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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BB1ED3 it is the complementary color #44E12C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BB1ED3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BB1ED3 shade: #C01ECE, #D130E1, #E242F4, #F354FF and #FF66FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BB1ED3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BB1ED3 shade: #BB1ED3, #AA0CC0, #9900AD, #88009A and #770087

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BB1ED3 shade: #B91DD1, #D11DB9, #D11D88, #D11D58 and #D11D27

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BB1ED3 shade: #B91DD1, #891DD1, #581DD1, #281DD1 and #1D1DD1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BB1ED3 shade matches the following richer shades: #B91DD1 and #C80AE5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BB1ED3 shade: #B91DD1, #AB31BE, #9D44AA, #8F5897 and #806B84

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BB1ED3 shade: #591DD1, #891DD1, #B91DD1, #D11DB9 and #D11D89

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BB1ED3 shade: #791389, #9918AD, #B91DD1, #CB36E2 and #D45AE7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BB1ED3 shade: #BB1ED3, #D1291D and #1DD171

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BB1ED3 shade: #BB1ED3, #D1B91D and #1DD1B9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BB1ED3 shade: #BB1ED3, #D1291D, #35D11D and #1DC5D1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BB1ED3 shade: #BB1ED3, #D15F1D, #35D11D and #1D8FD1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 11 / 86 / 0 / 17

HEX #BB1ED3

RGB 187 30 211

HSL 292.04, 0.75%, 0.47%

LAB 47.23, 77.86, -57.66

 

Complementary color

CMYK 70 / 0 / 80 / 12

HEX #44E12C

RGB 68 225 44

HSL 112.04, 0.75%, 0.53%

LAB 79.19, -70.77, 69.64

 

CMYK 7 / 85 / 0 / 19

HEX #C01ECE

RGB 192 30 206

HSL 295.23, 0.75%, 0.46%

LAB 47.74, 77.89, -53.92

 

CMYK 7 / 79 / 0 / 12

HEX #D130E1

RGB 209 48 225

HSL 294.58, 0.75%, 0.54%

LAB 53.06, 79.92, -56.09

 

CMYK 7 / 73 / 0 / 4

HEX #E242F4

RGB 226 66 244

HSL 293.93, 0.89%, 0.61%

LAB 58.6, 81.11, -57.75

 

CMYK 5 / 67 / 0 / 0

HEX #F354FF

RGB 243 84 255

HSL 295.79, 1%, 0.66%

LAB 63.85, 80.37, -55.32

 

CMYK 0 / 60 / 0 / 0

HEX #FF66FF

RGB 255 102 255

HSL 300, 1%, 0.7%

LAB 68.01, 76.24, -48.63

 

CMYK 11 / 86 / 0 / 17

HEX #BB1ED3

RGB 187 30 211

HSL 292.04, 0.75%, 0.47%

LAB 47.23, 77.86, -57.66

 

CMYK 11 / 94 / 0 / 25

HEX #AA0CC0

RGB 170 12 192

HSL 292.67, 0.88%, 0.4%

LAB 42.18, 74.74, -54.94

 

CMYK 12 / 100 / 0 / 32

HEX #9900AD

RGB 153 0 173

HSL 293.06, 1%, 0.34%

LAB 37.46, 70.29, -51.46

 

CMYK 12 / 100 / 0 / 40

HEX #88009A

RGB 136 0 154

HSL 292.99, 1%, 0.3%

LAB 33.07, 64.51, -47.25

 

CMYK 12 / 100 / 0 / 47

HEX #770087

RGB 119 0 135

HSL 292.89, 1%, 0.26%

LAB 28.57, 58.6, -42.93

 

CMYK 11 / 86 / 0 / 18

HEX #B91DD1

RGB 185 29 209

HSL 292, 0.76%, 0.47%

LAB 46.71, 77.39, -57.38

 

CMYK 0 / 86 / 11 / 18

HEX #D11DB9

RGB 209 29 185

HSL 308, 0.76%, 0.47%

LAB 49.42, 78.07, -38.88

 

