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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BB8390 it is the complementary color #447C6F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BB8390. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BB8390 shade: #C0838B, #D1959E, #E2A7B1, #F3B9C4 and #FFCBD7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BB8390. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BB8390 shade: #BB8390, #AA717D, #995F6A, #884D57 and #773B44

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BB8390 shade: #BA818F and #BA8181

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BB8390 shade: #BA818F, #BA819E, #BA81AD, #B781BA and #A881BA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BB8390 shade matches the following richer shades: #BA818F, #C97286, #D9627E, #E95275 and #F8436D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BB8390 shade: #BA818F, #AA9197, #9AA19F, #8BB1A8 and #7BC0B0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BB8390 shade: #BA81AD, #BA819E, #BA818F, #BA8381 and #BA9281

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BB8390 shade: #965262, #AB6777, #BA818F, #C89CA6 and #D7B7BE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BB8390 shade: #BB8390, #BAB881 and #81A5BA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BB8390 shade: #BB8390, #8FBA81 and #818FBA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BB8390 shade: #BB8390, #BAB881, #81BAAD and #8183BA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BB8390 shade: #BB8390, #ABBA81, #81BAAD and #9081BA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 30 / 23 / 27

HEX #BB8390

RGB 187 131 144

HSL 346.07, 0.29%, 0.62%

LAB 60.61, 23.46, 1.7

 

Complementary color

CMYK 45 / 0 / 10 / 51

HEX #447C6F

RGB 68 124 111

HSL 166.07, 0.29%, 0.38%

LAB 48, -21.85, 1.34

 

CMYK 0 / 32 / 28 / 25

HEX #C0838B

RGB 192 131 139

HSL 352.13, 0.33%, 0.63%

LAB 61.05, 24.61, 5.26

 

CMYK 0 / 29 / 24 / 18

HEX #D1959E

RGB 209 149 158

HSL 351, 0.39%, 0.7%

LAB 67.66, 23.85, 4.29

 

CMYK 0 / 26 / 22 / 11

HEX #E2A7B1

RGB 226 167 177

HSL 349.83, 0.5%, 0.77%

LAB 74.18, 23.15, 3.41

 

CMYK 0 / 24 / 19 / 5

HEX #F3B9C4

RGB 243 185 196

HSL 348.62, 0.71%, 0.84%

LAB 80.59, 22.52, 2.59

 

CMYK 0 / 20 / 16 / 0

HEX #FFCBD7

RGB 255 203 215

HSL 346.15, 1%, 0.9%

LAB 86.44, 20.19, 1.07

 

CMYK 0 / 30 / 23 / 27

HEX #BB8390

RGB 187 131 144

HSL 346.07, 0.29%, 0.62%

LAB 60.61, 23.46, 1.7

 

CMYK 0 / 34 / 26 / 33

HEX #AA717D

RGB 170 113 125

HSL 347.37, 0.25%, 0.55%

LAB 53.85, 24.25, 2.66

 

CMYK 0 / 38 / 31 / 40

HEX #995F6A

RGB 153 95 106

HSL 348.62, 0.23%, 0.49%

LAB 46.97, 25.13, 3.74

 

CMYK 0 / 43 / 36 / 47

HEX #884D57

RGB 136 77 87

HSL 349.83, 0.28%, 0.42%

LAB 39.97, 26.1, 5.01

 

CMYK 0 / 50 / 43 / 53

HEX #773B44

RGB 119 59 68

HSL 351, 0.34%, 0.35%

LAB 32.85, 27.17, 6.57

 

CMYK 0 / 31 / 23 / 27

HEX #BA818F

RGB 186 129 143

HSL 345.26, 0.29%, 0.62%

LAB 60, 24.04, 1.37

 

CMYK 0 / 31 / 31 / 27

HEX #BA8181

RGB 186 129 129

HSL 0, 0.29%, 0.62%

LAB 59.64, 22.03, 8.88

 

