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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BB298B it is the complementary color #44D674. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BB298B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BB298B shade: #C02986, #D13B99, #E24DAC, #F35FBF and #FF71D2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BB298B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BB298B shade: #BB298B, #AA1778, #990565, #880052 and #77003F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BB298B shade: #BC298B, #BC2964, #BC293C and #BC2929

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BB298B shade: #BC298B, #BC29B3, #9D29BC, #7529BC and #4E29BC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BB298B shade matches the following richer shades: #BC298B, #CE1692 and #E10498

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BB298B shade: #BC298B, #A93B85, #974E7F, #846178 and #717372

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BB298B shade: #9C29BC, #BC29B4, #BC298D, #BC2966 and #BC293F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BB298B shade: #781A59, #9A2172, #BC298B, #D33AA1 and #DB5CB1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BB298B shade: #BB298B, #BC7529 and #29BCAF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BB298B shade: #BB298B, #8DBC29 and #298DBC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BB298B shade: #BB298B, #BC7529, #29BC57 and #2970BC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BB298B shade: #BB298B, #BCA129, #29BC57 and #2944BC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 78 / 26 / 27

HEX #BB298B

RGB 187 41 139

HSL 319.73, 0.64%, 0.45%

LAB 44.25, 64.64, -19.82

 

Complementary color

CMYK 68 / 0 / 46 / 16

HEX #44D674

RGB 68 214 116

HSL 139.73, 0.64%, 0.55%

LAB 76.43, -59.54, 37.33

 

CMYK 0 / 79 / 30 / 25

HEX #C02986

RGB 192 41 134

HSL 323.05, 0.65%, 0.46%

LAB 44.96, 65.25, -15.61

 

CMYK 0 / 72 / 27 / 18

HEX #D13B99

RGB 209 59 153

HSL 322.4, 0.62%, 0.53%

LAB 50.67, 66.21, -18.07

 

CMYK 0 / 66 / 24 / 11

HEX #E24DAC

RGB 226 77 172

HSL 321.74, 0.72%, 0.59%

LAB 56.54, 66.54, -20.01

 

CMYK 0 / 61 / 21 / 5

HEX #F35FBF

RGB 243 95 191

HSL 321.08, 0.86%, 0.66%

LAB 62.51, 66.46, -21.59

 

CMYK 0 / 56 / 18 / 0

HEX #FF71D2

RGB 255 113 210

HSL 319.01, 1%, 0.72%

LAB 67.82, 64.71, -24.03

 

CMYK 0 / 78 / 26 / 27

HEX #BB298B

RGB 187 41 139

HSL 319.73, 0.64%, 0.45%

LAB 44.25, 64.64, -19.82

 

CMYK 0 / 86 / 29 / 33

HEX #AA1778

RGB 170 23 120

HSL 320.41, 0.76%, 0.38%

LAB 38.75, 62.75, -16.83

 

CMYK 0 / 97 / 34 / 40

HEX #990565

RGB 153 5 101

HSL 321.08, 0.94%, 0.31%

LAB 33.61, 59.59, -12.96

 

CMYK 0 / 100 / 40 / 47

HEX #880052

RGB 136 0 82

HSL 323.82, 1%, 0.27%

LAB 29.01, 54.53, -7.85

 

CMYK 0 / 100 / 47 / 53

HEX #77003F

RGB 119 0 63

HSL 328.24, 1%, 0.23%

LAB 24.58, 48.73, -2.04

 

CMYK 0 / 78 / 26 / 26

HEX #BC298B

RGB 188 41 139

HSL 320, 0.64%, 0.45%

LAB 44.43, 64.88, -19.52

 

CMYK 0 / 78 / 47 / 26

HEX #BC2964

RGB 188 41 100

HSL 335.92, 0.64%, 0.45%

LAB 43.06, 60.73, 2.47

 

