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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BAF71B it is the complementary color #4508E4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BAF71B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BAF71B shade: #BFF716, #D0FF29, #E1FF3C, #F2FF4F and #FFFF62

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BAF71B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BAF71B shade: #BAF71B, #A9E508, #98D300, #87C100 and #76AF00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BAF71B shade: #BAF61C, #F5F61C, #F6BD1C, #F6821C and #F6471C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BAF71B shade: #BAF61C, #7FF61C, #44F61C, #1CF62F and #1CF66A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BAF71B shade matches the following richer shades: #BAF61C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BAF71B shade: #BAF61C, #B1E32F, #A9D042, #A0BD55 and #98AA68

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BAF71B shade: #F6BC1C, #F6F61C, #BCF61C, #82F61C and #48F61C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BAF71B shade: #88BA06, #A5E108, #BAF61C, #C6F844 and #D2F96C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BAF71B shade: #BAF71B, #1CF682 and #D91CF6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BAF71B shade: #BAF71B, #1CBCF6 and #F61CBC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BAF71B shade: #BAF71B, #1CF682, #561CF6 and #F61C90

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BAF71B shade: #BAF71B, #1CF6C3, #561CF6 and #F61C4F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 25 / 0 / 89 / 3

HEX #BAF71B

RGB 186 247 27

HSL 76.64, 0.93%, 0.54%

LAB 90.34, -44.99, 84.67

 

Complementary color

CMYK 70 / 96 / 0 / 11

HEX #4508E4

RGB 69 8 228

HSL 256.64, 0.93%, 0.46%

LAB 31.9, 72.72, -93.17

 

CMYK 23 / 0 / 91 / 3

HEX #BFF716

RGB 191 247 22

HSL 74.93, 0.93%, 0.53%

LAB 90.62, -43.2, 85.72

 

CMYK 18 / 0 / 84 / 0

HEX #D0FF29

RGB 208 255 41

HSL 73.18, 1%, 0.58%

LAB 93.92, -39.77, 85.67

 

CMYK 12 / 0 / 76 / 0

HEX #E1FF3C

RGB 225 255 60

HSL 69.23, 1%, 0.62%

LAB 95.1, -32.5, 82.46

 

CMYK 5 / 0 / 69 / 0

HEX #F2FF4F

RGB 242 255 79

HSL 64.43, 1%, 0.65%

LAB 96.39, -24.92, 78.11

 

CMYK 0 / 0 / 62 / 0

HEX #FFFF62

RGB 255 255 98

HSL 60, 1%, 0.69%

LAB 97.5, -18.69, 72.47

 

CMYK 25 / 0 / 89 / 3

HEX #BAF71B

RGB 186 247 27

HSL 76.64, 0.93%, 0.54%

LAB 90.34, -44.99, 84.67

 

CMYK 26 / 0 / 97 / 10

HEX #A9E508

RGB 169 229 8

HSL 76.29, 0.93%, 0.46%

LAB 84.22, -43.95, 81.56

 

CMYK 28 / 0 / 100 / 17

HEX #98D300

RGB 152 211 0

HSL 76.78, 1%, 0.41%

LAB 78.03, -42.73, 77.08

 

CMYK 30 / 0 / 100 / 24

HEX #87C100

RGB 135 193 0

HSL 78.03, 1%, 0.38%

LAB 71.75, -41.4, 71.85

 

CMYK 33 / 0 / 100 / 31

HEX #76AF00

RGB 118 175 0

HSL 79.54, 1%, 0.34%

LAB 65.37, -40.04, 66.54

 

CMYK 24 / 0 / 89 / 4

HEX #BAF61C

RGB 186 246 28

HSL 76.51, 0.92%, 0.54%

LAB 90.06, -44.54, 84.29

 

CMYK 0 / 0 / 89 / 4

HEX #F5F61C

RGB 245 246 28

HSL 60.28, 0.92%, 0.54%

LAB 94.06, -21.1, 89.17

 

