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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BB6F62 it is the complementary color #44909D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BB6F62. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BB6F62 shade: #C06F5D, #D18170, #E29383, #F3A596 and #FFB7A9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BB6F62. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BB6F62 shade: #BB6F62, #AA5D4F, #994B3C, #883929 and #772716

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BB6F62 shade: #BB6F61 and #BB6161

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BB6F62 shade: #BB6F61, #BB8761, #BB9F61, #BBB761 and #A7BB61

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BB6F62 shade matches the following richer shades: #BB6F61, #CD624F, #DF553D and #F2482B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BB6F62 shade: #BB6F61, #A97B74, #978886, #859598 and #73A2AA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BB6F62 shade: #BB6185, #BB616D, #BB6D61, #BB8561 and #BB9D61

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BB6F62 shade: #8E483C, #AB5749, #BB6F61, #C8897E and #D4A39B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BB6F62 shade: #BB6F62, #9DBB61 and #6179BB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BB6F62 shade: #BB6F62, #61BB6D and #6D61BB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BB6F62 shade: #BB6F62, #9DBB61, #61AFBB and #7F61BB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BB6F62 shade: #BB6F62, #82BB61, #61AFBB and #9A61BB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 41 / 48 / 27

HEX #BB6F62

RGB 187 111 98

HSL 8.76, 0.4%, 0.56%

LAB 54.88, 28.68, 20.16

 

Complementary color

CMYK 57 / 8 / 0 / 38

HEX #44909D

RGB 68 144 157

HSL 188.76, 0.4%, 0.44%

LAB 55.69, -19.56, -14.02

 

CMYK 0 / 42 / 52 / 25

HEX #C06F5D

RGB 192 111 93

HSL 10.91, 0.44%, 0.56%

LAB 55.45, 30.18, 23.91

 

CMYK 0 / 38 / 46 / 18

HEX #D18170

RGB 209 129 112

HSL 10.52, 0.51%, 0.63%

LAB 62.02, 29.02, 22.27

 

CMYK 0 / 35 / 42 / 11

HEX #E29383

RGB 226 147 131

HSL 10.11, 0.62%, 0.7%

LAB 68.52, 27.97, 20.82

 

CMYK 0 / 32 / 38 / 5

HEX #F3A596

RGB 243 165 150

HSL 9.68, 0.79%, 0.77%

LAB 74.93, 27.03, 19.51

 

CMYK 0 / 28 / 34 / 0

HEX #FFB7A9

RGB 255 183 169

HSL 9.77, 1%, 0.83%

LAB 80.73, 24.31, 17.49

 

CMYK 0 / 41 / 48 / 27

HEX #BB6F62

RGB 187 111 98

HSL 8.76, 0.4%, 0.56%

LAB 54.88, 28.68, 20.16

 

CMYK 0 / 45 / 54 / 33

HEX #AA5D4F

RGB 170 93 79

HSL 9.23, 0.37%, 0.49%

LAB 48.18, 29.89, 21.92

 

CMYK 0 / 51 / 61 / 40

HEX #994B3C

RGB 153 75 60

HSL 9.68, 0.44%, 0.42%

LAB 41.42, 31.23, 23.98

 

CMYK 0 / 58 / 70 / 47

HEX #883929

RGB 136 57 41

HSL 10.11, 0.54%, 0.35%

LAB 34.64, 32.67, 26.44

 

CMYK 0 / 67 / 82 / 53

HEX #772716

RGB 119 39 22

HSL 10.52, 0.69%, 0.28%

LAB 27.93, 34.06, 29.33

 

CMYK 0 / 41 / 48 / 27

HEX #BB6F61

RGB 187 111 97

HSL 9.33, 0.4%, 0.56%

LAB 54.86, 28.58, 20.71

 

CMYK 0 / 48 / 48 / 27

HEX #BB6161

RGB 187 97 97

HSL 0, 0.4%, 0.56%

LAB 51.81, 36.09, 16.59

 

CMYK 0 / 41 / 48 / 27

HEX #BB6F61

RGB 187 111 97

HSL 9.33, 0.4%, 0.56%

LAB 54.86, 28.58, 20.71

 

CMYK 0 / 28 / 48 / 27

HEX #BB8761

RGB 187 135 97

HSL 25.33, 0.4%, 0.56%

LAB 60.57, 15.31, 28.24

 

CMYK 0 / 15 / 48 / 27

HEX #BB9F61

RGB 187 159 97

HSL 41.33, 0.4%, 0.56%

LAB 66.69, 2.12, 36.04

 

CMYK 0 / 2 / 48 / 27

HEX #BBB761

RGB 187 183 97

HSL 57.33, 0.4%, 0.56%

LAB 73.09, -10.6, 43.9

 

CMYK 11 / 0 / 48 / 27

HEX #A7BB61

RGB 167 187 97

HSL 73.33, 0.4%, 0.56%

LAB 72.64, -20.76, 43

 

CMYK 0 / 41 / 48 / 27

HEX #BB6F61

RGB 187 111 97

HSL 9.33, 0.4%, 0.56%

LAB 54.86, 28.58, 20.71

 

CMYK 0 / 52 / 61 / 20

HEX #CD624F

RGB 205 98 79

HSL 9.05, 0.56%, 0.56%

LAB 54.32, 40.9, 30.81

 

CMYK 0 / 62 / 73 / 13

HEX #DF553D

RGB 223 85 61

HSL 8.89, 0.72%, 0.56%

LAB 54.58, 52.54, 41.78

 

CMYK 0 / 70 / 82 / 5

HEX #F2482B

RGB 242 72 43

HSL 8.74, 0.88%, 0.56%

LAB 55.77, 63.36, 53.18

 

