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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BB25B1 it is the complementary color #44DA4E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BB25B1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BB25B1 shade: #C025AC, #D137BF, #E249D2, #F35BE5 and #FF6DF8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BB25B1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BB25B1 shade: #BB25B1, #AA139E, #99018B, #880078 and #770065

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BB25B1 shade: #BB25B1, #BB2588, #BB2560, #BB2537 and #BB2525

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BB25B1 shade: #BB25B1, #9C25BB, #7425BB, #4B25BB and #2525BB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BB25B1 shade matches the following richer shades: #BB25B1, #CD12C1 and #DF00D0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BB25B1 shade: #BB25B1, #A937A1, #974991, #845B82 and #726D72

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BB25B1 shade: #7525BB, #9D25BB, #BB25B1, #BB2589 and #BB2561

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BB25B1 shade: #761770, #981E90, #BB25B1, #D632CB and #DD55D4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BB25B1 shade: #BB25B1, #BB4D25 and #25BB89

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BB25B1 shade: #BB25B1, #B1BB25 and #25B1BB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BB25B1 shade: #BB25B1, #BB4D25, #25BB2F and #2593BB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BB25B1 shade: #BB25B1, #BB7A25, #25BB2F and #2566BB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 80 / 5 / 27

HEX #BB25B1

RGB 187 37 177

HSL 304, 0.67%, 0.44%

LAB 45.72, 70.93, -40.29

 

Complementary color

CMYK 69 / 0 / 64 / 15

HEX #44DA4E

RGB 68 218 78

HSL 124, 0.67%, 0.56%

LAB 77.23, -65.92, 55.85

 

CMYK 0 / 81 / 10 / 25

HEX #C025AC

RGB 192 37 172

HSL 307.74, 0.68%, 0.45%

LAB 46.32, 71.22, -36.32

 

CMYK 0 / 74 / 9 / 18

HEX #D137BF

RGB 209 55 191

HSL 307.01, 0.63%, 0.52%

LAB 51.89, 72.65, -38.47

 

CMYK 0 / 68 / 7 / 11

HEX #E249D2

RGB 226 73 210

HSL 306.27, 0.73%, 0.59%

LAB 57.64, 73.36, -40.14

 

CMYK 0 / 63 / 6 / 5

HEX #F35BE5

RGB 243 91 229

HSL 305.53, 0.86%, 0.65%

LAB 63.5, 73.58, -41.46

 

CMYK 0 / 57 / 3 / 0

HEX #FF6DF8

RGB 255 109 248

HSL 302.88, 1%, 0.71%

LAB 68.73, 72.22, -43.65

 

CMYK 0 / 80 / 5 / 27

HEX #BB25B1

RGB 187 37 177

HSL 304, 0.67%, 0.44%

LAB 45.72, 70.93, -40.29

 

CMYK 0 / 89 / 7 / 33

HEX #AA139E

RGB 170 19 158

HSL 304.77, 0.8%, 0.37%

LAB 40.38, 68.49, -37.62

 

CMYK 0 / 99 / 9 / 40

HEX #99018B

RGB 153 1 139

HSL 305.53, 0.99%, 0.3%

LAB 35.32, 64.91, -34.25

 

CMYK 0 / 100 / 12 / 47

HEX #880078

RGB 136 0 120

HSL 307.06, 1%, 0.27%

LAB 30.86, 59.19, -29.64

 

CMYK 0 / 100 / 15 / 53

HEX #770065

RGB 119 0 101

HSL 309.08, 1%, 0.23%

LAB 26.34, 53.22, -24.79

 

CMYK 0 / 80 / 5 / 27

HEX #BB25B1

RGB 187 37 177

HSL 304, 0.67%, 0.44%

LAB 45.72, 70.93, -40.29

 

CMYK 0 / 80 / 27 / 27

HEX #BB2588

RGB 187 37 136

HSL 320.4, 0.67%, 0.44%

LAB 43.75, 65.36, -18.76

 

