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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BB9ED0 it is the complementary color #44612F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BB9ED0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BB9ED0 shade: #C09ECB, #D1B0DE, #E2C2F1, #F3D4FF and #FFE6FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BB9ED0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BB9ED0 shade: #BB9ED0, #AA8CBD, #997AAA, #886897 and #775684

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BB9ED0 shade: #BB9ED0, #C99ED0, #D09ECA, #D09EBD and #D09EAF

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BB9ED0 shade: #BB9ED0, #AE9ED0, #A09ED0 and #9E9ED0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BB9ED0 shade matches the following richer shades: #BB9ED0, #BD93DC, #BF87E7, #C17BF3 and #C270FE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BB9ED0 shade: #BB9ED0, #B9AAC5, #B7B5B9, #B6C1AD and #B4CCA2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BB9ED0 shade: #A09ED0, #AD9ED0, #BA9ED0, #C89ED0 and #D09ECB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BB9ED0 shade: #9466B5, #A882C3, #BB9ED0, #CFBADD and #E2D6EB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BB9ED0 shade: #BB9ED0, #D09EAA and #9ED0A6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BB9ED0 shade: #BB9ED0, #D0BA9E and #9ED0BA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BB9ED0 shade: #BB9ED0, #D09EAA, #B4D09E and #9ED0C4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BB9ED0 shade: #BB9ED0, #D0A19E, #B4D09E and #9ECDD0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 10 / 24 / 0 / 18

HEX #BB9ED0

RGB 187 158 208

HSL 274.8, 0.35%, 0.72%

LAB 69.16, 20.01, -21.56

 

Complementary color

CMYK 30 / 0 / 52 / 62

HEX #44612F

RGB 68 97 47

HSL 94.8, 0.35%, 0.28%

LAB 37.81, -20.67, 25

 

CMYK 5 / 22 / 0 / 20

HEX #C09ECB

RGB 192 158 203

HSL 285.33, 0.3%, 0.71%

LAB 69.45, 20.64, -18.32

 

CMYK 6 / 21 / 0 / 13

HEX #D1B0DE

RGB 209 176 222

HSL 283.04, 0.41%, 0.78%

LAB 76, 20.14, -18.67

 

CMYK 6 / 20 / 0 / 5

HEX #E2C2F1

RGB 226 194 241

HSL 280.85, 0.63%, 0.85%

LAB 82.43, 19.67, -19.02

 

CMYK 5 / 17 / 0 / 0

HEX #F3D4FF

RGB 243 212 255

HSL 283.26, 1%, 0.92%

LAB 88.62, 18.28, -16.98

 

CMYK 0 / 10 / 0 / 0

HEX #FFE6FF

RGB 255 230 255

HSL 300, 1%, 0.95%

LAB 93.91, 12.79, -8.97

 

CMYK 10 / 24 / 0 / 18

HEX #BB9ED0

RGB 187 158 208

HSL 274.8, 0.35%, 0.72%

LAB 69.16, 20.01, -21.56

 

CMYK 10 / 26 / 0 / 26

HEX #AA8CBD

RGB 170 140 189

HSL 276.73, 0.27%, 0.65%

LAB 62.49, 20.55, -21.28

 

CMYK 10 / 28 / 0 / 33

HEX #997AAA

RGB 153 122 170

HSL 278.75, 0.22%, 0.57%

LAB 55.68, 21.15, -21.01

 

CMYK 10 / 31 / 0 / 41

HEX #886897

RGB 136 104 151

HSL 280.85, 0.18%, 0.5%

LAB 48.72, 21.8, -20.74

 

CMYK 10 / 35 / 0 / 48

HEX #775684

RGB 119 86 132

HSL 283.04, 0.21%, 0.43%

LAB 41.6, 22.53, -20.48

 

CMYK 10 / 24 / 0 / 18

HEX #BB9ED0

RGB 187 158 208

HSL 274.8, 0.35%, 0.72%

LAB 69.16, 20.01, -21.56

 

CMYK 3 / 24 / 0 / 18

HEX #C99ED0

RGB 201 158 208

HSL 291.6, 0.35%, 0.72%

LAB 70.47, 24.61, -19.45

 

CMYK 0 / 24 / 3 / 18

HEX #D09ECA

RGB 208 158 202

HSL 307.2, 0.35%, 0.72%

LAB 70.96, 25.82, -15.33

 

CMYK 0 / 24 / 9 / 18

HEX #D09EBD

RGB 208 158 189

HSL 322.8, 0.35%, 0.72%

LAB 70.55, 23.51, -8.75

 

CMYK 0 / 24 / 16 / 18

HEX #D09EAF

RGB 208 158 175

HSL 339.6, 0.35%, 0.72%

LAB 70.15, 21.18, -1.58

 

