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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BAD9D9 it is the complementary color #452626. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BAD9D9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BAD9D9 shade: #BFD9D4, #D0EBE7, #E1FDFA and #F2FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BAD9D9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BAD9D9 shade: #BAD9D9, #A9C7C6, #98B5B3, #87A3A0 and #76918D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BAD9D9 shade: #B9D8D8, #B9D8D0, #B9D8C8, #B9D8BF and #BCD8B9

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BAD9D9 shade: #B9D8D8, #B9D0D8, #B9C8D8, #B9BFD8 and #B9B9D8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BAD9D9 shade matches the following richer shades: #B9D8D8, #B1E1E1, #A8EAEA, #9FF2F2 and #97FBFB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BAD9D9 shade: #B9D8D8, #C2D0D0, #CBC7C7, #D3BEBE and #DCB6B6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BAD9D9 shade: #B9D8C8, #B9D8D0, #B9D8D8, #B9D0D8 and #B9C8D8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BAD9D9 shade: #84BBBB, #9FCACA, #B9D8D8, #D4E7E7 and #EFF6F6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BAD9D9 shade: #BAD9D9, #C0B9D8 and #D8CCB9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BAD9D9 shade: #BAD9D9, #D8B9D8 and #D8D8B9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BAD9D9 shade: #BAD9D9, #C0B9D8, #D8B9B9 and #D2D8B9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BAD9D9 shade: #BAD9D9, #C9B9D8, #D8B9B9 and #C9D8B9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 14 / 0 / 0 / 15

HEX #BAD9D9

RGB 186 217 217

HSL 180, 0.29%, 0.79%

LAB 84.52, -10.2, -3.45

 

Complementary color

CMYK 0 / 45 / 45 / 73

HEX #452626

RGB 69 38 38

HSL 0, 0.29%, 0.21%

LAB 19.19, 14.63, 6.29

 

CMYK 12 / 0 / 2 / 15

HEX #BFD9D4

RGB 191 217 212

HSL 168.46, 0.25%, 0.8%

LAB 84.72, -9.59, -0.47

 

CMYK 11 / 0 / 2 / 8

HEX #D0EBE7

RGB 208 235 231

HSL 171.11, 0.4%, 0.87%

LAB 91.05, -9.58, -1.07

 

CMYK 11 / 0 / 1 / 1

HEX #E1FDFA

RGB 225 253 250

HSL 173.57, 0.88%, 0.94%

LAB 97.29, -9.59, -1.65

 

CMYK 5 / 0 / 0 / 0

HEX #F2FFFF

RGB 242 255 255

HSL 180, 1%, 0.97%

LAB 99.07, -4.23, -1.48

 

CMYK 14 / 0 / 0 / 15

HEX #BAD9D9

RGB 186 217 217

HSL 180, 0.29%, 0.79%

LAB 84.52, -10.2, -3.45

 

CMYK 15 / 0 / 1 / 22

HEX #A9C7C6

RGB 169 199 198

HSL 178, 0.21%, 0.72%

LAB 78.09, -10.22, -2.88

 

CMYK 16 / 0 / 1 / 29

HEX #98B5B3

RGB 152 181 179

HSL 175.86, 0.16%, 0.65%

LAB 71.54, -10.25, -2.29

 

CMYK 17 / 0 / 2 / 36

HEX #87A3A0

RGB 135 163 160

HSL 173.57, 0.13%, 0.58%

LAB 64.87, -10.3, -1.68

 

CMYK 19 / 0 / 3 / 43

HEX #76918D

RGB 118 145 141

HSL 171.11, 0.11%, 0.52%

LAB 58.06, -10.36, -1.05

 

CMYK 14 / 0 / 0 / 15

HEX #B9D8D8

RGB 185 216 216

HSL 180, 0.28%, 0.79%

LAB 84.17, -10.2, -3.45

 

CMYK 14 / 0 / 4 / 15

HEX #B9D8D0

RGB 185 216 208

HSL 164.52, 0.28%, 0.79%

LAB 83.96, -11.8, 0.49

 

CMYK 14 / 0 / 7 / 15

HEX #B9D8C8

RGB 185 216 200

HSL 149.03, 0.28%, 0.79%

LAB 83.76, -13.35, 4.44

 

