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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BAF24F it is the complementary color #450DB0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BAF24F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BAF24F shade: #BFF24A, #D0FF5D, #E1FF70, #F2FF83 and #FFFF96

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BAF24F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BAF24F shade: #BAF24F, #A9E03C, #98CE29, #87BC16 and #76AA03

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BAF24F shade: #BAF14F, #E5F14F, #F1D24F, #F1A64F and #F17A4F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BAF24F shade: #BAF14F, #8EF14F, #62F14F, #4FF168 and #4FF194

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BAF24F shade matches the following richer shades: #BAF14F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BAF24F shade: #BAF14F, #B5E25E, #B0D36E, #ABC37D and #A6B48C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BAF24F shade: #F1D14F, #E6F14F, #BBF14F, #90F14F and #65F14F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BAF24F shade: #97DE10, #AAEE29, #BAF14F, #C9F475 and #D8F79C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BAF24F shade: #BAF24F, #4FF1A6 and #E64FF1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BAF24F shade: #BAF24F, #4FBBF1 and #F14FBB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BAF24F shade: #BAF24F, #4FF1A6, #854FF1 and #F14F9B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BAF24F shade: #BAF24F, #4FF1D6, #854FF1 and #F14F6A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 23 / 0 / 67 / 5

HEX #BAF24F

RGB 186 242 79

HSL 80.61, 0.86%, 0.63%

LAB 89.16, -40.67, 69.62

 

Complementary color

CMYK 61 / 93 / 0 / 31

HEX #450DB0

RGB 69 13 176

HSL 260.61, 0.86%, 0.37%

LAB 25.83, 59.13, -72.81

 

CMYK 21 / 0 / 69 / 5

HEX #BFF24A

RGB 191 242 74

HSL 78.21, 0.87%, 0.62%

LAB 89.43, -39.11, 71.81

 

CMYK 18 / 0 / 64 / 0

HEX #D0FF5D

RGB 208 255 93

HSL 77.41, 1%, 0.68%

LAB 94.19, -37.3, 69.95

 

CMYK 12 / 0 / 56 / 0

HEX #E1FF70

RGB 225 255 112

HSL 72.59, 1%, 0.72%

LAB 95.45, -29.44, 63.82

 

CMYK 5 / 0 / 49 / 0

HEX #F2FF83

RGB 242 255 131

HSL 66.29, 1%, 0.76%

LAB 96.83, -21.31, 57.27

 

CMYK 0 / 0 / 41 / 0

HEX #FFFF96

RGB 255 255 150

HSL 60, 1%, 0.79%

LAB 98.03, -14.53, 50.05

 

CMYK 23 / 0 / 67 / 5

HEX #BAF24F

RGB 186 242 79

HSL 80.61, 0.86%, 0.63%

LAB 89.16, -40.67, 69.62

 

CMYK 25 / 0 / 73 / 12

HEX #A9E03C

RGB 169 224 60

HSL 80.12, 0.73%, 0.56%

LAB 82.95, -40.22, 69.79

 

CMYK 26 / 0 / 80 / 19

HEX #98CE29

RGB 152 206 41

HSL 79.64, 0.67%, 0.48%

LAB 76.67, -39.61, 69.32

 

CMYK 28 / 0 / 88 / 26

HEX #87BC16

RGB 135 188 22

HSL 79.16, 0.79%, 0.41%

LAB 70.3, -38.81, 67.82

 

CMYK 31 / 0 / 98 / 33

HEX #76AA03

RGB 118 170 3

HSL 78.68, 0.97%, 0.34%

LAB 63.84, -37.79, 64.97

 

CMYK 23 / 0 / 67 / 5

HEX #BAF14F

RGB 186 241 79

HSL 80.37, 0.85%, 0.63%

LAB 88.88, -40.23, 69.34

 

CMYK 5 / 0 / 67 / 5

HEX #E5F14F

RGB 229 241 79

HSL 64.44, 0.85%, 0.63%

LAB 91.74, -23.49, 73.17

 

