 79.23, -2.32, -5.91

 

Complementary color

CMYK 0 / 17 / 30 / 73

HEX #453930

RGB 69 57 48

HSL 25.71, 0.18%, 0.23%

LAB 24.97, 3.64, 7.58

 

CMYK 5 / 2 / 0 / 21

HEX #BFC6CA

RGB 191 198 202

HSL 201.82, 0.09%, 0.77%

LAB 79.46, -1.63, -2.84

 

CMYK 6 / 2 / 0 / 13

HEX #D0D8DD

RGB 208 216 221

HSL 203.08, 0.16%, 0.84%

LAB 85.88, -1.75, -3.4

 

CMYK 6 / 3 / 0 / 6

HEX #E1EAF0

RGB 225 234 240

HSL 204, 0.33%, 0.91%

LAB 92.2, -1.87, -3.95

 

CMYK 5 / 1 / 0 / 0

HEX #F2FCFF

RGB 242 252 255

HSL 193.85, 1%, 0.97%

LAB 98.32, -2.72, -2.58

 

CMYK 10 / 4 / 0 / 19

HEX #BAC6CF

RGB 186 198 207

HSL 205.71, 0.18%, 0.77%

LAB 79.23, -2.32, -5.91

 

CMYK 10 / 4 / 0 / 26

HEX #A9B4BC

RGB 169 180 188

HSL 205.26, 0.12%, 0.7%

LAB 72.7, -2.21, -5.39

 

CMYK 10 / 4 / 0 / 34

HEX #98A2A9

RGB 152 162 169

HSL 204.71, 0.09%, 0.63%

LAB 66.04, -2.11, -4.85

 

CMYK 10 / 4 / 0 / 41

HEX #879096

RGB 135 144 150

HSL 204, 0.07%, 0.56%

LAB 59.25, -2, -4.3

 

CMYK 10 / 4 / 0 / 49

HEX #767E83

RGB 118 126 131

HSL 203.08, 0.05%, 0.49%

LAB 52.3, -1.89, -3.74

 

CMYK 10 / 4 / 0 / 19

HEX #B9C5CE

RGB 185 197 206

HSL 205.71, 0.18%, 0.77%

LAB 78.87, -2.32, -5.91

 

CMYK 10 / 7 / 0 / 19

HEX #B9C0CE

RGB 185 192 206

HSL 220, 0.18%, 0.77%

LAB 77.56, 0.34, -7.85

 

CMYK 10 / 10 / 0 / 19

HEX #B9BACE

RGB 185 186 206

HSL 237.14, 0.18%, 0.77%

LAB 76, 3.56, -10.17

 

CMYK 8 / 10 / 0 / 19

HEX #BEB9CE

RGB 190 185 206

HSL 254.29, 0.18%, 0.77%

LAB 76.13, 5.77, -9.94

 

CMYK 5 / 10 / 0 / 19

HEX #C4B9CE

RGB 196 185 206

HSL 271.43, 0.18%, 0.77%

LAB 76.61, 7.78, -9.17

 

CMYK 10 / 4 / 0 / 19

HEX #B9C5CE

RGB 185 197 206

HSL 205.71, 0.18%, 0.77%

LAB 78.87, -2.32, -5.91

 

CMYK 10 / 7 / 0 / 19

HEX #B9C0CE

RGB 185 192 206

HSL 220, 0.18%, 0.77%

LAB 77.56, 0.34, -7.85

 

CMYK 10 / 10 / 0 / 19

HEX #B9BACE

RGB 185 186 206

HSL 237.14, 0.18%, 0.77%

LAB 76, 3.56, -10.17

 

CMYK 10 / 10 / 0 / 19

HEX #B9B9CE

RGB 185 185 206

HSL 240, 0.18%, 0.77%

LAB 75.74, 4.1, -10.56

 

CMYK 10 / 4 / 0 / 19

HEX #B9C5CE

RGB 185 197 206

HSL 205.71, 0.18%, 0.77%

LAB 78.87, -2.32, -5.91

 

CMYK 19 / 8 / 0 / 15

HEX #B0C7D8

RGB 176 199 216

HSL 205.5, 0.34%, 0.77%

LAB 79.06, -4.18, -11.08

 

CMYK 26 / 11 / 0 / 12

HEX #A6C8E1

RGB 166 200 225

HSL 205.42, 0.5%, 0.77%

LAB 78.96, -5.74, -16.14

 

CMYK 33 / 14 / 0 / 8

HEX #9DC9EB

RGB 157 201 235

HSL 206.15, 0.66%, 0.77%

LAB 79.01, -6.46, -21.48

 

CMYK 40 / 17 / 0 / 4

HEX #93CBF4

RGB 147 203 244

HSL 205.36, 0.82%, 0.77%

LAB 79.3, -7.9, -25.91

 

CMYK 10 / 4 / 0 / 19

HEX #B9C5CE

RGB 185 197 206

HSL 205.71, 0.18%, 0.77%

LAB 78.87, -2.32, -5.91

 

CMYK 1 / 1 / 0 / 23

HEX #C3C4C5

RGB 195 196 197

HSL 210, 0.02%, 0.77%

LAB 79.11, -0.16, -0.63

 

CMYK 0 / 4 / 8 / 20

HEX #CCC3BB

RGB 204 195 187

HSL 28.24, 0.14%, 0.77%

LAB 79.3, 1.75, 5.13

 

