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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BB17DC it is the complementary color #44E823. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BB17DC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BB17DC shade: #C017D7, #D129EA, #E23BFD, #F34DFF and #FF5FFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BB17DC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BB17DC shade: #BB17DC, #AA05C9, #9900B6, #8800A3 and #770090

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BB17DC shade: #BC17DD, #DD17C9, #DD1793, #DD175E and #DD1728

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BB17DC shade: #BC17DD, #8617DD, #5117DD, #1B17DD and #1717DD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BB17DC shade matches the following richer shades: #BC17DD and #C903F1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BB17DC shade: #BC17DD, #AF2BC9, #A13EB5, #9452A2 and #87668E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BB17DC shade: #4F17DD, #8417DD, #B917DD, #DD17CD and #DD1798

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BB17DC shade: #7C0F92, #9C13B8, #BC17DD, #CB34E9 and #D459ED

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BB17DC shade: #BB17DC, #DD1A17 and #17DD69

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BB17DC shade: #BB17DC, #DDB917 and #17DDB9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BB17DC shade: #BB17DC, #DD1A17, #3BDD17 and #17DADD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BB17DC shade: #BB17DC, #DD5617, #3BDD17 and #179EDD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 15 / 90 / 0 / 14

HEX #BB17DC

RGB 187 23 220

HSL 289.95, 0.81%, 0.48%

LAB 47.42, 80.57, -62.51

 

Complementary color

CMYK 71 / 0 / 85 / 9

HEX #44E823

RGB 68 232 35

HSL 109.95, 0.81%, 0.52%

LAB 81.33, -73.34, 73.74

 

CMYK 11 / 89 / 0 / 16

HEX #C017D7

RGB 192 23 215

HSL 292.81, 0.81%, 0.47%

LAB 47.91, 80.53, -58.82

 

CMYK 11 / 82 / 0 / 8

HEX #D129EA

RGB 209 41 234

HSL 292.23, 0.82%, 0.54%

LAB 53.04, 83.07, -61.21

 

CMYK 11 / 77 / 0 / 1

HEX #E23BFD

RGB 226 59 253

HSL 291.65, 0.98%, 0.61%

LAB 58.4, 84.68, -63.06

 

CMYK 5 / 70 / 0 / 0

HEX #F34DFF

RGB 243 77 255

HSL 295.96, 1%, 0.65%

LAB 63, 82.78, -56.68

 

CMYK 0 / 63 / 0 / 0

HEX #FF5FFF

RGB 255 95 255

HSL 300, 1%, 0.69%

LAB 67.02, 78.97, -50.18

 

CMYK 15 / 90 / 0 / 14

HEX #BB17DC

RGB 187 23 220

HSL 289.95, 0.81%, 0.48%

LAB 47.42, 80.57, -62.51

 

CMYK 15 / 98 / 0 / 21

HEX #AA05C9

RGB 170 5 201

HSL 290.51, 0.95%, 0.4%

LAB 42.57, 76.94, -59.55

 

CMYK 16 / 100 / 0 / 29

HEX #9900B6

RGB 153 0 182

HSL 290.44, 1%, 0.36%

LAB 38.11, 71.8, -55.77

 

CMYK 17 / 100 / 0 / 36

HEX #8800A3

RGB 136 0 163

HSL 290.06, 1%, 0.32%

LAB 33.73, 66.06, -51.64

 

CMYK 17 / 100 / 0 / 44

HEX #770090

RGB 119 0 144

HSL 289.58, 1%, 0.28%

LAB 29.25, 60.19, -47.42

 

CMYK 15 / 90 / 0 / 13

HEX #BC17DD

RGB 188 23 221

HSL 290, 0.81%, 0.48%

LAB 47.66, 80.9, -62.7

 

CMYK 0 / 90 / 9 / 13

HEX #DD17C9

RGB 221 23 201

HSL 306.06, 0.81%, 0.48%

LAB 52.06, 83.39, -43.85

 

