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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BB7C5C it is the complementary color #4483A3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BB7C5C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BB7C5C shade: #C07C57, #D18E6A, #E2A07D, #F3B290 and #FFC4A3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BB7C5C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BB7C5C shade: #BB7C5C, #AA6A49, #995836, #884623 and #773410

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BB7C5C shade: #BB7C5D, #BB635D and #BB5D5D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BB7C5C shade: #BB7C5D, #BB965D, #BBAF5D, #ADBB5D and #94BB5D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BB7C5C shade matches the following richer shades: #BB7C5D, #CD764A, #E07038 and #F26A25

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BB7C5C shade: #BB7C5D, #A8826F, #968982, #838F94 and #7195A7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BB7C5C shade: #BB5D70, #BB635D, #BB7C5D, #BB955D and #BBAE5D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BB7C5C shade: #8B553A, #A86746, #BB7C5D, #C7947A and #D3AB97

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BB7C5C shade: #BB7C5C, #89BB5D and #5D63BB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BB7C5C shade: #BB7C5C, #5DBB7C and #7C5DBB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BB7C5C shade: #BB7C5C, #89BB5D, #5D9BBB and #8F5DBB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BB7C5C shade: #BB7C5C, #6CBB5D, #5D9BBB and #AB5DBB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 34 / 51 / 27

HEX #BB7C5C

RGB 187 124 92

HSL 20.21, 0.41%, 0.55%

LAB 57.8, 20.93, 27.43

 

Complementary color

CMYK 58 / 20 / 0 / 36

HEX #4483A3

RGB 68 131 163

HSL 200.21, 0.41%, 0.45%

LAB 51.96, -10.59, -23.19

 

CMYK 0 / 35 / 55 / 25

HEX #C07C57

RGB 192 124 87

HSL 21.14, 0.45%, 0.55%

LAB 58.33, 22.55, 31.01

 

CMYK 0 / 32 / 49 / 18

HEX #D18E6A

RGB 209 142 106

HSL 20.97, 0.53%, 0.62%

LAB 64.92, 21.39, 29.43

 

CMYK 0 / 29 / 45 / 11

HEX #E2A07D

RGB 226 160 125

HSL 20.79, 0.64%, 0.69%

LAB 71.41, 20.38, 28

 

CMYK 0 / 27 / 41 / 5

HEX #F3B290

RGB 243 178 144

HSL 20.61, 0.8%, 0.76%

LAB 77.82, 19.49, 26.68

 

CMYK 0 / 23 / 36 / 0

HEX #FFC4A3

RGB 255 196 163

HSL 21.52, 1%, 0.82%

LAB 83.64, 16.79, 24.7

 

CMYK 0 / 34 / 51 / 27

HEX #BB7C5C

RGB 187 124 92

HSL 20.21, 0.41%, 0.55%

LAB 57.8, 20.93, 27.43

 

CMYK 0 / 38 / 57 / 33

HEX #AA6A49

RGB 170 106 73

HSL 20.41, 0.4%, 0.48%

LAB 51.08, 22.16, 29.09

 

CMYK 0 / 42 / 65 / 40

HEX #995836

RGB 153 88 54

HSL 20.61, 0.48%, 0.41%

LAB 44.26, 23.58, 30.94

 

CMYK 0 / 49 / 74 / 47

HEX #884623

RGB 136 70 35

HSL 20.79, 0.59%, 0.34%

LAB 37.36, 25.24, 32.95

 

CMYK 0 / 56 / 87 / 53

HEX #773410

RGB 119 52 16

HSL 20.97, 0.76%, 0.26%

LAB 30.44, 27.14, 34.85

 

CMYK 0 / 34 / 50 / 27

HEX #BB7C5D

RGB 187 124 93

HSL 19.79, 0.41%, 0.55%

LAB 57.82, 21.02, 26.89

 

CMYK 0 / 47 / 50 / 27

HEX #BB635D

RGB 187 99 93

HSL 3.83, 0.41%, 0.55%

LAB 52.15, 34.65, 19.4

 

