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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BB716C it is the complementary color #448E93. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BB716C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BB716C shade: #C07167, #D1837A, #E2958D, #F3A7A0 and #FFB9B3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BB716C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BB716C shade: #BB716C, #AA5F59, #994D46, #883B33 and #772920

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BB716C shade: #BB716C and #BB6C6C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BB716C shade: #BB716C, #BB866C, #BB9C6C, #BBB16C and #B0BB6C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BB716C shade matches the following richer shades: #BB716C, #CC625A, #DE5349 and #EF4338

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BB716C shade: #BB716C, #AA807D, #988F8E, #879EA0 and #76ADB1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BB716C shade: #BB6C92, #BB6C7D, #BB706C, #BB856C and #BB9A6C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BB716C shade: #924843, #AE5650, #BB716C, #C88C88 and #D5A7A4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BB716C shade: #BB716C, #A7BB6C and #6C88BB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BB716C shade: #BB716C, #6CBB70 and #706CBB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BB716C shade: #BB716C, #A7BB6C, #6CB7BB and #806CBB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BB716C shade: #BB716C, #8FBB6C, #6CB7BB and #976CBB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 40 / 42 / 27

HEX #BB716C

RGB 187 113 108

HSL 3.8, 0.37%, 0.58%

LAB 55.54, 28.65, 15.27

 

Complementary color

CMYK 54 / 3 / 0 / 42

HEX #448E93

RGB 68 142 147

HSL 183.8, 0.37%, 0.42%

LAB 54.74, -21.44, -9.7

 

CMYK 0 / 41 / 46 / 25

HEX #C07167

RGB 192 113 103

HSL 6.74, 0.41%, 0.58%

LAB 56.08, 30.07, 19.01

 

CMYK 0 / 37 / 42 / 18

HEX #D1837A

RGB 209 131 122

HSL 6.21, 0.49%, 0.65%

LAB 62.67, 29, 17.51

 

CMYK 0 / 34 / 38 / 11

HEX #E2958D

RGB 226 149 141

HSL 5.65, 0.59%, 0.72%

LAB 69.17, 28.03, 16.18

 

CMYK 0 / 31 / 34 / 5

HEX #F3A7A0

RGB 243 167 160

HSL 5.06, 0.78%, 0.79%

LAB 75.59, 27.15, 14.98

 

CMYK 0 / 27 / 30 / 0

HEX #FFB9B3

RGB 255 185 179

HSL 4.74, 1%, 0.85%

LAB 81.41, 24.52, 13.07

 

CMYK 0 / 40 / 42 / 27

HEX #BB716C

RGB 187 113 108

HSL 3.8, 0.37%, 0.58%

LAB 55.54, 28.65, 15.27

 

CMYK 0 / 44 / 48 / 33

HEX #AA5F59

RGB 170 95 89

HSL 4.44, 0.32%, 0.51%

LAB 48.82, 29.76, 16.86

 

CMYK 0 / 50 / 54 / 40

HEX #994D46

RGB 153 77 70

HSL 5.06, 0.37%, 0.44%

LAB 42.03, 30.99, 18.73

 

CMYK 0 / 57 / 63 / 47

HEX #883B33

RGB 136 59 51

HSL 5.65, 0.45%, 0.37%

LAB 35.2, 32.3, 21.01

 

CMYK 0 / 66 / 73 / 53

HEX #772920

RGB 119 41 32

HSL 6.21, 0.58%, 0.3%

LAB 28.41, 33.57, 23.86

 

CMYK 0 / 40 / 42 / 27

HEX #BB716C

RGB 187 113 108

HSL 3.8, 0.37%, 0.58%

LAB 55.54, 28.65, 15.27

 

CMYK 0 / 42 / 42 / 27

HEX #BB6C6C

RGB 187 108 108

HSL 0, 0.37%, 0.58%

LAB 54.42, 31.37, 13.72

 

CMYK 0 / 40 / 42 / 27

HEX #BB716C

RGB 187 113 108

HSL 3.8, 0.37%, 0.58%

LAB 55.54, 28.65, 15.27

 

CMYK 0 / 28 / 42 / 27

HEX #BB866C

RGB 187 134 108

HSL 19.75, 0.37%, 0.58%

LAB 60.51, 17.04, 22.04

 

CMYK 0 / 17 / 42 / 27

HEX #BB9C6C

RGB 187 156 108

HSL 36.46, 0.37%, 0.58%

LAB 66.08, 4.9, 29.41

 

CMYK 0 / 5 / 42 / 27

HEX #BBB16C

RGB 187 177 108

HSL 52.41, 0.37%, 0.58%

LAB 71.62, -6.36, 36.52

 

CMYK 6 / 0 / 42 / 27

HEX #B0BB6C

RGB 176 187 108

HSL 68.35, 0.37%, 0.58%

LAB 73.45, -15.99, 38.64

 

CMYK 0 / 40 / 42 / 27

HEX #BB716C

RGB 187 113 108

HSL 3.8, 0.37%, 0.58%

LAB 55.54, 28.65, 15.27

 

CMYK 0 / 52 / 56 / 20

HEX #CC625A

RGB 204 98 90

HSL 4.21, 0.53%, 0.58%

LAB 54.36, 41.34, 24.52

 

CMYK 0 / 63 / 67 / 13

HEX #DE5349

RGB 222 83 73

HSL 4.03, 0.69%, 0.58%

LAB 54.24, 53.65, 34.71

 

CMYK 0 / 72 / 77 / 6

HEX #EF4338

RGB 239 67 56

HSL 3.61, 0.85%, 0.58%

LAB 54.71, 64.58, 45.41

 

CMYK 0 / 40 / 42 / 27

HEX #BB716C

RGB 187 113 108

HSL 3.8, 0.37%, 0.58%

LAB 55.54, 28.65, 15.27

 

