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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BB4B33 it is the complementary color #44B4CC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BB4B33. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BB4B33 shade: #C04B2E, #D15D41, #E26F54, #F38167 and #FF937A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BB4B33. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BB4B33 shade: #BB4B33, #AA3920, #99270D, #881500 and #770300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BB4B33 shade: #BC4B33 and #BC3333

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BB4B33 shade: #BC4B33, #BC7033, #BC9533, #BCBA33 and #99BC33

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BB4B33 shade matches the following richer shades: #BC4B33, #CF3F20 and #E2320C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BB4B33 shade: #BC4B33, #A85846, #95645A, #81716D and #6E7D81

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BB4B33 shade: #BC3365, #BC3341, #BC4A33, #BC6E33 and #BC9333

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BB4B33 shade: #7B3121, #9B3E2A, #BC4B33, #CD624B and #D67E6B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BB4B33 shade: #BB4B33, #8ABC33 and #3353BC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BB4B33 shade: #BB4B33, #33BC4A and #4A33BC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BB4B33 shade: #BB4B33, #8ABC33, #33A5BC and #6533BC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BB4B33 shade: #BB4B33, #61BC33, #33A5BC and #8E33BC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 60 / 73 / 27

HEX #BB4B33

RGB 187 75 51

HSL 10.59, 0.57%, 0.47%

LAB 46.76, 43.78, 36.85

 

Complementary color

CMYK 67 / 12 / 0 / 20

HEX #44B4CC

RGB 68 180 204

HSL 190.59, 0.57%, 0.53%

LAB 68.19, -23.96, -21.45

 

CMYK 0 / 61 / 76 / 25

HEX #C04B2E

RGB 192 75 46

HSL 11.92, 0.61%, 0.47%

LAB 47.54, 45.39, 40.65

 

CMYK 0 / 56 / 69 / 18

HEX #D15D41

RGB 209 93 65

HSL 11.67, 0.61%, 0.54%

LAB 53.78, 44.01, 38.1

 

CMYK 0 / 51 / 63 / 11

HEX #E26F54

RGB 226 111 84

HSL 11.41, 0.71%, 0.61%

LAB 60.05, 42.63, 35.79

 

CMYK 0 / 47 / 58 / 5

HEX #F38167

RGB 243 129 103

HSL 11.14, 0.85%, 0.68%

LAB 66.32, 41.3, 33.73

 

CMYK 0 / 42 / 52 / 0

HEX #FF937A

RGB 255 147 122

HSL 11.28, 1%, 0.74%

LAB 71.91, 38.18, 30.92

 

CMYK 0 / 60 / 73 / 27

HEX #BB4B33

RGB 187 75 51

HSL 10.59, 0.57%, 0.47%

LAB 46.76, 43.78, 36.85

 

CMYK 0 / 66 / 81 / 33

HEX #AA3920

RGB 170 57 32

HSL 10.87, 0.68%, 0.4%

LAB 40.54, 45.04, 39.61

 

CMYK 0 / 75 / 92 / 40

HEX #99270D

RGB 153 39 13

HSL 11.14, 0.84%, 0.33%

LAB 34.5, 45.96, 42.09

 

CMYK 0 / 85 / 100 / 47

HEX #881500

RGB 136 21 0

HSL 9.26, 1%, 0.27%

LAB 28.83, 46.1, 41.63

 

CMYK 0 / 97 / 100 / 53

HEX #770300

RGB 119 3 0

HSL 1.51, 1%, 0.23%

LAB 23.63, 44.98, 35.49

 

CMYK 0 / 60 / 73 / 26

HEX #BC4B33

RGB 188 75 51

HSL 10.51, 0.57%, 0.47%

LAB 46.93, 44.15, 37.08

 

CMYK 0 / 73 / 73 / 26

HEX #BC3333

RGB 188 51 51

HSL 0, 0.57%, 0.47%

LAB 43.21, 54.19, 32.88

 

CMYK 0 / 60 / 73 / 26

HEX #BC4B33

RGB 188 75 51

HSL 10.51, 0.57%, 0.47%

LAB 46.93, 44.15, 37.08

 

CMYK 0 / 40 / 73 / 26

HEX #BC7033

RGB 188 112 51

HSL 26.72, 0.57%, 0.47%

LAB 54.57, 25.02, 45.37

 

CMYK 0 / 21 / 73 / 26

HEX #BC9533

RGB 188 149 51

HSL 42.92, 0.57%, 0.47%

LAB 63.69, 4.64, 54.7

 

CMYK 0 / 1 / 73 / 26

HEX #BCBA33

RGB 188 186 51

HSL 59.12, 0.57%, 0.47%

LAB 73.58, -14.89, 64.3

 

CMYK 19 / 0 / 73 / 26

HEX #99BC33

RGB 153 188 51

HSL 75.33, 0.57%, 0.47%

LAB 71.54, -30.52, 61.44

 

CMYK 0 / 60 / 73 / 26

HEX #BC4B33

RGB 188 75 51

HSL 10.51, 0.57%, 0.47%

LAB 46.93, 44.15, 37.08

 

CMYK 0 / 70 / 85 / 19

HEX #CF3F20

RGB 207 63 32

HSL 10.63, 0.73%, 0.47%

LAB 48.17, 55.21, 49.11

 

CMYK 0 / 78 / 95 / 11

HEX #E2320C

RGB 226 50 12

HSL 10.65, 0.9%, 0.47%

LAB 50.07, 65.11, 59.46

 

CMYK 0 / 60 / 73 / 26

HEX #BC4B33

RGB 188 75 51

HSL 10.51, 0.57%, 0.47%

LAB 46.93, 44.15, 37.08

 

