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Color name
HEX #BB502E

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BB502E it is the complementary color #44AFD1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BB502E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BB502E shade: #C05029, #D1623C, #E2744F, #F38662 and #FF9875

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BB502E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BB502E shade: #BB502E, #AA3E1B, #992C08, #881A00 and #770800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BB502E shade: #BC502D and #BC2D2D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BB502E shade: #BC502D, #BC762D, #BC9D2D, #B5BC2D and #8FBC2D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BB502E shade matches the following richer shades: #BC502D, #CF461A and #E23C07

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BB502E shade: #BC502D, #A95A40, #966353, #836D66 and #707779

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BB502E shade: #BC2D58, #BC2D32, #BC4F2D, #BC752D and #BC9B2D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BB502E shade: #7A341D, #9B4225, #BC502D, #D16442 and #D98063

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BB502E shade: #BB502E, #7EBC2D and #2D45BC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BB502E shade: #BB502E, #2DBC4F and #4F2DBC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BB502E shade: #BB502E, #7EBC2D, #2D9BBC and #6B2DBC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BB502E shade: #BB502E, #53BC2D, #2D9BBC and #962DBC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 57 / 75 / 27

HEX #BB502E

RGB 187 80 46

HSL 14.47, 0.61%, 0.46%

LAB 47.62, 41.16, 40.48

 

Complementary color

CMYK 67 / 16 / 0 / 18

HEX #44AFD1

RGB 68 175 209

HSL 194.47, 0.61%, 0.54%

LAB 66.89, -19.84, -26.19

 

CMYK 0 / 58 / 79 / 25

HEX #C05029

RGB 192 80 41

HSL 15.5, 0.65%, 0.46%

LAB 48.39, 42.84, 44.09

 

CMYK 0 / 53 / 71 / 18

HEX #D1623C

RGB 209 98 60

HSL 15.3, 0.62%, 0.53%

LAB 54.68, 41.3, 41.81

 

CMYK 0 / 49 / 65 / 11

HEX #E2744F

RGB 226 116 79

HSL 15.1, 0.72%, 0.6%

LAB 60.98, 39.81, 39.63

 

CMYK 0 / 45 / 60 / 5

HEX #F38662

RGB 243 134 98

HSL 14.9, 0.86%, 0.67%

LAB 67.27, 38.41, 37.63

 

CMYK 0 / 40 / 54 / 0

HEX #FF9875

RGB 255 152 117

HSL 15.22, 1%, 0.73%

LAB 72.89, 35.21, 34.88

 

CMYK 0 / 57 / 75 / 27

HEX #BB502E

RGB 187 80 46

HSL 14.47, 0.61%, 0.46%

LAB 47.62, 41.16, 40.48

 

CMYK 0 / 64 / 84 / 33

HEX #AA3E1B

RGB 170 62 27

HSL 14.69, 0.73%, 0.39%

LAB 41.33, 42.65, 42.83

 

CMYK 0 / 71 / 95 / 40

HEX #992C08

RGB 153 44 8

HSL 14.9, 0.9%, 0.32%

LAB 35.18, 43.94, 44.42

 

CMYK 0 / 81 / 100 / 47

HEX #881A00

RGB 136 26 0

HSL 11.47, 1%, 0.27%

LAB 29.34, 44.64, 42.04

 

CMYK 0 / 93 / 100 / 53

HEX #770800

RGB 119 8 0

HSL 4.03, 1%, 0.23%

LAB 23.99, 43.95, 35.85

 

CMYK 0 / 57 / 76 / 26

HEX #BC502D

RGB 188 80 45

HSL 14.69, 0.61%, 0.46%

LAB 47.78, 41.49, 41.22

 

CMYK 0 / 76 / 76 / 26

HEX #BC2D2D

RGB 188 45 45

HSL 0, 0.61%, 0.46%

LAB 42.4, 55.99, 35.45

 

CMYK 0 / 57 / 76 / 26

HEX #BC502D

RGB 188 80 45

HSL 14.69, 0.61%, 0.46%

LAB 47.78, 41.49, 41.22

 

CMYK 0 / 37 / 76 / 26

HEX #BC762D

RGB 188 118 45

HSL 30.63, 0.61%, 0.46%

LAB 55.92, 21.44, 49.52

 

CMYK 0 / 16 / 76 / 26

HEX #BC9D2D

RGB 188 157 45

HSL 46.99, 0.61%, 0.46%

LAB 65.74, 0.03, 59.01

 

CMYK 4 / 0 / 76 / 26

HEX #B5BC2D

RGB 181 188 45

HSL 62.94, 0.61%, 0.46%

LAB 73.53, -19.15, 66.03

 

CMYK 24 / 0 / 76 / 26

HEX #8FBC2D

RGB 143 188 45

HSL 78.88, 0.61%, 0.46%

LAB 70.87, -34.81, 62.59

 

CMYK 0 / 57 / 76 / 26

HEX #BC502D

RGB 188 80 45

HSL 14.69, 0.61%, 0.46%

LAB 47.78, 41.49, 41.22

 

CMYK 0 / 66 / 87 / 19

HEX #CF461A

RGB 207 70 26

HSL 14.59, 0.78%, 0.46%

LAB 49.16, 52.28, 52.5

 

CMYK 0 / 73 / 97 / 11

HEX #E23C07

RGB 226 60 7

HSL 14.52, 0.94%, 0.46%

LAB 51.17, 61.96, 61.27

 

CMYK 0 / 57 / 76 / 26

HEX #BC502D

RGB 188 80 45

HSL 14.69, 0.61%, 0.46%

LAB 47.78, 41.49, 41.22

 

