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Color name
HEX #BB992A

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BB992A it is the complementary color #4466D5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BB992A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BB992A shade: #C09925, #D1AB38, #E2BD4B, #F3CF5E and #FFE171

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BB992A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BB992A shade: #BB992A, #AA8717, #997504, #886300 and #775100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BB992A shade: #BB992A, #BB722A, #BB4B2A and #BB2A2A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BB992A shade: #BB992A, #B5BB2A, #8EBB2A, #67BB2A and #40BB2A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BB992A shade matches the following richer shades: #BB992A, #CDA217 and #E0AC05

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BB992A shade: #BB992A, #A88F3D, #95854F, #837B62 and #707174

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BB992A shade: #BB492A, #BB702A, #BB962A, #B8BB2A and #92BB2A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BB992A shade: #77621B, #997D22, #BB992A, #D2AF3C and #DABD5D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BB992A shade: #BB992A, #31BB2A and #5D2ABB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BB992A shade: #BB992A, #2ABB96 and #962ABB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BB992A shade: #BB992A, #31BB2A, #2A4EBB and #B32ABB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BB992A shade: #BB992A, #2ABB4E, #2A4EBB and #BB2A96

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 18 / 78 / 27

HEX #BB992A

RGB 187 153 42

HSL 45.93, 0.63%, 0.45%

LAB 64.58, 1.62, 58.97

 

Complementary color

CMYK 68 / 52 / 0 / 16

HEX #4466D5

RGB 68 102 213

HSL 225.93, 0.63%, 0.55%

LAB 46.36, 24.31, -60.83

 

CMYK 0 / 20 / 81 / 25

HEX #C09925

RGB 192 153 37

HSL 44.9, 0.68%, 0.45%

LAB 65.06, 3.66, 61.3

 

CMYK 0 / 18 / 73 / 18

HEX #D1AB38

RGB 209 171 56

HSL 45.1, 0.62%, 0.52%

LAB 71.53, 2.24, 61.15

 

CMYK 0 / 16 / 67 / 11

HEX #E2BD4B

RGB 226 189 75

HSL 45.3, 0.72%, 0.59%

LAB 77.92, 1.04, 60.45

 

CMYK 0 / 15 / 61 / 5

HEX #F3CF5E

RGB 243 207 94

HSL 45.5, 0.86%, 0.66%

LAB 84.22, 0, 59.47

 

CMYK 0 / 12 / 56 / 0

HEX #FFE171

RGB 255 225 113

HSL 47.32, 1%, 0.72%

LAB 90, -2.91, 57.73

 

CMYK 0 / 18 / 78 / 27

HEX #BB992A

RGB 187 153 42

HSL 45.93, 0.63%, 0.45%

LAB 64.58, 1.62, 58.97

 

CMYK 0 / 21 / 86 / 33

HEX #AA8717

RGB 170 135 23

HSL 45.71, 0.76%, 0.38%

LAB 57.98, 3.18, 58.51

 

CMYK 0 / 24 / 97 / 40

HEX #997504

RGB 153 117 4

HSL 45.5, 0.95%, 0.31%

LAB 51.27, 5.03, 56.6

 

CMYK 0 / 27 / 100 / 47

HEX #886300

RGB 136 99 0

HSL 43.68, 1%, 0.27%

LAB 44.46, 7.27, 51.8

 

CMYK 0 / 32 / 100 / 53

HEX #775100

RGB 119 81 0

HSL 40.84, 1%, 0.23%

LAB 37.49, 9.72, 46.09

 

CMYK 0 / 18 / 78 / 27

HEX #BB992A

RGB 187 153 42

HSL 45.93, 0.63%, 0.45%

LAB 64.58, 1.62, 58.97

 

CMYK 0 / 39 / 78 / 27

HEX #BB722A

RGB 187 114 42

HSL 29.79, 0.63%, 0.45%

LAB 54.83, 23.09, 49.72

 

