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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BB9567 it is the complementary color #446A98. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BB9567. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BB9567 shade: #C09562, #D1A775, #E2B988, #F3CB9B and #FFDDAE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BB9567. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BB9567 shade: #BB9567, #AA8354, #997141, #885F2E and #774D1B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BB9567 shade: #BB9567, #BB7E67, #BB6867 and #BB6767

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BB9567 shade: #BB9567, #BBAB67, #B3BB67, #9DBB67 and #86BB67

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BB9567 shade matches the following richer shades: #BB9567, #CC9755, #DE9844 and #F09A32

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BB9567 shade: #BB9567, #A99379, #97918B, #85909C and #748EAE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BB9567 shade: #BB6767, #BB7D67, #BB9467, #BBAA67 and #B5BB67

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BB9567 shade: #8F6B40, #AC814D, #BB9567, #C7A984 and #D4BDA0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BB9567 shade: #BB9567, #7DBB67 and #7267BB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BB9567 shade: #BB9567, #67BB94 and #9467BB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BB9567 shade: #BB9567, #7DBB67, #678EBB and #A467BB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BB9567 shade: #BB9567, #67BB6A, #678EBB and #BB67B8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 20 / 45 / 27

HEX #BB9567

RGB 187 149 103

HSL 32.86, 0.38%, 0.57%

LAB 64.19, 8.19, 29.66

 

Complementary color

CMYK 55 / 30 / 0 / 40

HEX #446A98

RGB 68 106 152

HSL 212.86, 0.38%, 0.43%

LAB 43.95, 0.56, -29.16

 

CMYK 0 / 22 / 49 / 25

HEX #C09562

RGB 192 149 98

HSL 32.55, 0.43%, 0.57%

LAB 64.63, 9.78, 33.02

 

CMYK 0 / 20 / 44 / 18

HEX #D1A775

RGB 209 167 117

HSL 32.61, 0.5%, 0.64%

LAB 71.2, 8.94, 31.67

 

CMYK 0 / 18 / 40 / 11

HEX #E2B988

RGB 226 185 136

HSL 32.67, 0.61%, 0.71%

LAB 77.66, 8.22, 30.41

 

CMYK 0 / 16 / 36 / 5

HEX #F3CB9B

RGB 243 203 155

HSL 32.73, 0.79%, 0.78%

LAB 84.04, 7.59, 29.23

 

CMYK 0 / 13 / 32 / 0

HEX #FFDDAE

RGB 255 221 174

HSL 34.81, 1%, 0.84%

LAB 89.87, 5.15, 27.44

 

CMYK 0 / 20 / 45 / 27

HEX #BB9567

RGB 187 149 103

HSL 32.86, 0.38%, 0.57%

LAB 64.19, 8.19, 29.66

 

CMYK 0 / 23 / 51 / 33

HEX #AA8354

RGB 170 131 84

HSL 32.79, 0.34%, 0.5%

LAB 57.48, 9.07, 31.05

 

CMYK 0 / 26 / 58 / 40

HEX #997141

RGB 153 113 65

HSL 32.73, 0.4%, 0.43%

LAB 50.65, 10.11, 32.53

 

CMYK 0 / 30 / 66 / 47

HEX #885F2E

RGB 136 95 46

HSL 32.67, 0.49%, 0.36%

LAB 43.68, 11.39, 34.07

 

CMYK 0 / 35 / 77 / 53

HEX #774D1B

RGB 119 77 27

HSL 32.61, 0.63%, 0.29%

LAB 36.57, 13, 35.5

 

CMYK 0 / 20 / 45 / 27

HEX #BB9567

RGB 187 149 103

HSL 32.86, 0.38%, 0.57%

LAB 64.19, 8.19, 29.66

 

CMYK 0 / 33 / 45 / 27

HEX #BB7E67

RGB 187 126 103

HSL 16.43, 0.38%, 0.57%

LAB 58.48, 20.93, 22.13

 