CMYK 14 / 0 / 12 / 15

HEX #B9D8BF

RGB 185 216 191

HSL 131.61, 0.28%, 0.79%

LAB 83.54, -15.02, 8.9

 

CMYK 13 / 0 / 14 / 15

HEX #BCD8B9

RGB 188 216 185

HSL 114.19, 0.28%, 0.79%

LAB 83.6, -15.08, 12.19

 

CMYK 14 / 0 / 0 / 15

HEX #B9D8D8

RGB 185 216 216

HSL 180, 0.28%, 0.79%

LAB 84.17, -10.2, -3.45

 

CMYK 14 / 4 / 0 / 15

HEX #B9D0D8

RGB 185 208 216

HSL 195.48, 0.28%, 0.79%

LAB 82.05, -6.06, -6.58

 

CMYK 14 / 7 / 0 / 15

HEX #B9C8D8

RGB 185 200 216

HSL 210.97, 0.28%, 0.79%

LAB 79.94, -1.86, -9.7

 

CMYK 14 / 12 / 0 / 15

HEX #B9BFD8

RGB 185 191 216

HSL 228.39, 0.28%, 0.79%

LAB 77.6, 2.94, -13.2

 

CMYK 14 / 14 / 0 / 15

HEX #B9B9D8

RGB 185 185 216

HSL 240, 0.28%, 0.79%

LAB 76.05, 6.19, -15.53

 

CMYK 14 / 0 / 0 / 15

HEX #B9D8D8

RGB 185 216 216

HSL 180, 0.28%, 0.79%

LAB 84.17, -10.2, -3.45

 

CMYK 21 / 0 / 0 / 12

HEX #B1E1E1

RGB 177 225 225

HSL 180, 0.44%, 0.79%

LAB 86.32, -15.37, -5.09

 

CMYK 28 / 0 / 0 / 8

HEX #A8EAEA

RGB 168 234 234

HSL 180, 0.61%, 0.79%

LAB 88.5, -20.51, -6.66

 

CMYK 34 / 0 / 0 / 5

HEX #9FF2F2

RGB 159 242 242

HSL 180, 0.76%, 0.79%

LAB 90.45, -25.04, -8.01

 

CMYK 40 / 0 / 0 / 2

HEX #97FBFB

RGB 151 251 251

HSL 180, 0.93%, 0.79%

LAB 92.81, -29.24, -9.22

 

CMYK 14 / 0 / 0 / 15

HEX #B9D8D8

RGB 185 216 216

HSL 180, 0.28%, 0.79%

LAB 84.17, -10.2, -3.45

 

CMYK 7 / 0 / 0 / 18

HEX #C2D0D0

RGB 194 208 208

HSL 180, 0.13%, 0.79%

LAB 82.45, -4.72, -1.64

 

CMYK 0 / 2 / 2 / 20

HEX #CBC7C7

RGB 203 199 199

HSL 0, 0.04%, 0.79%

LAB 80.55, 1.39, 0.48

 

CMYK 0 / 10 / 10 / 17

HEX #D3BEBE

RGB 211 190 190

HSL 0, 0.19%, 0.79%

LAB 78.69, 7.42, 2.7

 

CMYK 0 / 17 / 17 / 14

HEX #DCB6B6

RGB 220 182 182

HSL 0, 0.35%, 0.79%

LAB 77.31, 13.66, 5.13

 

CMYK 14 / 0 / 7 / 15

HEX #B9D8C8

RGB 185 216 200

HSL 149.03, 0.28%, 0.79%

LAB 83.76, -13.35, 4.44

 

CMYK 14 / 0 / 4 / 15

HEX #B9D8D0

RGB 185 216 208

HSL 164.52, 0.28%, 0.79%

LAB 83.96, -11.8, 0.49

 

CMYK 14 / 0 / 0 / 15

HEX #B9D8D8

RGB 185 216 216

HSL 180, 0.28%, 0.79%

LAB 84.17, -10.2, -3.45

 

CMYK 14 / 4 / 0 / 15

HEX #B9D0D8

RGB 185 208 216

HSL 195.48, 0.28%, 0.79%

LAB 82.05, -6.06, -6.58

 