CMYK 0 / 31 / 23 / 27

HEX #BA818F

RGB 186 129 143

HSL 345.26, 0.29%, 0.62%

LAB 60, 24.04, 1.37

 

CMYK 0 / 31 / 15 / 27

HEX #BA819E

RGB 186 129 158

HSL 329.47, 0.29%, 0.62%

LAB 60.43, 26.42, -6.59

 

CMYK 0 / 31 / 7 / 27

HEX #BA81AD

RGB 186 129 173

HSL 313.68, 0.29%, 0.62%

LAB 60.92, 29.01, -14.44

 

CMYK 2 / 31 / 0 / 27

HEX #B781BA

RGB 183 129 186

HSL 296.84, 0.29%, 0.62%

LAB 61.06, 30.43, -21.65

 

CMYK 10 / 31 / 0 / 27

HEX #A881BA

RGB 168 129 186

HSL 281.05, 0.29%, 0.62%

LAB 59.5, 25.5, -24.18

 

CMYK 0 / 31 / 23 / 27

HEX #BA818F

RGB 186 129 143

HSL 345.26, 0.29%, 0.62%

LAB 60, 24.04, 1.37

 

CMYK 0 / 43 / 33 / 21

HEX #C97286

RGB 201 114 134

HSL 346.21, 0.45%, 0.62%

LAB 58.2, 36.52, 4.18

 

CMYK 0 / 55 / 42 / 15

HEX #D9627E

RGB 217 98 126

HSL 345.88, 0.61%, 0.62%

LAB 57.07, 49.3, 7.52

 

CMYK 0 / 65 / 50 / 9

HEX #E95275

RGB 233 82 117

HSL 346.09, 0.77%, 0.62%

LAB 56.73, 60.7, 12.68

 

CMYK 0 / 73 / 56 / 3

HEX #F8436D

RGB 248 67 109

HSL 346.08, 0.93%, 0.62%

LAB 57.15, 69.96, 18.39

 

CMYK 0 / 31 / 23 / 27

HEX #BA818F

RGB 186 129 143

HSL 345.26, 0.29%, 0.62%

LAB 60, 24.04, 1.37

 

CMYK 0 / 15 / 11 / 33

HEX #AA9197

RGB 170 145 151

HSL 345.6, 0.13%, 0.62%

LAB 62.53, 10.37, 0.3

 

CMYK 4 / 0 / 1 / 37

HEX #9AA19F

RGB 154 161 159

HSL 162.86, 0.04%, 0.62%

LAB 65.64, -2.88, 0.17

 

CMYK 21 / 0 / 5 / 31

HEX #8BB1A8

RGB 139 177 168

HSL 165.79, 0.2%, 0.62%

LAB 69.3, -14.7, 0.38

 

CMYK 36 / 0 / 8 / 25

HEX #7BC0B0

RGB 123 192 176

HSL 166.09, 0.35%, 0.62%

LAB 72.92, -25.4, 1.17

 

CMYK 0 / 31 / 7 / 27

HEX #BA81AD

RGB 186 129 173

HSL 313.68, 0.29%, 0.62%

LAB 60.92, 29.01, -14.44

 

CMYK 0 / 31 / 15 / 27

HEX #BA819E

RGB 186 129 158

HSL 329.47, 0.29%, 0.62%

LAB 60.43, 26.42, -6.59

 

CMYK 0 / 31 / 23 / 27

HEX #BA818F

RGB 186 129 143

HSL 345.26, 0.29%, 0.62%

LAB 60, 24.04, 1.37

 

CMYK 0 / 30 / 31 / 27

HEX #BA8381

RGB 186 131 129

HSL 2.11, 0.29%, 0.62%

LAB 60.12, 20.92, 9.56

 

CMYK 0 / 22 / 31 / 27

HEX #BA9281

RGB 186 146 129

HSL 17.89, 0.29%, 0.62%

LAB 63.82, 12.58, 14.76

 