CMYK 0 / 78 / 68 / 26

HEX #BC293C

RGB 188 41 60

HSL 352.24, 0.64%, 0.45%

LAB 42.16, 57.92, 26.21

 

CMYK 0 / 78 / 78 / 26

HEX #BC2929

RGB 188 41 41

HSL 0, 0.64%, 0.45%

LAB 41.9, 57.1, 37.21

 

CMYK 0 / 78 / 26 / 26

HEX #BC298B

RGB 188 41 139

HSL 320, 0.64%, 0.45%

LAB 44.43, 64.88, -19.52

 

CMYK 0 / 78 / 5 / 26

HEX #BC29B3

RGB 188 41 179

HSL 303.67, 0.64%, 0.45%

LAB 46.35, 70.41, -40.45

 

CMYK 16 / 78 / 0 / 26

HEX #9D29BC

RGB 157 41 188

HSL 287.35, 0.64%, 0.45%

LAB 41.82, 65.81, -53.27

 

CMYK 38 / 78 / 0 / 26

HEX #7529BC

RGB 117 41 188

HSL 271.02, 0.64%, 0.45%

LAB 35.98, 58.79, -63.02

 

CMYK 59 / 78 / 0 / 26

HEX #4E29BC

RGB 78 41 188

HSL 255.1, 0.64%, 0.45%

LAB 31.43, 53.25, -70.66

 

CMYK 0 / 78 / 26 / 26

HEX #BC298B

RGB 188 41 139

HSL 320, 0.64%, 0.45%

LAB 44.43, 64.88, -19.52

 

CMYK 0 / 89 / 29 / 19

HEX #CE1692

RGB 206 22 146

HSL 319.57, 0.81%, 0.45%

LAB 46.67, 73.77, -20.04

 

CMYK 0 / 98 / 32 / 12

HEX #E10498

RGB 225 4 152

HSL 319.82, 0.97%, 0.45%

LAB 49.93, 80.11, -18.34

 

CMYK 0 / 78 / 26 / 26

HEX #BC298B

RGB 188 41 139

HSL 320, 0.64%, 0.45%

LAB 44.43, 64.88, -19.52

 

CMYK 0 / 65 / 21 / 34

HEX #A93B85

RGB 169 59 133

HSL 319.64, 0.48%, 0.45%

LAB 43.15, 52.79, -18.13

 

CMYK 0 / 48 / 16 / 41

HEX #974E7F

RGB 151 78 127

HSL 319.73, 0.32%, 0.45%

LAB 43.6, 37.1, -14.03

 

CMYK 0 / 27 / 9 / 48

HEX #846178

RGB 132 97 120

HSL 320.57, 0.15%, 0.45%

LAB 45.37, 18.16, -7.34

 

CMYK 2 / 0 / 1 / 55

HEX #717372

RGB 113 115 114

HSL 150, 0.01%, 0.45%

LAB 48.24, -0.96, 0.28

 

CMYK 17 / 78 / 0 / 26

HEX #9C29BC

RGB 156 41 188

HSL 286.94, 0.64%, 0.45%

LAB 41.66, 65.62, -53.53

 

CMYK 0 / 78 / 4 / 26

HEX #BC29B4

RGB 188 41 180

HSL 303.27, 0.64%, 0.45%

LAB 46.41, 70.56, -40.95

 

CMYK 0 / 78 / 25 / 26

HEX #BC298D

RGB 188 41 141

HSL 319.18, 0.64%, 0.45%

LAB 44.52, 65.13, -20.61

 

CMYK 0 / 78 / 46 / 26

HEX #BC2966

RGB 188 41 102

HSL 335.1, 0.64%, 0.45%

LAB 43.12, 60.91, 1.31

 

CMYK 0 / 78 / 66 / 26

HEX #BC293F

RGB 188 41 63

HSL 351.02, 0.64%, 0.45%

LAB 42.21, 58.07, 24.43

 

