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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BB9A21 it is the complementary color #4465DE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BB9A21. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BB9A21 shade: #C09A1C, #D1AC2F, #E2BE42, #F3D055 and #FFE268

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BB9A21. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BB9A21 shade: #BB9A21, #AA880E, #997600, #886400 and #775200

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BB9A21 shade: #BA9920, #BA7020, #BA4620 and #BA2020

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BB9A21 shade: #BA9920, #B1BA20, #88BA20, #5FBA20 and #35BA20

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BB9A21 shade matches the following richer shades: #BA9920 and #CCA30F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BB9A21 shade: #BA9920, #A88F32, #968544, #857B56 and #737067

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BB9A21 shade: #BA4720, #BA7020, #BA9920, #B2BA20 and #89BA20

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BB9A21 shade: #745F14, #977C1A, #BA9920, #D9B42A and #DFC04E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BB9A21 shade: #BB9A21, #23BA20 and #5B20BA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BB9A21 shade: #BB9A21, #20BA99 and #9920BA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BB9A21 shade: #BB9A21, #23BA20, #2042BA and #B720BA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BB9A21 shade: #BB9A21, #20BA4C, #2042BA and #BA208E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 18 / 82 / 27

HEX #BB9A21

RGB 187 154 33

HSL 47.14, 0.7%, 0.43%

LAB 64.79, 0.76, 62.12

 

Complementary color

CMYK 69 / 55 / 0 / 13

HEX #4465DE

RGB 68 101 222

HSL 227.14, 0.7%, 0.57%

LAB 46.72, 28.13, -65.36

 

CMYK 0 / 20 / 85 / 25

HEX #C09A1C

RGB 192 154 28

HSL 46.1, 0.75%, 0.43%

LAB 65.28, 2.85, 64.15

 

CMYK 0 / 18 / 78 / 18

HEX #D1AC2F

RGB 209 172 47

HSL 46.3, 0.64%, 0.5%

LAB 71.73, 1.34, 64.63

 

CMYK 0 / 16 / 71 / 11

HEX #E2BE42

RGB 226 190 66

HSL 46.5, 0.73%, 0.57%

LAB 78.1, 0.04, 64.31

 

CMYK 0 / 14 / 65 / 5

HEX #F3D055

RGB 243 208 85

HSL 46.71, 0.87%, 0.64%

LAB 84.39, -1.07, 63.56

 

CMYK 0 / 11 / 59 / 0

HEX #FFE268

RGB 255 226 104

HSL 48.48, 1%, 0.7%

LAB 90.16, -4.06, 61.97

 

CMYK 0 / 18 / 82 / 27

HEX #BB9A21

RGB 187 154 33

HSL 47.14, 0.7%, 0.43%

LAB 64.79, 0.76, 62.12

 

CMYK 0 / 20 / 92 / 33

HEX #AA880E

RGB 170 136 14

HSL 46.92, 0.85%, 0.36%

LAB 58.21, 2.43, 60.77

 

CMYK 0 / 23 / 100 / 40

HEX #997600

RGB 153 118 0

HSL 46.27, 1%, 0.3%

LAB 51.53, 4.4, 57.58

 

CMYK 0 / 26 / 100 / 47

HEX #886400

RGB 136 100 0

HSL 44.12, 1%, 0.27%

LAB 44.73, 6.69, 51.99

 

CMYK 0 / 31 / 100 / 53

HEX #775200

RGB 119 82 0

HSL 41.34, 1%, 0.23%

LAB 37.76, 9.12, 46.27

 

CMYK 0 / 18 / 83 / 27

HEX #BA9920

RGB 186 153 32

HSL 47.14, 0.71%, 0.43%

LAB 64.42, 0.82, 62.06

 

CMYK 0 / 40 / 83 / 27

HEX #BA7020

RGB 186 112 32

HSL 31.17, 0.71%, 0.43%

LAB 54.17, 23.4, 53.12

 

CMYK 0 / 62 / 83 / 27

HEX #BA4620

RGB 186 70 32

HSL 14.81, 0.71%, 0.43%

LAB 45.53, 45.01, 45.34

 

CMYK 0 / 83 / 83 / 27

HEX #BA2020

RGB 186 32 32

HSL 0, 0.71%, 0.43%

LAB 40.53, 58.72, 40.68

 

CMYK 0 / 18 / 83 / 27

HEX #BA9920

RGB 186 153 32

HSL 47.14, 0.71%, 0.43%

LAB 64.42, 0.82, 62.06

 

CMYK 5 / 0 / 83 / 27

HEX #B1BA20

RGB 177 186 32

HSL 63.51, 0.71%, 0.43%

LAB 72.61, -20.33, 68.75

 

CMYK 27 / 0 / 83 / 27

HEX #88BA20

RGB 136 186 32

HSL 79.48, 0.71%, 0.43%

LAB 69.79, -37.21, 65.21

 

CMYK 49 / 0 / 83 / 27

HEX #5FBA20

RGB 95 186 32

HSL 95.45, 0.71%, 0.43%

LAB 67.77, -51.58, 62.63

 

CMYK 72 / 0 / 83 / 27

HEX #35BA20

RGB 53 186 32

HSL 111.82, 0.71%, 0.43%

LAB 66.5, -61.8, 61.02

 

CMYK 0 / 18 / 83 / 27

HEX #BA9920

RGB 186 153 32

HSL 47.14, 0.71%, 0.43%

LAB 64.42, 0.82, 62.06

 

CMYK 0 / 20 / 93 / 20

HEX #CCA30F

RGB 204 163 15

HSL 46.98, 0.86%, 0.43%

LAB 68.8, 3.1, 70.16

 

CMYK 0 / 18 / 83 / 27

HEX #BA9920

RGB 186 153 32

HSL 47.14, 0.71%, 0.43%

LAB 64.42, 0.82, 62.06

 

