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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BB8FE9 it is the complementary color #447016. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BB8FE9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BB8FE9 shade: #C08FE4, #D1A1F7, #E2B3FF, #F3C5FF and #FFD7FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BB8FE9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BB8FE9 shade: #BB8FE9, #AA7DD6, #996BC3, #8859B0 and #77479D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BB8FE9 shade: #BB90E9, #D390E9, #E990E6, #E990CE and #E990B6

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BB8FE9 shade: #BB90E9, #A390E9 and #9090E9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BB8FE9 shade matches the following richer shades: #BB90E9, #BB85F3 and #BB7AFE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BB8FE9 shade: #BB90E9, #BB9BDE, #BCA5D3, #BCB0C8 and #BCBBBE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BB8FE9 shade: #9094E9, #A390E9, #BB90E9, #D290E9 and #E990E7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BB8FE9 shade: #914BDB, #A66DE2, #BB90E9, #D0B2EF and #E5D5F6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BB8FE9 shade: #BB8FE9, #E990AC and #90E997

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BB8FE9 shade: #BB8FE9, #E9BB90 and #90E9BB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BB8FE9 shade: #BB8FE9, #E990AC, #BEE990 and #90E9CC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BB8FE9 shade: #BB8FE9, #E99091, #BEE990 and #90E9E7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 20 / 39 / 0 / 9

HEX #BB8FE9

RGB 187 143 233

HSL 269.33, 0.67%, 0.74%

LAB 66.59, 33.77, -39.33

 

Complementary color

CMYK 39 / 0 / 80 / 56

HEX #447016

RGB 68 112 22

HSL 89.33, 0.67%, 0.26%

LAB 42.57, -30.45, 41.92

 

CMYK 16 / 37 / 0 / 11

HEX #C08FE4

RGB 192 143 228

HSL 274.59, 0.61%, 0.73%

LAB 66.86, 34.15, -36.11

 

CMYK 15 / 35 / 0 / 3

HEX #D1A1F7

RGB 209 161 247

HSL 273.49, 0.84%, 0.8%

LAB 73.39, 33.44, -36.24

 

CMYK 11 / 30 / 0 / 0

HEX #E2B3FF

RGB 226 179 255

HSL 277.11, 1%, 0.85%

LAB 79.4, 30.5, -31.14

 

CMYK 5 / 23 / 0 / 0

HEX #F3C5FF

RGB 243 197 255

HSL 287.59, 1%, 0.89%

LAB 85.1, 26.21, -22.29

 

CMYK 0 / 16 / 0 / 0

HEX #FFD7FF

RGB 255 215 255

HSL 300, 1%, 0.92%

LAB 90.36, 20.6, -14.27

 

CMYK 20 / 39 / 0 / 9

HEX #BB8FE9

RGB 187 143 233

HSL 269.33, 0.67%, 0.74%

LAB 66.59, 33.77, -39.33

 

CMYK 21 / 42 / 0 / 16

HEX #AA7DD6

RGB 170 125 214

HSL 270.34, 0.52%, 0.66%

LAB 59.95, 34.55, -39.28

 

CMYK 22 / 45 / 0 / 24

HEX #996BC3

RGB 153 107 195

HSL 271.36, 0.42%, 0.59%

LAB 53.2, 35.39, -39.24

 

CMYK 23 / 49 / 0 / 31

HEX #8859B0

RGB 136 89 176

HSL 272.41, 0.36%, 0.52%

LAB 46.33, 36.28, -39.19

 

CMYK 24 / 55 / 0 / 38

HEX #77479D

RGB 119 71 157

HSL 273.49, 0.38%, 0.45%

LAB 39.35, 37.2, -39.12

 

CMYK 20 / 38 / 0 / 9

HEX #BB90E9

RGB 187 144 233

HSL 268.99, 0.67%, 0.74%

LAB 66.82, 33.22, -38.97

 

