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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BB9CC8 it is the complementary color #446337. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BB9CC8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BB9CC8 shade: #C09CC3, #D1AED6, #E2C0E9, #F3D2FC and #FFE4FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BB9CC8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BB9CC8 shade: #BB9CC8, #AA8AB5, #9978A2, #88668F and #77547C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BB9CC8 shade: #BB9CC8, #C79CC8, #C89CBD, #C89CB1 and #C89CA5

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BB9CC8 shade: #BB9CC8, #AF9CC8, #A39CC8 and #9C9CC8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BB9CC8 shade matches the following richer shades: #BB9CC8, #C08FD5, #C583E1, #CA77ED and #CF6AFA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BB9CC8 shade: #BB9CC8, #B6A8BC, #B1B5AF, #ACC1A3 and #A7CD97

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BB9CC8 shade: #A39CC8, #AF9CC8, #BB9CC8, #C79CC8 and #C89CBE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BB9CC8 shade: #9767AB, #A981BA, #BB9CC8, #CDB6D7 and #DFD1E5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BB9CC8 shade: #BB9CC8, #C89CA0 and #9CC8A9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BB9CC8 shade: #BB9CC8, #C8BB9C and #9CC8BB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BB9CC8 shade: #BB9CC8, #C89CA0, #A9C89C and #9CC8C4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BB9CC8 shade: #BB9CC8, #C8A59C, #A9C89C and #9CBFC8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 7 / 22 / 0 / 22

HEX #BB9CC8

RGB 187 156 200

HSL 282.27, 0.29%, 0.7%

LAB 68.4, 19.49, -18.29

 

Complementary color

CMYK 31 / 0 / 44 / 61

HEX #446337

RGB 68 99 55

HSL 102.27, 0.29%, 0.3%

LAB 38.6, -20.55, 21.44

 

CMYK 2 / 20 / 0 / 24

HEX #C09CC3

RGB 192 156 195

HSL 295.38, 0.25%, 0.69%

LAB 68.7, 20.18, -15.02

 

CMYK 2 / 19 / 0 / 16

HEX #D1AED6

RGB 209 174 214

HSL 292.5, 0.33%, 0.76%

LAB 75.25, 19.68, -15.44

 

CMYK 3 / 18 / 0 / 9

HEX #E2C0E9

RGB 226 192 233

HSL 289.76, 0.48%, 0.83%

LAB 81.7, 19.21, -15.85

 

CMYK 4 / 17 / 0 / 1

HEX #F3D2FC

RGB 243 210 252

HSL 287.14, 0.88%, 0.91%

LAB 88.05, 18.77, -16.25

 

CMYK 0 / 11 / 0 / 0

HEX #FFE4FF

RGB 255 228 255

HSL 300, 1%, 0.95%

LAB 93.44, 13.83, -9.68

 

CMYK 7 / 22 / 0 / 22

HEX #BB9CC8

RGB 187 156 200

HSL 282.27, 0.29%, 0.7%

LAB 68.4, 19.49, -18.29

 

CMYK 6 / 24 / 0 / 29

HEX #AA8AB5

RGB 170 138 181

HSL 284.65, 0.23%, 0.63%

LAB 61.71, 20.02, -17.95

 

CMYK 6 / 26 / 0 / 36

HEX #9978A2

RGB 153 120 162

HSL 287.14, 0.18%, 0.55%

LAB 54.88, 20.61, -17.6

 

CMYK 5 / 29 / 0 / 44

HEX #88668F

RGB 136 102 143

HSL 289.76, 0.17%, 0.48%

LAB 47.91, 21.26, -17.25

 

CMYK 4 / 32 / 0 / 51

HEX #77547C

RGB 119 84 124

HSL 292.5, 0.19%, 0.41%

LAB 40.76, 21.98, -16.89

 

CMYK 7 / 22 / 0 / 22

HEX #BB9CC8

RGB 187 156 200

HSL 282.27, 0.29%, 0.7%

LAB 68.4, 19.49, -18.29

 

CMYK 0 / 22 / 0 / 22

HEX #C79CC8

RGB 199 156 200

HSL 298.64, 0.29%, 0.7%

LAB 69.53, 23.51, -16.47

 