CMYK 0 / 80 / 49 / 27

HEX #BB2560

RGB 187 37 96

HSL 336.4, 0.67%, 0.44%

LAB 42.36, 61.24, 3.94

 

CMYK 0 / 80 / 71 / 27

HEX #BB2537

RGB 187 37 55

HSL 352.8, 0.67%, 0.44%

LAB 41.48, 58.53, 28.39

 

CMYK 0 / 80 / 80 / 27

HEX #BB2525

RGB 187 37 37

HSL 0, 0.67%, 0.44%

LAB 41.25, 57.83, 38.72

 

CMYK 0 / 80 / 5 / 27

HEX #BB25B1

RGB 187 37 177

HSL 304, 0.67%, 0.44%

LAB 45.72, 70.93, -40.29

 

CMYK 17 / 80 / 0 / 27

HEX #9C25BB

RGB 156 37 187

HSL 287.6, 0.67%, 0.44%

LAB 41.18, 66.64, -53.73

 

CMYK 38 / 80 / 0 / 27

HEX #7425BB

RGB 116 37 187

HSL 271.6, 0.67%, 0.44%

LAB 35.25, 59.89, -63.63

 

CMYK 60 / 80 / 0 / 27

HEX #4B25BB

RGB 75 37 187

HSL 255.2, 0.67%, 0.44%

LAB 30.42, 54.42, -71.75

 

CMYK 80 / 80 / 0 / 27

HEX #2525BB

RGB 37 37 187

HSL 240, 0.67%, 0.44%

LAB 27.58, 51.24, -76.53

 

CMYK 0 / 80 / 5 / 27

HEX #BB25B1

RGB 187 37 177

HSL 304, 0.67%, 0.44%

LAB 45.72, 70.93, -40.29

 

CMYK 0 / 91 / 6 / 20

HEX #CD12C1

RGB 205 18 193

HSL 303.85, 0.84%, 0.44%

LAB 48.59, 80.05, -44.91

 

CMYK 0 / 100 / 7 / 13

HEX #DF00D0

RGB 223 0 208

HSL 304.04, 1%, 0.44%

LAB 52.11, 86.71, -47.78

 

CMYK 0 / 80 / 5 / 27

HEX #BB25B1

RGB 187 37 177

HSL 304, 0.67%, 0.44%

LAB 45.72, 70.93, -40.29

 

CMYK 0 / 67 / 5 / 34

HEX #A937A1

RGB 169 55 161

HSL 304.21, 0.51%, 0.44%

LAB 43.86, 58.73, -33.93

 

CMYK 0 / 52 / 4 / 41

HEX #974991

RGB 151 73 145

HSL 304.62, 0.35%, 0.44%

LAB 43.34, 42.87, -25.33

 

CMYK 0 / 31 / 2 / 48

HEX #845B82

RGB 132 91 130

HSL 302.93, 0.18%, 0.44%

LAB 44.23, 23.66, -15.11

 

CMYK 0 / 4 / 0 / 55

HEX #726D72

RGB 114 109 114

HSL 300, 0.02%, 0.44%

LAB 46.62, 2.95, -2.09

 

CMYK 37 / 80 / 0 / 27

HEX #7525BB

RGB 117 37 187

HSL 272, 0.67%, 0.44%

LAB 35.39, 60.04, -63.4

 

CMYK 16 / 80 / 0 / 27

HEX #9D25BB

RGB 157 37 187

HSL 288, 0.67%, 0.44%

LAB 41.34, 66.82, -53.46

 

CMYK 0 / 80 / 5 / 27

HEX #BB25B1

RGB 187 37 177

HSL 304, 0.67%, 0.44%

LAB 45.72, 70.93, -40.29

 

CMYK 0 / 80 / 27 / 27

HEX #BB2589

RGB 187 37 137

HSL 320, 0.67%, 0.44%

LAB 43.79, 65.48, -19.31

 

CMYK 0 / 80 / 48 / 27

HEX #BB2561

RGB 187 37 97

HSL 336, 0.67%, 0.44%

LAB 42.39, 61.32, 3.35

 

