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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BB9C7B it is the complementary color #446384. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BB9C7B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BB9C7B shade: #C09C76, #D1AE89, #E2C09C, #F3D2AF and #FFE4C2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BB9C7B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BB9C7B shade: #BB9C7B, #AA8A68, #997855, #886642 and #77542F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BB9C7B shade: #BB9C7B, #BB8B7B and #BB7B7B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BB9C7B shade: #BB9C7B, #BBAD7B, #B7BB7B, #A6BB7B and #95BB7B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BB9C7B shade matches the following richer shades: #BB9C7B, #CB9D6B, #DB9D5B, #EB9E4B and #FB9E3B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BB9C7B shade: #BB9C7B, #AB9C8B, #9B9B9B, #8B9BAB and #7B9ABC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BB9C7B shade: #BB7B7D, #BB8A7B, #BB9B7B, #BBAC7B and #B9BB7B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BB9C7B shade: #96734D, #AD8860, #BB9C7B, #C9B096 and #D7C5B2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BB9C7B shade: #BB9C7B, #8EBB7B and #827BBB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BB9C7B shade: #BB9C7B, #7BBB9B and #9B7BBB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BB9C7B shade: #BB9C7B, #8EBB7B, #7B9BBB and #A87BBB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BB9C7B shade: #BB9C7B, #7BBB7B, #7B9BBB and #BB7BBB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 17 / 34 / 27

HEX #BB9C7B

RGB 187 156 123

HSL 30.94, 0.32%, 0.61%

LAB 66.35, 6.68, 21.59

 

Complementary color

CMYK 48 / 25 / 0 / 48

HEX #446384

RGB 68 99 132

HSL 210.94, 0.32%, 0.39%

LAB 40.93, -1.63, -21.87

 

CMYK 0 / 19 / 39 / 25

HEX #C09C76

RGB 192 156 118

HSL 30.81, 0.37%, 0.61%

LAB 66.74, 8.1, 24.95

 

CMYK 0 / 17 / 34 / 18

HEX #D1AE89

RGB 209 174 137

HSL 30.83, 0.44%, 0.68%

LAB 73.31, 7.46, 23.76

 

CMYK 0 / 15 / 31 / 11

HEX #E2C09C

RGB 226 192 156

HSL 30.86, 0.55%, 0.75%

LAB 79.77, 6.92, 22.65

 

CMYK 0 / 14 / 28 / 5

HEX #F3D2AF

RGB 243 210 175

HSL 30.88, 0.74%, 0.82%

LAB 86.13, 6.43, 21.62

 

CMYK 0 / 11 / 24 / 0

HEX #FFE4C2

RGB 255 228 194

HSL 33.44, 1%, 0.88%

LAB 91.97, 4.16, 19.98

 

CMYK 0 / 17 / 34 / 27

HEX #BB9C7B

RGB 187 156 123

HSL 30.94, 0.32%, 0.61%

LAB 66.35, 6.68, 21.59

 

CMYK 0 / 19 / 39 / 33

HEX #AA8A68

RGB 170 138 104

HSL 30.91, 0.28%, 0.54%

LAB 59.64, 7.32, 22.79

 

CMYK 0 / 22 / 44 / 40

HEX #997855

RGB 153 120 85

HSL 30.88, 0.29%, 0.47%

LAB 52.8, 8.08, 24.11

 

CMYK 0 / 25 / 51 / 47

HEX #886642

RGB 136 102 66

HSL 30.86, 0.35%, 0.4%

LAB 45.81, 9, 25.56

 

CMYK 0 / 29 / 61 / 53

HEX #77542F

RGB 119 84 47

HSL 30.83, 0.43%, 0.33%

LAB 38.67, 10.15, 27.14

 

CMYK 0 / 17 / 34 / 27

HEX #BB9C7B

RGB 187 156 123

HSL 30.94, 0.32%, 0.61%

LAB 66.35, 6.68, 21.59

 

CMYK 0 / 26 / 34 / 27

HEX #BB8B7B

RGB 187 139 123

HSL 15, 0.32%, 0.61%

LAB 62.05, 16.07, 15.69

 

