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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BB7D4D it is the complementary color #4482B2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BB7D4D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BB7D4D shade: #C07D48, #D18F5B, #E2A16E, #F3B381 and #FFC594

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BB7D4D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BB7D4D shade: #BB7D4D, #AA6B3A, #995927, #884714 and #773501

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BB7D4D shade: #BB7D4D, #BB5F4D and #BB4D4D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BB7D4D shade: #BB7D4D, #BB9B4D, #BBB84D, #A0BB4D and #82BB4D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BB7D4D shade matches the following richer shades: #BB7D4D, #CF7B39, #E37825 and #F77612

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BB7D4D shade: #BB7D4D, #A78061, #948275, #808588 and #6C879C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BB7D4D shade: #BB4D58, #BB5F4D, #BB7D4D, #BB9A4D and #BBB84D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BB7D4D shade: #845632, #A2693D, #BB7D4D, #C7936B and #D2A989

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BB7D4D shade: #BB7D4D, #75BB4D and #514DBB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BB7D4D shade: #BB7D4D, #4DBB7D and #7D4DBB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BB7D4D shade: #BB7D4D, #75BB4D, #4D8BBB and #934DBB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BB7D4D shade: #BB7D4D, #54BB4D, #4D8BBB and #B44DBB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 33 / 59 / 27

HEX #BB7D4D

RGB 187 125 77

HSL 26.18, 0.45%, 0.52%

LAB 57.82, 19.08, 35.68

 

Complementary color

CMYK 62 / 27 / 0 / 30

HEX #4482B2

RGB 68 130 178

HSL 206.18, 0.45%, 0.48%

LAB 52.3, -5.12, -31.32

 

CMYK 0 / 35 / 63 / 25

HEX #C07D48

RGB 192 125 72

HSL 26.5, 0.49%, 0.52%

LAB 58.36, 20.83, 39.12

 

CMYK 0 / 32 / 56 / 18

HEX #D18F5B

RGB 209 143 91

HSL 26.44, 0.56%, 0.59%

LAB 64.93, 19.53, 37.52

 

CMYK 0 / 29 / 51 / 11

HEX #E2A16E

RGB 226 161 110

HSL 26.38, 0.67%, 0.66%

LAB 71.41, 18.41, 36.01

 

CMYK 0 / 26 / 47 / 5

HEX #F3B381

RGB 243 179 129

HSL 26.32, 0.83%, 0.73%

LAB 77.8, 17.43, 34.59

 

CMYK 0 / 23 / 42 / 0

HEX #FFC594

RGB 255 197 148

HSL 27.48, 1%, 0.79%

LAB 83.62, 14.61, 32.52

 

CMYK 0 / 33 / 59 / 27

HEX #BB7D4D

RGB 187 125 77

HSL 26.18, 0.45%, 0.52%

LAB 57.82, 19.08, 35.68

 

CMYK 0 / 37 / 66 / 33

HEX #AA6B3A

RGB 170 107 58

HSL 26.25, 0.49%, 0.45%

LAB 51.11, 20.47, 37.35

 

CMYK 0 / 42 / 75 / 40

HEX #995927

RGB 153 89 39

HSL 26.32, 0.59%, 0.38%

LAB 44.32, 22.11, 39.03

 

CMYK 0 / 48 / 85 / 47

HEX #884714

RGB 136 71 20

HSL 26.38, 0.74%, 0.31%

LAB 37.47, 24.04, 40.39

 

CMYK 0 / 55 / 99 / 53

HEX #773501

RGB 119 53 1

HSL 26.44, 0.98%, 0.24%

LAB 30.57, 26.2, 41.13

 

CMYK 0 / 33 / 59 / 27

HEX #BB7D4D

RGB 187 125 77

HSL 26.18, 0.45%, 0.52%

LAB 57.82, 19.08, 35.68

 

CMYK 0 / 49 / 59 / 27

HEX #BB5F4D

RGB 187 95 77

HSL 9.82, 0.45%, 0.52%

LAB 51.02, 35.39, 27.23

 