CMYK 0 / 44 / 45 / 27

HEX #BB6867

RGB 187 104 103

HSL 0.71, 0.38%, 0.57%

LAB 53.43, 32.99, 15.28

 

CMYK 0 / 45 / 45 / 27

HEX #BB6767

RGB 187 103 103

HSL 0, 0.38%, 0.57%

LAB 53.22, 33.52, 14.98

 

CMYK 0 / 20 / 45 / 27

HEX #BB9567

RGB 187 149 103

HSL 32.86, 0.38%, 0.57%

LAB 64.19, 8.19, 29.66

 

CMYK 0 / 9 / 45 / 27

HEX #BBAB67

RGB 187 171 103

HSL 48.57, 0.38%, 0.57%

LAB 69.94, -3.71, 37

 

CMYK 4 / 0 / 45 / 27

HEX #B3BB67

RGB 179 187 103

HSL 65.71, 0.38%, 0.57%

LAB 73.61, -15.32, 41.41

 

CMYK 16 / 0 / 45 / 27

HEX #9DBB67

RGB 157 187 103

HSL 81.43, 0.38%, 0.57%

LAB 72.02, -24.03, 39.09

 

CMYK 28 / 0 / 45 / 27

HEX #86BB67

RGB 134 187 103

HSL 97.86, 0.38%, 0.57%

LAB 70.59, -32.59, 36.99

 

CMYK 0 / 20 / 45 / 27

HEX #BB9567

RGB 187 149 103

HSL 32.86, 0.38%, 0.57%

LAB 64.19, 8.19, 29.66

 

CMYK 0 / 26 / 58 / 20

HEX #CC9755

RGB 204 151 85

HSL 33.28, 0.54%, 0.57%

LAB 66.23, 12.62, 42.08

 

CMYK 0 / 32 / 69 / 13

HEX #DE9844

RGB 222 152 68

HSL 32.73, 0.7%, 0.57%

LAB 68.32, 18.6, 53.23

 

CMYK 0 / 36 / 79 / 6

HEX #F09A32

RGB 240 154 50

HSL 32.84, 0.86%, 0.57%

LAB 70.78, 24.31, 63.92

 

CMYK 0 / 20 / 45 / 27

HEX #BB9567

RGB 187 149 103

HSL 32.86, 0.38%, 0.57%

LAB 64.19, 8.19, 29.66

 

CMYK 0 / 13 / 28 / 34

HEX #A99379

RGB 169 147 121

HSL 32.5, 0.22%, 0.57%

LAB 62.24, 4.13, 16.8

 

CMYK 0 / 4 / 8 / 41

HEX #97918B

RGB 151 145 139

HSL 30, 0.05%, 0.57%

LAB 60.51, 1.11, 3.96

 

CMYK 15 / 8 / 0 / 39

HEX #85909C

RGB 133 144 156

HSL 211.3, 0.1%, 0.57%

LAB 59.28, -1.39, -7.7

 

CMYK 33 / 18 / 0 / 32

HEX #748EAE

RGB 116 142 174

HSL 213.1, 0.26%, 0.57%

LAB 58.15, -1.32, -19.79

 

CMYK 0 / 45 / 45 / 27

HEX #BB6767

RGB 187 103 103

HSL 0, 0.38%, 0.57%

LAB 53.22, 33.52, 14.98

 

CMYK 0 / 33 / 45 / 27

HEX #BB7D67

RGB 187 125 103

HSL 15.71, 0.38%, 0.57%

LAB 58.24, 21.48, 21.81

 

CMYK 0 / 21 / 45 / 27

HEX #BB9467

RGB 187 148 103

HSL 32.14, 0.38%, 0.57%

LAB 63.94, 8.74, 29.33

 

CMYK 0 / 9 / 45 / 27

HEX #BBAA67

RGB 187 170 103

HSL 47.86, 0.38%, 0.57%

LAB 69.68, -3.18, 36.66

 

CMYK 3 / 0 / 45 / 27

HEX #B5BB67

RGB 181 187 103

HSL 64.29, 0.38%, 0.57%

LAB 73.77, -14.52, 41.64

 

