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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BAE8DE it is the complementary color #451721. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BAE8DE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BAE8DE shade: #BFE8D9, #D0FAEC, #E1FFFF and #F2FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BAE8DE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BAE8DE shade: #BAE8DE, #A9D6CB, #98C4B8, #87B2A5 and #76A092

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BAE8DE shade: #BAE8DE, #BAE8D1, #BAE8C5, #BBE8BA and #C7E8BA

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BAE8DE shade: #BAE8DE, #BAE5E8, #BAD9E8, #BACCE8 and #BAC0E8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BAE8DE shade matches the following richer shades: #BAE8DE, #B2EFE2, #ABF6E6 and #A3FEEA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BAE8DE shade: #BAE8DE, #C1E0D9, #C9D9D5, #D0D1D1 and #D7CACD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BAE8DE shade: #BAE8C4, #BAE8D1, #BAE8DD, #BAE6E8 and #BADAE8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BAE8DE shade: #7CD3C0, #9BDDCF, #BAE8DE, #D9F2EC and #F8FCFB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BAE8DE shade: #BAE8DE, #BABBE8 and #E8CABA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BAE8DE shade: #BAE8DE, #DDBAE8 and #E8DDBA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BAE8DE shade: #BAE8DE, #BABBE8, #E8BAC4 and #E8E6BA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BAE8DE shade: #BAE8DE, #C6BAE8, #E8BAC4 and #DBE8BA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 20 / 0 / 4 / 9

HEX #BAE8DE

RGB 186 232 222

HSL 166.96, 0.5%, 0.82%

LAB 88.65, -16.77, -0.04

 

Complementary color

CMYK 0 / 67 / 52 / 73

HEX #451721

RGB 69 23 33

HSL 346.96, 0.5%, 0.18%

LAB 15.42, 23.19, 4.56

 

CMYK 18 / 0 / 6 / 9

HEX #BFE8D9

RGB 191 232 217

HSL 158.05, 0.47%, 0.83%

LAB 88.83, -16.2, 2.88

 

CMYK 17 / 0 / 6 / 2

HEX #D0FAEC

RGB 208 250 236

HSL 160, 0.81%, 0.9%

LAB 95.09, -16.11, 2.23

 

CMYK 12 / 0 / 0 / 0

HEX #E1FFFF

RGB 225 255 255

HSL 180, 1%, 0.94%

LAB 97.93, -9.63, -3.28

 

CMYK 5 / 0 / 0 / 0

HEX #F2FFFF

RGB 242 255 255

HSL 180, 1%, 0.97%

LAB 99.07, -4.23, -1.48

 

CMYK 20 / 0 / 4 / 9

HEX #BAE8DE

RGB 186 232 222

HSL 166.96, 0.5%, 0.82%

LAB 88.65, -16.77, -0.04

 

CMYK 21 / 0 / 5 / 16

HEX #A9D6CB

RGB 169 214 203

HSL 165.33, 0.35%, 0.75%

LAB 82.29, -16.88, 0.6

 

CMYK 22 / 0 / 6 / 23

HEX #98C4B8

RGB 152 196 184

HSL 163.64, 0.27%, 0.68%

LAB 75.83, -17, 1.26

 

CMYK 24 / 0 / 7 / 30

HEX #87B2A5

RGB 135 178 165

HSL 161.86, 0.22%, 0.61%

LAB 69.26, -17.14, 1.95

 

CMYK 26 / 0 / 9 / 37

HEX #76A092

RGB 118 160 146

HSL 160, 0.18%, 0.55%

LAB 62.57, -17.3, 2.68

 

CMYK 20 / 0 / 4 / 9

HEX #BAE8DE

RGB 186 232 222

HSL 166.96, 0.5%, 0.82%

LAB 88.65, -16.77, -0.04

 

CMYK 20 / 0 / 10 / 9

HEX #BAE8D1

RGB 186 232 209

HSL 150, 0.5%, 0.82%

LAB 88.33, -19.32, 6.31

 

CMYK 20 / 0 / 15 / 9

HEX #BAE8C5

RGB 186 232 197

HSL 134.35, 0.5%, 0.82%

LAB 88.06, -21.56, 12.19

 

