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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BB2455 it is the complementary color #44DBAA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BB2455. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BB2455 shade: #C02450, #D13663, #E24876, #F35A89 and #FF6C9C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BB2455. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BB2455 shade: #BB2455, #AA1242, #99002F, #88001C and #770009

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BB2455 shade: #BC2355, #BC232C and #BC2323

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BB2455 shade: #BC2355, #BC237E, #BC23A7, #A823BC and #7E23BC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BB2455 shade matches the following richer shades: #BC2355 and #CE114F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BB2455 shade: #BC2355, #AA365B, #984862, #865A68 and #736C6E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BB2455 shade: #BC23A8, #BC237F, #BC2356, #BC232E and #BC4223

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BB2455 shade: #771636, #991D45, #BC2355, #D73167 and #DE5481

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BB2455 shade: #BB2455, #BCA823 and #2393BC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BB2455 shade: #BB2455, #56BC23 and #2356BC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BB2455 shade: #BB2455, #BCA823, #23BC89 and #2338BC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BB2455 shade: #BB2455, #A3BC23, #23BC89 and #3D23BC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 81 / 55 / 27

HEX #BB2455

RGB 187 36 85

HSL 340.53, 0.68%, 0.44%

LAB 41.97, 60.63, 10.31

 

Complementary color

CMYK 69 / 0 / 22 / 14

HEX #44DBAA

RGB 68 219 170

HSL 160.53, 0.68%, 0.56%

LAB 78.92, -50.87, 12.76

 

CMYK 0 / 81 / 58 / 25

HEX #C02450

RGB 192 36 80

HSL 343.08, 0.68%, 0.45%

LAB 42.83, 61.63, 14.8

 

CMYK 0 / 74 / 53 / 18

HEX #D13663

RGB 209 54 99

HSL 342.58, 0.63%, 0.52%

LAB 48.38, 62.43, 11.2

 

CMYK 0 / 68 / 48 / 11

HEX #E24876

RGB 226 72 118

HSL 342.08, 0.73%, 0.58%

LAB 54.15, 62.57, 8.28

 

CMYK 0 / 63 / 44 / 5

HEX #F35A89

RGB 243 90 137

HSL 341.57, 0.86%, 0.65%

LAB 60.04, 62.3, 5.89

 

CMYK 0 / 58 / 39 / 0

HEX #FF6C9C

RGB 255 108 156

HSL 340.41, 1%, 0.71%

LAB 65.27, 60.22, 2.7

 

CMYK 0 / 81 / 55 / 27

HEX #BB2455

RGB 187 36 85

HSL 340.53, 0.68%, 0.44%

LAB 41.97, 60.63, 10.31

 

CMYK 0 / 89 / 61 / 33

HEX #AA1242

RGB 170 18 66

HSL 341.05, 0.81%, 0.37%

LAB 36.69, 58.83, 14.63

 

CMYK 0 / 100 / 69 / 40

HEX #99002F

RGB 153 0 47

HSL 341.57, 1%, 0.3%

LAB 31.76, 56, 19.88

 

CMYK 0 / 100 / 79 / 47

HEX #88001C

RGB 136 0 28

HSL 347.65, 1%, 0.27%

LAB 27.62, 50.84, 26.44

 

CMYK 0 / 100 / 92 / 53

HEX #770009

RGB 119 0 9

HSL 355.46, 1%, 0.23%

LAB 23.48, 45.78, 31.67

 

CMYK 0 / 81 / 55 / 26

HEX #BC2355

RGB 188 35 85

HSL 340.39, 0.69%, 0.44%

LAB 42.08, 61.16, 10.49

 

CMYK 0 / 81 / 77 / 26

HEX #BC232C

RGB 188 35 44

HSL 356.47, 0.69%, 0.44%

LAB 41.34, 58.9, 34.87

 

CMYK 0 / 81 / 81 / 26

HEX #BC2323

RGB 188 35 35

HSL 0, 0.69%, 0.44%

LAB 41.24, 58.61, 39.88

 

CMYK 0 / 81 / 55 / 26

HEX #BC2355

RGB 188 35 85

HSL 340.39, 0.69%, 0.44%

LAB 42.08, 61.16, 10.49

 

CMYK 0 / 81 / 33 / 26

HEX #BC237E

RGB 188 35 126

HSL 324.31, 0.69%, 0.44%

LAB 43.36, 64.95, -13.21

 

CMYK 0 / 81 / 11 / 26

HEX #BC23A7

RGB 188 35 167

HSL 308.24, 0.69%, 0.44%

LAB 45.2, 70.15, -35.18

 

CMYK 11 / 81 / 0 / 26

HEX #A823BC

RGB 168 35 188

HSL 292.16, 0.69%, 0.44%

LAB 43, 69.54, -51.29

 

CMYK 33 / 81 / 0 / 26

HEX #7E23BC

RGB 126 35 188

HSL 275.69, 0.69%, 0.44%

LAB 36.5, 62.35, -62.13

 

CMYK 0 / 81 / 55 / 26

HEX #BC2355

RGB 188 35 85

HSL 340.39, 0.69%, 0.44%

LAB 42.08, 61.16, 10.49

 

CMYK 0 / 92 / 62 / 19

HEX #CE114F

RGB 206 17 79

HSL 340.32, 0.85%, 0.44%

LAB 44.36, 68.79, 17.96

 

CMYK 0 / 81 / 55 / 26

HEX #BC2355

RGB 188 35 85

HSL 340.39, 0.69%, 0.44%

LAB 42.08, 61.16, 10.49

 

