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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BB5ACD it is the complementary color #44A532. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BB5ACD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BB5ACD shade: #C05AC8, #D16CDB, #E27EEE, #F390FF and #FFA2FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BB5ACD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BB5ACD shade: #BB5ACD, #AA48BA, #9936A7, #882494 and #771281

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BB5ACD shade: #BA5BCC, #CC5BBF, #CC5BA1, #CC5B82 and #CC5B63

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BB5ACD shade: #BA5BCC, #9C5BCC, #7D5BCC, #5F5BCC and #5B5BCC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BB5ACD shade matches the following richer shades: #BA5BCC, #C649DD and #D238EF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BB5ACD shade: #BA5BCC, #AE6CBB, #A37DAA, #978F98 and #8BA087

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BB5ACD shade: #7D5BCC, #9B5BCC, #B95BCC, #CC5BC1 and #CC5BA3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BB5ACD shade: #9132A3, #AD3BC2, #BA5BCC, #C87AD6 and #D59AE0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BB5ACD shade: #BB5ACD, #CC5E5B and #5BCC8C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BB5ACD shade: #BB5ACD, #CCB95B and #5BCCB9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BB5ACD shade: #BB5ACD, #CC5E5B, #6ECC5B and #5BC8CC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BB5ACD shade: #BB5ACD, #CC805B, #6ECC5B and #5BA6CC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 9 / 56 / 0 / 20

HEX #BB5ACD

RGB 187 90 205

HSL 290.61, 0.53%, 0.58%

LAB 54.33, 55.82, -42.9

 

Complementary color

CMYK 59 / 0 / 70 / 35

HEX #44A532

RGB 68 165 50

HSL 110.61, 0.53%, 0.42%

LAB 60.22, -50.1, 48.97

 

CMYK 4 / 55 / 0 / 22

HEX #C05AC8

RGB 192 90 200

HSL 295.64, 0.5%, 0.57%

LAB 54.75, 56.2, -39.33

 

CMYK 5 / 51 / 0 / 14

HEX #D16CDB

RGB 209 108 219

HSL 294.59, 0.61%, 0.64%

LAB 61.13, 55.63, -39.92

 

CMYK 5 / 47 / 0 / 7

HEX #E27EEE

RGB 226 126 238

HSL 293.57, 0.77%, 0.71%

LAB 67.47, 54.97, -40.39

 

CMYK 5 / 44 / 0 / 0

HEX #F390FF

RGB 243 144 255

HSL 293.51, 1%, 0.78%

LAB 73.69, 53.89, -39.84

 

CMYK 0 / 36 / 0 / 0

HEX #FFA2FF

RGB 255 162 255

HSL 300, 1%, 0.82%

LAB 78.65, 48.27, -32.05

 

CMYK 9 / 56 / 0 / 20

HEX #BB5ACD

RGB 187 90 205

HSL 290.61, 0.53%, 0.58%

LAB 54.33, 55.82, -42.9

 

CMYK 9 / 61 / 0 / 27

HEX #AA48BA

RGB 170 72 186

HSL 291.58, 0.45%, 0.51%

LAB 47.91, 56.24, -42.25

 

CMYK 8 / 68 / 0 / 35

HEX #9936A7

RGB 153 54 167

HSL 292.57, 0.51%, 0.43%

LAB 41.53, 56.34, -41.35

 

CMYK 8 / 76 / 0 / 42

HEX #882494

RGB 136 36 148

HSL 293.57, 0.61%, 0.36%

LAB 35.27, 55.83, -40.04

 

CMYK 8 / 86 / 0 / 49

HEX #771281

RGB 119 18 129

HSL 294.59, 0.76%, 0.29%

LAB 29.26, 54.25, -38.06

 

CMYK 9 / 55 / 0 / 20

HEX #BA5BCC

RGB 186 91 204

HSL 290.44, 0.53%, 0.58%

LAB 54.32, 54.89, -42.34

 

CMYK 0 / 55 / 6 / 20

HEX #CC5BBF

RGB 204 91 191

HSL 306.9, 0.53%, 0.58%

LAB 56.17, 57.42, -31.83

 

