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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BB18DC it is the complementary color #44E723. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BB18DC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BB18DC shade: #C018D7, #D12AEA, #E23CFD, #F34EFF and #FF60FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BB18DC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BB18DC shade: #BB18DC, #AA06C9, #9900B6, #8800A3 and #770090

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BB18DC shade: #BB18DC, #DC18C8, #DC1893, #DC185E and #DC182A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BB18DC shade: #BB18DC, #8618DC, #5118DC, #1C18DC and #1818DC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BB18DC shade matches the following richer shades: #BB18DC and #C804F0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BB18DC shade: #BB18DC, #AE2CC8, #A140B4, #9353A0 and #86678D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BB18DC shade: #4F18DC, #8418DC, #B818DC, #DC18CC and #DC1897

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BB18DC shade: #7C1092, #9B14B7, #BB18DC, #CA35E8 and #D45AEC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BB18DC shade: #BB18DC, #DC1B18 and #18DC6A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BB18DC shade: #BB18DC, #DCB818 and #18DCB8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BB18DC shade: #BB18DC, #DC1B18, #3CDC18 and #18D9DC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BB18DC shade: #BB18DC, #DC5618, #3CDC18 and #189EDC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 15 / 89 / 0 / 14

HEX #BB18DC

RGB 187 24 220

HSL 289.9, 0.8%, 0.48%

LAB 47.48, 80.42, -62.43

 

Complementary color

CMYK 71 / 0 / 85 / 9

HEX #44E723

RGB 68 231 35

HSL 109.9, 0.8%, 0.52%

LAB 81.02, -73.03, 73.47

 

CMYK 11 / 89 / 0 / 16

HEX #C018D7

RGB 192 24 215

HSL 292.77, 0.8%, 0.47%

LAB 47.96, 80.38, -58.74

 

CMYK 11 / 82 / 0 / 8

HEX #D12AEA

RGB 209 42 234

HSL 292.19, 0.82%, 0.54%

LAB 53.12, 82.85, -61.09

 

CMYK 11 / 76 / 0 / 1

HEX #E23CFD

RGB 226 60 253

HSL 291.61, 0.98%, 0.61%

LAB 58.5, 84.4, -62.91

 

CMYK 5 / 69 / 0 / 0

HEX #F34EFF

RGB 243 78 255

HSL 295.93, 1%, 0.65%

LAB 63.11, 82.45, -56.49

 

CMYK 0 / 62 / 0 / 0

HEX #FF60FF

RGB 255 96 255

HSL 300, 1%, 0.69%

LAB 67.16, 78.59, -49.97

 

CMYK 15 / 89 / 0 / 14

HEX #BB18DC

RGB 187 24 220

HSL 289.9, 0.8%, 0.48%

LAB 47.48, 80.42, -62.43

 

CMYK 15 / 97 / 0 / 21

HEX #AA06C9

RGB 170 6 201

HSL 290.46, 0.94%, 0.41%

LAB 42.6, 76.84, -59.5

 

CMYK 16 / 100 / 0 / 29

HEX #9900B6

RGB 153 0 182

HSL 290.44, 1%, 0.36%

LAB 38.11, 71.8, -55.77

 

CMYK 17 / 100 / 0 / 36

HEX #8800A3

RGB 136 0 163

HSL 290.06, 1%, 0.32%

LAB 33.73, 66.06, -51.64

 

CMYK 17 / 100 / 0 / 44

HEX #770090

RGB 119 0 144

HSL 289.58, 1%, 0.28%

LAB 29.25, 60.19, -47.42

 

CMYK 15 / 89 / 0 / 14

HEX #BB18DC

RGB 187 24 220

HSL 289.9, 0.8%, 0.48%

LAB 47.48, 80.42, -62.43

 

CMYK 0 / 89 / 9 / 14

HEX #DC18C8

RGB 220 24 200

HSL 306.12, 0.8%, 0.48%

LAB 51.88, 82.93, -43.57

 