CMYK 0 / 34 / 34 / 27

HEX #BB7B7B

RGB 187 123 123

HSL 0, 0.32%, 0.61%

LAB 58.19, 24.95, 10.29

 

CMYK 0 / 17 / 34 / 27

HEX #BB9C7B

RGB 187 156 123

HSL 30.94, 0.32%, 0.61%

LAB 66.35, 6.68, 21.59

 

CMYK 0 / 7 / 34 / 27

HEX #BBAD7B

RGB 187 173 123

HSL 46.88, 0.32%, 0.61%

LAB 70.79, -2.51, 27.55

 

CMYK 2 / 0 / 34 / 27

HEX #B7BB7B

RGB 183 187 123

HSL 63.75, 0.32%, 0.61%

LAB 74.21, -11.45, 32

 

CMYK 11 / 0 / 34 / 27

HEX #A6BB7B

RGB 166 187 123

HSL 79.69, 0.32%, 0.61%

LAB 72.94, -18.06, 30.09

 

CMYK 20 / 0 / 34 / 27

HEX #95BB7B

RGB 149 187 123

HSL 95.63, 0.32%, 0.61%

LAB 71.8, -24.41, 28.37

 

CMYK 0 / 17 / 34 / 27

HEX #BB9C7B

RGB 187 156 123

HSL 30.94, 0.32%, 0.61%

LAB 66.35, 6.68, 21.59

 

CMYK 0 / 23 / 47 / 20

HEX #CB9D6B

RGB 203 157 107

HSL 31.25, 0.48%, 0.61%

LAB 67.93, 10.87, 32.65

 

CMYK 0 / 28 / 58 / 14

HEX #DB9D5B

RGB 219 157 91

HSL 30.94, 0.64%, 0.61%

LAB 69.42, 16.12, 43.23

 

CMYK 0 / 33 / 68 / 8

HEX #EB9E4B

RGB 235 158 75

HSL 31.13, 0.8%, 0.61%

LAB 71.3, 21.21, 53.66

 

CMYK 0 / 37 / 76 / 2

HEX #FB9E3B

RGB 251 158 59

HSL 30.94, 0.96%, 0.61%

LAB 73.08, 27.08, 63.06

 

CMYK 0 / 17 / 34 / 27

HEX #BB9C7B

RGB 187 156 123

HSL 30.94, 0.32%, 0.61%

LAB 66.35, 6.68, 21.59

 

CMYK 0 / 9 / 19 / 33

HEX #AB9C8B

RGB 171 156 139

HSL 31.88, 0.16%, 0.61%

LAB 65.2, 2.64, 10.89

 

CMYK 0 / 0 / 0 / 39

HEX #9B9B9B

RGB 155 155 155

HSL 0, 0%, 0.61%

LAB 63.98, 0, -0.01

 

CMYK 19 / 9 / 0 / 33

HEX #8B9BAB

RGB 139 155 171

HSL 210, 0.16%, 0.61%

LAB 63.24, -2.17, -10.25

 

CMYK 35 / 18 / 0 / 26

HEX #7B9ABC

RGB 123 154 188

HSL 211.38, 0.33%, 0.61%

LAB 62.47, -2.39, -21.07

 

CMYK 0 / 34 / 33 / 27

HEX #BB7B7D

RGB 187 123 125

HSL 358.13, 0.32%, 0.61%

LAB 58.24, 25.21, 9.21

 

CMYK 0 / 26 / 34 / 27

HEX #BB8A7B

RGB 187 138 123

HSL 14.06, 0.32%, 0.61%

LAB 61.8, 16.62, 15.35

 

CMYK 0 / 17 / 34 / 27

HEX #BB9B7B

RGB 187 155 123

HSL 30, 0.32%, 0.61%

LAB 66.09, 7.23, 21.24

 

CMYK 0 / 8 / 34 / 27

HEX #BBAC7B

RGB 187 172 123

HSL 45.94, 0.32%, 0.61%

LAB 70.52, -1.97, 27.2

 

