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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BB6B2E it is the complementary color #4494D1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BB6B2E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BB6B2E shade: #C06B29, #D17D3C, #E28F4F, #F3A162 and #FFB375

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BB6B2E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BB6B2E shade: #BB6B2E, #AA591B, #994708, #883500 and #772300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BB6B2E shade: #BC6B2D, #BC452D and #BC2D2D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BB6B2E shade: #BC6B2D, #BC922D, #BCB82D, #9ABC2D and #73BC2D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BB6B2E shade matches the following richer shades: #BC6B2D, #CF691A and #E26607

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BB6B2E shade: #BC6B2D, #A96E40, #967053, #837366 and #707579

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BB6B2E shade: #BC2D3E, #BC432D, #BC692D, #BC8F2D and #BCB52D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BB6B2E shade: #7A451D, #9B5825, #BC6B2D, #D18042 and #D99663

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BB6B2E shade: #BB6B2E, #64BC2D and #302DBC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BB6B2E shade: #BB6B2E, #2DBC69 and #692DBC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BB6B2E shade: #BB6B2E, #64BC2D, #2D81BC and #852DBC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BB6B2E shade: #BB6B2E, #39BC2D, #2D81BC and #B02DBC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 43 / 75 / 27

HEX #BB6B2E

RGB 187 107 46

HSL 25.96, 0.61%, 0.46%

LAB 53.25, 27.09, 46.34

 

Complementary color

CMYK 67 / 29 / 0 / 18

HEX #4494D1

RGB 68 148 209

HSL 205.96, 0.61%, 0.54%

LAB 58.99, -5.08, -38.46

 

CMYK 0 / 44 / 79 / 25

HEX #C06B29

RGB 192 107 41

HSL 26.23, 0.65%, 0.46%

LAB 53.9, 28.98, 49.49

 

CMYK 0 / 40 / 71 / 18

HEX #D17D3C

RGB 209 125 60

HSL 26.17, 0.62%, 0.53%

LAB 60.38, 27.24, 48.03

 

CMYK 0 / 37 / 65 / 11

HEX #E28F4F

RGB 226 143 79

HSL 26.12, 0.72%, 0.6%

LAB 66.81, 25.71, 46.42

 

CMYK 0 / 34 / 60 / 5

HEX #F3A162

RGB 243 161 98

HSL 26.07, 0.86%, 0.67%

LAB 73.17, 24.35, 44.82

 

CMYK 0 / 30 / 54 / 0

HEX #FFB375

RGB 255 179 117

HSL 26.96, 1%, 0.73%

LAB 78.92, 21.15, 42.48

 

CMYK 0 / 43 / 75 / 27

HEX #BB6B2E

RGB 187 107 46

HSL 25.96, 0.61%, 0.46%

LAB 53.25, 27.09, 46.34

 

CMYK 0 / 48 / 84 / 33

HEX #AA591B

RGB 170 89 27

HSL 26.01, 0.73%, 0.39%

LAB 46.67, 28.97, 47.59

 

CMYK 0 / 54 / 95 / 40

HEX #994708

RGB 153 71 8

HSL 26.07, 0.9%, 0.32%

LAB 40.08, 31.08, 47.73

 

CMYK 0 / 61 / 100 / 47

HEX #883500

RGB 136 53 0

HSL 23.38, 1%, 0.27%

LAB 33.52, 33.32, 44.93

 

CMYK 0 / 71 / 100 / 53

HEX #772300

RGB 119 35 0

HSL 17.65, 1%, 0.23%

LAB 27.09, 35.3, 38.74

 

CMYK 0 / 43 / 76 / 26

HEX #BC6B2D

RGB 188 107 45

HSL 26.01, 0.61%, 0.46%

LAB 53.38, 27.47, 46.98

 

CMYK 0 / 63 / 76 / 26

HEX #BC452D

RGB 188 69 45

HSL 10.07, 0.61%, 0.46%

LAB 45.82, 46.64, 39.15

 