CMYK 0 / 89 / 33 / 14

HEX #DC1893

RGB 220 24 147

HSL 322.35, 0.8%, 0.48%

LAB 49.47, 76.57, -16.14

 

CMYK 0 / 89 / 57 / 14

HEX #DC185E

RGB 220 24 94

HSL 338.57, 0.8%, 0.48%

LAB 47.85, 72.12, 13.85

 

CMYK 0 / 89 / 81 / 14

HEX #DC182A

RGB 220 24 42

HSL 354.49, 0.8%, 0.48%

LAB 47.02, 69.77, 43.93

 

CMYK 15 / 89 / 0 / 14

HEX #BB18DC

RGB 187 24 220

HSL 289.9, 0.8%, 0.48%

LAB 47.48, 80.42, -62.43

 

CMYK 39 / 89 / 0 / 14

HEX #8618DC

RGB 134 24 220

HSL 273.67, 0.8%, 0.48%

LAB 39.39, 73.16, -75.95

 

CMYK 63 / 89 / 0 / 14

HEX #5118DC

RGB 81 24 220

HSL 257.45, 0.8%, 0.48%

LAB 33.07, 68.19, -86.6

 

CMYK 87 / 89 / 0 / 14

HEX #1C18DC

RGB 28 24 220

HSL 241.22, 0.8%, 0.48%

LAB 29.58, 65.84, -92.5

 

CMYK 89 / 89 / 0 / 14

HEX #1818DC

RGB 24 24 220

HSL 240, 0.8%, 0.48%

LAB 29.45, 65.75, -92.72

 

CMYK 15 / 89 / 0 / 14

HEX #BB18DC

RGB 187 24 220

HSL 289.9, 0.8%, 0.48%

LAB 47.48, 80.42, -62.43

 

CMYK 17 / 98 / 0 / 6

HEX #C804F0

RGB 200 4 240

HSL 289.83, 0.97%, 0.48%

LAB 50.28, 87.71, -69.11

 

CMYK 15 / 89 / 0 / 14

HEX #BB18DC

RGB 187 24 220

HSL 289.9, 0.8%, 0.48%

LAB 47.48, 80.42, -62.43

 

CMYK 13 / 78 / 0 / 22

HEX #AE2CC8

RGB 174 44 200

HSL 290, 0.64%, 0.48%

LAB 45.59, 70.27, -54.06

 

CMYK 11 / 64 / 0 / 29

HEX #A140B4

RGB 161 64 180

HSL 290.17, 0.48%, 0.48%

LAB 45, 56.46, -43.46

 

CMYK 8 / 48 / 0 / 37

HEX #9353A0

RGB 147 83 160

HSL 289.87, 0.32%, 0.48%

LAB 45.53, 39.28, -30.92

 

CMYK 5 / 27 / 0 / 45

HEX #86678D

RGB 134 103 141

HSL 288.95, 0.16%, 0.48%

LAB 47.87, 19.54, -16.14

 

CMYK 64 / 89 / 0 / 14

HEX #4F18DC

RGB 79 24 220

HSL 256.84, 0.8%, 0.48%

LAB 32.88, 68.05, -86.91

 

CMYK 40 / 89 / 0 / 14

HEX #8418DC

RGB 132 24 220

HSL 273.06, 0.8%, 0.48%

LAB 39.12, 72.93, -76.41

 

CMYK 16 / 89 / 0 / 14

HEX #B818DC

RGB 184 24 220

HSL 288.98, 0.8%, 0.48%

LAB 46.99, 79.96, -63.24

 

CMYK 0 / 89 / 7 / 14

HEX #DC18CC

RGB 220 24 204

HSL 304.9, 0.8%, 0.48%

LAB 52.09, 83.48, -45.54

 

CMYK 0 / 89 / 31 / 14

HEX #DC1897

RGB 220 24 151

HSL 321.12, 0.8%, 0.48%

LAB 49.62, 76.99, -18.3

 

