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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BB377D it is the complementary color #44C882. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BB377D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BB377D shade: #C03778, #D1498B, #E25B9E, #F36DB1 and #FF7FC4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BB377D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BB377D shade: #BB377D, #AA256A, #991357, #880144 and #770031

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BB377D shade: #B9357B, #B93558 and #B93535

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BB377D shade: #B9357B, #B9359F, #B035B9, #8D35B9 and #6935B9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BB377D shade matches the following richer shades: #B9357B, #CD227D and #E00F7E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BB377D shade: #B9357B, #A6497A, #925C79, #7F7078 and #6C8377

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BB377D shade: #B035B9, #B9359F, #B9357C, #B93559 and #B93535

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BB377D shade: #792351, #992C66, #B9357B, #CB4D90 and #D46DA4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BB377D shade: #BB377D, #B98D35 and #35B0B9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BB377D shade: #BB377D, #7CB935 and #357CB9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BB377D shade: #BB377D, #B98D35, #35B973 and #3561B9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BB377D shade: #BB377D, #B9B535, #35B973 and #353AB9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 71 / 33 / 27

HEX #BB377D

RGB 187 55 125

HSL 328.18, 0.55%, 0.47%

LAB 45.33, 58.39, -9.64

 

Complementary color

CMYK 66 / 0 / 35 / 22

HEX #44C882

RGB 68 200 130

HSL 148.18, 0.55%, 0.53%

LAB 72.33, -51.77, 24.78

 

CMYK 0 / 71 / 38 / 25

HEX #C03778

RGB 192 55 120

HSL 331.53, 0.55%, 0.48%

LAB 46.04, 59.23, -5.44

 

CMYK 0 / 65 / 33 / 18

HEX #D1498B

RGB 209 73 139

HSL 330.88, 0.6%, 0.55%

LAB 52.05, 59.32, -7.65

 

CMYK 0 / 60 / 30 / 11

HEX #E25B9E

RGB 226 91 158

HSL 330.22, 0.7%, 0.62%

LAB 58.15, 59.03, -9.44

 

CMYK 0 / 55 / 27 / 5

HEX #F36DB1

RGB 243 109 177

HSL 329.55, 0.85%, 0.69%

LAB 64.3, 58.51, -10.91

 

CMYK 0 / 50 / 23 / 0

HEX #FF7FC4

RGB 255 127 196

HSL 327.66, 1%, 0.75%

LAB 69.77, 56.32, -13.24

 

CMYK 0 / 71 / 33 / 27

HEX #BB377D

RGB 187 55 125

HSL 328.18, 0.55%, 0.47%

LAB 45.33, 58.39, -9.64

 

CMYK 0 / 78 / 38 / 33

HEX #AA256A

RGB 170 37 106

HSL 328.87, 0.64%, 0.41%

LAB 39.43, 57.69, -7.02

 

CMYK 0 / 88 / 43 / 40

HEX #991357

RGB 153 19 87

HSL 329.55, 0.78%, 0.34%

LAB 33.83, 55.96, -3.57

 

CMYK 0 / 99 / 50 / 47

HEX #880144

RGB 136 1 68

HSL 330.22, 0.99%, 0.27%

LAB 28.57, 53.06, 0.86

 

CMYK 0 / 100 / 59 / 53

HEX #770031

RGB 119 0 49

HSL 335.29, 1%, 0.23%

LAB 24.14, 47.57, 7.01

 

CMYK 0 / 71 / 34 / 27

HEX #B9357B

RGB 185 53 123

HSL 328.18, 0.55%, 0.47%

LAB 44.65, 58.33, -9.48

 

CMYK 0 / 71 / 52 / 27

HEX #B93558

RGB 185 53 88

HSL 344.09, 0.55%, 0.47%

LAB 43.6, 54.86, 10.65

 

CMYK 0 / 71 / 71 / 27

HEX #B93535

RGB 185 53 53

HSL 0, 0.55%, 0.47%

LAB 42.94, 52.59, 31.24

 

CMYK 0 / 71 / 34 / 27

HEX #B9357B

RGB 185 53 123

HSL 328.18, 0.55%, 0.47%

LAB 44.65, 58.33, -9.48

 

CMYK 0 / 71 / 14 / 27

HEX #B9359F

RGB 185 53 159

HSL 311.82, 0.55%, 0.47%

LAB 46.13, 63.06, -28.99

 

CMYK 5 / 71 / 0 / 27

HEX #B035B9

RGB 176 53 185

HSL 295.91, 0.55%, 0.47%

LAB 46.01, 65.13, -44.63

 

CMYK 24 / 71 / 0 / 27

HEX #8D35B9

RGB 141 53 185

HSL 280, 0.55%, 0.47%

LAB 40.75, 57.71, -53.35

 

CMYK 43 / 71 / 0 / 27

HEX #6935B9

RGB 105 53 185

HSL 263.64, 0.55%, 0.47%

LAB 36.08, 50.74, -61.15

 

CMYK 0 / 71 / 34 / 27

HEX #B9357B

RGB 185 53 123

HSL 328.18, 0.55%, 0.47%

LAB 44.65, 58.33, -9.48

 

CMYK 0 / 83 / 39 / 20

HEX #CD227D

RGB 205 34 125

HSL 328.07, 0.72%, 0.47%

LAB 46.45, 69.16, -7.63

 

CMYK 0 / 93 / 44 / 12

HEX #E00F7E

RGB 224 15 126

HSL 328.13, 0.87%, 0.47%

LAB 49.12, 76.57, -3.87

 

CMYK 0 / 71 / 34 / 27

HEX #B9357B

RGB 185 53 123

HSL 328.18, 0.55%, 0.47%

LAB 44.65, 58.33, -9.48

 