CMYK 0 / 60 / 78 / 27

HEX #BB4B2A

RGB 187 75 42

HSL 13.66, 0.63%, 0.45%

LAB 46.66, 43.4, 41.56

 

CMYK 0 / 78 / 78 / 27

HEX #BB2A2A

RGB 187 42 42

HSL 0, 0.63%, 0.45%

LAB 41.83, 56.53, 36.5

 

CMYK 0 / 18 / 78 / 27

HEX #BB992A

RGB 187 153 42

HSL 45.93, 0.63%, 0.45%

LAB 64.58, 1.62, 58.97

 

CMYK 3 / 0 / 78 / 27

HEX #B5BB2A

RGB 181 187 42

HSL 62.48, 0.63%, 0.45%

LAB 73.24, -18.77, 66.69

 

CMYK 24 / 0 / 78 / 27

HEX #8EBB2A

RGB 142 187 42

HSL 78.62, 0.63%, 0.45%

LAB 70.5, -34.9, 63.17

 

CMYK 45 / 0 / 78 / 27

HEX #67BB2A

RGB 103 187 42

HSL 94.76, 0.63%, 0.45%

LAB 68.45, -48.96, 60.52

 

CMYK 66 / 0 / 78 / 27

HEX #40BB2A

RGB 64 187 42

HSL 110.9, 0.63%, 0.45%

LAB 67.13, -59.41, 58.78

 

CMYK 0 / 18 / 78 / 27

HEX #BB992A

RGB 187 153 42

HSL 45.93, 0.63%, 0.45%

LAB 64.58, 1.62, 58.97

 

CMYK 0 / 21 / 89 / 20

HEX #CDA217

RGB 205 162 23

HSL 45.82, 0.8%, 0.45%

LAB 68.67, 4.22, 68.62

 

CMYK 0 / 23 / 98 / 12

HEX #E0AC05

RGB 224 172 5

HSL 45.75, 0.96%, 0.45%

LAB 73.13, 7.01, 75.51

 

CMYK 0 / 18 / 78 / 27

HEX #BB992A

RGB 187 153 42

HSL 45.93, 0.63%, 0.45%

LAB 64.58, 1.62, 58.97

 

CMYK 0 / 15 / 64 / 34

HEX #A88F3D

RGB 168 143 61

HSL 45.98, 0.47%, 0.45%

LAB 60.16, -0.37, 45.96

 

CMYK 0 / 11 / 47 / 42

HEX #95854F

RGB 149 133 79

HSL 46.29, 0.31%, 0.45%

LAB 55.82, -1.66, 31.22

 

CMYK 0 / 6 / 25 / 49

HEX #837B62

RGB 131 123 98

HSL 45.45, 0.14%, 0.45%

LAB 51.69, -1.25, 14.8

 

CMYK 3 / 3 / 0 / 55

HEX #707174

RGB 112 113 116

HSL 225, 0.02%, 0.45%

LAB 47.64, 0.24, -1.8

 

CMYK 0 / 61 / 78 / 27

HEX #BB492A

RGB 187 73 42

HSL 12.83, 0.63%, 0.45%

LAB 46.31, 44.33, 41.2

 

CMYK 0 / 40 / 78 / 27

HEX #BB702A

RGB 187 112 42

HSL 28.97, 0.63%, 0.45%

LAB 54.37, 24.19, 49.27

 

CMYK 0 / 20 / 78 / 27

HEX #BB962A

RGB 187 150 42

HSL 44.69, 0.63%, 0.45%

LAB 63.79, 3.25, 58.24

 

CMYK 2 / 0 / 78 / 27

HEX #B8BB2A

RGB 184 187 42

HSL 61.24, 0.63%, 0.45%

LAB 73.48, -17.49, 66.99

 

CMYK 22 / 0 / 78 / 27

HEX #92BB2A

RGB 146 187 42

HSL 76.97, 0.63%, 0.45%

LAB 70.75, -33.31, 63.49

 

