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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BADADD it is the complementary color #452522. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BADADD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BADADD shade: #BFDAD8, #D0ECEB, #E1FEFE and #F2FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BADADD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BADADD shade: #BADADD, #A9C8CA, #98B6B7, #87A4A4 and #769291

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BADADD shade: #BADADD, #BAD1DD, #BAC7DD, #BABEDD and #C0BADD

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BADADD shade: #BADADD, #BAD1DD, #BAC7DD, #BABEDD and #BABADD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BADADD shade matches the following richer shades: #BADADD, #B2E1E5, #AAE8ED, #A1EEF6 and #99F5FE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BADADD shade: #BADADD, #C2D3D5, #CBCCCC, #D3C5C4 and #DBBFBC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BADADD shade: #BADDCD, #BADDD6, #BADADD, #BAD1DD and #BAC7DD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BADADD shade: #83BCC2, #9FCBCF, #BADADD, #D6E9EA and #F1F8F8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BADADD shade: #BADADD, #C4BADD and #DDD2BA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BADADD shade: #BADADD, #DDBADA and #DADDBA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BADADD shade: #BADADD, #C4BADD, #DDBDBA and #D3DDBA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BADADD shade: #BADADD, #CEBADD, #DDBDBA and #C9DDBA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 16 / 1 / 0 / 13

HEX #BADADD

RGB 186 218 221

HSL 185.14, 0.34%, 0.8%

LAB 84.9, -9.89, -5.02

 

Complementary color

CMYK 0 / 46 / 51 / 73

HEX #452522

RGB 69 37 34

HSL 5.14, 0.34%, 0.2%

LAB 18.82, 14.75, 8.56

 

CMYK 12 / 0 / 1 / 15

HEX #BFDAD8

RGB 191 218 216

HSL 175.56, 0.27%, 0.8%

LAB 85.09, -9.31, -2.05

 

CMYK 12 / 0 / 0 / 7

HEX #D0ECEB

RGB 208 236 235

HSL 177.86, 0.42%, 0.87%

LAB 91.41, -9.31, -2.63

 

CMYK 11 / 0 / 0 / 0

HEX #E1FEFE

RGB 225 254 254

HSL 180, 0.94%, 0.94%

LAB 97.65, -9.32, -3.18

 

CMYK 5 / 0 / 0 / 0

HEX #F2FFFF

RGB 242 255 255

HSL 180, 1%, 0.97%

LAB 99.07, -4.23, -1.48

 

CMYK 16 / 1 / 0 / 13

HEX #BADADD

RGB 186 218 221

HSL 185.14, 0.34%, 0.8%

LAB 84.9, -9.89, -5.02

 

CMYK 16 / 1 / 0 / 21

HEX #A9C8CA

RGB 169 200 202

HSL 183.64, 0.24%, 0.73%

LAB 78.47, -9.9, -4.48

 

CMYK 17 / 1 / 0 / 28

HEX #98B6B7

RGB 152 182 183

HSL 181.94, 0.18%, 0.66%

LAB 71.93, -9.93, -3.92

 

CMYK 18 / 0 / 0 / 36

HEX #87A4A4

RGB 135 164 164

HSL 180, 0.14%, 0.59%

LAB 65.26, -9.97, -3.34

 

CMYK 19 / 0 / 1 / 43

HEX #769291

RGB 118 146 145

HSL 177.86, 0.11%, 0.52%

LAB 58.47, -10.02, -2.74

 

CMYK 16 / 1 / 0 / 13

HEX #BADADD

RGB 186 218 221

HSL 185.14, 0.34%, 0.8%

LAB 84.9, -9.89, -5.02

 

CMYK 16 / 5 / 0 / 13

HEX #BAD1DD

RGB 186 209 221

HSL 200.57, 0.34%, 0.8%

LAB 82.52, -5.23, -8.54

 

CMYK 16 / 10 / 0 / 13

HEX #BAC7DD

RGB 186 199 221

HSL 217.71, 0.34%, 0.8%

LAB 79.9, 0.04, -12.44

 