CMYK 0 / 76 / 76 / 26

HEX #BC2D2D

RGB 188 45 45

HSL 0, 0.61%, 0.46%

LAB 42.4, 55.99, 35.45

 

CMYK 0 / 43 / 76 / 26

HEX #BC6B2D

RGB 188 107 45

HSL 26.01, 0.61%, 0.46%

LAB 53.38, 27.47, 46.98

 

CMYK 0 / 22 / 76 / 26

HEX #BC922D

RGB 188 146 45

HSL 42.38, 0.61%, 0.46%

LAB 62.88, 6, 56.29

 

CMYK 0 / 2 / 76 / 26

HEX #BCB82D

RGB 188 184 45

HSL 58.32, 0.61%, 0.46%

LAB 73, -14.13, 65.75

 

CMYK 18 / 0 / 76 / 26

HEX #9ABC2D

RGB 154 188 45

HSL 74.27, 0.61%, 0.46%

LAB 71.57, -30.42, 63.51

 

CMYK 39 / 0 / 76 / 26

HEX #73BC2D

RGB 115 188 45

HSL 90.63, 0.61%, 0.46%

LAB 69.33, -45.2, 60.58

 

CMYK 0 / 43 / 76 / 26

HEX #BC6B2D

RGB 188 107 45

HSL 26.01, 0.61%, 0.46%

LAB 53.38, 27.47, 46.98

 

CMYK 0 / 49 / 87 / 19

HEX #CF691A

RGB 207 105 26

HSL 26.19, 0.78%, 0.46%

LAB 55.53, 35.76, 57.56

 

CMYK 0 / 55 / 97 / 11

HEX #E26607

RGB 226 102 7

HSL 26.03, 0.94%, 0.46%

LAB 57.74, 44.44, 65.07

 

CMYK 0 / 43 / 76 / 26

HEX #BC6B2D

RGB 188 107 45

HSL 26.01, 0.61%, 0.46%

LAB 53.38, 27.47, 46.98

 

CMYK 0 / 35 / 62 / 34

HEX #A96E40

RGB 169 110 64

HSL 26.29, 0.45%, 0.46%

LAB 51.79, 18.77, 34.9

 

CMYK 0 / 25 / 45 / 41

HEX #967053

RGB 150 112 83

HSL 25.97, 0.29%, 0.46%

LAB 50.33, 11.16, 21.95

 

CMYK 0 / 12 / 22 / 49

HEX #837366

RGB 131 115 102

HSL 26.9, 0.12%, 0.46%

LAB 49.55, 3.99, 9.47

 

CMYK 7 / 3 / 0 / 53

HEX #707579

RGB 112 117 121

HSL 206.67, 0.04%, 0.46%

LAB 48.94, -1.03, -2.86

 

CMYK 0 / 76 / 67 / 26

HEX #BC2D3E

RGB 188 45 62

HSL 352.87, 0.61%, 0.46%

LAB 42.64, 56.78, 25.58

 

CMYK 0 / 64 / 76 / 26

HEX #BC432D

RGB 188 67 45

HSL 9.23, 0.61%, 0.46%

LAB 45.49, 47.52, 38.8

 

CMYK 0 / 44 / 76 / 26

HEX #BC692D

RGB 188 105 45

HSL 25.17, 0.61%, 0.46%

LAB 52.93, 28.55, 46.53

 

CMYK 0 / 24 / 76 / 26

HEX #BC8F2D

RGB 188 143 45

HSL 41.12, 0.61%, 0.46%

LAB 62.11, 7.64, 55.55

 

CMYK 0 / 4 / 76 / 26

HEX #BCB52D

RGB 188 181 45

HSL 57.06, 0.61%, 0.46%

LAB 72.18, -12.6, 65

 

