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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BB304D it is the complementary color #44CFB2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BB304D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BB304D shade: #C03048, #D1425B, #E2546E, #F36681 and #FF7894

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BB304D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BB304D shade: #BB304D, #AA1E3A, #990C27, #880014 and #770001

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BB304D shade: #BA304C and #BA3030

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BB304D shade: #BA304C, #BA3072, #BA3097, #B830BA and #9230BA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BB304D shade matches the following richer shades: #BA304C, #CD1D41 and #E00A36

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BB304D shade: #BA304C, #A74358, #945663, #81696E and #6E7C79

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BB304D shade: #BA3097, #BA3072, #BA304E, #BA3730 and #BA5B30

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BB304D shade: #781F31, #99273F, #BA304C, #CF4461 and #D7657D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BB304D shade: #BB304D, #BAB830 and #3085BA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BB304D shade: #BB304D, #4EBA30 and #304EBA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BB304D shade: #BB304D, #BAB830, #30BA9C and #3032BA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BB304D shade: #BB304D, #93BA30, #30BA9C and #5730BA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 74 / 59 / 27

HEX #BB304D

RGB 187 48 77

HSL 347.48, 0.59%, 0.46%

LAB 43.08, 56.4, 16.85

 

Complementary color

CMYK 67 / 0 / 14 / 19

HEX #44CFB2

RGB 68 207 178

HSL 167.48, 0.59%, 0.54%

LAB 75.49, -43.9, 3.59

 

CMYK 0 / 75 / 63 / 25

HEX #C03048

RGB 192 48 72

HSL 350, 0.6%, 0.47%

LAB 43.93, 57.57, 21.23

 

CMYK 0 / 68 / 56 / 18

HEX #D1425B

RGB 209 66 91

HSL 349.51, 0.61%, 0.54%

LAB 49.75, 57.54, 17.94

 

CMYK 0 / 63 / 51 / 11

HEX #E2546E

RGB 226 84 110

HSL 349.01, 0.71%, 0.61%

LAB 55.72, 57.09, 15.24

 

CMYK 0 / 58 / 47 / 5

HEX #F36681

RGB 243 102 129

HSL 348.51, 0.85%, 0.68%

LAB 61.78, 56.39, 12.98

 

CMYK 0 / 53 / 42 / 0

HEX #FF7894

RGB 255 120 148

HSL 347.56, 1%, 0.74%

LAB 67.15, 53.92, 9.95

 

CMYK 0 / 74 / 59 / 27

HEX #BB304D

RGB 187 48 77

HSL 347.48, 0.59%, 0.46%

LAB 43.08, 56.4, 16.85

 

CMYK 0 / 82 / 66 / 33

HEX #AA1E3A

RGB 170 30 58

HSL 348, 0.7%, 0.39%

LAB 37.44, 55.73, 20.75

 

CMYK 0 / 92 / 75 / 40

HEX #990C27

RGB 153 12 39

HSL 348.51, 0.85%, 0.32%

LAB 32.22, 53.91, 25.64

 

CMYK 0 / 100 / 85 / 47

HEX #880014

RGB 136 0 20

HSL 351.18, 1%, 0.27%

LAB 27.53, 50.59, 31.3

 

CMYK 0 / 100 / 99 / 53

HEX #770001

RGB 119 0 1

HSL 359.5, 1%, 0.23%

LAB 23.42, 45.62, 34.87

 

CMYK 0 / 74 / 59 / 27

HEX #BA304C

RGB 186 48 76

HSL 347.83, 0.59%, 0.46%

LAB 42.88, 56.04, 17.16

 

CMYK 0 / 74 / 74 / 27

HEX #BA3030

RGB 186 48 48

HSL 0, 0.59%, 0.46%

LAB 42.41, 54.49, 33.62

 

CMYK 0 / 74 / 59 / 27

HEX #BA304C

RGB 186 48 76

HSL 347.83, 0.59%, 0.46%

LAB 42.88, 56.04, 17.16

 

CMYK 0 / 74 / 39 / 27

HEX #BA3072

RGB 186 48 114

HSL 331.3, 0.59%, 0.46%

LAB 43.9, 59.35, -5.04

 

CMYK 0 / 74 / 19 / 27

HEX #BA3097

RGB 186 48 151

HSL 315.22, 0.59%, 0.46%

LAB 45.34, 63.84, -25.41

 

CMYK 1 / 74 / 0 / 27

HEX #B830BA

RGB 184 48 186

HSL 299.13, 0.59%, 0.46%

LAB 46.78, 68.66, -43.93

 

CMYK 22 / 74 / 0 / 27

HEX #9230BA

RGB 146 48 186

HSL 282.61, 0.59%, 0.46%

LAB 40.85, 60.9, -53.75

 

CMYK 0 / 74 / 59 / 27

HEX #BA304C

RGB 186 48 76

HSL 347.83, 0.59%, 0.46%

LAB 42.88, 56.04, 17.16

 

CMYK 0 / 86 / 68 / 20

HEX #CD1D41

RGB 205 29 65

HSL 347.73, 0.75%, 0.46%

LAB 44.57, 65.83, 26.88

 

CMYK 0 / 96 / 76 / 12

HEX #E00A36

RGB 224 10 54

HSL 347.66, 0.91%, 0.46%

LAB 47.41, 72.77, 37.79

 

CMYK 0 / 74 / 59 / 27

HEX #BA304C

RGB 186 48 76

HSL 347.83, 0.59%, 0.46%

LAB 42.88, 56.04, 17.16

 