CMYK 19 / 0 / 20 / 9

HEX #BBE8BA

RGB 187 232 186

HSL 118.7, 0.5%, 0.82%

LAB 87.88, -23.16, 17.69

 

CMYK 14 / 0 / 20 / 9

HEX #C7E8BA

RGB 199 232 186

HSL 103.04, 0.5%, 0.82%

LAB 88.64, -19.1, 18.85

 

CMYK 20 / 0 / 4 / 9

HEX #BAE8DE

RGB 186 232 222

HSL 166.96, 0.5%, 0.82%

LAB 88.65, -16.77, -0.04

 

CMYK 20 / 1 / 0 / 9

HEX #BAE5E8

RGB 186 229 232

HSL 183.91, 0.5%, 0.82%

LAB 88.11, -13.2, -6.07

 

CMYK 20 / 6 / 0 / 9

HEX #BAD9E8

RGB 186 217 232

HSL 199.57, 0.5%, 0.82%

LAB 84.94, -7.06, -10.78

 

CMYK 20 / 12 / 0 / 9

HEX #BACCE8

RGB 186 204 232

HSL 216.52, 0.5%, 0.82%

LAB 81.54, -0.24, -15.87

 

CMYK 20 / 17 / 0 / 9

HEX #BAC0E8

RGB 186 192 232

HSL 232.17, 0.5%, 0.82%

LAB 78.44, 6.18, -20.55

 

CMYK 20 / 0 / 4 / 9

HEX #BAE8DE

RGB 186 232 222

HSL 166.96, 0.5%, 0.82%

LAB 88.65, -16.77, -0.04

 

CMYK 26 / 0 / 5 / 6

HEX #B2EFE2

RGB 178 239 226

HSL 167.21, 0.66%, 0.82%

LAB 90.18, -21.82, 0.05

 

CMYK 30 / 0 / 7 / 4

HEX #ABF6E6

RGB 171 246 230

HSL 167.2, 0.81%, 0.82%

LAB 91.81, -26.38, 0.31

 

CMYK 36 / 0 / 8 / 0

HEX #A3FEEA

RGB 163 254 234

HSL 166.81, 0.98%, 0.82%

LAB 93.72, -31.5, 0.96

 

CMYK 20 / 0 / 4 / 9

HEX #BAE8DE

RGB 186 232 222

HSL 166.96, 0.5%, 0.82%

LAB 88.65, -16.77, -0.04

 

CMYK 14 / 0 / 3 / 12

HEX #C1E0D9

RGB 193 224 217

HSL 166.45, 0.33%, 0.82%

LAB 86.83, -11.54, -0.02

 

CMYK 7 / 0 / 2 / 15

HEX #C9D9D5

RGB 201 217 213

HSL 165, 0.17%, 0.82%

LAB 85.43, -6.11, 0.11

 

CMYK 0 / 0 / 0 / 18

HEX #D0D1D1

RGB 208 209 209

HSL 180, 0.01%, 0.82%

LAB 83.76, -0.34, -0.13

 

CMYK 0 / 6 / 5 / 16

HEX #D7CACD

RGB 215 202 205

HSL 346.15, 0.14%, 0.82%

LAB 82.43, 5.04, 0.12

 

CMYK 20 / 0 / 16 / 9

HEX #BAE8C4

RGB 186 232 196

HSL 133.04, 0.5%, 0.82%

LAB 88.03, -21.74, 12.68

 

CMYK 20 / 0 / 10 / 9

HEX #BAE8D1

RGB 186 232 209

HSL 150, 0.5%, 0.82%

LAB 88.33, -19.32, 6.31

 

CMYK 20 / 0 / 5 / 9

HEX #BAE8DD

RGB 186 232 221

HSL 165.65, 0.5%, 0.82%

LAB 88.63, -16.97, 0.45

 

CMYK 20 / 1 / 0 / 9

HEX #BAE6E8

RGB 186 230 232

HSL 182.61, 0.5%, 0.82%

LAB 88.38, -13.71, -5.68

 