CMYK 0 / 48 / 58 / 34

HEX #A85846

RGB 168 88 70

HSL 11.02, 0.41%, 0.47%

LAB 46.64, 31.04, 25.15

 

CMYK 0 / 33 / 40 / 42

HEX #95645A

RGB 149 100 90

HSL 10.17, 0.25%, 0.47%

LAB 47.29, 18.51, 13.72

 

CMYK 0 / 12 / 16 / 49

HEX #81716D

RGB 129 113 109

HSL 12, 0.08%, 0.47%

LAB 48.98, 5.52, 4.5

 

CMYK 15 / 3 / 0 / 49

HEX #6E7D81

RGB 110 125 129

HSL 192.63, 0.08%, 0.47%

LAB 51.34, -4.61, -4.05

 

CMYK 0 / 73 / 46 / 26

HEX #BC3365

RGB 188 51 101

HSL 338.1, 0.57%, 0.47%

LAB 44.23, 57.6, 3.54

 

CMYK 0 / 73 / 65 / 26

HEX #BC3341

RGB 188 51 65

HSL 353.87, 0.57%, 0.47%

LAB 43.42, 54.9, 24.73

 

CMYK 0 / 61 / 73 / 26

HEX #BC4A33

RGB 188 74 51

HSL 10.07, 0.57%, 0.47%

LAB 46.75, 44.62, 36.89

 

CMYK 0 / 41 / 73 / 26

HEX #BC6E33

RGB 188 110 51

HSL 25.84, 0.57%, 0.47%

LAB 54.11, 26.11, 44.88

 

CMYK 0 / 22 / 73 / 26

HEX #BC9333

RGB 188 147 51

HSL 42.04, 0.57%, 0.47%

LAB 63.18, 5.73, 54.18

 

CMYK 0 / 60 / 73 / 52

HEX #7B3121

RGB 123 49 33

HSL 10.67, 0.58%, 0.31%

LAB 30.68, 31.16, 26.06

 

CMYK 0 / 60 / 73 / 39

HEX #9B3E2A

RGB 155 62 42

HSL 10.62, 0.57%, 0.39%

LAB 38.87, 37.61, 31.57

 

CMYK 0 / 60 / 73 / 26

HEX #BC4B33

RGB 188 75 51

HSL 10.51, 0.57%, 0.47%

LAB 46.93, 44.15, 37.08

 

CMYK 0 / 52 / 63 / 20

HEX #CD624B

RGB 205 98 75

HSL 10.62, 0.57%, 0.55%

LAB 54.26, 40.63, 32.99

 

CMYK 0 / 41 / 50 / 16

HEX #D67E6B

RGB 214 126 107

HSL 10.65, 0.57%, 0.63%

LAB 61.89, 32.09, 25.03

 

CMYK 0 / 60 / 73 / 27

HEX #BB4B33

RGB 187 75 51

HSL 10.59, 0.57%, 0.47%

LAB 46.76, 43.78, 36.85

 

CMYK 27 / 0 / 73 / 26

HEX #8ABC33

RGB 138 188 51

HSL 81.9, 0.57%, 0.47%

LAB 70.6, -36.43, 60.2

 

CMYK 73 / 56 / 0 / 26

HEX #3353BC

RGB 51 83 188

HSL 225.99, 0.57%, 0.47%

LAB 38.76, 25.06, -58.74

 

CMYK 0 / 60 / 73 / 27

HEX #BB4B33

RGB 187 75 51

HSL 10.59, 0.57%, 0.47%

LAB 46.76, 43.78, 36.85

 

CMYK 73 / 0 / 61 / 26

HEX #33BC4A

RGB 51 188 74

HSL 130.07, 0.57%, 0.47%

LAB 67.4, -59.22, 46.42

 

CMYK 61 / 73 / 0 / 26

HEX #4A33BC

RGB 74 51 188

HSL 250.07, 0.57%, 0.47%

LAB 32.82, 47.75, -68.39

 

CMYK 0 / 60 / 73 / 27

HEX #BB4B33

RGB 187 75 51

HSL 10.59, 0.57%, 0.47%

LAB 46.76, 43.78, 36.85

 

CMYK 27 / 0 / 73 / 26

HEX #8ABC33

RGB 138 188 51

HSL 81.9, 0.57%, 0.47%

LAB 70.6, -36.43, 60.2

 

CMYK 73 / 12 / 0 / 26

HEX #33A5BC

RGB 51 165 188

HSL 190.07, 0.57%, 0.47%

LAB 62.71, -23.7, -20.97

 

CMYK 46 / 73 / 0 / 26

HEX #6533BC

RGB 101 51 188

HSL 261.9, 0.57%, 0.47%

LAB 35.53, 51.81, -63.84

 

CMYK 0 / 60 / 73 / 27

HEX #BB4B33

RGB 187 75 51

HSL 10.59, 0.57%, 0.47%

LAB 46.76, 43.78, 36.85

 

CMYK 48 / 0 / 73 / 26

HEX #61BC33

RGB 97 188 51

HSL 99.85, 0.57%, 0.47%

LAB 68.57, -50.65, 57.5

 

CMYK 73 / 12 / 0 / 26

HEX #33A5BC

RGB 51 165 188

HSL 190.07, 0.57%, 0.47%

LAB 62.71, -23.7, -20.97

 

CMYK 24 / 73 / 0 / 26

HEX #8E33BC

RGB 142 51 188

HSL 279.85, 0.57%, 0.47%

LAB 40.81, 59.36, -55.01

 

Description

Color code: HEX #BB4B33 | qconv.com Color code: HEX #BB4B33 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 187 red, 75 green and 51 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
187 75 51 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 60 magenta, 73 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 60% 73% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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