CMYK 0 / 81 / 5 / 54

HEX #761770

RGB 118 23 112

HSL 303.79, 0.67%, 0.28%

LAB 28.47, 49.76, -28.54

 

CMYK 0 / 80 / 5 / 40

HEX #981E90

RGB 152 30 144

HSL 303.93, 0.67%, 0.36%

LAB 37.15, 60.41, -34.43

 

CMYK 0 / 80 / 5 / 27

HEX #BB25B1

RGB 187 37 177

HSL 304, 0.67%, 0.44%

LAB 45.72, 70.93, -40.29

 

CMYK 0 / 77 / 5 / 16

HEX #D632CB

RGB 214 50 203

HSL 304.02, 0.67%, 0.52%

LAB 52.83, 76.93, -43.87

 

CMYK 0 / 62 / 4 / 13

HEX #DD55D4

RGB 221 85 212

HSL 303.97, 0.67%, 0.6%

LAB 58.62, 67.9, -39.79

 

CMYK 0 / 80 / 5 / 27

HEX #BB25B1

RGB 187 37 177

HSL 304, 0.67%, 0.44%

LAB 45.72, 70.93, -40.29

 

CMYK 0 / 59 / 80 / 27

HEX #BB4D25

RGB 187 77 37

HSL 16, 0.67%, 0.44%

LAB 46.98, 42.26, 44.39

 

CMYK 80 / 0 / 27 / 27

HEX #25BB89

RGB 37 187 137

HSL 160, 0.67%, 0.44%

LAB 67.83, -49.53, 14.77

 

CMYK 0 / 80 / 5 / 27

HEX #BB25B1

RGB 187 37 177

HSL 304, 0.67%, 0.44%

LAB 45.72, 70.93, -40.29

 

CMYK 5 / 0 / 80 / 27

HEX #B1BB25

RGB 177 187 37

HSL 64, 0.67%, 0.44%

LAB 72.91, -20.66, 67.71

 

CMYK 80 / 5 / 0 / 27

HEX #25B1BB

RGB 37 177 187

HSL 184, 0.67%, 0.44%

LAB 66.08, -31.5, -15.33

 

CMYK 0 / 80 / 5 / 27

HEX #BB25B1

RGB 187 37 177

HSL 304, 0.67%, 0.44%

LAB 45.72, 70.93, -40.29

 

CMYK 0 / 59 / 80 / 27

HEX #BB4D25

RGB 187 77 37

HSL 16, 0.67%, 0.44%

LAB 46.98, 42.26, 44.39

 

CMYK 80 / 0 / 75 / 27

HEX #25BB2F

RGB 37 187 47

HSL 124, 0.67%, 0.44%

LAB 66.63, -63.56, 56.45

 

CMYK 80 / 21 / 0 / 27

HEX #2593BB

RGB 37 147 187

HSL 196, 0.67%, 0.44%

LAB 56.93, -16.13, -29.33

 

CMYK 0 / 80 / 5 / 27

HEX #BB25B1

RGB 187 37 177

HSL 304, 0.67%, 0.44%

LAB 45.72, 70.93, -40.29

 

CMYK 0 / 35 / 80 / 27

HEX #BB7A25

RGB 187 122 37

HSL 34, 0.67%, 0.44%

LAB 56.7, 18.48, 53.55

 

CMYK 80 / 0 / 75 / 27

HEX #25BB2F

RGB 37 187 47

HSL 124, 0.67%, 0.44%

LAB 66.63, -63.56, 56.45

 

CMYK 80 / 45 / 0 / 27

HEX #2566BB

RGB 37 102 187

HSL 214, 0.67%, 0.44%

LAB 43.48, 10.67, -50.55

 

Description

Color code: HEX #BB25B1 | qconv.com Color code: HEX #BB25B1 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 187 red, 37 green and 177 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
187 37 177 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 80 magenta, 5 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 80% 5% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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