CMYK 9 / 38 / 0 / 9

HEX #D390E9

RGB 211 144 233

HSL 285.17, 0.67%, 0.74%

LAB 69.24, 40.33, -35.02

 

CMYK 0 / 38 / 1 / 9

HEX #E990E6

RGB 233 144 230

HSL 302.02, 0.67%, 0.74%

LAB 71.54, 46.41, -29.62

 

CMYK 0 / 38 / 12 / 9

HEX #E990CE

RGB 233 144 206

HSL 318.2, 0.67%, 0.74%

LAB 70.68, 42.31, -17.7

 

CMYK 0 / 38 / 22 / 9

HEX #E990B6

RGB 233 144 182

HSL 334.38, 0.67%, 0.74%

LAB 69.93, 38.61, -5.49

 

CMYK 20 / 38 / 0 / 9

HEX #BB90E9

RGB 187 144 233

HSL 268.99, 0.67%, 0.74%

LAB 66.82, 33.22, -38.97

 

CMYK 30 / 38 / 0 / 9

HEX #A390E9

RGB 163 144 233

HSL 252.81, 0.67%, 0.74%

LAB 64.66, 26.36, -42.52

 

CMYK 38 / 38 / 0 / 9

HEX #9090E9

RGB 144 144 233

HSL 240, 0.67%, 0.74%

LAB 63.14, 21.24, -45

 

CMYK 20 / 38 / 0 / 9

HEX #BB90E9

RGB 187 144 233

HSL 268.99, 0.67%, 0.74%

LAB 66.82, 33.22, -38.97

 

CMYK 23 / 45 / 0 / 5

HEX #BB85F3

RGB 187 133 243

HSL 269.45, 0.82%, 0.74%

LAB 64.81, 41.54, -47.63

 

CMYK 26 / 52 / 0 / 0

HEX #BB7AFE

RGB 187 122 254

HSL 269.55, 0.99%, 0.74%

LAB 63.04, 49.98, -56.48

 

CMYK 20 / 38 / 0 / 9

HEX #BB90E9

RGB 187 144 233

HSL 268.99, 0.67%, 0.74%

LAB 66.82, 33.22, -38.97

 

CMYK 16 / 30 / 0 / 13

HEX #BB9BDE

RGB 187 155 222

HSL 268.66, 0.5%, 0.74%

LAB 68.95, 24.66, -29.6

 

CMYK 11 / 22 / 0 / 17

HEX #BCA5D3

RGB 188 165 211

HSL 270, 0.34%, 0.74%

LAB 71.08, 17.08, -20.29

 

CMYK 6 / 12 / 0 / 22

HEX #BCB0C8

RGB 188 176 200

HSL 270, 0.18%, 0.74%

LAB 73.49, 8.79, -10.62

 

CMYK 1 / 2 / 0 / 25

HEX #BCBBBE

RGB 188 187 190

HSL 260, 0.02%, 0.74%

LAB 76.04, 0.91, -1.4

 

CMYK 38 / 36 / 0 / 9

HEX #9094E9

RGB 144 148 233

HSL 237.3, 0.67%, 0.74%

LAB 64.15, 18.93, -43.41

 

CMYK 30 / 38 / 0 / 9

HEX #A390E9

RGB 163 144 233

HSL 252.81, 0.67%, 0.74%

LAB 64.66, 26.36, -42.52

 

CMYK 20 / 38 / 0 / 9

HEX #BB90E9

RGB 187 144 233

HSL 268.99, 0.67%, 0.74%

LAB 66.82, 33.22, -38.97

 

CMYK 10 / 38 / 0 / 9

HEX #D290E9

RGB 210 144 233

HSL 284.49, 0.67%, 0.74%

LAB 69.13, 40.03, -35.19

 

CMYK 0 / 38 / 1 / 9

HEX #E990E7

RGB 233 144 231

HSL 301.35, 0.67%, 0.74%

LAB 71.58, 46.59, -30.11

 

