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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BB2566 it is the complementary color #44DA99. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BB2566. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BB2566 shade: #C02561, #D13774, #E24987, #F35B9A and #FF6DAD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BB2566. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BB2566 shade: #BB2566, #AA1353, #990140, #88002D and #77001A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BB2566 shade: #BB2566, #BB253D and #BB2525

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BB2566 shade: #BB2566, #BB258E, #BB25B7, #9625BB and #6E25BB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BB2566 shade matches the following richer shades: #BB2566, #CD1263 and #DF0061

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BB2566 shade: #BB2566, #A93768, #97496B, #845B6D and #726D6F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BB2566 shade: #BB25B6, #BB258E, #BB2566, #BB253E and #BB3425

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BB2566 shade: #761740, #981E53, #BB2566, #D63279 and #DD5590

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BB2566 shade: #BB2566, #BB9825 and #25A2BB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BB2566 shade: #BB2566, #66BB25 and #2566BB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BB2566 shade: #BB2566, #BB9825, #25BB7A and #2548BB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BB2566 shade: #BB2566, #B1BB25, #25BB7A and #2F25BB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 80 / 45 / 27

HEX #BB2566

RGB 187 37 102

HSL 334, 0.67%, 0.44%

LAB 42.53, 61.76, 0.43

 

Complementary color

CMYK 69 / 0 / 30 / 15

HEX #44DA99

RGB 68 218 153

HSL 154, 0.67%, 0.56%

LAB 78.27, -54.19, 20.81

 

CMYK 0 / 81 / 49 / 25

HEX #C02561

RGB 192 37 97

HSL 336.77, 0.68%, 0.45%

LAB 43.35, 62.64, 4.86

 

CMYK 0 / 74 / 44 / 18

HEX #D13774

RGB 209 55 116

HSL 336.23, 0.63%, 0.52%

LAB 48.94, 63.55, 1.63

 

CMYK 0 / 68 / 40 / 11

HEX #E24987

RGB 226 73 135

HSL 335.69, 0.73%, 0.59%

LAB 54.74, 63.8, -0.97

 

CMYK 0 / 63 / 37 / 5

HEX #F35B9A

RGB 243 91 154

HSL 335.13, 0.86%, 0.65%

LAB 60.67, 63.62, -3.09

 

CMYK 0 / 57 / 32 / 0

HEX #FF6DAD

RGB 255 109 173

HSL 333.7, 1%, 0.71%

LAB 65.92, 61.67, -6.04

 

CMYK 0 / 80 / 45 / 27

HEX #BB2566

RGB 187 37 102

HSL 334, 0.67%, 0.44%

LAB 42.53, 61.76, 0.43

 

CMYK 0 / 89 / 51 / 33

HEX #AA1353

RGB 170 19 83

HSL 334.57, 0.8%, 0.37%

LAB 37.18, 59.86, 4.33

 

CMYK 0 / 99 / 58 / 40

HEX #990140

RGB 153 1 64

HSL 335.13, 0.99%, 0.3%

LAB 32.18, 56.85, 9.17

 

CMYK 0 / 100 / 67 / 47

HEX #88002D

RGB 136 0 45

HSL 340.15, 1%, 0.27%

LAB 27.91, 51.61, 15.51

 

CMYK 0 / 100 / 78 / 53

HEX #77001A

RGB 119 0 26

HSL 346.89, 1%, 0.23%

LAB 23.66, 46.28, 22.23

 

CMYK 0 / 80 / 45 / 27

HEX #BB2566

RGB 187 37 102

HSL 334, 0.67%, 0.44%

LAB 42.53, 61.76, 0.43

 

CMYK 0 / 80 / 67 / 27

HEX #BB253D

RGB 187 37 61

HSL 350.4, 0.67%, 0.44%

LAB 41.57, 58.83, 24.82

 

CMYK 0 / 80 / 80 / 27

HEX #BB2525

RGB 187 37 37

HSL 0, 0.67%, 0.44%

LAB 41.25, 57.83, 38.72

 

CMYK 0 / 80 / 45 / 27

HEX #BB2566

RGB 187 37 102

HSL 334, 0.67%, 0.44%

LAB 42.53, 61.76, 0.43

 

CMYK 0 / 80 / 24 / 27

HEX #BB258E

RGB 187 37 142

HSL 318, 0.67%, 0.44%

LAB 44, 66.09, -22.03

 

CMYK 0 / 80 / 2 / 27

HEX #BB25B7

RGB 187 37 183

HSL 301.6, 0.67%, 0.44%

LAB 46.05, 71.84, -43.29

 

CMYK 20 / 80 / 0 / 27

HEX #9625BB

RGB 150 37 187

HSL 285.2, 0.67%, 0.44%

LAB 40.24, 65.56, -55.3

 

CMYK 41 / 80 / 0 / 27

HEX #6E25BB

RGB 110 37 187

HSL 269.2, 0.67%, 0.44%

LAB 34.45, 58.98, -64.97

 

CMYK 0 / 80 / 45 / 27

HEX #BB2566

RGB 187 37 102

HSL 334, 0.67%, 0.44%

LAB 42.53, 61.76, 0.43

 

CMYK 0 / 91 / 52 / 20

HEX #CD1263

RGB 205 18 99

HSL 334.01, 0.84%, 0.44%

LAB 44.68, 69.74, 5.86

 

CMYK 0 / 100 / 57 / 13

HEX #DF0061

RGB 223 0 97

HSL 333.9, 1%, 0.44%

LAB 47.69, 75.43, 11.87

 

CMYK 0 / 80 / 45 / 27

HEX #BB2566

RGB 187 37 102

HSL 334, 0.67%, 0.44%

LAB 42.53, 61.76, 0.43

 