CMYK 0 / 25 / 26 / 33

HEX #AA807D

RGB 170 128 125

HSL 4, 0.21%, 0.58%

LAB 57.53, 15.76, 7.93

 

CMYK 0 / 6 / 7 / 40

HEX #988F8E

RGB 152 143 142

HSL 6, 0.05%, 0.58%

LAB 60.13, 3.15, 1.72

 

CMYK 16 / 1 / 0 / 37

HEX #879EA0

RGB 135 158 160

HSL 184.8, 0.12%, 0.58%

LAB 63.46, -7.59, -3.76

 

CMYK 33 / 2 / 0 / 31

HEX #76ADB1

RGB 118 173 177

HSL 184.07, 0.27%, 0.58%

LAB 67.21, -16.92, -7.81

 

CMYK 0 / 42 / 22 / 27

HEX #BB6C92

RGB 187 108 146

HSL 331.14, 0.37%, 0.58%

LAB 55.45, 36.38, -7.06

 

CMYK 0 / 42 / 33 / 27

HEX #BB6C7D

RGB 187 108 125

HSL 347.09, 0.37%, 0.58%

LAB 54.84, 33.43, 4.35

 

CMYK 0 / 40 / 42 / 27

HEX #BB706C

RGB 187 112 108

HSL 3.04, 0.37%, 0.58%

LAB 55.31, 29.2, 14.96

 

CMYK 0 / 29 / 42 / 27

HEX #BB856C

RGB 187 133 108

HSL 18.99, 0.37%, 0.58%

LAB 60.27, 17.59, 21.71

 

CMYK 0 / 18 / 42 / 27

HEX #BB9A6C

RGB 187 154 108

HSL 34.94, 0.37%, 0.58%

LAB 65.56, 5.99, 28.73

 

CMYK 0 / 51 / 54 / 43

HEX #924843

RGB 146 72 67

HSL 3.8, 0.37%, 0.42%

LAB 39.83, 30.64, 17.45

 

CMYK 0 / 51 / 54 / 32

HEX #AE5650

RGB 174 86 80

HSL 3.83, 0.37%, 0.5%

LAB 47.28, 35.31, 20.24

 

CMYK 0 / 40 / 42 / 27

HEX #BB716C

RGB 187 113 108

HSL 3.8, 0.37%, 0.58%

LAB 55.54, 28.65, 15.27

 

CMYK 0 / 30 / 32 / 22

HEX #C88C88

RGB 200 140 136

HSL 3.75, 0.37%, 0.66%

LAB 64.01, 22.31, 11.31

 

CMYK 0 / 22 / 23 / 16

HEX #D5A7A4

RGB 213 167 164

HSL 3.67, 0.37%, 0.74%

LAB 72.54, 16.43, 8.02

 

CMYK 0 / 40 / 42 / 27

HEX #BB716C

RGB 187 113 108

HSL 3.8, 0.37%, 0.58%

LAB 55.54, 28.65, 15.27

 

CMYK 11 / 0 / 42 / 27

HEX #A7BB6C

RGB 167 187 108

HSL 75.19, 0.37%, 0.58%

LAB 72.79, -19.55, 37.67

 

CMYK 42 / 27 / 0 / 27

HEX #6C88BB

RGB 108 136 187

HSL 218.73, 0.37%, 0.58%

LAB 56.47, 3.47, -29.82

 

CMYK 0 / 40 / 42 / 27

HEX #BB716C

RGB 187 113 108

HSL 3.8, 0.37%, 0.58%

LAB 55.54, 28.65, 15.27

 

CMYK 42 / 0 / 40 / 27

HEX #6CBB70

RGB 108 187 112

HSL 123.04, 0.37%, 0.58%

LAB 69.4, -39.9, 30.57

 

CMYK 40 / 42 / 0 / 27

HEX #706CBB

RGB 112 108 187

HSL 243.04, 0.37%, 0.58%

LAB 49.2, 21.3, -41.2

 

CMYK 0 / 40 / 42 / 27

HEX #BB716C

RGB 187 113 108

HSL 3.8, 0.37%, 0.58%

LAB 55.54, 28.65, 15.27

 

CMYK 11 / 0 / 42 / 27

HEX #A7BB6C

RGB 167 187 108

HSL 75.19, 0.37%, 0.58%

LAB 72.79, -19.55, 37.67

 

CMYK 42 / 2 / 0 / 27

HEX #6CB7BB

RGB 108 183 187

HSL 183.04, 0.37%, 0.58%

LAB 69.93, -22.21, -9.35

 

CMYK 32 / 42 / 0 / 27

HEX #806CBB

RGB 128 108 187

HSL 255.19, 0.37%, 0.58%

LAB 50.57, 25.68, -38.94

 

CMYK 0 / 40 / 42 / 27

HEX #BB716C

RGB 187 113 108

HSL 3.8, 0.37%, 0.58%

LAB 55.54, 28.65, 15.27

 

CMYK 24 / 0 / 42 / 27

HEX #8FBB6C

RGB 143 187 108

HSL 93.42, 0.37%, 0.58%

LAB 71.19, -28.69, 35.31

 

CMYK 42 / 2 / 0 / 27

HEX #6CB7BB

RGB 108 183 187

HSL 183.04, 0.37%, 0.58%

LAB 69.93, -22.21, -9.35

 

CMYK 19 / 42 / 0 / 27

HEX #976CBB

RGB 151 108 187

HSL 272.66, 0.37%, 0.58%

LAB 52.83, 32.38, -35.23

 

Description

Color code: HEX #BB716C | qconv.com Color code: HEX #BB716C | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 187 red, 113 green and 108 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
187 113 108 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 40 magenta, 42 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 40% 42% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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