CMYK 0 / 59 / 59 / 27

HEX #BB4D4D

RGB 187 77 77

HSL 0, 0.45%, 0.52%

LAB 47.51, 44.42, 22.7

 

CMYK 0 / 33 / 59 / 27

HEX #BB7D4D

RGB 187 125 77

HSL 26.18, 0.45%, 0.52%

LAB 57.82, 19.08, 35.68

 

CMYK 0 / 17 / 59 / 27

HEX #BB9B4D

RGB 187 155 77

HSL 42.55, 0.45%, 0.52%

LAB 65.39, 2.55, 44.65

 

CMYK 0 / 2 / 59 / 27

HEX #BBB84D

RGB 187 184 77

HSL 58.36, 0.45%, 0.52%

LAB 73.14, -12.77, 53.41

 

CMYK 14 / 0 / 59 / 27

HEX #A0BB4D

RGB 160 187 77

HSL 74.73, 0.45%, 0.52%

LAB 71.93, -25.43, 51.49

 

CMYK 30 / 0 / 59 / 27

HEX #82BB4D

RGB 130 187 77

HSL 91.09, 0.45%, 0.52%

LAB 70.05, -36.97, 48.86

 

CMYK 0 / 33 / 59 / 27

HEX #BB7D4D

RGB 187 125 77

HSL 26.18, 0.45%, 0.52%

LAB 57.82, 19.08, 35.68

 

CMYK 0 / 41 / 72 / 19

HEX #CF7B39

RGB 207 123 57

HSL 26.4, 0.61%, 0.52%

LAB 59.64, 27.34, 48.6

 

CMYK 0 / 47 / 84 / 11

HEX #E37825

RGB 227 120 37

HSL 26.21, 0.77%, 0.52%

LAB 61.57, 36.35, 59.89

 

CMYK 0 / 52 / 93 / 3

HEX #F77612

RGB 247 118 18

HSL 26.2, 0.93%, 0.52%

LAB 63.98, 44.81, 68.59

 

CMYK 0 / 33 / 59 / 27

HEX #BB7D4D

RGB 187 125 77

HSL 26.18, 0.45%, 0.52%

LAB 57.82, 19.08, 35.68

 

CMYK 0 / 23 / 42 / 35

HEX #A78061

RGB 167 128 97

HSL 26.57, 0.28%, 0.52%

LAB 56.6, 10.86, 22.62

 

CMYK 0 / 12 / 21 / 42

HEX #948275

RGB 148 130 117

HSL 25.16, 0.13%, 0.52%

LAB 55.63, 4.65, 9.54

 

CMYK 6 / 2 / 0 / 47

HEX #808588

RGB 128 133 136

HSL 202.5, 0.03%, 0.52%

LAB 55.22, -1.22, -2.26

 

CMYK 31 / 13 / 0 / 39

HEX #6C879C

RGB 108 135 156

HSL 206.25, 0.2%, 0.52%

LAB 54.99, -4.43, -14.32

 

CMYK 0 / 59 / 53 / 27

HEX #BB4D58

RGB 187 77 88

HSL 354, 0.45%, 0.52%

LAB 47.72, 45.3, 16.38

 

CMYK 0 / 49 / 59 / 27

HEX #BB5F4D

RGB 187 95 77

HSL 9.82, 0.45%, 0.52%

LAB 51.02, 35.39, 27.23

 

CMYK 0 / 33 / 59 / 27

HEX #BB7D4D

RGB 187 125 77

HSL 26.18, 0.45%, 0.52%

LAB 57.82, 19.08, 35.68

 

CMYK 0 / 18 / 59 / 27

HEX #BB9A4D

RGB 187 154 77

HSL 42, 0.45%, 0.52%

LAB 65.13, 3.1, 44.35

 

CMYK 0 / 2 / 59 / 27

HEX #BBB84D

RGB 187 184 77

HSL 58.36, 0.45%, 0.52%

LAB 73.14, -12.77, 53.41

 