CMYK 0 / 23 / 89 / 4

HEX #F6BD1C

RGB 246 189 28

HSL 44.31, 0.92%, 0.54%

LAB 79.65, 7.89, 77.97

 

CMYK 0 / 47 / 89 / 4

HEX #F6821C

RGB 246 130 28

HSL 28.07, 0.92%, 0.54%

LAB 66.25, 38.62, 67.68

 

CMYK 0 / 71 / 89 / 4

HEX #F6471C

RGB 246 71 28

HSL 11.83, 0.92%, 0.54%

LAB 56.27, 64.64, 60.21

 

CMYK 24 / 0 / 89 / 4

HEX #BAF61C

RGB 186 246 28

HSL 76.51, 0.92%, 0.54%

LAB 90.06, -44.54, 84.29

 

CMYK 48 / 0 / 89 / 4

HEX #7FF61C

RGB 127 246 28

HSL 92.75, 0.92%, 0.54%

LAB 87.25, -64.43, 80.81

 

CMYK 72 / 0 / 89 / 4

HEX #44F61C

RGB 68 246 28

HSL 108.99, 0.92%, 0.54%

LAB 85.62, -77.76, 78.78

 

CMYK 89 / 0 / 81 / 4

HEX #1CF62F

RGB 28 246 47

HSL 125.23, 0.92%, 0.54%

LAB 85.18, -81.37, 74.21

 

CMYK 89 / 0 / 57 / 4

HEX #1CF66A

RGB 28 246 106

HSL 141.47, 0.92%, 0.54%

LAB 85.6, -76.07, 53.19

 

CMYK 24 / 0 / 89 / 4

HEX #BAF61C

RGB 186 246 28

HSL 76.51, 0.92%, 0.54%

LAB 90.06, -44.54, 84.29

 

CMYK 24 / 0 / 89 / 4

HEX #BAF61C

RGB 186 246 28

HSL 76.51, 0.92%, 0.54%

LAB 90.06, -44.54, 84.29

 

CMYK 22 / 0 / 79 / 11

HEX #B1E32F

RGB 177 227 47

HSL 76.67, 0.76%, 0.54%

LAB 84.22, -39.1, 75.06

 

CMYK 19 / 0 / 68 / 18

HEX #A9D042

RGB 169 208 66

HSL 76.48, 0.6%, 0.54%

LAB 78.43, -32.63, 63.17

 

CMYK 15 / 0 / 55 / 26

HEX #A0BD55

RGB 160 189 85

HSL 76.73, 0.44%, 0.54%

LAB 72.58, -25.7, 48.56

 

CMYK 11 / 0 / 39 / 33

HEX #98AA68

RGB 152 170 104

HSL 76.36, 0.28%, 0.54%

LAB 66.84, -17.32, 31.95

 

CMYK 0 / 24 / 89 / 4

HEX #F6BC1C

RGB 246 188 28

HSL 44.04, 0.92%, 0.54%

LAB 79.41, 8.41, 77.78

 

CMYK 0 / 0 / 89 / 4

HEX #F6F61C

RGB 246 246 28

HSL 60, 0.92%, 0.54%

LAB 94.14, -20.69, 89.26

 

CMYK 24 / 0 / 89 / 4

HEX #BCF61C

RGB 188 246 28

HSL 75.96, 0.92%, 0.54%

LAB 90.18, -43.79, 84.43

 

CMYK 47 / 0 / 89 / 4

HEX #82F61C

RGB 130 246 28

HSL 91.93, 0.92%, 0.54%

LAB 87.36, -63.56, 80.95

 

CMYK 71 / 0 / 89 / 4

HEX #48F61C

RGB 72 246 28

HSL 107.89, 0.92%, 0.54%

LAB 85.69, -77.11, 78.87

 