CMYK 0 / 56 / 27 / 35

HEX #A6497A

RGB 166 73 122

HSL 328.39, 0.39%, 0.47%

LAB 44.63, 43.9, -9.21

 

CMYK 0 / 37 / 17 / 43

HEX #925C79

RGB 146 92 121

HSL 327.78, 0.23%, 0.47%

LAB 45.83, 26.51, -7.09

 

CMYK 0 / 12 / 6 / 50

HEX #7F7078

RGB 127 112 120

HSL 328, 0.06%, 0.47%

LAB 48.83, 7.36, -2.28

 

CMYK 18 / 0 / 9 / 49

HEX #6C8377

RGB 108 131 119

HSL 148.7, 0.1%, 0.47%

LAB 52.68, -10.87, 3.73

 

CMYK 5 / 71 / 0 / 27

HEX #B035B9

RGB 176 53 185

HSL 295.91, 0.55%, 0.47%

LAB 46.01, 65.13, -44.63

 

CMYK 0 / 71 / 14 / 27

HEX #B9359F

RGB 185 53 159

HSL 311.82, 0.55%, 0.47%

LAB 46.13, 63.06, -28.99

 

CMYK 0 / 71 / 33 / 27

HEX #B9357C

RGB 185 53 124

HSL 327.73, 0.55%, 0.47%

LAB 44.68, 58.45, -10.04

 

CMYK 0 / 71 / 52 / 27

HEX #B93559

RGB 185 53 89

HSL 343.64, 0.55%, 0.47%

LAB 43.63, 54.94, 10.07

 

CMYK 0 / 71 / 71 / 27

HEX #B93535

RGB 185 53 53

HSL 0, 0.55%, 0.47%

LAB 42.94, 52.59, 31.24

 

CMYK 0 / 71 / 33 / 53

HEX #792351

RGB 121 35 81

HSL 327.91, 0.55%, 0.31%

LAB 29.06, 41.6, -7.42

 

CMYK 0 / 71 / 33 / 40

HEX #992C66

RGB 153 44 102

HSL 328.07, 0.55%, 0.39%

LAB 36.99, 50.15, -8.47

 

CMYK 0 / 71 / 34 / 27

HEX #B9357B

RGB 185 53 123

HSL 328.18, 0.55%, 0.47%

LAB 44.65, 58.33, -9.48

 

CMYK 0 / 62 / 29 / 20

HEX #CB4D90

RGB 203 77 144

HSL 328.1, 0.55%, 0.55%

LAB 51.86, 56.49, -11.01

 

CMYK 0 / 49 / 23 / 17

HEX #D46DA4

RGB 212 109 164

HSL 327.96, 0.54%, 0.63%

LAB 59.54, 46.96, -11.04

 

CMYK 0 / 71 / 33 / 27

HEX #BB377D

RGB 187 55 125

HSL 328.18, 0.55%, 0.47%

LAB 45.33, 58.39, -9.64

 

CMYK 0 / 24 / 71 / 27

HEX #B98D35

RGB 185 141 53

HSL 40, 0.55%, 0.47%

LAB 61.33, 7.79, 51.35

 

CMYK 71 / 5 / 0 / 27

HEX #35B0B9

RGB 53 176 185

HSL 184.09, 0.55%, 0.47%

LAB 65.99, -29.87, -14.32

 

CMYK 0 / 71 / 33 / 27

HEX #BB377D

RGB 187 55 125

HSL 328.18, 0.55%, 0.47%

LAB 45.33, 58.39, -9.64

 

CMYK 33 / 0 / 71 / 27

HEX #7CB935

RGB 124 185 53

HSL 87.73, 0.55%, 0.47%

LAB 68.92, -40.22, 57.54

 

CMYK 71 / 33 / 0 / 27

HEX #357CB9

RGB 53 124 185

HSL 207.73, 0.55%, 0.47%

LAB 50.3, -1.71, -38.51

 

CMYK 0 / 71 / 33 / 27

HEX #BB377D

RGB 187 55 125

HSL 328.18, 0.55%, 0.47%

LAB 45.33, 58.39, -9.64

 

CMYK 0 / 24 / 71 / 27

HEX #B98D35

RGB 185 141 53

HSL 40, 0.55%, 0.47%

LAB 61.33, 7.79, 51.35

 

CMYK 71 / 0 / 38 / 27

HEX #35B973

RGB 53 185 115

HSL 148.18, 0.55%, 0.47%

LAB 67.05, -51.37, 25.56

 

CMYK 71 / 48 / 0 / 27

HEX #3561B9

RGB 53 97 185

HSL 220, 0.55%, 0.47%

LAB 42.47, 15.12, -50.98

 

CMYK 0 / 71 / 33 / 27

HEX #BB377D

RGB 187 55 125

HSL 328.18, 0.55%, 0.47%

LAB 45.33, 58.39, -9.64

 

CMYK 0 / 2 / 71 / 27

HEX #B9B535

RGB 185 181 53

HSL 58.18, 0.55%, 0.47%

LAB 71.97, -13.54, 61.96

 

CMYK 71 / 0 / 38 / 27

HEX #35B973

RGB 53 185 115

HSL 148.18, 0.55%, 0.47%

LAB 67.05, -51.37, 25.56

 

CMYK 71 / 69 / 0 / 27

HEX #353AB9

RGB 53 58 185

HSL 237.73, 0.55%, 0.47%

LAB 32.45, 40.16, -67.28

 

Description

Color code: HEX #BB377D | qconv.com Color code: HEX #BB377D | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 187 red, 55 green and 125 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
187 55 125 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 71 magenta, 33 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 71% 33% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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