CMYK 0 / 67 / 38 / 34

HEX #A93768

RGB 169 55 104

HSL 334.21, 0.51%, 0.44%

LAB 41.48, 50.76, -2.74

 

CMYK 0 / 52 / 29 / 41

HEX #97496B

RGB 151 73 107

HSL 333.85, 0.35%, 0.44%

LAB 41.85, 36.69, -4.38

 

CMYK 0 / 31 / 17 / 48

HEX #845B6D

RGB 132 91 109

HSL 333.66, 0.18%, 0.44%

LAB 43.5, 19.73, -3.46

 

CMYK 0 / 4 / 3 / 55

HEX #726D6F

RGB 114 109 111

HSL 336, 0.02%, 0.44%

LAB 46.53, 2.34, -0.43

 

CMYK 0 / 80 / 3 / 27

HEX #BB25B6

RGB 187 37 182

HSL 302, 0.67%, 0.44%

LAB 46, 71.69, -42.79

 

CMYK 0 / 80 / 24 / 27

HEX #BB258E

RGB 187 37 142

HSL 318, 0.67%, 0.44%

LAB 44, 66.09, -22.03

 

CMYK 0 / 80 / 45 / 27

HEX #BB2566

RGB 187 37 102

HSL 334, 0.67%, 0.44%

LAB 42.53, 61.76, 0.43

 

CMYK 0 / 80 / 67 / 27

HEX #BB253E

RGB 187 37 62

HSL 350, 0.67%, 0.44%

LAB 41.59, 58.88, 24.22

 

CMYK 0 / 72 / 80 / 27

HEX #BB3425

RGB 187 52 37

HSL 6, 0.67%, 0.44%

LAB 42.99, 52.96, 40.47

 

CMYK 0 / 81 / 46 / 54

HEX #761740

RGB 118 23 64

HSL 334.11, 0.67%, 0.28%

LAB 26.26, 43.22, -0.28

 

CMYK 0 / 80 / 45 / 40

HEX #981E53

RGB 152 30 83

HSL 333.93, 0.67%, 0.36%

LAB 34.45, 52.57, -0.08

 

CMYK 0 / 80 / 45 / 27

HEX #BB2566

RGB 187 37 102

HSL 334, 0.67%, 0.44%

LAB 42.53, 61.76, 0.43

 

CMYK 0 / 77 / 43 / 16

HEX #D63279

RGB 214 50 121

HSL 334.02, 0.67%, 0.52%

LAB 49.44, 66.91, -0.57

 

CMYK 0 / 62 / 35 / 13

HEX #DD5590

RGB 221 85 144

HSL 333.97, 0.67%, 0.6%

LAB 55.97, 58.45, -4.57

 

CMYK 0 / 80 / 45 / 27

HEX #BB2566

RGB 187 37 102

HSL 334, 0.67%, 0.44%

LAB 42.53, 61.76, 0.43

 

CMYK 0 / 19 / 80 / 27

HEX #BB9825

RGB 187 152 37

HSL 46, 0.67%, 0.44%

LAB 64.29, 1.98, 60.42

 

CMYK 80 / 13 / 0 / 27

HEX #25A2BB

RGB 37 162 187

HSL 190, 0.67%, 0.44%

LAB 61.5, -24.05, -22.28

 

CMYK 0 / 80 / 45 / 27

HEX #BB2566

RGB 187 37 102

HSL 334, 0.67%, 0.44%

LAB 42.53, 61.76, 0.43

 

CMYK 45 / 0 / 80 / 27

HEX #66BB25

RGB 102 187 37

HSL 94, 0.67%, 0.44%

LAB 68.39, -49.54, 61.94

 

CMYK 80 / 45 / 0 / 27

HEX #2566BB

RGB 37 102 187

HSL 214, 0.67%, 0.44%

LAB 43.48, 10.67, -50.55

 

CMYK 0 / 80 / 45 / 27

HEX #BB2566

RGB 187 37 102

HSL 334, 0.67%, 0.44%

LAB 42.53, 61.76, 0.43

 

CMYK 0 / 19 / 80 / 27

HEX #BB9825

RGB 187 152 37

HSL 46, 0.67%, 0.44%

LAB 64.29, 1.98, 60.42

 

CMYK 80 / 0 / 35 / 27

HEX #25BB7A

RGB 37 187 122

HSL 154, 0.67%, 0.44%

LAB 67.53, -52.84, 22.44

 

CMYK 80 / 61 / 0 / 27

HEX #2548BB

RGB 37 72 187

HSL 226, 0.67%, 0.44%

LAB 35.23, 30.34, -63.92

 

CMYK 0 / 80 / 45 / 27

HEX #BB2566

RGB 187 37 102

HSL 334, 0.67%, 0.44%

LAB 42.53, 61.76, 0.43

 

CMYK 5 / 0 / 80 / 27

HEX #B1BB25

RGB 177 187 37

HSL 64, 0.67%, 0.44%

LAB 72.91, -20.66, 67.71

 

CMYK 80 / 0 / 35 / 27

HEX #25BB7A

RGB 37 187 122

HSL 154, 0.67%, 0.44%

LAB 67.53, -52.84, 22.44

 

CMYK 75 / 80 / 0 / 27

HEX #2F25BB

RGB 47 37 187

HSL 244, 0.67%, 0.44%

LAB 28.16, 51.88, -75.56

 

Description

Color code: HEX #BB2566 | qconv.com Color code: HEX #BB2566 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 187 red, 37 green and 102 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
187 37 102 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 80 magenta, 45 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 80% 45% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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