CMYK 0 / 22 / 5 / 22

HEX #C89CBD

RGB 200 156 189

HSL 315, 0.29%, 0.7%

LAB 69.28, 21.82, -10.74

 

CMYK 0 / 22 / 12 / 22

HEX #C89CB1

RGB 200 156 177

HSL 331.36, 0.29%, 0.7%

LAB 68.92, 19.72, -4.6

 

CMYK 0 / 22 / 18 / 22

HEX #C89CA5

RGB 200 156 165

HSL 347.73, 0.29%, 0.7%

LAB 68.59, 17.74, 1.6

 

CMYK 7 / 22 / 0 / 22

HEX #BB9CC8

RGB 187 156 200

HSL 282.27, 0.29%, 0.7%

LAB 68.4, 19.49, -18.29

 

CMYK 13 / 22 / 0 / 22

HEX #AF9CC8

RGB 175 156 200

HSL 265.91, 0.29%, 0.7%

LAB 67.32, 15.52, -20.02

 

CMYK 19 / 22 / 0 / 22

HEX #A39CC8

RGB 163 156 200

HSL 249.55, 0.29%, 0.7%

LAB 66.32, 11.64, -21.65

 

CMYK 22 / 22 / 0 / 22

HEX #9C9CC8

RGB 156 156 200

HSL 240, 0.29%, 0.7%

LAB 65.76, 9.43, -22.55

 

CMYK 7 / 22 / 0 / 22

HEX #BB9CC8

RGB 187 156 200

HSL 282.27, 0.29%, 0.7%

LAB 68.4, 19.49, -18.29

 

CMYK 10 / 33 / 0 / 16

HEX #C08FD5

RGB 192 143 213

HSL 282, 0.45%, 0.7%

LAB 66.26, 30.98, -28.74

 

CMYK 12 / 42 / 0 / 12

HEX #C583E1

RGB 197 131 225

HSL 282.13, 0.61%, 0.7%

LAB 64.6, 41.53, -37.95

 

CMYK 15 / 50 / 0 / 7

HEX #CA77ED

RGB 202 119 237

HSL 282.2, 0.77%, 0.7%

LAB 63.23, 51.73, -46.7

 

CMYK 17 / 58 / 0 / 2

HEX #CF6AFA

RGB 207 106 250

HSL 282.08, 0.94%, 0.7%

LAB 62.06, 62.09, -55.7

 

CMYK 7 / 22 / 0 / 22

HEX #BB9CC8

RGB 187 156 200

HSL 282.27, 0.29%, 0.7%

LAB 68.4, 19.49, -18.29

 

CMYK 3 / 11 / 0 / 26

HEX #B6A8BC

RGB 182 168 188

HSL 282, 0.13%, 0.7%

LAB 70.58, 8.76, -8.41

 

CMYK 2 / 0 / 3 / 29

HEX #B1B5AF

RGB 177 181 175

HSL 100, 0.04%, 0.7%

LAB 73.21, -2.52, 2.55

 

CMYK 11 / 0 / 16 / 24

HEX #ACC1A3

RGB 172 193 163

HSL 102, 0.19%, 0.7%

LAB 75.8, -12.74, 12.72

 

CMYK 19 / 0 / 26 / 20

HEX #A7CD97

RGB 167 205 151

HSL 102.22, 0.35%, 0.7%

LAB 78.53, -22.56, 22.86

 

CMYK 19 / 22 / 0 / 22

HEX #A39CC8

RGB 163 156 200

HSL 249.55, 0.29%, 0.7%

LAB 66.32, 11.64, -21.65

 

CMYK 13 / 22 / 0 / 22

HEX #AF9CC8

RGB 175 156 200

HSL 265.91, 0.29%, 0.7%

LAB 67.32, 15.52, -20.02

 

CMYK 7 / 22 / 0 / 22

HEX #BB9CC8

RGB 187 156 200

HSL 282.27, 0.29%, 0.7%

LAB 68.4, 19.49, -18.29

 

CMYK 0 / 22 / 0 / 22

HEX #C79CC8

RGB 199 156 200

HSL 298.64, 0.29%, 0.7%

LAB 69.53, 23.51, -16.47

 