CMYK 0 / 10 / 17 / 16

HEX #D6C1B2

RGB 214 193 178

HSL 25, 0.31%, 0.77%

LAB 79.41, 4.98, 10.24

 

CMYK 0 / 14 / 25 / 13

HEX #DFC0A8

RGB 223 192 168

HSL 26.18, 0.46%, 0.77%

LAB 79.74, 7.38, 16.17

 

CMYK 10 / 0 / 1 / 19

HEX #B9CECC

RGB 185 206 204

HSL 174.29, 0.18%, 0.77%

LAB 81.19, -7.44, -1.42

 

CMYK 10 / 1 / 0 / 19

HEX #B9CBCE

RGB 185 203 206

HSL 188.57, 0.18%, 0.77%

LAB 80.45, -5.48, -3.58

 

CMYK 10 / 4 / 0 / 19

HEX #B9C6CE

RGB 185 198 206

HSL 202.86, 0.18%, 0.77%

LAB 79.13, -2.85, -5.52

 

CMYK 10 / 7 / 0 / 19

HEX #B9C0CE

RGB 185 192 206

HSL 220, 0.18%, 0.77%

LAB 77.56, 0.34, -7.85

 

CMYK 10 / 10 / 0 / 19

HEX #B9BACE

RGB 185 186 206

HSL 237.14, 0.18%, 0.77%

LAB 76, 3.56, -10.17

 

CMYK 21 / 9 / 0 / 32

HEX #899DAD

RGB 137 157 173

HSL 206.67, 0.18%, 0.61%

LAB 63.71, -3.47, -10.68

 

CMYK 15 / 6 / 0 / 26

HEX #A1B1BD

RGB 161 177 189

HSL 205.71, 0.18%, 0.69%

LAB 71.35, -3.04, -8

 

CMYK 10 / 4 / 0 / 19

HEX #B9C5CE

RGB 185 197 206

HSL 205.71, 0.18%, 0.77%

LAB 78.87, -2.32, -5.91

 

CMYK 6 / 3 / 0 / 13

HEX #D2D9DF

RGB 210 217 223

HSL 207.69, 0.17%, 0.85%

LAB 86.33, -1.23, -3.77

 

CMYK 3 / 1 / 0 / 6

HEX #EAEEF0

RGB 234 238 240

HSL 200, 0.17%, 0.93%

LAB 93.85, -0.96, -1.44

 

CMYK 10 / 4 / 0 / 19

HEX #BAC6CF

RGB 186 198 207

HSL 205.71, 0.18%, 0.77%

LAB 79.23, -2.32, -5.91

 

CMYK 4 / 10 / 0 / 19

HEX #C6B9CE

RGB 198 185 206

HSL 277.14, 0.18%, 0.77%

LAB 76.78, 8.46, -8.91

 

CMYK 0 / 0 / 10 / 19

HEX #CECEB9

RGB 206 206 185

HSL 60, 0.18%, 0.77%

LAB 82.25, -3.64, 10.45

 

CMYK 10 / 4 / 0 / 19

HEX #BAC6CF

RGB 186 198 207

HSL 205.71, 0.18%, 0.77%

LAB 79.23, -2.32, -5.91

 

CMYK 0 / 10 / 4 / 19

HEX #CEB9C6

RGB 206 185 198

HSL 322.86, 0.18%, 0.77%

LAB 77.22, 9.73, -3.84

 

CMYK 4 / 0 / 10 / 19

HEX #C6CEB9

RGB 198 206 185

HSL 82.86, 0.18%, 0.77%

LAB 81.65, -6.48, 9.5

 

CMYK 10 / 4 / 0 / 19

HEX #BAC6CF

RGB 186 198 207

HSL 205.71, 0.18%, 0.77%

LAB 79.23, -2.32, -5.91

 

CMYK 4 / 10 / 0 / 19

HEX #C6B9CE

RGB 198 185 206

HSL 277.14, 0.18%, 0.77%

LAB 76.78, 8.46, -8.91

 

CMYK 0 / 6 / 10 / 19

HEX #CEC2B9

RGB 206 194 185

HSL 25.71, 0.18%, 0.77%

LAB 79.16, 2.66, 6.02

 

CMYK 6 / 0 / 10 / 19

HEX #C1CEB9

RGB 193 206 185

HSL 97.14, 0.18%, 0.77%

LAB 81.28, -8.24, 8.93

 

CMYK 10 / 4 / 0 / 19

HEX #BAC6CF

RGB 186 198 207

HSL 205.71, 0.18%, 0.77%

LAB 79.23, -2.32, -5.91

 

CMYK 0 / 10 / 0 / 19

HEX #CDB9CE

RGB 205 185 206

HSL 297.14, 0.18%, 0.77%

LAB 77.36, 10.85, -7.98

 

CMYK 0 / 6 / 10 / 19

HEX #CEC2B9

RGB 206 194 185

HSL 25.71, 0.18%, 0.77%

LAB 79.16, 2.66, 6.02

 

CMYK 9 / 0 / 10 / 19

HEX #BBCEB9

RGB 187 206 185

HSL 114.29, 0.18%, 0.77%

LAB 80.86, -10.33, 8.26

 

Description

Color code: HEX #BAC6CF | qconv.com Color code: HEX #BAC6CF | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 186 red, 198 green and 207 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
186 198 207 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 10 cyan, 4 magenta, none yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
10% 4% 0% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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