CMYK 0 / 55 / 21 / 20

HEX #CC5BA1

RGB 204 91 161

HSL 322.83, 0.53%, 0.58%

LAB 54.96, 52.77, -16.32

 

CMYK 0 / 55 / 36 / 20

HEX #CC5B82

RGB 204 91 130

HSL 339.29, 0.53%, 0.58%

LAB 53.95, 48.73, 0.42

 

CMYK 0 / 55 / 51 / 20

HEX #CC5B63

RGB 204 91 99

HSL 355.75, 0.53%, 0.58%

LAB 53.19, 45.55, 17.7

 

CMYK 9 / 55 / 0 / 20

HEX #BA5BCC

RGB 186 91 204

HSL 290.44, 0.53%, 0.58%

LAB 54.32, 54.89, -42.34

 

CMYK 24 / 55 / 0 / 20

HEX #9C5BCC

RGB 156 91 204

HSL 274.51, 0.53%, 0.58%

LAB 50.58, 47.09, -48.52

 

CMYK 39 / 55 / 0 / 20

HEX #7D5BCC

RGB 125 91 204

HSL 258.05, 0.53%, 0.58%

LAB 47.24, 39.44, -54.05

 

CMYK 53 / 55 / 0 / 20

HEX #5F5BCC

RGB 95 91 204

HSL 242.12, 0.53%, 0.58%

LAB 44.62, 32.87, -58.4

 

CMYK 55 / 55 / 0 / 20

HEX #5B5BCC

RGB 91 91 204

HSL 240, 0.53%, 0.58%

LAB 44.33, 32.09, -58.89

 

CMYK 9 / 55 / 0 / 20

HEX #BA5BCC

RGB 186 91 204

HSL 290.44, 0.53%, 0.58%

LAB 54.32, 54.89, -42.34

 

CMYK 10 / 67 / 0 / 13

HEX #C649DD

RGB 198 73 221

HSL 290.68, 0.69%, 0.58%

LAB 54.02, 68.86, -52.39

 

CMYK 12 / 77 / 0 / 6

HEX #D238EF

RGB 210 56 239

HSL 290.49, 0.85%, 0.58%

LAB 54.83, 80.25, -61.14

 

CMYK 9 / 55 / 0 / 20

HEX #BA5BCC

RGB 186 91 204

HSL 290.44, 0.53%, 0.58%

LAB 54.32, 54.89, -42.34

 

CMYK 7 / 42 / 0 / 27

HEX #AE6CBB

RGB 174 108 187

HSL 290.13, 0.37%, 0.58%

LAB 55.39, 39.34, -31.04

 

CMYK 4 / 26 / 0 / 33

HEX #A37DAA

RGB 163 125 170

HSL 290.67, 0.21%, 0.58%

LAB 57.42, 22.8, -18.26

 

CMYK 1 / 6 / 0 / 40

HEX #978F98

RGB 151 143 152

HSL 293.33, 0.04%, 0.58%

LAB 60.33, 4.68, -3.7

 

CMYK 13 / 0 / 16 / 37

HEX #8BA087

RGB 139 160 135

HSL 110.4, 0.12%, 0.58%

LAB 63.66, -12.28, 10.58

 

CMYK 39 / 55 / 0 / 20

HEX #7D5BCC

RGB 125 91 204

HSL 258.05, 0.53%, 0.58%

LAB 47.24, 39.44, -54.05

 

CMYK 24 / 55 / 0 / 20

HEX #9B5BCC

RGB 155 91 204

HSL 273.98, 0.53%, 0.58%

LAB 50.46, 46.83, -48.71

 

CMYK 9 / 55 / 0 / 20

HEX #B95BCC

RGB 185 91 204

HSL 289.91, 0.53%, 0.58%

LAB 54.19, 54.62, -42.56

 

CMYK 0 / 55 / 5 / 20

HEX #CC5BC1

RGB 204 91 193

HSL 305.84, 0.53%, 0.58%

LAB 56.26, 57.75, -32.84

 

CMYK 0 / 55 / 20 / 20

HEX #CC5BA3

RGB 204 91 163

HSL 321.77, 0.53%, 0.58%

LAB 55.04, 53.06, -17.37

 