CMYK 0 / 18 / 77 / 53

HEX #77621B

RGB 119 98 27

HSL 46.3, 0.63%, 0.29%

LAB 42.36, 0.47, 41.22

 

CMYK 0 / 18 / 78 / 40

HEX #997D22

RGB 153 125 34

HSL 45.88, 0.64%, 0.37%

LAB 53.55, 1.32, 50.36

 

CMYK 0 / 18 / 78 / 27

HEX #BB992A

RGB 187 153 42

HSL 45.93, 0.63%, 0.45%

LAB 64.58, 1.62, 58.97

 

CMYK 0 / 17 / 71 / 18

HEX #D2AF3C

RGB 210 175 60

HSL 46, 0.63%, 0.53%

LAB 72.69, 0.75, 60.76

 

CMYK 0 / 13 / 57 / 15

HEX #DABD5D

RGB 218 189 93

HSL 46.08, 0.63%, 0.61%

LAB 77.34, -1.15, 51.52

 

CMYK 0 / 18 / 78 / 27

HEX #BB992A

RGB 187 153 42

HSL 45.93, 0.63%, 0.45%

LAB 64.58, 1.62, 58.97

 

CMYK 74 / 0 / 78 / 27

HEX #31BB2A

RGB 49 187 42

HSL 117.1, 0.63%, 0.45%

LAB 66.79, -62.21, 58.35

 

CMYK 50 / 78 / 0 / 27

HEX #5D2ABB

RGB 93 42 187

HSL 261.1, 0.63%, 0.45%

LAB 33.07, 54.48, -67.31

 

CMYK 0 / 18 / 78 / 27

HEX #BB992A

RGB 187 153 42

HSL 45.93, 0.63%, 0.45%

LAB 64.58, 1.62, 58.97

 

CMYK 78 / 0 / 20 / 27

HEX #2ABB96

RGB 42 187 150

HSL 164.69, 0.63%, 0.45%

LAB 68.19, -45.87, 8.21

 

CMYK 20 / 78 / 0 / 27

HEX #962ABB

RGB 150 42 187

HSL 284.69, 0.63%, 0.45%

LAB 40.78, 63.99, -54.42

 

CMYK 0 / 18 / 78 / 27

HEX #BB992A

RGB 187 153 42

HSL 45.93, 0.63%, 0.45%

LAB 64.58, 1.62, 58.97

 

CMYK 74 / 0 / 78 / 27

HEX #31BB2A

RGB 49 187 42

HSL 117.1, 0.63%, 0.45%

LAB 66.79, -62.21, 58.35

 

CMYK 78 / 58 / 0 / 27

HEX #2A4EBB

RGB 42 78 187

HSL 225.1, 0.63%, 0.45%

LAB 36.98, 26.9, -61.06

 

CMYK 4 / 78 / 0 / 27

HEX #B32ABB

RGB 179 42 187

HSL 296.69, 0.63%, 0.45%

LAB 45.4, 69.58, -46.76

 

CMYK 0 / 18 / 78 / 27

HEX #BB992A

RGB 187 153 42

HSL 45.93, 0.63%, 0.45%

LAB 64.58, 1.62, 58.97

 

CMYK 78 / 0 / 58 / 27

HEX #2ABB4E

RGB 42 187 78

HSL 134.9, 0.63%, 0.45%

LAB 66.96, -59.71, 44.03

 

CMYK 78 / 58 / 0 / 27

HEX #2A4EBB

RGB 42 78 187

HSL 225.1, 0.63%, 0.45%

LAB 36.98, 26.9, -61.06

 

CMYK 0 / 78 / 20 / 27

HEX #BB2A96

RGB 187 42 150

HSL 315.31, 0.63%, 0.45%

LAB 44.83, 65.77, -25.58

 

Description

Color code: HEX #BB992A | qconv.com Color code: HEX #BB992A | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 187 red, 153 green and 42 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
187 153 42 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 18 magenta, 78 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 18% 78% 27% C M Y K

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