CMYK 0 / 78 / 26 / 53

HEX #781A59

RGB 120 26 89

HSL 319.79, 0.64%, 0.29%

LAB 27.99, 45.79, -14.34

 

CMYK 0 / 79 / 26 / 40

HEX #9A2172

RGB 154 33 114

HSL 319.83, 0.65%, 0.37%

LAB 36.31, 55.71, -17.07

 

CMYK 0 / 78 / 26 / 26

HEX #BC298B

RGB 188 41 139

HSL 320, 0.64%, 0.45%

LAB 44.43, 64.88, -19.52

 

CMYK 0 / 73 / 24 / 17

HEX #D33AA1

RGB 211 58 161

HSL 319.61, 0.63%, 0.53%

LAB 51.21, 68.05, -21.96

 

CMYK 0 / 58 / 19 / 14

HEX #DB5CB1

RGB 219 92 177

HSL 319.84, 0.64%, 0.61%

LAB 57.93, 59.05, -20.88

 

CMYK 0 / 78 / 26 / 27

HEX #BB298B

RGB 187 41 139

HSL 319.73, 0.64%, 0.45%

LAB 44.25, 64.64, -19.82

 

CMYK 0 / 38 / 78 / 26

HEX #BC7529

RGB 188 117 41

HSL 31.02, 0.64%, 0.45%

LAB 55.66, 21.83, 50.99

 

CMYK 78 / 0 / 7 / 26

HEX #29BCAF

RGB 41 188 175

HSL 174.69, 0.64%, 0.45%

LAB 69.14, -39.77, -4.13

 

CMYK 0 / 78 / 26 / 27

HEX #BB298B

RGB 187 41 139

HSL 319.73, 0.64%, 0.45%

LAB 44.25, 64.64, -19.82

 

CMYK 25 / 0 / 78 / 26

HEX #8DBC29

RGB 141 188 41

HSL 79.18, 0.64%, 0.45%

LAB 70.73, -35.79, 63.66

 

CMYK 78 / 25 / 0 / 26

HEX #298DBC

RGB 41 141 188

HSL 199.18, 0.64%, 0.45%

LAB 55.23, -12.04, -32.53

 

CMYK 0 / 78 / 26 / 27

HEX #BB298B

RGB 187 41 139

HSL 319.73, 0.64%, 0.45%

LAB 44.25, 64.64, -19.82

 

CMYK 0 / 38 / 78 / 26

HEX #BC7529

RGB 188 117 41

HSL 31.02, 0.64%, 0.45%

LAB 55.66, 21.83, 50.99

 

CMYK 78 / 0 / 54 / 26

HEX #29BC57

RGB 41 188 87

HSL 138.78, 0.64%, 0.45%

LAB 67.37, -58.93, 40.23

 

CMYK 78 / 40 / 0 / 26

HEX #2970BC

RGB 41 112 188

HSL 211.02, 0.64%, 0.45%

LAB 46.57, 5.16, -46.19

 

CMYK 0 / 78 / 26 / 27

HEX #BB298B

RGB 187 41 139

HSL 319.73, 0.64%, 0.45%

LAB 44.25, 64.64, -19.82

 

CMYK 0 / 14 / 78 / 26

HEX #BCA129

RGB 188 161 41

HSL 48.98, 0.64%, 0.45%

LAB 66.78, -2.28, 61.38

 

CMYK 78 / 0 / 54 / 26

HEX #29BC57

RGB 41 188 87

HSL 138.78, 0.64%, 0.45%

LAB 67.37, -58.93, 40.23

 

CMYK 78 / 64 / 0 / 26

HEX #2944BC

RGB 41 68 188

HSL 228.98, 0.64%, 0.45%

LAB 34.47, 33.7, -65.76

 

Description

Color code: HEX #BB298B | qconv.com Color code: HEX #BB298B | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 187 red, 41 green and 139 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
187 41 139 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 78 magenta, 26 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 78% 26% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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