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Color name
HEX #BAF6AD

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BAF6AD it is the complementary color #450952. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BAF6AD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BAF6AD shade: #BFF6A8, #D0FFBB, #E1FFCE, #F2FFE1 and #FFFFF4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BAF6AD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BAF6AD shade: #BAF6AD, #A9E49A, #98D287, #87C074 and #76AE61

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BAF6AD shade: #B9F5AC, #CDF5AC, #E1F5AC, #F4F5AC and #F5E2AC

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BAF6AD shade: #B9F5AC, #ACF5B3, #ACF5C6, #ACF5DA and #ACF5EE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BAF6AD shade matches the following richer shades: #B9F5AC and #B4FDA4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BAF6AD shade: #B9F5AC, #BEEEB3, #C3E6BB, #C7DFC2 and #CCD8CA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BAF6AD shade: #E1F5AC, #CDF5AC, #B9F5AC, #ACF5B2 and #ACF5C6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BAF6AD shade: #7AED62, #9AF187, #B9F5AC, #D8F9D1 and #F7FEF6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BAF6AD shade: #BAF6AD, #ACF4F5 and #F5ACD7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BAF6AD shade: #BAF6AD, #ACB9F5 and #F5ACB9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BAF6AD shade: #BAF6AD, #ACF4F5, #E8ACF5 and #F5ADAC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BAF6AD shade: #BAF6AD, #ACDEF5, #E8ACF5 and #F5C3AC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 24 / 0 / 30 / 4

HEX #BAF6AD

RGB 186 246 173

HSL 109.32, 0.8%, 0.82%

LAB 91.4, -32.24, 29.19

 

Complementary color

CMYK 16 / 89 / 0 / 68

HEX #450952

RGB 69 9 82

HSL 289.32, 0.8%, 0.18%

LAB 15.85, 37.72, -29.43

 

CMYK 22 / 0 / 32 / 4

HEX #BFF6A8

RGB 191 246 168

HSL 102.31, 0.81%, 0.81%

LAB 91.6, -31.32, 32.04

 

CMYK 18 / 0 / 27 / 0

HEX #D0FFBB

RGB 208 255 187

HSL 101.47, 1%, 0.87%

LAB 95.38, -26.96, 27.73

 

CMYK 12 / 0 / 19 / 0

HEX #E1FFCE

RGB 225 255 206

HSL 96.73, 1%, 0.9%

LAB 96.81, -18.24, 20.23

 

CMYK 5 / 0 / 12 / 0

HEX #F2FFE1

RGB 242 255 225

HSL 86, 1%, 0.94%

LAB 98.37, -9.41, 12.88

 

CMYK 0 / 0 / 4 / 0

HEX #FFFFF4

RGB 255 255 244

HSL 60, 1%, 0.98%

LAB 99.73, -1.88, 5.24

 

CMYK 24 / 0 / 30 / 4

HEX #BAF6AD

RGB 186 246 173

HSL 109.32, 0.8%, 0.82%

LAB 91.4, -32.24, 29.19

 

CMYK 26 / 0 / 32 / 11

HEX #A9E49A

RGB 169 228 154

HSL 107.84, 0.58%, 0.75%

LAB 85.13, -32.43, 30.25

 

CMYK 28 / 0 / 36 / 18

HEX #98D287

RGB 152 210 135

HSL 106.4, 0.45%, 0.68%

LAB 78.76, -32.62, 31.36

 

CMYK 30 / 0 / 40 / 25

HEX #87C074

RGB 135 192 116

HSL 105, 0.38%, 0.6%

LAB 72.3, -32.8, 32.53

 

CMYK 32 / 0 / 44 / 32

HEX #76AE61

RGB 118 174 97

HSL 103.64, 0.32%, 0.53%

LAB 65.74, -32.97, 33.75

 

CMYK 24 / 0 / 30 / 4

HEX #B9F5AC

RGB 185 245 172

HSL 109.32, 0.78%, 0.82%

LAB 91.05, -32.26, 29.22

 