CMYK 0 / 86 / 35 / 18

HEX #D11D88

RGB 209 29 136

HSL 324.33, 0.76%, 0.47%

LAB 47.25, 72.2, -13.05

 

CMYK 0 / 86 / 58 / 18

HEX #D11D58

RGB 209 29 88

HSL 340.33, 0.76%, 0.47%

LAB 45.82, 68.16, 14.43

 

CMYK 0 / 86 / 81 / 18

HEX #D11D27

RGB 209 29 39

HSL 356.67, 0.76%, 0.47%

LAB 45.05, 65.92, 42.88

 

CMYK 11 / 86 / 0 / 18

HEX #B91DD1

RGB 185 29 209

HSL 292, 0.76%, 0.47%

LAB 46.71, 77.39, -57.38

 

CMYK 34 / 86 / 0 / 18

HEX #891DD1

RGB 137 29 209

HSL 276, 0.76%, 0.47%

LAB 39.24, 70.11, -69.84

 

CMYK 58 / 86 / 0 / 18

HEX #581DD1

RGB 88 29 209

HSL 259.67, 0.76%, 0.47%

LAB 33.04, 64.53, -80.26

 

CMYK 81 / 86 / 0 / 18

HEX #281DD1

RGB 40 29 209

HSL 243.67, 0.76%, 0.47%

LAB 29.24, 61.43, -86.68

 

CMYK 86 / 86 / 0 / 18

HEX #1D1DD1

RGB 29 29 209

HSL 240, 0.76%, 0.47%

LAB 28.76, 61.05, -87.51

 

CMYK 11 / 86 / 0 / 18

HEX #B91DD1

RGB 185 29 209

HSL 292, 0.76%, 0.47%

LAB 46.71, 77.39, -57.38

 

CMYK 13 / 96 / 0 / 10

HEX #C80AE5

RGB 200 10 229

HSL 292.05, 0.92%, 0.47%

LAB 49.68, 85.46, -63.88

 

CMYK 11 / 86 / 0 / 18

HEX #B91DD1

RGB 185 29 209

HSL 292, 0.76%, 0.47%

LAB 46.71, 77.39, -57.38

 

CMYK 10 / 74 / 0 / 25

HEX #AB31BE

RGB 171 49 190

HSL 291.91, 0.59%, 0.47%

LAB 45.04, 66.33, -49.15

 

CMYK 8 / 60 / 0 / 33

HEX #9D44AA

RGB 157 68 170

HSL 292.35, 0.43%, 0.47%

LAB 44.52, 51.72, -38.34

 

CMYK 5 / 42 / 0 / 41

HEX #8F5897

RGB 143 88 151

HSL 292.38, 0.26%, 0.47%

LAB 45.71, 33.4, -25.33

 

CMYK 3 / 19 / 0 / 48

HEX #806B84

RGB 128 107 132

HSL 290.4, 0.1%, 0.47%

LAB 47.97, 13.12, -10.69

 

CMYK 57 / 86 / 0 / 18

HEX #591DD1

RGB 89 29 209

HSL 260, 0.76%, 0.47%

LAB 33.15, 64.62, -80.08

 

CMYK 34 / 86 / 0 / 18

HEX #891DD1

RGB 137 29 209

HSL 276, 0.76%, 0.47%

LAB 39.24, 70.11, -69.84

 

CMYK 11 / 86 / 0 / 18

HEX #B91DD1

RGB 185 29 209

HSL 292, 0.76%, 0.47%

LAB 46.71, 77.39, -57.38

 

CMYK 0 / 86 / 11 / 18

HEX #D11DB9

RGB 209 29 185

HSL 308, 0.76%, 0.47%

LAB 49.42, 78.07, -38.88

 

CMYK 0 / 86 / 34 / 18

HEX #D11D89

RGB 209 29 137

HSL 324, 0.76%, 0.47%

LAB 47.29, 72.3, -13.6

 