CMYK 14 / 7 / 0 / 15

HEX #B9C8D8

RGB 185 200 216

HSL 210.97, 0.28%, 0.79%

LAB 79.94, -1.86, -9.7

 

CMYK 29 / 0 / 0 / 27

HEX #84BBBB

RGB 132 187 187

HSL 180, 0.29%, 0.63%

LAB 72.25, -17.78, -5.76

 

CMYK 21 / 0 / 0 / 21

HEX #9FCACA

RGB 159 202 202

HSL 180, 0.29%, 0.71%

LAB 78.39, -14.06, -4.66

 

CMYK 14 / 0 / 0 / 15

HEX #B9D8D8

RGB 185 216 216

HSL 180, 0.28%, 0.79%

LAB 84.17, -10.2, -3.45

 

CMYK 8 / 0 / 0 / 9

HEX #D4E7E7

RGB 212 231 231

HSL 180, 0.28%, 0.87%

LAB 90.28, -6.26, -2.16

 

CMYK 3 / 0 / 0 / 4

HEX #EFF6F6

RGB 239 246 246

HSL 180, 0.28%, 0.95%

LAB 96.38, -2.3, -0.82

 

CMYK 14 / 0 / 0 / 15

HEX #BAD9D9

RGB 186 217 217

HSL 180, 0.29%, 0.79%

LAB 84.52, -10.2, -3.45

 

CMYK 11 / 14 / 0 / 15

HEX #C0B9D8

RGB 192 185 216

HSL 253.55, 0.28%, 0.79%

LAB 76.6, 8.46, -14.65

 

CMYK 0 / 6 / 14 / 15

HEX #D8CCB9

RGB 216 204 185

HSL 36.77, 0.28%, 0.79%

LAB 82.53, 1.01, 10.96

 

CMYK 14 / 0 / 0 / 15

HEX #BAD9D9

RGB 186 217 217

HSL 180, 0.29%, 0.79%

LAB 84.52, -10.2, -3.45

 

CMYK 0 / 14 / 0 / 15

HEX #D8B9D8

RGB 216 185 216

HSL 300, 0.28%, 0.79%

LAB 78.61, 16.45, -11.43

 

CMYK 0 / 0 / 14 / 15

HEX #D8D8B9

RGB 216 216 185

HSL 60, 0.28%, 0.79%

LAB 85.61, -5.21, 15.31

 

CMYK 14 / 0 / 0 / 15

HEX #BAD9D9

RGB 186 217 217

HSL 180, 0.29%, 0.79%

LAB 84.52, -10.2, -3.45

 

CMYK 11 / 14 / 0 / 15

HEX #C0B9D8

RGB 192 185 216

HSL 253.55, 0.28%, 0.79%

LAB 76.6, 8.46, -14.65

 

CMYK 0 / 14 / 14 / 15

HEX #D8B9B9

RGB 216 185 185

HSL 0, 0.28%, 0.79%

LAB 77.76, 11.08, 4.1

 

CMYK 3 / 0 / 14 / 15

HEX #D2D8B9

RGB 210 216 185

HSL 71.61, 0.28%, 0.79%

LAB 85.16, -7.36, 14.61

 

CMYK 14 / 0 / 0 / 15

HEX #BAD9D9

RGB 186 217 217

HSL 180, 0.29%, 0.79%

LAB 84.52, -10.2, -3.45

 

CMYK 7 / 14 / 0 / 15

HEX #C9B9D8

RGB 201 185 216

HSL 270.97, 0.28%, 0.79%

LAB 77.32, 11.42, -13.48

 

CMYK 0 / 14 / 14 / 15

HEX #D8B9B9

RGB 216 185 185

HSL 0, 0.28%, 0.79%

LAB 77.76, 11.08, 4.1

 

CMYK 7 / 0 / 14 / 15

HEX #C9D8B9

RGB 201 216 185

HSL 89.03, 0.28%, 0.79%

LAB 84.5, -10.56, 13.58

 

Description

Color code: HEX #BAD9D9 | qconv.com Color code: HEX #BAD9D9 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 186 red, 217 green and 217 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
186 217 217 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 14 cyan, none magenta, none yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
14% 0% 0% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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