CMYK 16 / 14 / 0 / 13

HEX #BABEDD

RGB 186 190 221

HSL 233.14, 0.34%, 0.8%

LAB 77.57, 4.87, -15.94

 

CMYK 13 / 16 / 0 / 13

HEX #C0BADD

RGB 192 186 221

HSL 250.29, 0.34%, 0.8%

LAB 77.01, 8.95, -16.74

 

CMYK 16 / 1 / 0 / 13

HEX #BADADD

RGB 186 218 221

HSL 185.14, 0.34%, 0.8%

LAB 84.9, -9.89, -5.02

 

CMYK 16 / 5 / 0 / 13

HEX #BAD1DD

RGB 186 209 221

HSL 200.57, 0.34%, 0.8%

LAB 82.52, -5.23, -8.54

 

CMYK 16 / 10 / 0 / 13

HEX #BAC7DD

RGB 186 199 221

HSL 217.71, 0.34%, 0.8%

LAB 79.9, 0.04, -12.44

 

CMYK 16 / 14 / 0 / 13

HEX #BABEDD

RGB 186 190 221

HSL 233.14, 0.34%, 0.8%

LAB 77.57, 4.87, -15.94

 

CMYK 16 / 16 / 0 / 13

HEX #BABADD

RGB 186 186 221

HSL 240, 0.34%, 0.8%

LAB 76.54, 7.03, -17.48

 

CMYK 16 / 1 / 0 / 13

HEX #BADADD

RGB 186 218 221

HSL 185.14, 0.34%, 0.8%

LAB 84.9, -9.89, -5.02

 

CMYK 22 / 2 / 0 / 10

HEX #B2E1E5

RGB 178 225 229

HSL 184.71, 0.5%, 0.8%

LAB 86.49, -14.22, -6.95

 

CMYK 28 / 2 / 0 / 7

HEX #AAE8ED

RGB 170 232 237

HSL 184.48, 0.65%, 0.8%

LAB 88.15, -18.29, -8.75

 

CMYK 35 / 3 / 0 / 4

HEX #A1EEF6

RGB 161 238 246

HSL 185.65, 0.83%, 0.8%

LAB 89.57, -21.63, -11.39

 

CMYK 40 / 4 / 0 / 0

HEX #99F5FE

RGB 153 245 254

HSL 185.35, 0.98%, 0.8%

LAB 91.34, -25.16, -12.97

 

CMYK 16 / 1 / 0 / 13

HEX #BADADD

RGB 186 218 221

HSL 185.14, 0.34%, 0.8%

LAB 84.9, -9.89, -5.02

 

CMYK 9 / 1 / 0 / 16

HEX #C2D3D5

RGB 194 211 213

HSL 186.32, 0.18%, 0.8%

LAB 83.37, -5.31, -2.96

 

CMYK 0 / 0 / 0 / 20

HEX #CBCCCC

RGB 203 204 204

HSL 180, 0.01%, 0.8%

LAB 81.97, -0.34, -0.13

 

CMYK 0 / 7 / 7 / 17

HEX #D3C5C4

RGB 211 197 196

HSL 4, 0.15%, 0.8%

LAB 80.61, 4.72, 2.25

 

CMYK 0 / 13 / 14 / 14

HEX #DBBFBC

RGB 219 191 188

HSL 5.81, 0.3%, 0.8%

LAB 79.59, 9.44, 5.16

 

CMYK 16 / 0 / 7 / 13

HEX #BADDCD

RGB 186 221 205

HSL 152.57, 0.34%, 0.8%

LAB 85.28, -14.6, 4.01

 

CMYK 16 / 0 / 3 / 13

HEX #BADDD6

RGB 186 221 214

HSL 168, 0.34%, 0.8%

LAB 85.51, -12.84, -0.42

 

CMYK 16 / 1 / 0 / 13

HEX #BADADD

RGB 186 218 221

HSL 185.14, 0.34%, 0.8%

LAB 84.9, -9.89, -5.02

 

CMYK 16 / 5 / 0 / 13

HEX #BAD1DD

RGB 186 209 221

HSL 200.57, 0.34%, 0.8%

LAB 82.52, -5.23, -8.54

 