CMYK 12 / 86 / 0 / 46

HEX #791389

RGB 121 19 137

HSL 291.86, 0.76%, 0.31%

LAB 30.25, 55.83, -41.45

 

CMYK 12 / 86 / 0 / 32

HEX #9918AD

RGB 153 24 173

HSL 291.95, 0.76%, 0.39%

LAB 38.63, 66.85, -49.59

 

CMYK 11 / 86 / 0 / 18

HEX #B91DD1

RGB 185 29 209

HSL 292, 0.76%, 0.47%

LAB 46.71, 77.39, -57.38

 

CMYK 10 / 76 / 0 / 11

HEX #CB36E2

RGB 203 54 226

HSL 291.98, 0.75%, 0.55%

LAB 52.76, 77.31, -57.2

 

CMYK 8 / 61 / 0 / 9

HEX #D45AE7

RGB 212 90 231

HSL 291.91, 0.75%, 0.63%

LAB 59.05, 66.88, -49.9

 

CMYK 11 / 86 / 0 / 17

HEX #BB1ED3

RGB 187 30 211

HSL 292.04, 0.75%, 0.47%

LAB 47.23, 77.86, -57.66

 

CMYK 0 / 80 / 86 / 18

HEX #D1291D

RGB 209 41 29

HSL 4, 0.76%, 0.47%

LAB 45.95, 62.92, 48.75

 

CMYK 86 / 0 / 46 / 18

HEX #1DD171

RGB 29 209 113

HSL 148, 0.76%, 0.47%

LAB 74.22, -63.13, 35.9

 

CMYK 11 / 86 / 0 / 17

HEX #BB1ED3

RGB 187 30 211

HSL 292.04, 0.75%, 0.47%

LAB 47.23, 77.86, -57.66

 

CMYK 0 / 11 / 86 / 18

HEX #D1B91D

RGB 209 185 29

HSL 52, 0.76%, 0.47%

LAB 75.04, -6.02, 72.57

 

CMYK 86 / 0 / 11 / 18

HEX #1DD1B9

RGB 29 209 185

HSL 172, 0.76%, 0.47%

LAB 75.68, -47.1, 0.01

 

CMYK 11 / 86 / 0 / 17

HEX #BB1ED3

RGB 187 30 211

HSL 292.04, 0.75%, 0.47%

LAB 47.23, 77.86, -57.66

 

CMYK 0 / 80 / 86 / 18

HEX #D1291D

RGB 209 41 29

HSL 4, 0.76%, 0.47%

LAB 45.95, 62.92, 48.75

 

CMYK 75 / 0 / 86 / 18

HEX #35D11D

RGB 53 209 29

HSL 112, 0.76%, 0.47%

LAB 73.83, -69.05, 68.3

 

CMYK 86 / 6 / 0 / 18

HEX #1DC5D1

RGB 29 197 209

HSL 184, 0.76%, 0.47%

LAB 72.76, -34.81, -17.32

 

CMYK 11 / 86 / 0 / 17

HEX #BB1ED3

RGB 187 30 211

HSL 292.04, 0.75%, 0.47%

LAB 47.23, 77.86, -57.66

 

CMYK 0 / 55 / 86 / 18

HEX #D15F1D

RGB 209 95 29

HSL 22, 0.76%, 0.47%

LAB 53.84, 41.66, 55.28

 

CMYK 75 / 0 / 86 / 18

HEX #35D11D

RGB 53 209 29

HSL 112, 0.76%, 0.47%

LAB 73.83, -69.05, 68.3

 

CMYK 86 / 32 / 0 / 18

HEX #1D8FD1

RGB 29 143 209

HSL 202, 0.76%, 0.47%

LAB 56.59, -6.67, -42.29

 

Description

Color code: HEX #BB1ED3 | qconv.com Color code: HEX #BB1ED3 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 187 red, 30 green and 211 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
187 30 211 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 11 cyan, 86 magenta, none yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
11% 86% 0% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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