CMYK 0 / 15 / 70 / 34

HEX #A88F32

RGB 168 143 50

HSL 47.29, 0.54%, 0.43%

LAB 60.07, -1.05, 50.8

 

CMYK 0 / 11 / 55 / 41

HEX #968544

RGB 150 133 68

HSL 47.56, 0.38%, 0.43%

LAB 55.76, -2.29, 37

 

CMYK 0 / 8 / 35 / 48

HEX #857B56

RGB 133 123 86

HSL 47.23, 0.21%, 0.43%

LAB 51.64, -2.11, 21.65

 

CMYK 0 / 3 / 10 / 55

HEX #737067

RGB 115 112 103

HSL 45, 0.06%, 0.43%

LAB 47.25, -0.57, 5.41

 

CMYK 0 / 62 / 83 / 27

HEX #BA4720

RGB 186 71 32

HSL 15.19, 0.71%, 0.43%

LAB 45.7, 44.55, 45.5

 

CMYK 0 / 40 / 83 / 27

HEX #BA7020

RGB 186 112 32

HSL 31.17, 0.71%, 0.43%

LAB 54.17, 23.4, 53.12

 

CMYK 0 / 18 / 83 / 27

HEX #BA9920

RGB 186 153 32

HSL 47.14, 0.71%, 0.43%

LAB 64.42, 0.82, 62.06

 

CMYK 4 / 0 / 83 / 27

HEX #B2BA20

RGB 178 186 32

HSL 63.12, 0.71%, 0.43%

LAB 72.69, -19.9, 68.84

 

CMYK 26 / 0 / 83 / 27

HEX #89BA20

RGB 137 186 32

HSL 79.09, 0.71%, 0.43%

LAB 69.85, -36.82, 65.28

 

CMYK 0 / 18 / 83 / 55

HEX #745F14

RGB 116 95 20

HSL 46.88, 0.71%, 0.27%

LAB 41.13, 0.47, 42.69

 

CMYK 0 / 18 / 83 / 41

HEX #977C1A

RGB 151 124 26

HSL 47.04, 0.71%, 0.35%

LAB 53.03, 0.65, 52.62

 

CMYK 0 / 18 / 83 / 27

HEX #BA9920

RGB 186 153 32

HSL 47.14, 0.71%, 0.43%

LAB 64.42, 0.82, 62.06

 

CMYK 0 / 17 / 81 / 15

HEX #D9B42A

RGB 217 180 42

HSL 47.31, 0.7%, 0.51%

LAB 74.55, 0.43, 69.06

 

CMYK 0 / 14 / 65 / 13

HEX #DFC04E

RGB 223 192 78

HSL 47.17, 0.69%, 0.59%

LAB 78.43, -1.62, 59.63

 

CMYK 0 / 18 / 82 / 27

HEX #BB9A21

RGB 187 154 33

HSL 47.14, 0.7%, 0.43%

LAB 64.79, 0.76, 62.12

 

CMYK 81 / 0 / 83 / 27

HEX #23BA20

RGB 35 186 32

HSL 118.83, 0.71%, 0.43%

LAB 66.2, -64.47, 60.63

 

CMYK 51 / 83 / 0 / 27

HEX #5B20BA

RGB 91 32 186

HSL 262.99, 0.71%, 0.43%

LAB 31.35, 58.01, -69.56

 

CMYK 0 / 18 / 82 / 27

HEX #BB9A21

RGB 187 154 33

HSL 47.14, 0.7%, 0.43%

LAB 64.79, 0.76, 62.12

 

CMYK 83 / 0 / 18 / 27

HEX #20BA99

RGB 32 186 153

HSL 167.14, 0.71%, 0.43%

LAB 67.82, -45.67, 6.01

 

CMYK 18 / 83 / 0 / 27

HEX #9920BA

RGB 153 32 186

HSL 287.14, 0.71%, 0.43%

LAB 40.16, 67.29, -54.8

 

CMYK 0 / 18 / 82 / 27

HEX #BB9A21

RGB 187 154 33

HSL 47.14, 0.7%, 0.43%

LAB 64.79, 0.76, 62.12

 

CMYK 81 / 0 / 83 / 27

HEX #23BA20

RGB 35 186 32

HSL 118.83, 0.71%, 0.43%

LAB 66.2, -64.47, 60.63

 

CMYK 83 / 65 / 0 / 27

HEX #2042BA

RGB 32 66 186

HSL 226.75, 0.71%, 0.43%

LAB 33.45, 33.47, -66.26

 

CMYK 2 / 83 / 0 / 27

HEX #B720BA

RGB 183 32 186

HSL 298.83, 0.71%, 0.43%

LAB 45.14, 72.7, -46.54

 

CMYK 0 / 18 / 82 / 27

HEX #BB9A21

RGB 187 154 33

HSL 47.14, 0.7%, 0.43%

LAB 64.79, 0.76, 62.12

 

CMYK 83 / 0 / 59 / 27

HEX #20BA4C

RGB 32 186 76

HSL 137.14, 0.71%, 0.43%

LAB 66.48, -60.82, 44.36

 

CMYK 83 / 65 / 0 / 27

HEX #2042BA

RGB 32 66 186

HSL 226.75, 0.71%, 0.43%

LAB 33.45, 33.47, -66.26

 

CMYK 0 / 83 / 24 / 27

HEX #BA208E

RGB 186 32 142

HSL 317.14, 0.71%, 0.43%

LAB 43.4, 67.09, -22.98

 

Description

Color code: HEX #BB9A21 | qconv.com Color code: HEX #BB9A21 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 187 red, 154 green and 33 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
187 154 33 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 18 magenta, 82 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 18% 82% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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