CMYK 0 / 68 / 46 / 33

HEX #AA365B

RGB 170 54 91

HSL 340.86, 0.52%, 0.44%

LAB 41.12, 50.12, 4.89

 

CMYK 0 / 53 / 36 / 40

HEX #984862

RGB 152 72 98

HSL 340.5, 0.36%, 0.44%

LAB 41.52, 36.36, 0.72

 

CMYK 0 / 33 / 22 / 47

HEX #865A68

RGB 134 90 104

HSL 340.91, 0.2%, 0.44%

LAB 43.33, 20.26, -0.62

 

CMYK 0 / 6 / 4 / 55

HEX #736C6E

RGB 115 108 110

HSL 342.86, 0.03%, 0.44%

LAB 46.31, 3.12, -0.14

 

CMYK 0 / 81 / 11 / 26

HEX #BC23A8

RGB 188 35 168

HSL 307.84, 0.69%, 0.44%

LAB 45.25, 70.3, -35.69

 

CMYK 0 / 81 / 32 / 26

HEX #BC237F

RGB 188 35 127

HSL 323.92, 0.69%, 0.44%

LAB 43.4, 65.06, -13.77

 

CMYK 0 / 81 / 54 / 26

HEX #BC2356

RGB 188 35 86

HSL 340, 0.69%, 0.44%

LAB 42.1, 61.23, 9.89

 

CMYK 0 / 81 / 76 / 26

HEX #BC232E

RGB 188 35 46

HSL 355.69, 0.69%, 0.44%

LAB 41.36, 58.98, 33.72

 

CMYK 0 / 65 / 81 / 26

HEX #BC4223

RGB 188 66 35

HSL 12.16, 0.69%, 0.44%

LAB 45.23, 47.6, 43.74

 

CMYK 0 / 82 / 55 / 53

HEX #771636

RGB 119 22 54

HSL 340.21, 0.69%, 0.28%

LAB 26.05, 42.89, 6.24

 

CMYK 0 / 81 / 55 / 40

HEX #991D45

RGB 153 29 69

HSL 340.65, 0.68%, 0.36%

LAB 34.15, 51.92, 8.63

 

CMYK 0 / 81 / 55 / 26

HEX #BC2355

RGB 188 35 85

HSL 340.39, 0.69%, 0.44%

LAB 42.08, 61.16, 10.49

 

CMYK 0 / 77 / 52 / 16

HEX #D73167

RGB 215 49 103

HSL 340.48, 0.67%, 0.52%

LAB 49.04, 65.95, 9.83

 

CMYK 0 / 62 / 42 / 13

HEX #DE5481

RGB 222 84 129

HSL 340.43, 0.68%, 0.6%

LAB 55.54, 57.57, 3.66

 

CMYK 0 / 81 / 55 / 27

HEX #BB2455

RGB 187 36 85

HSL 340.53, 0.68%, 0.44%

LAB 41.97, 60.63, 10.31

 

CMYK 0 / 11 / 81 / 26

HEX #BCA823

RGB 188 168 35

HSL 52.16, 0.69%, 0.44%

LAB 68.62, -6.2, 64.89

 

CMYK 81 / 22 / 0 / 26

HEX #2393BC

RGB 35 147 188

HSL 196.08, 0.69%, 0.44%

LAB 56.93, -15.97, -29.89

 

CMYK 0 / 81 / 55 / 27

HEX #BB2455

RGB 187 36 85

HSL 340.53, 0.68%, 0.44%

LAB 41.97, 60.63, 10.31

 

CMYK 54 / 0 / 81 / 26

HEX #56BC23

RGB 86 188 35

HSL 100, 0.69%, 0.44%

LAB 68.07, -54.8, 61.99

 

CMYK 81 / 54 / 0 / 26

HEX #2356BC

RGB 35 86 188

HSL 220, 0.69%, 0.44%

LAB 38.97, 21.3, -58.42

 

CMYK 0 / 81 / 55 / 27

HEX #BB2455

RGB 187 36 85

HSL 340.53, 0.68%, 0.44%

LAB 41.97, 60.63, 10.31

 

CMYK 0 / 11 / 81 / 26

HEX #BCA823

RGB 188 168 35

HSL 52.16, 0.69%, 0.44%

LAB 68.62, -6.2, 64.89

 

CMYK 81 / 0 / 27 / 26

HEX #23BC89

RGB 35 188 137

HSL 160, 0.69%, 0.44%

LAB 68.12, -50.13, 15.17

 

CMYK 81 / 70 / 0 / 26

HEX #2338BC

RGB 35 56 188

HSL 231.76, 0.69%, 0.44%

LAB 31.39, 40.77, -70.84

 

CMYK 0 / 81 / 55 / 27

HEX #BB2455

RGB 187 36 85

HSL 340.53, 0.68%, 0.44%

LAB 41.97, 60.63, 10.31

 

CMYK 13 / 0 / 81 / 26

HEX #A3BC23

RGB 163 188 35

HSL 69.8, 0.69%, 0.44%

LAB 72.14, -27.13, 67.18

 

CMYK 81 / 0 / 27 / 26

HEX #23BC89

RGB 35 188 137

HSL 160, 0.69%, 0.44%

LAB 68.12, -50.13, 15.17

 

CMYK 68 / 81 / 0 / 26

HEX #3D23BC

RGB 61 35 188

HSL 250.2, 0.69%, 0.44%

LAB 28.97, 54.21, -74.78

 

Description

Color code: HEX #BB2455 | qconv.com Color code: HEX #BB2455 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 187 red, 36 green and 85 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
187 36 85 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 81 magenta, 55 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 81% 55% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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