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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BB2687 it is the complementary color #44D978. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BB2687. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BB2687 shade: #C02682, #D13895, #E24AA8, #F35CBB and #FF6ECE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BB2687. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BB2687 shade: #BB2687, #AA1474, #990261, #88004E and #77003B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BB2687 shade: #BA2686, #BA265E, #BA2636 and #BA2626

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BB2687 shade: #BA2686, #BA26AE, #9E26BA, #7626BA and #4E26BA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BB2687 shade matches the following richer shades: #BA2686, #CC138C and #DE0191

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BB2687 shade: #BA2686, #A83881, #954A7B, #835C76 and #716E70

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BB2687 shade: #9C26BA, #BA26B0, #BA2688, #BA2661 and #BA2639

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BB2687 shade: #751855, #981F6D, #BA2686, #D5349D and #DC56AD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BB2687 shade: #BB2687, #BA7526 and #26BAB0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BB2687 shade: #BB2687, #88BA26 and #2688BA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BB2687 shade: #BB2687, #BA7526, #26BA57 and #266BBA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BB2687 shade: #BB2687, #BAA126, #26BA57 and #263EBA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 80 / 28 / 27

HEX #BB2687

RGB 187 38 135

HSL 320.94, 0.66%, 0.44%

LAB 43.8, 64.97, -18.08

 

Complementary color

CMYK 69 / 0 / 45 / 15

HEX #44D978

RGB 68 217 120

HSL 140.94, 0.66%, 0.56%

LAB 77.41, -59.98, 36.59

 

CMYK 0 / 80 / 32 / 25

HEX #C02682

RGB 192 38 130

HSL 324.16, 0.67%, 0.45%

LAB 44.52, 65.6, -13.83

 

CMYK 0 / 73 / 29 / 18

HEX #D13895

RGB 209 56 149

HSL 323.53, 0.62%, 0.52%

LAB 50.16, 66.72, -16.46

 

CMYK 0 / 67 / 26 / 11

HEX #E24AA8

RGB 226 74 168

HSL 322.89, 0.72%, 0.59%

LAB 55.98, 67.16, -18.54

 

CMYK 0 / 62 / 23 / 5

HEX #F35CBB

RGB 243 92 187

HSL 322.25, 0.86%, 0.66%

LAB 61.91, 67.16, -20.22

 

CMYK 0 / 57 / 19 / 0

HEX #FF6ECE

RGB 255 110 206

HSL 320.28, 1%, 0.72%

LAB 67.18, 65.47, -22.76

 

CMYK 0 / 80 / 28 / 27

HEX #BB2687

RGB 187 38 135

HSL 320.94, 0.66%, 0.44%

LAB 43.8, 64.97, -18.08

 

CMYK 0 / 88 / 32 / 33

HEX #AA1474

RGB 170 20 116

HSL 321.6, 0.79%, 0.37%

LAB 38.39, 62.86, -14.88

 

CMYK 0 / 99 / 37 / 40

HEX #990261

RGB 153 2 97

HSL 322.25, 0.97%, 0.3%

LAB 33.3, 59.57, -10.84

 

CMYK 0 / 100 / 43 / 47

HEX #88004E

RGB 136 0 78

HSL 325.59, 1%, 0.27%

LAB 28.86, 54.13, -5.42

 

CMYK 0 / 100 / 50 / 53

HEX #77003B

RGB 119 0 59

HSL 330.25, 1%, 0.23%

LAB 24.44, 48.37, 0.51

 

CMYK 0 / 80 / 28 / 27

HEX #BA2686

RGB 186 38 134

HSL 321.08, 0.66%, 0.44%

LAB 43.58, 64.62, -17.82

 

CMYK 0 / 80 / 49 / 27

HEX #BA265E

RGB 186 38 94

HSL 337.3, 0.66%, 0.44%

LAB 42.21, 60.52, 4.95

 