CMYK 20 / 6 / 0 / 9

HEX #BADAE8

RGB 186 218 232

HSL 198.26, 0.5%, 0.82%

LAB 85.2, -7.58, -10.39

 

CMYK 41 / 0 / 9 / 17

HEX #7CD3C0

RGB 124 211 192

HSL 166.9, 0.5%, 0.66%

LAB 78.86, -30.7, 1.18

 

CMYK 30 / 0 / 6 / 13

HEX #9BDDCF

RGB 155 221 207

HSL 167.27, 0.49%, 0.74%

LAB 83.54, -23.72, 0.2

 

CMYK 20 / 0 / 4 / 9

HEX #BAE8DE

RGB 186 232 222

HSL 166.96, 0.5%, 0.82%

LAB 88.65, -16.77, -0.04

 

CMYK 10 / 0 / 2 / 5

HEX #D9F2EC

RGB 217 242 236

HSL 165.6, 0.49%, 0.9%

LAB 93.59, -9.27, 0.1

 

CMYK 2 / 0 / 0 / 1

HEX #F8FCFB

RGB 248 252 251

HSL 165, 0.4%, 0.98%

LAB 98.65, -1.49, 0.01

 

CMYK 20 / 0 / 4 / 9

HEX #BAE8DE

RGB 186 232 222

HSL 166.96, 0.5%, 0.82%

LAB 88.65, -16.77, -0.04

 

CMYK 20 / 19 / 0 / 9

HEX #BABBE8

RGB 186 187 232

HSL 238.7, 0.5%, 0.82%

LAB 77.16, 8.9, -22.49

 

CMYK 0 / 13 / 20 / 9

HEX #E8CABA

RGB 232 202 186

HSL 20.87, 0.5%, 0.82%

LAB 83.41, 8.06, 11.86

 

CMYK 20 / 0 / 4 / 9

HEX #BAE8DE

RGB 186 232 222

HSL 166.96, 0.5%, 0.82%

LAB 88.65, -16.77, -0.04

 

CMYK 5 / 20 / 0 / 9

HEX #DDBAE8

RGB 221 186 232

HSL 285.65, 0.5%, 0.82%

LAB 79.79, 20.6, -18.23

 

CMYK 0 / 5 / 20 / 9

HEX #E8DDBA

RGB 232 221 186

HSL 45.65, 0.5%, 0.82%

LAB 88.17, -1.81, 18.55

 

CMYK 20 / 0 / 4 / 9

HEX #BAE8DE

RGB 186 232 222

HSL 166.96, 0.5%, 0.82%

LAB 88.65, -16.77, -0.04

 

CMYK 20 / 19 / 0 / 9

HEX #BABBE8

RGB 186 187 232

HSL 238.7, 0.5%, 0.82%

LAB 77.16, 8.9, -22.49

 

CMYK 0 / 20 / 16 / 9

HEX #E8BAC4

RGB 232 186 196

HSL 346.96, 0.5%, 0.82%

LAB 79.76, 18.06, 1.25

 

CMYK 0 / 1 / 20 / 9

HEX #E8E6BA

RGB 232 230 186

HSL 57.39, 0.5%, 0.82%

LAB 90.46, -6.39, 21.74

 

CMYK 20 / 0 / 4 / 9

HEX #BAE8DE

RGB 186 232 222

HSL 166.96, 0.5%, 0.82%

LAB 88.65, -16.77, -0.04

 

CMYK 15 / 20 / 0 / 9

HEX #C6BAE8

RGB 198 186 232

HSL 255.65, 0.5%, 0.82%

LAB 77.85, 13.19, -21.37

 

CMYK 0 / 20 / 16 / 9

HEX #E8BAC4

RGB 232 186 196

HSL 346.96, 0.5%, 0.82%

LAB 79.76, 18.06, 1.25

 

CMYK 6 / 0 / 20 / 9

HEX #DBE8BA

RGB 219 232 186

HSL 76.96, 0.5%, 0.82%

LAB 90.01, -12.09, 20.96

 

Description

Color code: HEX #BAE8DE | qconv.com Color code: HEX #BAE8DE | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 186 red, 232 green and 222 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
186 232 222 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 20 cyan, none magenta, 4 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
20% 0% 4% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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