CMYK 0 / 43 / 76 / 52

HEX #7A451D

RGB 122 69 29

HSL 25.81, 0.62%, 0.3%

LAB 34.97, 19.27, 32.97

 

CMYK 0 / 43 / 76 / 39

HEX #9B5825

RGB 155 88 37

HSL 25.93, 0.61%, 0.38%

LAB 44.35, 23.46, 40.13

 

CMYK 0 / 43 / 76 / 26

HEX #BC6B2D

RGB 188 107 45

HSL 26.01, 0.61%, 0.46%

LAB 53.38, 27.47, 46.98

 

CMYK 0 / 39 / 68 / 18

HEX #D18042

RGB 209 128 66

HSL 26.01, 0.61%, 0.54%

LAB 61.12, 25.95, 45.91

 

CMYK 0 / 31 / 54 / 15

HEX #D99663

RGB 217 150 99

HSL 25.93, 0.61%, 0.62%

LAB 67.62, 19.7, 36.84

 

CMYK 0 / 43 / 75 / 27

HEX #BB6B2E

RGB 187 107 46

HSL 25.96, 0.61%, 0.46%

LAB 53.25, 27.09, 46.34

 

CMYK 47 / 0 / 76 / 26

HEX #64BC2D

RGB 100 188 45

HSL 96.92, 0.61%, 0.46%

LAB 68.65, -50.12, 59.7

 

CMYK 74 / 76 / 0 / 26

HEX #302DBC

RGB 48 45 188

HSL 241.26, 0.61%, 0.46%

LAB 29.75, 48.17, -73.51

 

CMYK 0 / 43 / 75 / 27

HEX #BB6B2E

RGB 187 107 46

HSL 25.96, 0.61%, 0.46%

LAB 53.25, 27.09, 46.34

 

CMYK 76 / 0 / 44 / 26

HEX #2DBC69

RGB 45 188 105

HSL 145.17, 0.61%, 0.46%

LAB 67.68, -55.51, 31.6

 

CMYK 44 / 76 / 0 / 26

HEX #692DBC

RGB 105 45 188

HSL 265.17, 0.61%, 0.46%

LAB 35.02, 55.23, -64.65

 

CMYK 0 / 43 / 75 / 27

HEX #BB6B2E

RGB 187 107 46

HSL 25.96, 0.61%, 0.46%

LAB 53.25, 27.09, 46.34

 

CMYK 47 / 0 / 76 / 26

HEX #64BC2D

RGB 100 188 45

HSL 96.92, 0.61%, 0.46%

LAB 68.65, -50.12, 59.7

 

CMYK 76 / 31 / 0 / 26

HEX #2D81BC

RGB 45 129 188

HSL 204.76, 0.61%, 0.46%

LAB 51.71, -4.68, -38.03

 

CMYK 29 / 76 / 0 / 26

HEX #852DBC

RGB 133 45 188

HSL 276.92, 0.61%, 0.46%

LAB 38.72, 60, -58.47

 

CMYK 0 / 43 / 75 / 27

HEX #BB6B2E

RGB 187 107 46

HSL 25.96, 0.61%, 0.46%

LAB 53.25, 27.09, 46.34

 

CMYK 70 / 0 / 76 / 26

HEX #39BC2D

RGB 57 188 45

HSL 114.97, 0.61%, 0.46%

LAB 67.3, -60.93, 57.91

 

CMYK 76 / 31 / 0 / 26

HEX #2D81BC

RGB 45 129 188

HSL 204.76, 0.61%, 0.46%

LAB 51.71, -4.68, -38.03

 

CMYK 6 / 76 / 0 / 26

HEX #B02DBC

RGB 176 45 188

HSL 294.97, 0.61%, 0.46%

LAB 45.27, 68.27, -47.57

 

Description

Color code: HEX #BB6B2E | qconv.com Color code: HEX #BB6B2E | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 187 red, 107 green and 46 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
187 107 46 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 43 magenta, 75 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 43% 75% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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