CMYK 0 / 90 / 33 / 13

HEX #DD1793

RGB 221 23 147

HSL 322.42, 0.81%, 0.48%

LAB 49.61, 76.93, -15.9

 

CMYK 0 / 90 / 57 / 13

HEX #DD175E

RGB 221 23 94

HSL 338.48, 0.81%, 0.48%

LAB 48, 72.51, 14.09

 

CMYK 0 / 90 / 82 / 13

HEX #DD1728

RGB 221 23 40

HSL 354.85, 0.81%, 0.48%

LAB 47.16, 70.12, 45.21

 

CMYK 15 / 90 / 0 / 13

HEX #BC17DD

RGB 188 23 221

HSL 290, 0.81%, 0.48%

LAB 47.66, 80.9, -62.7

 

CMYK 39 / 90 / 0 / 13

HEX #8617DD

RGB 134 23 221

HSL 273.64, 0.81%, 0.48%

LAB 39.41, 73.57, -76.49

 

CMYK 63 / 90 / 0 / 13

HEX #5117DD

RGB 81 23 221

HSL 257.58, 0.81%, 0.48%

LAB 33.1, 68.7, -87.13

 

CMYK 88 / 90 / 0 / 13

HEX #1B17DD

RGB 27 23 221

HSL 241.21, 0.81%, 0.48%

LAB 29.58, 66.39, -93.08

 

CMYK 90 / 90 / 0 / 13

HEX #1717DD

RGB 23 23 221

HSL 240, 0.81%, 0.48%

LAB 29.45, 66.32, -93.3

 

CMYK 15 / 90 / 0 / 13

HEX #BC17DD

RGB 188 23 221

HSL 290, 0.81%, 0.48%

LAB 47.66, 80.9, -62.7

 

CMYK 17 / 99 / 0 / 5

HEX #C903F1

RGB 201 3 241

HSL 289.92, 0.98%, 0.48%

LAB 50.49, 88.08, -69.33

 

CMYK 15 / 90 / 0 / 13

HEX #BC17DD

RGB 188 23 221

HSL 290, 0.81%, 0.48%

LAB 47.66, 80.9, -62.7

 

CMYK 13 / 79 / 0 / 21

HEX #AF2BC9

RGB 175 43 201

HSL 290.13, 0.65%, 0.48%

LAB 45.71, 70.93, -54.44

 

CMYK 11 / 66 / 0 / 29

HEX #A13EB5

RGB 161 62 181

HSL 289.92, 0.49%, 0.48%

LAB 44.74, 57.51, -44.45

 

CMYK 9 / 49 / 0 / 36

HEX #9452A2

RGB 148 82 162

HSL 289.5, 0.33%, 0.48%

LAB 45.55, 40.53, -32.07

 

CMYK 5 / 28 / 0 / 44

HEX #87668E

RGB 135 102 142

HSL 289.5, 0.16%, 0.48%

LAB 47.76, 20.7, -16.89

 

CMYK 64 / 90 / 0 / 13

HEX #4F17DD

RGB 79 23 221

HSL 256.97, 0.81%, 0.48%

LAB 32.91, 68.57, -87.44

 

CMYK 40 / 90 / 0 / 13

HEX #8417DD

RGB 132 23 221

HSL 273.03, 0.81%, 0.48%

LAB 39.14, 73.34, -76.95

 

CMYK 16 / 90 / 0 / 13

HEX #B917DD

RGB 185 23 221

HSL 289.09, 0.81%, 0.48%

LAB 47.17, 80.44, -63.51

 

CMYK 0 / 90 / 7 / 13

HEX #DD17CD

RGB 221 23 205

HSL 304.85, 0.81%, 0.48%

LAB 52.28, 83.93, -45.81

 

CMYK 0 / 90 / 31 / 13

HEX #DD1798

RGB 221 23 152

HSL 320.91, 0.81%, 0.48%

LAB 49.8, 77.45, -18.61

 