CMYK 27 / 0 / 97 / 27

HEX #88BA06

RGB 136 186 6

HSL 76.67, 0.94%, 0.38%

LAB 69.73, -37.84, 69.64

 

CMYK 27 / 0 / 96 / 12

HEX #A5E108

RGB 165 225 8

HSL 76.59, 0.93%, 0.46%

LAB 82.84, -43.74, 80.39

 

CMYK 24 / 0 / 89 / 4

HEX #BAF61C

RGB 186 246 28

HSL 76.51, 0.92%, 0.54%

LAB 90.06, -44.54, 84.29

 

CMYK 20 / 0 / 73 / 3

HEX #C6F844

RGB 198 248 68

HSL 76.67, 0.93%, 0.62%

LAB 91.49, -39.45, 76.02

 

CMYK 16 / 0 / 57 / 2

HEX #D2F96C

RGB 210 249 108

HSL 76.6, 0.92%, 0.7%

LAB 92.81, -32.69, 62.28

 

CMYK 25 / 0 / 89 / 3

HEX #BAF71B

RGB 186 247 27

HSL 76.64, 0.93%, 0.54%

LAB 90.34, -44.99, 84.67

 

CMYK 89 / 0 / 47 / 4

HEX #1CF682

RGB 28 246 130

HSL 148.07, 0.92%, 0.54%

LAB 85.89, -72.58, 42.39

 

CMYK 12 / 89 / 0 / 4

HEX #D91CF6

RGB 217 28 246

HSL 292.02, 0.92%, 0.54%

LAB 54.28, 88.69, -65.88

 

CMYK 25 / 0 / 89 / 3

HEX #BAF71B

RGB 186 247 27

HSL 76.64, 0.93%, 0.54%

LAB 90.34, -44.99, 84.67

 

CMYK 89 / 24 / 0 / 4

HEX #1CBCF6

RGB 28 188 246

HSL 195.96, 0.92%, 0.54%

LAB 71.46, -18.29, -39.37

 

CMYK 0 / 89 / 24 / 4

HEX #F61CBC

RGB 246 28 188

HSL 315.96, 0.92%, 0.54%

LAB 56.14, 85.82, -29.63

 

CMYK 25 / 0 / 89 / 3

HEX #BAF71B

RGB 186 247 27

HSL 76.64, 0.93%, 0.54%

LAB 90.34, -44.99, 84.67

 

CMYK 89 / 0 / 47 / 4

HEX #1CF682

RGB 28 246 130

HSL 148.07, 0.92%, 0.54%

LAB 85.89, -72.58, 42.39

 

CMYK 65 / 89 / 0 / 4

HEX #561CF6

RGB 86 28 246

HSL 255.96, 0.92%, 0.54%

LAB 36.86, 73.88, -95.1

 

CMYK 0 / 89 / 41 / 4

HEX #F61C90

RGB 246 28 144

HSL 328.07, 0.92%, 0.54%

LAB 54.49, 81.36, -6.29

 

CMYK 25 / 0 / 89 / 3

HEX #BAF71B

RGB 186 247 27

HSL 76.64, 0.93%, 0.54%

LAB 90.34, -44.99, 84.67

 

CMYK 89 / 0 / 21 / 4

HEX #1CF6C3

RGB 28 246 195

HSL 165.96, 0.92%, 0.54%

LAB 87.05, -59.48, 11.11

 

CMYK 65 / 89 / 0 / 4

HEX #561CF6

RGB 86 28 246

HSL 255.96, 0.92%, 0.54%

LAB 36.86, 73.88, -95.1

 

CMYK 0 / 89 / 68 / 4

HEX #F61C4F

RGB 246 28 79

HSL 345.96, 0.92%, 0.54%

LAB 52.94, 77.03, 30.62

 

Description

Color code: HEX #BAF71B | qconv.com Color code: HEX #BAF71B | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 186 red, 247 green and 27 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
186 247 27 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 25 cyan, none magenta, 89 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
25% 0% 89% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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