CMYK 16 / 0 / 30 / 4

HEX #CDF5AC

RGB 205 245 172

HSL 92.88, 0.78%, 0.82%

LAB 92.25, -25.45, 31.03

 

CMYK 8 / 0 / 30 / 4

HEX #E1F5AC

RGB 225 245 172

HSL 76.44, 0.78%, 0.82%

LAB 93.58, -18.32, 33.05

 

CMYK 0 / 0 / 30 / 4

HEX #F4F5AC

RGB 244 245 172

HSL 60.82, 0.78%, 0.82%

LAB 94.96, -11.33, 35.13

 

CMYK 0 / 8 / 30 / 4

HEX #F5E2AC

RGB 245 226 172

HSL 44.38, 0.78%, 0.82%

LAB 90.22, -1.43, 28.8

 

CMYK 24 / 0 / 30 / 4

HEX #B9F5AC

RGB 185 245 172

HSL 109.32, 0.78%, 0.82%

LAB 91.05, -32.26, 29.22

 

CMYK 30 / 0 / 27 / 4

HEX #ACF5B3

RGB 172 245 179

HSL 125.75, 0.78%, 0.82%

LAB 90.47, -35.32, 24.75

 

CMYK 30 / 0 / 19 / 4

HEX #ACF5C6

RGB 172 245 198

HSL 141.37, 0.78%, 0.82%

LAB 90.85, -31.98, 15.51

 

CMYK 30 / 0 / 11 / 4

HEX #ACF5DA

RGB 172 245 218

HSL 157.81, 0.78%, 0.82%

LAB 91.3, -28.11, 5.8

 

CMYK 30 / 0 / 3 / 4

HEX #ACF5EE

RGB 172 245 238

HSL 174.25, 0.78%, 0.82%

LAB 91.8, -23.9, -3.87

 

CMYK 24 / 0 / 30 / 4

HEX #B9F5AC

RGB 185 245 172

HSL 109.32, 0.78%, 0.82%

LAB 91.05, -32.26, 29.22

 

CMYK 29 / 0 / 35 / 1

HEX #B4FDA4

RGB 180 253 164

HSL 109.21, 0.96%, 0.82%

LAB 92.85, -38.74, 35.6

 

CMYK 24 / 0 / 30 / 4

HEX #B9F5AC

RGB 185 245 172

HSL 109.32, 0.78%, 0.82%

LAB 91.05, -32.26, 29.22

 

CMYK 20 / 0 / 25 / 7

HEX #BEEEB3

RGB 190 238 179

HSL 108.81, 0.63%, 0.82%

LAB 89.56, -26.2, 23.65

 

CMYK 15 / 0 / 19 / 10

HEX #C3E6BB

RGB 195 230 187

HSL 108.84, 0.46%, 0.82%

LAB 87.86, -19.32, 17.21

 

CMYK 11 / 0 / 13 / 13

HEX #C7DFC2

RGB 199 223 194

HSL 109.66, 0.31%, 0.82%

LAB 86.41, -13.28, 11.54

 

CMYK 6 / 0 / 6 / 15

HEX #CCD8CA

RGB 204 216 202

HSL 111.43, 0.15%, 0.82%

LAB 85.11, -6.6, 5.5

 

CMYK 8 / 0 / 30 / 4

HEX #E1F5AC

RGB 225 245 172

HSL 76.44, 0.78%, 0.82%

LAB 93.58, -18.32, 33.05

 

CMYK 16 / 0 / 30 / 4

HEX #CDF5AC

RGB 205 245 172

HSL 92.88, 0.78%, 0.82%

LAB 92.25, -25.45, 31.03

 

CMYK 24 / 0 / 30 / 4

HEX #B9F5AC

RGB 185 245 172

HSL 109.32, 0.78%, 0.82%

LAB 91.05, -32.26, 29.22

 

CMYK 30 / 0 / 27 / 4

HEX #ACF5B2

RGB 172 245 178

HSL 124.93, 0.78%, 0.82%

LAB 90.45, -35.49, 25.24

 

CMYK 30 / 0 / 19 / 4

HEX #ACF5C6

RGB 172 245 198

HSL 141.37, 0.78%, 0.82%

LAB 90.85, -31.98, 15.51

 