CMYK 0 / 80 / 71 / 27

HEX #BA2636

RGB 186 38 54

HSL 353.51, 0.66%, 0.44%

LAB 41.36, 57.92, 28.82

 

CMYK 0 / 80 / 80 / 27

HEX #BA2626

RGB 186 38 38

HSL 0, 0.66%, 0.44%

LAB 41.16, 57.29, 38.01

 

CMYK 0 / 80 / 28 / 27

HEX #BA2686

RGB 186 38 134

HSL 321.08, 0.66%, 0.44%

LAB 43.58, 64.62, -17.82

 

CMYK 0 / 80 / 6 / 27

HEX #BA26AE

RGB 186 38 174

HSL 304.86, 0.66%, 0.44%

LAB 45.47, 70.02, -38.92

 

CMYK 15 / 80 / 0 / 27

HEX #9E26BA

RGB 158 38 186

HSL 288.65, 0.66%, 0.44%

LAB 41.53, 66.53, -52.56

 

CMYK 37 / 80 / 0 / 27

HEX #7626BA

RGB 118 38 186

HSL 272.43, 0.66%, 0.44%

LAB 35.56, 59.61, -62.52

 

CMYK 58 / 80 / 0 / 27

HEX #4E26BA

RGB 78 38 186

HSL 256.22, 0.66%, 0.44%

LAB 30.76, 54.04, -70.58

 

CMYK 0 / 80 / 28 / 27

HEX #BA2686

RGB 186 38 134

HSL 321.08, 0.66%, 0.44%

LAB 43.58, 64.62, -17.82

 

CMYK 0 / 91 / 31 / 20

HEX #CC138C

RGB 204 19 140

HSL 320.76, 0.83%, 0.44%

LAB 45.9, 73.11, -17.62

 

CMYK 0 / 100 / 35 / 13

HEX #DE0191

RGB 222 1 145

HSL 320.9, 0.99%, 0.44%

LAB 49, 79.04, -15.6

 

CMYK 0 / 80 / 28 / 27

HEX #BA2686

RGB 186 38 134

HSL 321.08, 0.66%, 0.44%

LAB 43.58, 64.62, -17.82

 

CMYK 0 / 67 / 23 / 34

HEX #A83881

RGB 168 56 129

HSL 320.89, 0.5%, 0.44%

LAB 42.37, 53.19, -16.89

 

CMYK 0 / 50 / 17 / 42

HEX #954A7B

RGB 149 74 123

HSL 320.8, 0.34%, 0.44%

LAB 42.33, 37.9, -13.53

 

CMYK 0 / 30 / 10 / 49

HEX #835C76

RGB 131 92 118

HSL 320, 0.17%, 0.44%

LAB 43.93, 20.38, -8.31

 

CMYK 0 / 3 / 1 / 56

HEX #716E70

RGB 113 110 112

HSL 320, 0.01%, 0.44%

LAB 46.75, 1.56, -0.71

 

CMYK 16 / 80 / 0 / 27

HEX #9C26BA

RGB 156 38 186

HSL 287.84, 0.66%, 0.44%

LAB 41.22, 66.16, -53.08

 

CMYK 0 / 80 / 5 / 27

HEX #BA26B0

RGB 186 38 176

HSL 304.05, 0.66%, 0.44%

LAB 45.58, 70.32, -39.93

 

CMYK 0 / 80 / 27 / 27

HEX #BA2688

RGB 186 38 136

HSL 320.27, 0.66%, 0.44%

LAB 43.66, 64.86, -18.92

 

CMYK 0 / 80 / 48 / 27

HEX #BA2661

RGB 186 38 97

HSL 336.08, 0.66%, 0.44%

LAB 42.29, 60.78, 3.19

 

CMYK 0 / 80 / 69 / 27

HEX #BA2639

RGB 186 38 57

HSL 352.3, 0.66%, 0.44%

LAB 41.41, 58.06, 27.04

 