CMYK 1 / 0 / 34 / 27

HEX #B9BB7B

RGB 185 187 123

HSL 61.88, 0.32%, 0.61%

LAB 74.37, -10.66, 32.23

 

CMYK 0 / 23 / 49 / 41

HEX #96734D

RGB 150 115 77

HSL 31.23, 0.32%, 0.45%

LAB 51.01, 8.78, 26.26

 

CMYK 0 / 21 / 45 / 32

HEX #AD8860

RGB 173 136 96

HSL 31.17, 0.32%, 0.53%

LAB 59.29, 8.78, 26.83

 

CMYK 0 / 17 / 34 / 27

HEX #BB9C7B

RGB 187 156 123

HSL 30.94, 0.32%, 0.61%

LAB 66.35, 6.68, 21.59

 

CMYK 0 / 12 / 25 / 21

HEX #C9B096

RGB 201 176 150

HSL 30.59, 0.32%, 0.69%

LAB 73.33, 4.99, 16.64

 

CMYK 0 / 8 / 17 / 16

HEX #D7C5B2

RGB 215 197 178

HSL 30.81, 0.32%, 0.77%

LAB 80.51, 3.23, 11.81

 

CMYK 0 / 17 / 34 / 27

HEX #BB9C7B

RGB 187 156 123

HSL 30.94, 0.32%, 0.61%

LAB 66.35, 6.68, 21.59

 

CMYK 24 / 0 / 34 / 27

HEX #8EBB7B

RGB 142 187 123

HSL 102.19, 0.32%, 0.61%

LAB 71.37, -26.93, 27.72

 

CMYK 30 / 34 / 0 / 27

HEX #827BBB

RGB 130 123 187

HSL 246.56, 0.32%, 0.61%

LAB 54.55, 17.35, -32.68

 

CMYK 0 / 17 / 34 / 27

HEX #BB9C7B

RGB 187 156 123

HSL 30.94, 0.32%, 0.61%

LAB 66.35, 6.68, 21.59

 

CMYK 34 / 0 / 17 / 27

HEX #7BBB9B

RGB 123 187 155

HSL 150, 0.32%, 0.61%

LAB 70.95, -27.48, 9.78

 

CMYK 17 / 34 / 0 / 27

HEX #9B7BBB

RGB 155 123 187

HSL 270, 0.32%, 0.61%

LAB 56.8, 24.99, -29.01

 

CMYK 0 / 17 / 34 / 27

HEX #BB9C7B

RGB 187 156 123

HSL 30.94, 0.32%, 0.61%

LAB 66.35, 6.68, 21.59

 

CMYK 24 / 0 / 34 / 27

HEX #8EBB7B

RGB 142 187 123

HSL 102.19, 0.32%, 0.61%

LAB 71.37, -26.93, 27.72

 

CMYK 34 / 17 / 0 / 27

HEX #7B9BBB

RGB 123 155 187

HSL 210, 0.32%, 0.61%

LAB 62.71, -3.21, -20.14

 

CMYK 10 / 34 / 0 / 27

HEX #A87BBB

RGB 168 123 187

HSL 282.19, 0.32%, 0.61%

LAB 58.11, 29.12, -26.88

 

CMYK 0 / 17 / 34 / 27

HEX #BB9C7B

RGB 187 156 123

HSL 30.94, 0.32%, 0.61%

LAB 66.35, 6.68, 21.59

 

CMYK 34 / 0 / 34 / 27

HEX #7BBB7B

RGB 123 187 123

HSL 120, 0.32%, 0.61%

LAB 70.3, -33.41, 26.11

 

CMYK 34 / 17 / 0 / 27

HEX #7B9BBB

RGB 123 155 187

HSL 210, 0.32%, 0.61%

LAB 62.71, -3.21, -20.14

 

CMYK 0 / 34 / 0 / 27

HEX #BB7BBB

RGB 187 123 187

HSL 300, 0.32%, 0.61%

LAB 60.18, 35.24, -23.53

 

Description

Color code: HEX #BB9C7B | qconv.com Color code: HEX #BB9C7B | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 187 red, 156 green and 123 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
187 156 123 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 17 magenta, 34 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 17% 34% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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