CMYK 15 / 90 / 0 / 43

HEX #7C0F92

RGB 124 15 146

HSL 289.92, 0.81%, 0.32%

LAB 31.12, 58.88, -45.59

 

CMYK 15 / 90 / 0 / 28

HEX #9C13B8

RGB 156 19 184

HSL 289.82, 0.81%, 0.4%

LAB 39.57, 70.21, -54.56

 

CMYK 15 / 90 / 0 / 13

HEX #BC17DD

RGB 188 23 221

HSL 290, 0.81%, 0.48%

LAB 47.66, 80.9, -62.7

 

CMYK 13 / 78 / 0 / 9

HEX #CB34E9

RGB 203 52 233

HSL 290.06, 0.8%, 0.56%

LAB 52.99, 79.08, -60.78

 

CMYK 11 / 62 / 0 / 7

HEX #D459ED

RGB 212 89 237

HSL 289.86, 0.8%, 0.64%

LAB 59.21, 68.41, -52.99

 

CMYK 15 / 90 / 0 / 14

HEX #BB17DC

RGB 187 23 220

HSL 289.95, 0.81%, 0.48%

LAB 47.42, 80.57, -62.51

 

CMYK 0 / 88 / 90 / 13

HEX #DD1A17

RGB 221 26 23

HSL 0.91, 0.81%, 0.48%

LAB 47.2, 69.31, 53.42

 

CMYK 90 / 0 / 52 / 13

HEX #17DD69

RGB 23 221 105

HSL 144.85, 0.81%, 0.48%

LAB 77.82, -68.74, 44.3

 

CMYK 15 / 90 / 0 / 14

HEX #BB17DC

RGB 187 23 220

HSL 289.95, 0.81%, 0.48%

LAB 47.42, 80.57, -62.51

 

CMYK 0 / 16 / 90 / 13

HEX #DDB917

RGB 221 185 23

HSL 49.09, 0.81%, 0.48%

LAB 76.15, -0.91, 75.14

 

CMYK 90 / 0 / 16 / 13

HEX #17DDB9

RGB 23 221 185

HSL 169.09, 0.81%, 0.48%

LAB 79.27, -52.38, 5.22

 

CMYK 15 / 90 / 0 / 14

HEX #BB17DC

RGB 187 23 220

HSL 289.95, 0.81%, 0.48%

LAB 47.42, 80.57, -62.51

 

CMYK 0 / 88 / 90 / 13

HEX #DD1A17

RGB 221 26 23

HSL 0.91, 0.81%, 0.48%

LAB 47.2, 69.31, 53.42

 

CMYK 73 / 0 / 90 / 13

HEX #3BDD17

RGB 59 221 23

HSL 109.09, 0.81%, 0.48%

LAB 77.7, -71.92, 72.79

 

CMYK 90 / 1 / 0 / 13

HEX #17DADD

RGB 23 218 221

HSL 180.91, 0.81%, 0.48%

LAB 79.35, -41.14, -13.86

 

CMYK 15 / 90 / 0 / 14

HEX #BB17DC

RGB 187 23 220

HSL 289.95, 0.81%, 0.48%

LAB 47.42, 80.57, -62.51

 

CMYK 0 / 61 / 90 / 13

HEX #DD5617

RGB 221 86 23

HSL 19.09, 0.81%, 0.48%

LAB 54.12, 50.24, 58.42

 

CMYK 73 / 0 / 90 / 13

HEX #3BDD17

RGB 59 221 23

HSL 109.09, 0.81%, 0.48%

LAB 77.7, -71.92, 72.79

 

CMYK 90 / 29 / 0 / 13

HEX #179EDD

RGB 23 158 221

HSL 199.09, 0.81%, 0.48%

LAB 61.53, -11.15, -41.23

 

Description

Color code: HEX #BB17DC | qconv.com Color code: HEX #BB17DC | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 187 red, 23 green and 220 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
187 23 220 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 15 cyan, 90 magenta, none yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
15% 90% 0% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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