CMYK 0 / 35 / 62 / 48

HEX #845632

RGB 132 86 50

HSL 26.34, 0.45%, 0.36%

LAB 40.88, 15.17, 28.49

 

CMYK 0 / 35 / 62 / 36

HEX #A2693D

RGB 162 105 61

HSL 26.14, 0.45%, 0.44%

LAB 49.64, 18.34, 33.76

 

CMYK 0 / 33 / 59 / 27

HEX #BB7D4D

RGB 187 125 77

HSL 26.18, 0.45%, 0.52%

LAB 57.82, 19.08, 35.68

 

CMYK 0 / 26 / 46 / 22

HEX #C7936B

RGB 199 147 107

HSL 26.09, 0.45%, 0.6%

LAB 65.02, 14.68, 28.8

 

CMYK 0 / 20 / 35 / 18

HEX #D2A989

RGB 210 169 137

HSL 26.3, 0.45%, 0.68%

LAB 72.15, 10.55, 22.2

 

CMYK 0 / 33 / 59 / 27

HEX #BB7D4D

RGB 187 125 77

HSL 26.18, 0.45%, 0.52%

LAB 57.82, 19.08, 35.68

 

CMYK 37 / 0 / 59 / 27

HEX #75BB4D

RGB 117 187 77

HSL 98.18, 0.45%, 0.52%

LAB 69.37, -41.55, 47.9

 

CMYK 57 / 59 / 0 / 27

HEX #514DBB

RGB 81 77 187

HSL 242.18, 0.45%, 0.52%

LAB 38.98, 33.34, -57.72

 

CMYK 0 / 33 / 59 / 27

HEX #BB7D4D

RGB 187 125 77

HSL 26.18, 0.45%, 0.52%

LAB 57.82, 19.08, 35.68

 

CMYK 59 / 0 / 33 / 27

HEX #4DBB7D

RGB 77 187 125

HSL 146.18, 0.45%, 0.52%

LAB 68.46, -45.7, 22.25

 

CMYK 33 / 59 / 0 / 27

HEX #7D4DBB

RGB 125 77 187

HSL 266.18, 0.45%, 0.52%

LAB 43.15, 42.86, -50.78

 

CMYK 0 / 33 / 59 / 27

HEX #BB7D4D

RGB 187 125 77

HSL 26.18, 0.45%, 0.52%

LAB 57.82, 19.08, 35.68

 

CMYK 37 / 0 / 59 / 27

HEX #75BB4D

RGB 117 187 77

HSL 98.18, 0.45%, 0.52%

LAB 69.37, -41.55, 47.9

 

CMYK 59 / 26 / 0 / 27

HEX #4D8BBB

RGB 77 139 187

HSL 206.18, 0.45%, 0.52%

LAB 55.72, -5.59, -31.12

 

CMYK 21 / 59 / 0 / 27

HEX #934DBB

RGB 147 77 187

HSL 278.18, 0.45%, 0.52%

LAB 45.77, 48.27, -46.43

 

CMYK 0 / 33 / 59 / 27

HEX #BB7D4D

RGB 187 125 77

HSL 26.18, 0.45%, 0.52%

LAB 57.82, 19.08, 35.68

 

CMYK 55 / 0 / 59 / 27

HEX #54BB4D

RGB 84 187 77

HSL 116.18, 0.45%, 0.52%

LAB 67.99, -51.52, 45.96

 

CMYK 59 / 26 / 0 / 27

HEX #4D8BBB

RGB 77 139 187

HSL 206.18, 0.45%, 0.52%

LAB 55.72, -5.59, -31.12

 

CMYK 4 / 59 / 0 / 27

HEX #B44DBB

RGB 180 77 187

HSL 296.18, 0.45%, 0.52%

LAB 50.21, 56.7, -39.1

 

Description

Color code: HEX #BB7D4D | qconv.com Color code: HEX #BB7D4D | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 187 red, 125 green and 77 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
187 125 77 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 33 magenta, 59 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 33% 59% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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