CMYK 0 / 79 / 27 / 54

HEX #751855

RGB 117 24 85

HSL 320.65, 0.66%, 0.28%

LAB 26.99, 45.11, -13.27

 

CMYK 0 / 80 / 28 / 40

HEX #981F6D

RGB 152 31 109

HSL 321.32, 0.66%, 0.36%

LAB 35.52, 55.16, -15.17

 

CMYK 0 / 80 / 28 / 27

HEX #BA2686

RGB 186 38 134

HSL 321.08, 0.66%, 0.44%

LAB 43.58, 64.62, -17.82

 

CMYK 0 / 76 / 26 / 16

HEX #D5349D

RGB 213 52 157

HSL 320.87, 0.66%, 0.52%

LAB 50.73, 69.91, -20.29

 

CMYK 0 / 61 / 21 / 14

HEX #DC56AD

RGB 220 86 173

HSL 321.04, 0.66%, 0.6%

LAB 56.97, 61.38, -20.03

 

CMYK 0 / 80 / 28 / 27

HEX #BB2687

RGB 187 38 135

HSL 320.94, 0.66%, 0.44%

LAB 43.8, 64.97, -18.08

 

CMYK 0 / 37 / 80 / 27

HEX #BA7526

RGB 186 117 38

HSL 32.03, 0.66%, 0.44%

LAB 55.38, 20.85, 51.88

 

CMYK 80 / 0 / 5 / 27

HEX #26BAB0

RGB 38 186 176

HSL 175.95, 0.66%, 0.44%

LAB 68.51, -38.87, -5.62

 

CMYK 0 / 80 / 28 / 27

HEX #BB2687

RGB 187 38 135

HSL 320.94, 0.66%, 0.44%

LAB 43.8, 64.97, -18.08

 

CMYK 27 / 0 / 80 / 27

HEX #88BA26

RGB 136 186 38

HSL 80.27, 0.66%, 0.44%

LAB 69.82, -36.97, 63.61

 

CMYK 80 / 27 / 0 / 27

HEX #2688BA

RGB 38 136 186

HSL 200.27, 0.66%, 0.44%

LAB 53.56, -10.25, -34

 

CMYK 0 / 80 / 28 / 27

HEX #BB2687

RGB 187 38 135

HSL 320.94, 0.66%, 0.44%

LAB 43.8, 64.97, -18.08

 

CMYK 0 / 37 / 80 / 27

HEX #BA7526

RGB 186 117 38

HSL 32.03, 0.66%, 0.44%

LAB 55.38, 20.85, 51.88

 

CMYK 80 / 0 / 53 / 27

HEX #26BA57

RGB 38 186 87

HSL 139.86, 0.66%, 0.44%

LAB 66.69, -58.62, 39.39

 

CMYK 80 / 42 / 0 / 27

HEX #266BBA

RGB 38 107 186

HSL 212.03, 0.66%, 0.44%

LAB 44.9, 7.21, -47.7

 

CMYK 0 / 80 / 28 / 27

HEX #BB2687

RGB 187 38 135

HSL 320.94, 0.66%, 0.44%

LAB 43.8, 64.97, -18.08

 

CMYK 0 / 13 / 80 / 27

HEX #BAA126

RGB 186 161 38

HSL 49.86, 0.66%, 0.44%

LAB 66.57, -3.28, 62.1

 

CMYK 80 / 0 / 53 / 27

HEX #26BA57

RGB 38 186 87

HSL 139.86, 0.66%, 0.44%

LAB 66.69, -58.62, 39.39

 

CMYK 80 / 67 / 0 / 27

HEX #263EBA

RGB 38 62 186

HSL 230.27, 0.66%, 0.44%

LAB 32.71, 36.53, -67.48

 

Description

Color code: HEX #BB2687 | qconv.com Color code: HEX #BB2687 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 187 red, 38 green and 135 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
187 38 135 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 80 magenta, 28 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 80% 28% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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