CMYK 0 / 60 / 47 / 35

HEX #A74358

RGB 167 67 88

HSL 347.4, 0.43%, 0.46%

LAB 42.66, 43.06, 8.88

 

CMYK 0 / 42 / 33 / 42

HEX #945663

RGB 148 86 99

HSL 347.42, 0.26%, 0.46%

LAB 44.02, 27.32, 3.66

 

CMYK 0 / 19 / 15 / 49

HEX #81696E

RGB 129 105 110

HSL 347.5, 0.1%, 0.46%

LAB 46.84, 10.41, 0.8

 

CMYK 11 / 0 / 2 / 51

HEX #6E7C79

RGB 110 124 121

HSL 167.14, 0.06%, 0.46%

LAB 50.82, -5.8, -0.13

 

CMYK 0 / 74 / 19 / 27

HEX #BA3097

RGB 186 48 151

HSL 315.22, 0.59%, 0.46%

LAB 45.34, 63.84, -25.41

 

CMYK 0 / 74 / 39 / 27

HEX #BA3072

RGB 186 48 114

HSL 331.3, 0.59%, 0.46%

LAB 43.9, 59.35, -5.04

 

CMYK 0 / 74 / 58 / 27

HEX #BA304E

RGB 186 48 78

HSL 346.96, 0.59%, 0.46%

LAB 42.92, 56.18, 15.97

 

CMYK 0 / 70 / 74 / 27

HEX #BA3730

RGB 186 55 48

HSL 3.04, 0.59%, 0.46%

LAB 43.34, 51.92, 34.66

 

CMYK 0 / 51 / 74 / 27

HEX #BA5B30

RGB 186 91 48

HSL 18.7, 0.59%, 0.46%

LAB 49.66, 35.3, 41.57

 

CMYK 0 / 74 / 59 / 53

HEX #781F31

RGB 120 31 49

HSL 347.87, 0.59%, 0.3%

LAB 27.28, 39.55, 11.37

 

CMYK 0 / 75 / 59 / 40

HEX #99273F

RGB 153 39 63

HSL 347.37, 0.59%, 0.38%

LAB 35.17, 48.2, 13.93

 

CMYK 0 / 74 / 59 / 27

HEX #BA304C

RGB 186 48 76

HSL 347.83, 0.59%, 0.46%

LAB 42.88, 56.04, 17.16

 

CMYK 0 / 67 / 53 / 19

HEX #CF4461

RGB 207 68 97

HSL 347.48, 0.59%, 0.54%

LAB 49.81, 56.59, 14.35

 

CMYK 0 / 53 / 42 / 16

HEX #D7657D

RGB 215 101 125

HSL 347.37, 0.59%, 0.62%

LAB 57.3, 47.07, 8.4

 

CMYK 0 / 74 / 59 / 27

HEX #BB304D

RGB 187 48 77

HSL 347.48, 0.59%, 0.46%

LAB 43.08, 56.4, 16.85

 

CMYK 0 / 1 / 74 / 27

HEX #BAB830

RGB 186 184 48

HSL 59.13, 0.59%, 0.46%

LAB 72.85, -14.87, 64.57

 

CMYK 74 / 28 / 0 / 27

HEX #3085BA

RGB 48 133 186

HSL 203.04, 0.59%, 0.46%

LAB 52.89, -7.35, -35.03

 

CMYK 0 / 74 / 59 / 27

HEX #BB304D

RGB 187 48 77

HSL 347.48, 0.59%, 0.46%

LAB 43.08, 56.4, 16.85

 

CMYK 58 / 0 / 74 / 27

HEX #4EBA30

RGB 78 186 48

HSL 106.96, 0.59%, 0.46%

LAB 67.24, -55.4, 57.02

 

CMYK 74 / 58 / 0 / 27

HEX #304EBA

RGB 48 78 186

HSL 226.96, 0.59%, 0.46%

LAB 37.16, 27.21, -60.18

 

CMYK 0 / 74 / 59 / 27

HEX #BB304D

RGB 187 48 77

HSL 347.48, 0.59%, 0.46%

LAB 43.08, 56.4, 16.85

 

CMYK 0 / 1 / 74 / 27

HEX #BAB830

RGB 186 184 48

HSL 59.13, 0.59%, 0.46%

LAB 72.85, -14.87, 64.57

 

CMYK 74 / 0 / 16 / 27

HEX #30BA9C

RGB 48 186 156

HSL 166.96, 0.59%, 0.46%

LAB 68.13, -43.21, 4.85

 

CMYK 74 / 73 / 0 / 27

HEX #3032BA

RGB 48 50 186

HSL 239.13, 0.59%, 0.46%

LAB 30.53, 44.73, -71.04

 

CMYK 0 / 74 / 59 / 27

HEX #BB304D

RGB 187 48 77

HSL 347.48, 0.59%, 0.46%

LAB 43.08, 56.4, 16.85

 

CMYK 21 / 0 / 74 / 27

HEX #93BA30

RGB 147 186 48

HSL 76.96, 0.59%, 0.46%

LAB 70.55, -32.15, 61.38

 

CMYK 74 / 0 / 16 / 27

HEX #30BA9C

RGB 48 186 156

HSL 166.96, 0.59%, 0.46%

LAB 68.13, -43.21, 4.85

 

CMYK 53 / 74 / 0 / 27

HEX #5730BA

RGB 87 48 186

HSL 256.96, 0.59%, 0.46%

LAB 33.32, 50.53, -66.34

 

Description

Color code: HEX #BB304D | qconv.com Color code: HEX #BB304D | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 187 red, 48 green and 77 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
187 48 77 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 74 magenta, 59 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 74% 59% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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