CMYK 49 / 0 / 59 / 7

HEX #7AED62

RGB 122 237 98

HSL 109.64, 0.79%, 0.66%

LAB 84.79, -58.13, 56.27

 

CMYK 36 / 0 / 44 / 5

HEX #9AF187

RGB 154 241 135

HSL 109.25, 0.79%, 0.74%

LAB 87.74, -45.82, 43

 

CMYK 24 / 0 / 30 / 4

HEX #B9F5AC

RGB 185 245 172

HSL 109.32, 0.78%, 0.82%

LAB 91.05, -32.26, 29.22

 

CMYK 13 / 0 / 16 / 2

HEX #D8F9D1

RGB 216 249 209

HSL 109.5, 0.77%, 0.9%

LAB 94.72, -17.88, 15.67

 

CMYK 3 / 0 / 3 / 0

HEX #F7FEF6

RGB 247 254 246

HSL 112.5, 0.8%, 0.98%

LAB 98.95, -3.7, 3.01

 

CMYK 24 / 0 / 30 / 4

HEX #BAF6AD

RGB 186 246 173

HSL 109.32, 0.8%, 0.82%

LAB 91.4, -32.24, 29.19

 

CMYK 30 / 0 / 0 / 4

HEX #ACF4F5

RGB 172 244 245

HSL 180.82, 0.78%, 0.82%

LAB 91.71, -21.87, -7.63

 

CMYK 0 / 30 / 12 / 4

HEX #F5ACD7

RGB 245 172 215

HSL 324.66, 0.78%, 0.82%

LAB 78.36, 33.06, -10.96

 

CMYK 24 / 0 / 30 / 4

HEX #BAF6AD

RGB 186 246 173

HSL 109.32, 0.8%, 0.82%

LAB 91.4, -32.24, 29.19

 

CMYK 30 / 24 / 0 / 4

HEX #ACB9F5

RGB 172 185 245

HSL 229.32, 0.78%, 0.82%

LAB 76.11, 8.87, -31.21

 

CMYK 0 / 30 / 24 / 4

HEX #F5ACB9

RGB 245 172 185

HSL 349.32, 0.78%, 0.82%

LAB 77.53, 28.52, 4.14

 

CMYK 24 / 0 / 30 / 4

HEX #BAF6AD

RGB 186 246 173

HSL 109.32, 0.8%, 0.82%

LAB 91.4, -32.24, 29.19

 

CMYK 30 / 0 / 0 / 4

HEX #ACF4F5

RGB 172 244 245

HSL 180.82, 0.78%, 0.82%

LAB 91.71, -21.87, -7.63

 

CMYK 5 / 30 / 0 / 4

HEX #E8ACF5

RGB 232 172 245

HSL 289.32, 0.78%, 0.82%

LAB 78.02, 34.13, -27.83

 

CMYK 0 / 29 / 30 / 4

HEX #F5ADAC

RGB 245 173 172

HSL 0.82, 0.78%, 0.82%

LAB 77.45, 26.24, 11.09

 

CMYK 24 / 0 / 30 / 4

HEX #BAF6AD

RGB 186 246 173

HSL 109.32, 0.8%, 0.82%

LAB 91.4, -32.24, 29.19

 

CMYK 30 / 9 / 0 / 4

HEX #ACDEF5

RGB 172 222 245

HSL 198.9, 0.78%, 0.82%

LAB 85.81, -10.83, -16.44

 

CMYK 5 / 30 / 0 / 4

HEX #E8ACF5

RGB 232 172 245

HSL 289.32, 0.78%, 0.82%

LAB 78.02, 34.13, -27.83

 

CMYK 0 / 20 / 30 / 4

HEX #F5C3AC

RGB 245 195 172

HSL 18.9, 0.78%, 0.82%

LAB 82.6, 14.63, 18.35

 

Description

Color code: HEX #BAF6AD | qconv.com Color code: HEX #BAF6AD | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 186 red, 246 green and 173 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
186 246 173 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 24 cyan, none magenta, 30 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
24% 0% 30% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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