CMYK 34 / 66 / 0 / 14

HEX #914BDB

RGB 145 75 219

HSL 269.17, 0.67%, 0.58%

LAB 47.19, 56.22, -62.6

 

CMYK 27 / 52 / 0 / 11

HEX #A66DE2

RGB 166 109 226

HSL 269.23, 0.67%, 0.66%

LAB 56.62, 45.1, -51.3

 

CMYK 20 / 38 / 0 / 9

HEX #BB90E9

RGB 187 144 233

HSL 268.99, 0.67%, 0.74%

LAB 66.82, 33.22, -38.97

 

CMYK 13 / 26 / 0 / 6

HEX #D0B2EF

RGB 208 178 239

HSL 269.51, 0.66%, 0.82%

LAB 76.97, 22.17, -26.4

 

CMYK 7 / 13 / 0 / 4

HEX #E5D5F6

RGB 229 213 246

HSL 269.09, 0.65%, 0.9%

LAB 87.44, 11.51, -14.13

 

CMYK 20 / 39 / 0 / 9

HEX #BB8FE9

RGB 187 143 233

HSL 269.33, 0.67%, 0.74%

LAB 66.59, 33.77, -39.33

 

CMYK 0 / 38 / 26 / 9

HEX #E990AC

RGB 233 144 172

HSL 341.12, 0.67%, 0.74%

LAB 69.65, 37.2, -0.32

 

CMYK 38 / 0 / 35 / 9

HEX #90E997

RGB 144 233 151

HSL 124.72, 0.67%, 0.74%

LAB 85.22, -43.09, 31.68

 

CMYK 20 / 39 / 0 / 9

HEX #BB8FE9

RGB 187 143 233

HSL 269.33, 0.67%, 0.74%

LAB 66.59, 33.77, -39.33

 

CMYK 0 / 20 / 38 / 9

HEX #E9BB90

RGB 233 187 144

HSL 28.99, 0.67%, 0.74%

LAB 78.97, 10.83, 28.05

 

CMYK 38 / 0 / 20 / 9

HEX #90E9BB

RGB 144 233 187

HSL 148.99, 0.67%, 0.74%

LAB 85.9, -36.67, 14.05

 

CMYK 20 / 39 / 0 / 9

HEX #BB8FE9

RGB 187 143 233

HSL 269.33, 0.67%, 0.74%

LAB 66.59, 33.77, -39.33

 

CMYK 0 / 38 / 26 / 9

HEX #E990AC

RGB 233 144 172

HSL 341.12, 0.67%, 0.74%

LAB 69.65, 37.2, -0.32

 

CMYK 18 / 0 / 38 / 9

HEX #BEE990

RGB 190 233 144

HSL 88.99, 0.67%, 0.74%

LAB 87.6, -28.87, 38.79

 

CMYK 38 / 0 / 12 / 9

HEX #90E9CC

RGB 144 233 204

HSL 160.45, 0.67%, 0.74%

LAB 86.29, -33.17, 5.7

 

CMYK 20 / 39 / 0 / 9

HEX #BB8FE9

RGB 187 143 233

HSL 269.33, 0.67%, 0.74%

LAB 66.59, 33.77, -39.33

 

CMYK 0 / 38 / 38 / 9

HEX #E99091

RGB 233 144 145

HSL 359.33, 0.67%, 0.74%

LAB 68.98, 33.78, 13.81

 

CMYK 18 / 0 / 38 / 9

HEX #BEE990

RGB 190 233 144

HSL 88.99, 0.67%, 0.74%

LAB 87.6, -28.87, 38.79

 

CMYK 38 / 0 / 1 / 9

HEX #90E9E7

RGB 144 233 231

HSL 178.65, 0.67%, 0.74%

LAB 86.99, -27.08, -7.46

 

Description

Color code: HEX #BB8FE9 | qconv.com Color code: HEX #BB8FE9 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 187 red, 143 green and 233 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
187 143 233 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 20 cyan, 39 magenta, none yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
20% 39% 0% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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