CMYK 16 / 10 / 0 / 13

HEX #BAC7DD

RGB 186 199 221

HSL 217.71, 0.34%, 0.8%

LAB 79.9, 0.04, -12.44

 

CMYK 32 / 3 / 0 / 24

HEX #83BCC2

RGB 131 188 194

HSL 185.71, 0.34%, 0.64%

LAB 72.69, -16.92, -8.95

 

CMYK 23 / 2 / 0 / 19

HEX #9FCBCF

RGB 159 203 207

HSL 185, 0.33%, 0.72%

LAB 78.8, -13.48, -6.74

 

CMYK 16 / 1 / 0 / 13

HEX #BADADD

RGB 186 218 221

HSL 185.14, 0.34%, 0.8%

LAB 84.9, -9.89, -5.02

 

CMYK 9 / 0 / 0 / 8

HEX #D6E9EA

RGB 214 233 234

HSL 183, 0.32%, 0.88%

LAB 91.01, -6.06, -2.64

 

CMYK 3 / 0 / 0 / 3

HEX #F1F8F8

RGB 241 248 248

HSL 180, 0.33%, 0.96%

LAB 97.07, -2.3, -0.81

 

CMYK 16 / 1 / 0 / 13

HEX #BADADD

RGB 186 218 221

HSL 185.14, 0.34%, 0.8%

LAB 84.9, -9.89, -5.02

 

CMYK 11 / 16 / 0 / 13

HEX #C4BADD

RGB 196 186 221

HSL 257.14, 0.34%, 0.8%

LAB 77.33, 10.25, -16.23

 

CMYK 0 / 5 / 16 / 13

HEX #DDD2BA

RGB 221 210 186

HSL 41.14, 0.34%, 0.8%

LAB 84.49, -0.15, 13.26

 

CMYK 16 / 1 / 0 / 13

HEX #BADADD

RGB 186 218 221

HSL 185.14, 0.34%, 0.8%

LAB 84.9, -9.89, -5.02

 

CMYK 0 / 16 / 1 / 13

HEX #DDBADA

RGB 221 186 218

HSL 305.14, 0.34%, 0.8%

LAB 79.36, 17.97, -11.34

 

CMYK 1 / 0 / 16 / 13

HEX #DADDBA

RGB 218 221 186

HSL 65.14, 0.34%, 0.8%

LAB 87.08, -6.89, 16.87

 

CMYK 16 / 1 / 0 / 13

HEX #BADADD

RGB 186 218 221

HSL 185.14, 0.34%, 0.8%

LAB 84.9, -9.89, -5.02

 

CMYK 11 / 16 / 0 / 13

HEX #C4BADD

RGB 196 186 221

HSL 257.14, 0.34%, 0.8%

LAB 77.33, 10.25, -16.23

 

CMYK 0 / 14 / 16 / 13

HEX #DDBDBA

RGB 221 189 186

HSL 5.14, 0.34%, 0.8%

LAB 79.22, 10.91, 5.73

 

CMYK 5 / 0 / 16 / 13

HEX #D3DDBA

RGB 211 221 186

HSL 77.14, 0.34%, 0.8%

LAB 86.56, -9.4, 16.06

 

CMYK 16 / 1 / 0 / 13

HEX #BADADD

RGB 186 218 221

HSL 185.14, 0.34%, 0.8%

LAB 84.9, -9.89, -5.02

 

CMYK 7 / 16 / 0 / 13

HEX #CEBADD

RGB 206 186 221

HSL 274.29, 0.34%, 0.8%

LAB 78.15, 13.52, -14.91

 

CMYK 0 / 14 / 16 / 13

HEX #DDBDBA

RGB 221 189 186

HSL 5.14, 0.34%, 0.8%

LAB 79.22, 10.91, 5.73

 

CMYK 9 / 0 / 16 / 13

HEX #C9DDBA

RGB 201 221 186

HSL 94.29, 0.34%, 0.8%

LAB 85.84, -12.93, 14.96

 

Description

Color code: HEX #BADADD | qconv.com Color code: HEX #BADADD | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 186 red, 218 green and 221 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
186 218 221 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 16 cyan, 1 magenta, none yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
16% 1% 0% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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