CMYK 0 / 45 / 35 / 41

HEX #965262

RGB 150 82 98

HSL 345.88, 0.29%, 0.45%

LAB 43.36, 30.2, 3.35

 

CMYK 0 / 40 / 30 / 33

HEX #AB6777

RGB 171 103 119

HSL 345.88, 0.29%, 0.54%

LAB 51.49, 29.37, 2.78

 

CMYK 0 / 31 / 23 / 27

HEX #BA818F

RGB 186 129 143

HSL 345.26, 0.29%, 0.62%

LAB 60, 24.04, 1.37

 

CMYK 0 / 22 / 17 / 22

HEX #C89CA6

RGB 200 156 166

HSL 346.36, 0.29%, 0.7%

LAB 68.61, 17.9, 1.08

 

CMYK 0 / 15 / 12 / 16

HEX #D7B7BE

RGB 215 183 190

HSL 346.88, 0.29%, 0.78%

LAB 77.3, 12.6, 0.72

 

CMYK 0 / 30 / 23 / 27

HEX #BB8390

RGB 187 131 144

HSL 346.07, 0.29%, 0.62%

LAB 60.61, 23.46, 1.7

 

CMYK 0 / 1 / 31 / 27

HEX #BAB881

RGB 186 184 129

HSL 57.89, 0.29%, 0.62%

LAB 73.74, -7.95, 28.27

 

CMYK 31 / 11 / 0 / 27

HEX #81A5BA

RGB 129 165 186

HSL 202.11, 0.29%, 0.62%

LAB 65.84, -7.23, -14.8

 

CMYK 0 / 30 / 23 / 27

HEX #BB8390

RGB 187 131 144

HSL 346.07, 0.29%, 0.62%

LAB 60.61, 23.46, 1.7

 

CMYK 23 / 0 / 31 / 27

HEX #8FBA81

RGB 143 186 129

HSL 105.26, 0.29%, 0.62%

LAB 71.24, -25.16, 24.38

 

CMYK 31 / 23 / 0 / 27

HEX #818FBA

RGB 129 143 186

HSL 225.26, 0.29%, 0.62%

LAB 59.76, 5.1, -24.06

 

CMYK 0 / 30 / 23 / 27

HEX #BB8390

RGB 187 131 144

HSL 346.07, 0.29%, 0.62%

LAB 60.61, 23.46, 1.7

 

CMYK 0 / 1 / 31 / 27

HEX #BAB881

RGB 186 184 129

HSL 57.89, 0.29%, 0.62%

LAB 73.74, -7.95, 28.27

 

CMYK 31 / 0 / 7 / 27

HEX #81BAAD

RGB 129 186 173

HSL 166.32, 0.29%, 0.62%

LAB 71.42, -21.34, 0.66

 

CMYK 31 / 30 / 0 / 27

HEX #8183BA

RGB 129 131 186

HSL 237.89, 0.29%, 0.62%

LAB 56.53, 12.08, -29.04

 

CMYK 0 / 30 / 23 / 27

HEX #BB8390

RGB 187 131 144

HSL 346.07, 0.29%, 0.62%

LAB 60.61, 23.46, 1.7

 

CMYK 8 / 0 / 31 / 27

HEX #ABBA81

RGB 171 186 129

HSL 75.79, 0.29%, 0.62%

LAB 73.13, -14.82, 27.24

 

CMYK 31 / 0 / 7 / 27

HEX #81BAAD

RGB 129 186 173

HSL 166.32, 0.29%, 0.62%

LAB 71.42, -21.34, 0.66

 

CMYK 23 / 31 / 0 / 27

HEX #9081BA

RGB 144 129 186

HSL 255.79, 0.29%, 0.62%

LAB 57.25, 17.83, -27.84

 

Description

Color code: HEX #BB8390 | qconv.com Color code: HEX #BB8390 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 187 red, 131 green and 144 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
187 131 144 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 30 magenta, 23 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 30% 23% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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