CMYK 0 / 41 / 48 / 27

HEX #BB6F61

RGB 187 111 97

HSL 9.33, 0.4%, 0.56%

LAB 54.86, 28.58, 20.71

 

CMYK 0 / 27 / 31 / 34

HEX #A97B74

RGB 169 123 116

HSL 7.92, 0.24%, 0.56%

LAB 55.95, 16.92, 10.88

 

CMYK 0 / 10 / 11 / 41

HEX #978886

RGB 151 136 134

HSL 7.06, 0.08%, 0.56%

LAB 57.95, 5.28, 3.12

 

CMYK 13 / 2 / 0 / 40

HEX #859598

RGB 133 149 152

HSL 189.47, 0.08%, 0.56%

LAB 60.56, -5.06, -3.53

 

CMYK 32 / 5 / 0 / 33

HEX #73A2AA

RGB 115 162 170

HSL 188.73, 0.24%, 0.56%

LAB 63.66, -13.69, -9.21

 

CMYK 0 / 48 / 29 / 27

HEX #BB6185

RGB 187 97 133

HSL 336, 0.4%, 0.56%

LAB 52.74, 40.33, -3.43

 

CMYK 0 / 48 / 42 / 27

HEX #BB616D

RGB 187 97 109

HSL 352, 0.4%, 0.56%

LAB 52.08, 37.35, 9.86

 

CMYK 0 / 42 / 48 / 27

HEX #BB6D61

RGB 187 109 97

HSL 8, 0.4%, 0.56%

LAB 54.41, 29.67, 20.11

 

CMYK 0 / 29 / 48 / 27

HEX #BB8561

RGB 187 133 97

HSL 24, 0.4%, 0.56%

LAB 60.07, 16.42, 27.6

 

CMYK 0 / 16 / 48 / 27

HEX #BB9D61

RGB 187 157 97

HSL 40, 0.4%, 0.56%

LAB 66.17, 3.21, 35.39

 

CMYK 0 / 49 / 58 / 44

HEX #8E483C

RGB 142 72 60

HSL 8.78, 0.41%, 0.4%

LAB 39.09, 28.4, 20.65

 

CMYK 0 / 49 / 57 / 33

HEX #AB5749

RGB 171 87 73

HSL 8.57, 0.4%, 0.48%

LAB 46.92, 33.01, 23.83

 

CMYK 0 / 41 / 48 / 27

HEX #BB6F61

RGB 187 111 97

HSL 9.33, 0.4%, 0.56%

LAB 54.86, 28.58, 20.71

 

CMYK 0 / 32 / 37 / 22

HEX #C8897E

RGB 200 137 126

HSL 8.92, 0.4%, 0.64%

LAB 63.08, 22.69, 15.64

 

CMYK 0 / 23 / 27 / 17

HEX #D4A39B

RGB 212 163 155

HSL 8.42, 0.4%, 0.72%

LAB 71.25, 16.94, 11.13

 

CMYK 0 / 41 / 48 / 27

HEX #BB6F62

RGB 187 111 98

HSL 8.76, 0.4%, 0.56%

LAB 54.88, 28.68, 20.16

 

CMYK 16 / 0 / 48 / 27

HEX #9DBB61

RGB 157 187 97

HSL 80, 0.4%, 0.56%

LAB 71.94, -24.7, 41.99

 

CMYK 48 / 35 / 0 / 27

HEX #6179BB

RGB 97 121 187

HSL 224, 0.4%, 0.56%

LAB 51.61, 9.56, -37.46

 

CMYK 0 / 41 / 48 / 27

HEX #BB6F62

RGB 187 111 98

HSL 8.76, 0.4%, 0.56%

LAB 54.88, 28.68, 20.16

 

CMYK 48 / 0 / 42 / 27

HEX #61BB6D

RGB 97 187 109

HSL 128, 0.4%, 0.56%

LAB 68.89, -43.57, 31.37

 

CMYK 42 / 48 / 0 / 27

HEX #6D61BB

RGB 109 97 187

HSL 248, 0.4%, 0.56%

LAB 46.16, 27.21, -46.04

 

CMYK 0 / 41 / 48 / 27

HEX #BB6F62

RGB 187 111 98

HSL 8.76, 0.4%, 0.56%

LAB 54.88, 28.68, 20.16

 

CMYK 16 / 0 / 48 / 27

HEX #9DBB61

RGB 157 187 97

HSL 80, 0.4%, 0.56%

LAB 71.94, -24.7, 41.99

 

CMYK 48 / 6 / 0 / 27

HEX #61AFBB

RGB 97 175 187

HSL 188, 0.4%, 0.56%

LAB 67.12, -20.78, -13.6

 

CMYK 32 / 48 / 0 / 27

HEX #7F61BB

RGB 127 97 187

HSL 260, 0.4%, 0.56%

LAB 47.82, 31.92, -43.31

 

CMYK 0 / 41 / 48 / 27

HEX #BB6F62

RGB 187 111 98

HSL 8.76, 0.4%, 0.56%

LAB 54.88, 28.68, 20.16

 

CMYK 30 / 0 / 48 / 27

HEX #82BB61

RGB 130 187 97

HSL 98, 0.4%, 0.56%

LAB 70.28, -34.77, 39.57

 

CMYK 48 / 6 / 0 / 27

HEX #61AFBB

RGB 97 175 187

HSL 188, 0.4%, 0.56%

LAB 67.12, -20.78, -13.6

 

CMYK 18 / 48 / 0 / 27

HEX #9A61BB

RGB 154 97 187

HSL 278, 0.4%, 0.56%

LAB 50.7, 39.45, -38.57

 

Description

Color code: HEX #BB6F62 | qconv.com Color code: HEX #BB6F62 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 187 red, 111 green and 98 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
187 111 98 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 41 magenta, 48 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 41% 48% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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