CMYK 0 / 50 / 50 / 27

HEX #BB5D5D

RGB 187 93 93

HSL 0, 0.41%, 0.55%

LAB 50.9, 37.79, 17.71

 

CMYK 0 / 34 / 50 / 27

HEX #BB7C5D

RGB 187 124 93

HSL 19.79, 0.41%, 0.55%

LAB 57.82, 21.02, 26.89

 

CMYK 0 / 20 / 50 / 27

HEX #BB965D

RGB 187 150 93

HSL 36.38, 0.41%, 0.55%

LAB 64.3, 6.64, 35.15

 

CMYK 0 / 6 / 50 / 27

HEX #BBAF5D

RGB 187 175 93

HSL 52.34, 0.41%, 0.55%

LAB 70.88, -6.8, 43.22

 

CMYK 7 / 0 / 50 / 27

HEX #ADBB5D

RGB 173 187 93

HSL 68.94, 0.41%, 0.55%

LAB 73.03, -18.75, 45.53

 

CMYK 21 / 0 / 50 / 27

HEX #94BB5D

RGB 148 187 93

HSL 84.89, 0.41%, 0.55%

LAB 71.3, -28.61, 43.04

 

CMYK 0 / 34 / 50 / 27

HEX #BB7C5D

RGB 187 124 93

HSL 19.79, 0.41%, 0.55%

LAB 57.82, 21.02, 26.89

 

CMYK 0 / 42 / 64 / 20

HEX #CD764A

RGB 205 118 74

HSL 20.15, 0.57%, 0.55%

LAB 58.44, 30.16, 38.58

 

CMYK 0 / 50 / 75 / 12

HEX #E07038

RGB 224 112 56

HSL 20, 0.73%, 0.55%

LAB 59.64, 39.88, 49.8

 

CMYK 0 / 56 / 85 / 5

HEX #F26A25

RGB 242 106 37

HSL 20.2, 0.89%, 0.55%

LAB 61.06, 48.99, 60.35

 

CMYK 0 / 34 / 50 / 27

HEX #BB7C5D

RGB 187 124 93

HSL 19.79, 0.41%, 0.55%

LAB 57.82, 21.02, 26.89

 

CMYK 0 / 23 / 34 / 34

HEX #A8826F

RGB 168 130 111

HSL 20, 0.25%, 0.55%

LAB 57.5, 11.88, 15.9

 

CMYK 0 / 9 / 13 / 41

HEX #968982

RGB 150 137 130

HSL 21, 0.09%, 0.55%

LAB 58.02, 3.63, 5.51

 

CMYK 11 / 3 / 0 / 42

HEX #838F94

RGB 131 143 148

HSL 197.65, 0.07%, 0.55%

LAB 58.61, -3.27, -4.14

 

CMYK 32 / 11 / 0 / 35

HEX #7195A7

RGB 113 149 167

HSL 200, 0.23%, 0.55%

LAB 59.7, -7.96, -13.47

 

CMYK 0 / 50 / 40 / 27

HEX #BB5D70

RGB 187 93 112

HSL 347.87, 0.41%, 0.55%

LAB 51.34, 39.77, 7.02

 

CMYK 0 / 47 / 50 / 27

HEX #BB635D

RGB 187 99 93

HSL 3.83, 0.41%, 0.55%

LAB 52.15, 34.65, 19.4

 

CMYK 0 / 34 / 50 / 27

HEX #BB7C5D

RGB 187 124 93

HSL 19.79, 0.41%, 0.55%

LAB 57.82, 21.02, 26.89

 

CMYK 0 / 20 / 50 / 27

HEX #BB955D

RGB 187 149 93

HSL 35.74, 0.41%, 0.55%

LAB 64.04, 7.19, 34.83

 

CMYK 0 / 7 / 50 / 27

HEX #BBAE5D

RGB 187 174 93

HSL 51.7, 0.41%, 0.55%

LAB 70.61, -6.27, 42.9

 