CMYK 0 / 25 / 55 / 44

HEX #8F6B40

RGB 143 107 64

HSL 32.66, 0.38%, 0.41%

LAB 47.91, 9.02, 29.48

 

CMYK 0 / 25 / 55 / 33

HEX #AC814D

RGB 172 129 77

HSL 32.84, 0.38%, 0.49%

LAB 57.08, 10.41, 34.39

 

CMYK 0 / 20 / 45 / 27

HEX #BB9567

RGB 187 149 103

HSL 32.86, 0.38%, 0.57%

LAB 64.19, 8.19, 29.66

 

CMYK 0 / 15 / 34 / 22

HEX #C7A984

RGB 199 169 132

HSL 33.13, 0.37%, 0.65%

LAB 71, 5.56, 23.17

 

CMYK 0 / 11 / 25 / 17

HEX #D4BDA0

RGB 212 189 160

HSL 33.46, 0.38%, 0.73%

LAB 77.83, 3.68, 17.65

 

CMYK 0 / 20 / 45 / 27

HEX #BB9567

RGB 187 149 103

HSL 32.86, 0.38%, 0.57%

LAB 64.19, 8.19, 29.66

 

CMYK 33 / 0 / 45 / 27

HEX #7DBB67

RGB 125 187 103

HSL 104.29, 0.38%, 0.57%

LAB 70.09, -35.74, 36.26

 

CMYK 39 / 45 / 0 / 27

HEX #7267BB

RGB 114 103 187

HSL 247.86, 0.38%, 0.57%

LAB 48.09, 24.86, -42.95

 

CMYK 0 / 20 / 45 / 27

HEX #BB9567

RGB 187 149 103

HSL 32.86, 0.38%, 0.57%

LAB 64.19, 8.19, 29.66

 

CMYK 45 / 0 / 21 / 27

HEX #67BB94

RGB 103 187 148

HSL 152.14, 0.38%, 0.57%

LAB 69.87, -34.64, 11.92

 

CMYK 21 / 45 / 0 / 27

HEX #9467BB

RGB 148 103 187

HSL 272.14, 0.38%, 0.57%

LAB 51.36, 34.35, -37.56

 

CMYK 0 / 20 / 45 / 27

HEX #BB9567

RGB 187 149 103

HSL 32.86, 0.38%, 0.57%

LAB 64.19, 8.19, 29.66

 

CMYK 33 / 0 / 45 / 27

HEX #7DBB67

RGB 125 187 103

HSL 104.29, 0.38%, 0.57%

LAB 70.09, -35.74, 36.26

 

CMYK 45 / 24 / 0 / 27

HEX #678EBB

RGB 103 142 187

HSL 212.14, 0.38%, 0.57%

LAB 57.86, -1.31, -27.69

 

CMYK 12 / 45 / 0 / 27

HEX #A467BB

RGB 164 103 187

HSL 283.57, 0.38%, 0.57%

LAB 53.15, 39.06, -34.63

 

CMYK 0 / 20 / 45 / 27

HEX #BB9567

RGB 187 149 103

HSL 32.86, 0.38%, 0.57%

LAB 64.19, 8.19, 29.66

 

CMYK 45 / 0 / 43 / 27

HEX #67BB6A

RGB 103 187 106

HSL 122.14, 0.38%, 0.57%

LAB 69.09, -42.32, 33.23

 

CMYK 45 / 24 / 0 / 27

HEX #678EBB

RGB 103 142 187

HSL 212.14, 0.38%, 0.57%

LAB 57.86, -1.31, -27.69

 

CMYK 0 / 45 / 2 / 27

HEX #BB67B8

RGB 187 103 184

HSL 302.14, 0.38%, 0.57%

LAB 55.81, 45.38, -28.54

 

Description

Color code: HEX #BB9567 | qconv.com Color code: HEX #BB9567 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 187 red, 149 green and 103 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
187 149 103 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 20 magenta, 45 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 20% 45% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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