CMYK 0 / 22 / 5 / 22

HEX #C89CBE

RGB 200 156 190

HSL 313.64, 0.29%, 0.7%

LAB 69.31, 22, -11.25

 

CMYK 12 / 40 / 0 / 33

HEX #9767AB

RGB 151 103 171

HSL 282.35, 0.29%, 0.54%

LAB 50.94, 31.65, -28.91

 

CMYK 9 / 31 / 0 / 27

HEX #A981BA

RGB 169 129 186

HSL 282.11, 0.29%, 0.62%

LAB 59.6, 25.83, -24.01

 

CMYK 7 / 22 / 0 / 22

HEX #BB9CC8

RGB 187 156 200

HSL 282.27, 0.29%, 0.7%

LAB 68.4, 19.49, -18.29

 

CMYK 5 / 15 / 0 / 16

HEX #CDB6D7

RGB 205 182 215

HSL 281.82, 0.29%, 0.78%

LAB 76.89, 14.18, -13.57

 

CMYK 3 / 9 / 0 / 10

HEX #DFD1E5

RGB 223 209 229

HSL 282, 0.28%, 0.86%

LAB 85.48, 8.42, -8.1

 

CMYK 7 / 22 / 0 / 22

HEX #BB9CC8

RGB 187 156 200

HSL 282.27, 0.29%, 0.7%

LAB 68.4, 19.49, -18.29

 

CMYK 0 / 22 / 20 / 22

HEX #C89CA0

RGB 200 156 160

HSL 354.55, 0.29%, 0.7%

LAB 68.46, 16.96, 4.2

 

CMYK 22 / 0 / 16 / 22

HEX #9CC8A9

RGB 156 200 169

HSL 137.73, 0.29%, 0.7%

LAB 76.82, -20.71, 10.81

 

CMYK 7 / 22 / 0 / 22

HEX #BB9CC8

RGB 187 156 200

HSL 282.27, 0.29%, 0.7%

LAB 68.4, 19.49, -18.29

 

CMYK 0 / 7 / 22 / 22

HEX #C8BB9C

RGB 200 187 156

HSL 42.27, 0.29%, 0.7%

LAB 76.2, -0.4, 17.38

 

CMYK 22 / 0 / 7 / 22

HEX #9CC8BB

RGB 156 200 187

HSL 162.27, 0.29%, 0.7%

LAB 77.26, -17.15, 1.74

 

CMYK 7 / 22 / 0 / 22

HEX #BB9CC8

RGB 187 156 200

HSL 282.27, 0.29%, 0.7%

LAB 68.4, 19.49, -18.29

 

CMYK 0 / 22 / 20 / 22

HEX #C89CA0

RGB 200 156 160

HSL 354.55, 0.29%, 0.7%

LAB 68.46, 16.96, 4.2

 

CMYK 16 / 0 / 22 / 22

HEX #A9C89C

RGB 169 200 156

HSL 102.27, 0.29%, 0.7%

LAB 77.37, -18.55, 18.64

 

CMYK 22 / 0 / 2 / 22

HEX #9CC8C4

RGB 156 200 196

HSL 174.55, 0.29%, 0.7%

LAB 77.5, -15.25, -2.76

 

CMYK 7 / 22 / 0 / 22

HEX #BB9CC8

RGB 187 156 200

HSL 282.27, 0.29%, 0.7%

LAB 68.4, 19.49, -18.29

 

CMYK 0 / 18 / 22 / 22

HEX #C8A59C

RGB 200 165 156

HSL 12.27, 0.29%, 0.7%

LAB 70.59, 11.43, 9.47

 

CMYK 16 / 0 / 22 / 22

HEX #A9C89C

RGB 169 200 156

HSL 102.27, 0.29%, 0.7%

LAB 77.37, -18.55, 18.64

 

CMYK 22 / 5 / 0 / 22

HEX #9CBFC8

RGB 156 191 200

HSL 192.27, 0.29%, 0.7%

LAB 75.14, -9.7, -8.41

 

Description

Color code: HEX #BB9CC8 | qconv.com Color code: HEX #BB9CC8 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 187 red, 156 green and 200 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
187 156 200 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 7 cyan, 22 magenta, none yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
7% 22% 0% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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