CMYK 0 / 13 / 67 / 5

HEX #F1D24F

RGB 241 210 79

HSL 48.52, 0.85%, 0.63%

LAB 84.67, -3.26, 66.27

 

CMYK 0 / 31 / 67 / 5

HEX #F1A64F

RGB 241 166 79

HSL 32.22, 0.85%, 0.63%

LAB 73.89, 19.69, 54.83

 

CMYK 0 / 49 / 67 / 5

HEX #F17A4F

RGB 241 122 79

HSL 15.93, 0.85%, 0.63%

LAB 64.31, 42.51, 44.07

 

CMYK 23 / 0 / 67 / 5

HEX #BAF14F

RGB 186 241 79

HSL 80.37, 0.85%, 0.63%

LAB 88.88, -40.23, 69.34

 

CMYK 41 / 0 / 67 / 5

HEX #8EF14F

RGB 142 241 79

HSL 96.67, 0.85%, 0.63%

LAB 86.62, -55.46, 66.27

 

CMYK 59 / 0 / 67 / 5

HEX #62F14F

RGB 98 241 79

HSL 112.96, 0.85%, 0.63%

LAB 85.03, -67.46, 64.12

 

CMYK 67 / 0 / 57 / 5

HEX #4FF168

RGB 79 241 104

HSL 129.26, 0.85%, 0.63%

LAB 84.78, -68.72, 53.29

 

CMYK 67 / 0 / 39 / 5

HEX #4FF194

RGB 79 241 148

HSL 145.56, 0.85%, 0.63%

LAB 85.36, -62.11, 32.98

 

CMYK 23 / 0 / 67 / 5

HEX #BAF14F

RGB 186 241 79

HSL 80.37, 0.85%, 0.63%

LAB 88.88, -40.23, 69.34

 

CMYK 23 / 0 / 67 / 5

HEX #BAF14F

RGB 186 241 79

HSL 80.37, 0.85%, 0.63%

LAB 88.88, -40.23, 69.34

 

CMYK 20 / 0 / 58 / 11

HEX #B5E25E

RGB 181 226 94

HSL 80.45, 0.69%, 0.63%

LAB 84.5, -34.25, 58.46

 

CMYK 17 / 0 / 48 / 17

HEX #B0D36E

RGB 176 211 110

HSL 80.79, 0.53%, 0.63%

LAB 80.15, -27.6, 45.94

 

CMYK 12 / 0 / 36 / 24

HEX #ABC37D

RGB 171 195 125

HSL 80.57, 0.37%, 0.63%

LAB 75.56, -19.91, 32.54

 

CMYK 8 / 0 / 22 / 29

HEX #A6B48C

RGB 166 180 140

HSL 81, 0.21%, 0.63%

LAB 71.31, -11.98, 18.82

 

CMYK 0 / 13 / 67 / 5

HEX #F1D14F

RGB 241 209 79

HSL 48.15, 0.85%, 0.63%

LAB 84.41, -2.75, 66.01

 

CMYK 5 / 0 / 67 / 5

HEX #E6F14F

RGB 230 241 79

HSL 64.07, 0.85%, 0.63%

LAB 91.82, -23.09, 73.27

 

CMYK 22 / 0 / 67 / 5

HEX #BBF14F

RGB 187 241 79

HSL 80, 0.85%, 0.63%

LAB 88.94, -39.86, 69.42

 

CMYK 40 / 0 / 67 / 5

HEX #90F14F

RGB 144 241 79

HSL 95.93, 0.85%, 0.63%

LAB 86.7, -54.82, 66.39

 

CMYK 58 / 0 / 67 / 5

HEX #65F14F

RGB 101 241 79

HSL 111.85, 0.85%, 0.63%

LAB 85.12, -66.77, 64.24

 