CMYK 0 / 47 / 62 / 34

HEX #A95A40

RGB 169 90 64

HSL 14.86, 0.45%, 0.46%

LAB 47.13, 29.9, 29.27

 

CMYK 0 / 34 / 45 / 41

HEX #966353

RGB 150 99 83

HSL 14.33, 0.29%, 0.46%

LAB 47.02, 18.67, 17.53

 

CMYK 0 / 17 / 22 / 49

HEX #836D66

RGB 131 109 102

HSL 14.48, 0.12%, 0.46%

LAB 47.91, 7.5, 7.14

 

CMYK 7 / 2 / 0 / 53

HEX #707779

RGB 112 119 121

HSL 193.33, 0.04%, 0.46%

LAB 49.52, -2.2, -2.01

 

CMYK 0 / 76 / 53 / 26

HEX #BC2D58

RGB 188 45 88

HSL 341.96, 0.61%, 0.46%

LAB 43.17, 58.5, 10.13

 

CMYK 0 / 76 / 73 / 26

HEX #BC2D32

RGB 188 45 50

HSL 357.9, 0.61%, 0.46%

LAB 42.46, 56.19, 32.6

 

CMYK 0 / 58 / 76 / 26

HEX #BC4F2D

RGB 188 79 45

HSL 14.27, 0.61%, 0.46%

LAB 47.59, 41.98, 41.02

 

CMYK 0 / 38 / 76 / 26

HEX #BC752D

RGB 188 117 45

HSL 30.21, 0.61%, 0.46%

LAB 55.69, 21.99, 49.29

 

CMYK 0 / 18 / 76 / 26

HEX #BC9B2D

RGB 188 155 45

HSL 46.15, 0.61%, 0.46%

LAB 65.22, 1.11, 58.52

 

CMYK 0 / 57 / 76 / 52

HEX #7A341D

RGB 122 52 29

HSL 14.84, 0.62%, 0.3%

LAB 31.07, 28.95, 28.81

 

CMYK 0 / 57 / 76 / 39

HEX #9B4225

RGB 155 66 37

HSL 14.75, 0.61%, 0.38%

LAB 39.58, 35.36, 35.15

 

CMYK 0 / 57 / 76 / 26

HEX #BC502D

RGB 188 80 45

HSL 14.69, 0.61%, 0.46%

LAB 47.78, 41.49, 41.22

 

CMYK 0 / 52 / 68 / 18

HEX #D16442

RGB 209 100 66

HSL 14.27, 0.61%, 0.54%

LAB 55.14, 40.61, 39.14

 

CMYK 0 / 41 / 54 / 15

HEX #D98063

RGB 217 128 99

HSL 14.75, 0.61%, 0.62%

LAB 62.58, 31.5, 30.45

 

CMYK 0 / 57 / 75 / 27

HEX #BB502E

RGB 187 80 46

HSL 14.47, 0.61%, 0.46%

LAB 47.62, 41.16, 40.48

 

CMYK 33 / 0 / 76 / 26

HEX #7EBC2D

RGB 126 188 45

HSL 86.01, 0.61%, 0.46%

LAB 69.89, -41.28, 61.31

 

CMYK 76 / 63 / 0 / 26

HEX #2D45BC

RGB 45 69 188

HSL 229.93, 0.61%, 0.46%

LAB 34.89, 33.45, -65.06

 

CMYK 0 / 57 / 75 / 27

HEX #BB502E

RGB 187 80 46

HSL 14.47, 0.61%, 0.46%

LAB 47.62, 41.16, 40.48

 

CMYK 76 / 0 / 58 / 26

HEX #2DBC4F

RGB 45 188 79

HSL 134.27, 0.61%, 0.46%

LAB 67.34, -59.5, 44.02

 

CMYK 58 / 76 / 0 / 26

HEX #4F2DBC

RGB 79 45 188

HSL 254.27, 0.61%, 0.46%

LAB 32.19, 51.47, -69.41

 

CMYK 0 / 57 / 75 / 27

HEX #BB502E

RGB 187 80 46

HSL 14.47, 0.61%, 0.46%

LAB 47.62, 41.16, 40.48

 

CMYK 33 / 0 / 76 / 26

HEX #7EBC2D

RGB 126 188 45

HSL 86.01, 0.61%, 0.46%

LAB 69.89, -41.28, 61.31

 

CMYK 76 / 18 / 0 / 26

HEX #2D9BBC

RGB 45 155 188

HSL 193.85, 0.61%, 0.46%

LAB 59.55, -19.23, -25.82

 

CMYK 43 / 76 / 0 / 26

HEX #6B2DBC

RGB 107 45 188

HSL 266.01, 0.61%, 0.46%

LAB 35.27, 55.54, -64.24

 

CMYK 0 / 57 / 75 / 27

HEX #BB502E

RGB 187 80 46

HSL 14.47, 0.61%, 0.46%

LAB 47.62, 41.16, 40.48

 

CMYK 56 / 0 / 76 / 26

HEX #53BC2D

RGB 83 188 45

HSL 104.06, 0.61%, 0.46%

LAB 68.02, -55.03, 58.86

 

CMYK 76 / 18 / 0 / 26

HEX #2D9BBC

RGB 45 155 188

HSL 193.85, 0.61%, 0.46%

LAB 59.55, -19.23, -25.82

 

CMYK 20 / 76 / 0 / 26

HEX #962DBC

RGB 150 45 188

HSL 284.06, 0.61%, 0.46%

LAB 41.2, 63.17, -54.33

 

Description

Color code: HEX #BB502E | qconv.com Color code: HEX #BB502E | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 187 red, 80 green and 46 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
187 80 46 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 57 magenta, 75 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 57% 75% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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