CMYK 11 / 69 / 0 / 36

HEX #9132A3

RGB 145 50 163

HSL 290.44, 0.53%, 0.42%

LAB 39.49, 55.36, -42.29

 

CMYK 11 / 70 / 0 / 24

HEX #AD3BC2

RGB 173 59 194

HSL 290.67, 0.53%, 0.5%

LAB 46.85, 63.88, -48.57

 

CMYK 9 / 55 / 0 / 20

HEX #BA5BCC

RGB 186 91 204

HSL 290.44, 0.53%, 0.58%

LAB 54.32, 54.89, -42.34

 

CMYK 7 / 43 / 0 / 16

HEX #C87AD6

RGB 200 122 214

HSL 290.87, 0.53%, 0.66%

LAB 62.55, 45, -34.97

 

CMYK 5 / 31 / 0 / 12

HEX #D59AE0

RGB 213 154 224

HSL 290.57, 0.53%, 0.74%

LAB 71.31, 33.78, -26.87

 

CMYK 9 / 56 / 0 / 20

HEX #BB5ACD

RGB 187 90 205

HSL 290.61, 0.53%, 0.58%

LAB 54.33, 55.82, -42.9

 

CMYK 0 / 54 / 55 / 20

HEX #CC5E5B

RGB 204 94 91

HSL 1.59, 0.53%, 0.58%

LAB 53.6, 43.41, 22.94

 

CMYK 55 / 0 / 31 / 20

HEX #5BCC8C

RGB 91 204 140

HSL 146.02, 0.53%, 0.58%

LAB 74.38, -46.74, 22.41

 

CMYK 9 / 56 / 0 / 20

HEX #BB5ACD

RGB 187 90 205

HSL 290.61, 0.53%, 0.58%

LAB 54.33, 55.82, -42.9

 

CMYK 0 / 9 / 55 / 20

HEX #CCB95B

RGB 204 185 91

HSL 49.91, 0.53%, 0.58%

LAB 75.01, -5.08, 49.44

 

CMYK 55 / 0 / 9 / 20

HEX #5BCCB9

RGB 91 204 185

HSL 169.91, 0.53%, 0.58%

LAB 75.4, -36.72, -0.25

 

CMYK 9 / 56 / 0 / 20

HEX #BB5ACD

RGB 187 90 205

HSL 290.61, 0.53%, 0.58%

LAB 54.33, 55.82, -42.9

 

CMYK 0 / 54 / 55 / 20

HEX #CC5E5B

RGB 204 94 91

HSL 1.59, 0.53%, 0.58%

LAB 53.6, 43.41, 22.94

 

CMYK 46 / 0 / 55 / 20

HEX #6ECC5B

RGB 110 204 91

HSL 109.91, 0.53%, 0.58%

LAB 74.35, -49.36, 47.16

 

CMYK 55 / 2 / 0 / 20

HEX #5BC8CC

RGB 91 200 204

HSL 182.12, 0.53%, 0.58%

LAB 74.76, -29.87, -11.47

 

CMYK 9 / 56 / 0 / 20

HEX #BB5ACD

RGB 187 90 205

HSL 290.61, 0.53%, 0.58%

LAB 54.33, 55.82, -42.9

 

CMYK 0 / 37 / 55 / 20

HEX #CC805B

RGB 204 128 91

HSL 19.65, 0.53%, 0.58%

LAB 60.81, 25.63, 32.25

 

CMYK 46 / 0 / 55 / 20

HEX #6ECC5B

RGB 110 204 91

HSL 109.91, 0.53%, 0.58%

LAB 74.35, -49.36, 47.16

 

CMYK 55 / 19 / 0 / 20

HEX #5BA6CC

RGB 91 166 204

HSL 200.18, 0.53%, 0.58%

LAB 64.85, -12.46, -26.5

 

Description

Color code: HEX #BB5ACD | qconv.com Color code: HEX #BB5ACD | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 187 red, 90 green and 205 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
187 90 205 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 9 cyan, 56 magenta, none yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
9% 56% 0% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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