CMYK 0 / 39 / 58 / 45

HEX #8B553A

RGB 139 85 58

HSL 20, 0.41%, 0.39%

LAB 41.68, 19.54, 25.05

 

CMYK 0 / 39 / 58 / 34

HEX #A86746

RGB 168 103 70

HSL 20.2, 0.41%, 0.47%

LAB 50.06, 22.74, 29.46

 

CMYK 0 / 34 / 50 / 27

HEX #BB7C5D

RGB 187 124 93

HSL 19.79, 0.41%, 0.55%

LAB 57.82, 21.02, 26.89

 

CMYK 0 / 26 / 39 / 22

HEX #C7947A

RGB 199 148 122

HSL 20.26, 0.41%, 0.63%

LAB 65.54, 15.78, 21.24

 

CMYK 0 / 19 / 28 / 17

HEX #D3AB97

RGB 211 171 151

HSL 20, 0.41%, 0.71%

LAB 73.03, 11.68, 15.81

 

CMYK 0 / 34 / 51 / 27

HEX #BB7C5C

RGB 187 124 92

HSL 20.21, 0.41%, 0.55%

LAB 57.8, 20.93, 27.43

 

CMYK 27 / 0 / 50 / 27

HEX #89BB5D

RGB 137 187 93

HSL 91.91, 0.41%, 0.55%

LAB 70.63, -32.73, 42.07

 

CMYK 50 / 47 / 0 / 27

HEX #5D63BB

RGB 93 99 187

HSL 236.17, 0.41%, 0.55%

LAB 45.41, 22.13, -47.31

 

CMYK 0 / 34 / 51 / 27

HEX #BB7C5C

RGB 187 124 92

HSL 20.21, 0.41%, 0.55%

LAB 57.8, 20.93, 27.43

 

CMYK 50 / 0 / 34 / 27

HEX #5DBB7C

RGB 93 187 124

HSL 139.79, 0.41%, 0.55%

LAB 68.98, -42.06, 23.58

 

CMYK 34 / 50 / 0 / 27

HEX #7C5DBB

RGB 124 93 187

HSL 259.79, 0.41%, 0.55%

LAB 46.58, 33.47, -45.29

 

CMYK 0 / 34 / 51 / 27

HEX #BB7C5C

RGB 187 124 92

HSL 20.21, 0.41%, 0.55%

LAB 57.8, 20.93, 27.43

 

CMYK 27 / 0 / 50 / 27

HEX #89BB5D

RGB 137 187 93

HSL 91.91, 0.41%, 0.55%

LAB 70.63, -32.73, 42.07

 

CMYK 50 / 17 / 0 / 27

HEX #5D9BBB

RGB 93 155 187

HSL 200.43, 0.41%, 0.55%

LAB 61.1, -11.08, -22.75

 

CMYK 24 / 50 / 0 / 27

HEX #8F5DBB

RGB 143 93 187

HSL 271.91, 0.41%, 0.55%

LAB 48.58, 38.59, -41.99

 

CMYK 0 / 34 / 51 / 27

HEX #BB7C5C

RGB 187 124 92

HSL 20.21, 0.41%, 0.55%

LAB 57.8, 20.93, 27.43

 

CMYK 42 / 0 / 50 / 27

HEX #6CBB5D

RGB 108 187 93

HSL 110.43, 0.41%, 0.55%

LAB 69.13, -42.64, 39.89

 

CMYK 50 / 17 / 0 / 27

HEX #5D9BBB

RGB 93 155 187

HSL 200.43, 0.41%, 0.55%

LAB 61.1, -11.08, -22.75

 

CMYK 9 / 50 / 0 / 27

HEX #AB5DBB

RGB 171 93 187

HSL 289.79, 0.41%, 0.55%

LAB 51.92, 46.45, -36.5

 

Description

Color code: HEX #BB7C5C | qconv.com Color code: HEX #BB7C5C | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 187 red, 124 green and 92 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
187 124 92 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 34 magenta, 51 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 34% 51% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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