CMYK 32 / 0 / 93 / 13

HEX #97DE10

RGB 151 222 16

HSL 80.68, 0.87%, 0.47%

LAB 81.21, -47.55, 77.99

 

CMYK 29 / 0 / 83 / 7

HEX #AAEE29

RGB 170 238 41

HSL 80.71, 0.85%, 0.55%

LAB 86.93, -46.72, 78.79

 

CMYK 23 / 0 / 67 / 5

HEX #BAF14F

RGB 186 241 79

HSL 80.37, 0.85%, 0.63%

LAB 88.88, -40.23, 69.34

 

CMYK 18 / 0 / 52 / 4

HEX #C9F475

RGB 201 244 117

HSL 80.31, 0.85%, 0.71%

LAB 90.96, -32.97, 56.01

 

CMYK 13 / 0 / 37 / 3

HEX #D8F79C

RGB 216 247 156

HSL 80.44, 0.85%, 0.79%

LAB 93.24, -24.6, 40.47

 

CMYK 23 / 0 / 67 / 5

HEX #BAF24F

RGB 186 242 79

HSL 80.61, 0.86%, 0.63%

LAB 89.16, -40.67, 69.62

 

CMYK 67 / 0 / 31 / 5

HEX #4FF1A6

RGB 79 241 166

HSL 152.22, 0.85%, 0.63%

LAB 85.67, -58.71, 24.27

 

CMYK 5 / 67 / 0 / 5

HEX #E64FF1

RGB 230 79 241

HSL 295.93, 0.85%, 0.63%

LAB 60.57, 77.05, -52.9

 

CMYK 23 / 0 / 67 / 5

HEX #BAF24F

RGB 186 242 79

HSL 80.61, 0.86%, 0.63%

LAB 89.16, -40.67, 69.62

 

CMYK 67 / 22 / 0 / 5

HEX #4FBBF1

RGB 79 187 241

HSL 200, 0.85%, 0.63%

LAB 71.93, -14.34, -35.87

 

CMYK 0 / 67 / 22 / 5

HEX #F14FBB

RGB 241 79 187

HSL 320, 0.85%, 0.63%

LAB 59.78, 71.65, -23.5

 

CMYK 23 / 0 / 67 / 5

HEX #BAF24F

RGB 186 242 79

HSL 80.61, 0.86%, 0.63%

LAB 89.16, -40.67, 69.62

 

CMYK 67 / 0 / 31 / 5

HEX #4FF1A6

RGB 79 241 166

HSL 152.22, 0.85%, 0.63%

LAB 85.67, -58.71, 24.27

 

CMYK 45 / 67 / 0 / 5

HEX #854FF1

RGB 133 79 241

HSL 260, 0.85%, 0.63%

LAB 48.17, 57.46, -73.51

 

CMYK 0 / 67 / 36 / 5

HEX #F14F9B

RGB 241 79 155

HSL 331.85, 0.85%, 0.63%

LAB 58.66, 67.86, -6.68

 

CMYK 23 / 0 / 67 / 5

HEX #BAF24F

RGB 186 242 79

HSL 80.61, 0.86%, 0.63%

LAB 89.16, -40.67, 69.62

 

CMYK 67 / 0 / 11 / 5

HEX #4FF1D6

RGB 79 241 214

HSL 170, 0.85%, 0.63%

LAB 86.72, -47.86, 0.82

 

CMYK 45 / 67 / 0 / 5

HEX #854FF1

RGB 133 79 241

HSL 260, 0.85%, 0.63%

LAB 48.17, 57.46, -73.51

 

CMYK 0 / 67 / 56 / 5

HEX #F14F6A

RGB 241 79 106

HSL 350, 0.85%, 0.63%

LAB 57.4, 63.47, 20.29

 

Description

Color code: HEX #BAF24F | qconv.com Color code: HEX #BAF24F | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 186 red, 242 green and 79 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
186 242 79 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 23 cyan, none magenta, 67 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
23% 0% 67% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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