CMYK 15 / 89 / 0 / 43

HEX #7C1092

RGB 124 16 146

HSL 289.85, 0.8%, 0.32%

LAB 31.19, 58.68, -45.48

 

CMYK 15 / 89 / 0 / 28

HEX #9B14B7

RGB 155 20 183

HSL 289.69, 0.8%, 0.4%

LAB 39.39, 69.7, -54.27

 

CMYK 15 / 89 / 0 / 14

HEX #BB18DC

RGB 187 24 220

HSL 289.9, 0.8%, 0.48%

LAB 47.48, 80.42, -62.43

 

CMYK 13 / 77 / 0 / 9

HEX #CA35E8

RGB 202 53 232

HSL 289.94, 0.8%, 0.56%

LAB 52.87, 78.44, -60.41

 

CMYK 10 / 62 / 0 / 7

HEX #D45AEC

RGB 212 90 236

HSL 290.14, 0.79%, 0.64%

LAB 59.31, 67.8, -52.28

 

CMYK 15 / 89 / 0 / 14

HEX #BB18DC

RGB 187 24 220

HSL 289.9, 0.8%, 0.48%

LAB 47.48, 80.42, -62.43

 

CMYK 0 / 88 / 89 / 14

HEX #DC1B18

RGB 220 27 24

HSL 0.92, 0.8%, 0.48%

LAB 47.06, 68.89, 52.8

 

CMYK 89 / 0 / 52 / 14

HEX #18DC6A

RGB 24 220 106

HSL 145.1, 0.8%, 0.48%

LAB 77.53, -68.21, 43.46

 

CMYK 15 / 89 / 0 / 14

HEX #BB18DC

RGB 187 24 220

HSL 289.9, 0.8%, 0.48%

LAB 47.48, 80.42, -62.43

 

CMYK 0 / 16 / 89 / 14

HEX #DCB818

RGB 220 184 24

HSL 48.98, 0.8%, 0.48%

LAB 75.8, -0.81, 74.64

 

CMYK 89 / 0 / 16 / 14

HEX #18DCB8

RGB 24 220 184

HSL 168.98, 0.8%, 0.48%

LAB 78.95, -52.18, 5.29

 

CMYK 15 / 89 / 0 / 14

HEX #BB18DC

RGB 187 24 220

HSL 289.9, 0.8%, 0.48%

LAB 47.48, 80.42, -62.43

 

CMYK 0 / 88 / 89 / 14

HEX #DC1B18

RGB 220 27 24

HSL 0.92, 0.8%, 0.48%

LAB 47.06, 68.89, 52.8

 

CMYK 73 / 0 / 89 / 14

HEX #3CDC18

RGB 60 220 24

HSL 108.98, 0.8%, 0.48%

LAB 77.41, -71.43, 72.38

 

CMYK 89 / 1 / 0 / 14

HEX #18D9DC

RGB 24 217 220

HSL 180.92, 0.8%, 0.48%

LAB 79.03, -40.94, -13.8

 

CMYK 15 / 89 / 0 / 14

HEX #BB18DC

RGB 187 24 220

HSL 289.9, 0.8%, 0.48%

LAB 47.48, 80.42, -62.43

 

CMYK 0 / 61 / 89 / 14

HEX #DC5618

RGB 220 86 24

HSL 18.98, 0.8%, 0.48%

LAB 53.96, 49.9, 57.9

 

CMYK 73 / 0 / 89 / 14

HEX #3CDC18

RGB 60 220 24

HSL 108.98, 0.8%, 0.48%

LAB 77.41, -71.43, 72.38

 

CMYK 89 / 28 / 0 / 14

HEX #189EDC

RGB 24 158 220

HSL 198.98, 0.8%, 0.48%

LAB 61.49, -11.46, -40.73

 

Description

Color code: HEX #BB18DC | qconv.com Color code: HEX #BB18DC | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 187 red, 24 green and 220 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
187 24 220 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 15 cyan, 89 magenta, none yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
15% 89% 0% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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