CMYK 10 / 24 / 0 / 18

HEX #BB9ED0

RGB 187 158 208

HSL 274.8, 0.35%, 0.72%

LAB 69.16, 20.01, -21.56

 

CMYK 16 / 24 / 0 / 18

HEX #AE9ED0

RGB 174 158 208

HSL 259.2, 0.35%, 0.72%

LAB 68.03, 15.82, -23.4

 

CMYK 23 / 24 / 0 / 18

HEX #A09ED0

RGB 160 158 208

HSL 242.4, 0.35%, 0.72%

LAB 66.89, 11.43, -25.24

 

CMYK 24 / 24 / 0 / 18

HEX #9E9ED0

RGB 158 158 208

HSL 240, 0.35%, 0.72%

LAB 66.73, 10.81, -25.49

 

CMYK 10 / 24 / 0 / 18

HEX #BB9ED0

RGB 187 158 208

HSL 274.8, 0.35%, 0.72%

LAB 69.16, 20.01, -21.56

 

CMYK 14 / 33 / 0 / 14

HEX #BD93DC

RGB 189 147 220

HSL 274.52, 0.51%, 0.72%

LAB 67.17, 29.3, -31.24

 

CMYK 17 / 42 / 0 / 9

HEX #BF87E7

RGB 191 135 231

HSL 275, 0.67%, 0.72%

LAB 65.1, 38.89, -40.53

 

CMYK 21 / 49 / 0 / 5

HEX #C17BF3

RGB 193 123 243

HSL 275, 0.83%, 0.72%

LAB 63.32, 48.52, -49.94

 

CMYK 24 / 56 / 0 / 0

HEX #C270FE

RGB 194 112 254

HSL 274.65, 0.99%, 0.72%

LAB 61.84, 56.86, -58.36

 

CMYK 10 / 24 / 0 / 18

HEX #BB9ED0

RGB 187 158 208

HSL 274.8, 0.35%, 0.72%

LAB 69.16, 20.01, -21.56

 

CMYK 6 / 14 / 0 / 23

HEX #B9AAC5

RGB 185 170 197

HSL 273.33, 0.19%, 0.72%

LAB 71.62, 10.46, -11.8

 

CMYK 1 / 2 / 0 / 27

HEX #B7B5B9

RGB 183 181 185

HSL 270, 0.03%, 0.72%

LAB 73.94, 1.45, -1.79

 

CMYK 6 / 0 / 10 / 24

HEX #B6C1AD

RGB 182 193 173

HSL 93, 0.14%, 0.72%

LAB 76.74, -7.45, 8.77

 

CMYK 12 / 0 / 21 / 20

HEX #B4CCA2

RGB 180 204 162

HSL 94.29, 0.29%, 0.72%

LAB 79.33, -15.68, 18.28

 

CMYK 23 / 24 / 0 / 18

HEX #A09ED0

RGB 160 158 208

HSL 242.4, 0.35%, 0.72%

LAB 66.89, 11.43, -25.24

 

CMYK 17 / 24 / 0 / 18

HEX #AD9ED0

RGB 173 158 208

HSL 258, 0.35%, 0.72%

LAB 67.94, 15.5, -23.53

 

CMYK 11 / 24 / 0 / 18

HEX #BA9ED0

RGB 186 158 208

HSL 273.6, 0.35%, 0.72%

LAB 69.07, 19.69, -21.7

 

CMYK 4 / 24 / 0 / 18

HEX #C89ED0

RGB 200 158 208

HSL 290.4, 0.35%, 0.72%

LAB 70.38, 24.28, -19.6

 

CMYK 0 / 24 / 2 / 18

HEX #D09ECB

RGB 208 158 203

HSL 306, 0.35%, 0.72%

LAB 70.99, 26.01, -15.84

 

CMYK 18 / 44 / 0 / 29

HEX #9466B5

RGB 148 102 181

HSL 274.94, 0.35%, 0.55%

LAB 50.84, 33.53, -34.9

 

CMYK 14 / 33 / 0 / 24

HEX #A882C3

RGB 168 130 195

HSL 275.08, 0.35%, 0.64%

LAB 60.1, 26.87, -28.36

 

CMYK 10 / 24 / 0 / 18

HEX #BB9ED0

RGB 187 158 208

HSL 274.8, 0.35%, 0.72%

LAB 69.16, 20.01, -21.56

 

CMYK 6 / 16 / 0 / 13

HEX #CFBADD

RGB 207 186 221

HSL 276, 0.34%, 0.8%

LAB 78.23, 13.85, -14.78

 

CMYK 4 / 9 / 0 / 8

HEX #E2D6EB

RGB 226 214 235

HSL 274.29, 0.34%, 0.88%

LAB 87.12, 7.9, -8.81

 

CMYK 10 / 24 / 0 / 18

HEX #BB9ED0

RGB 187 158 208

HSL 274.8, 0.35%, 0.72%

LAB 69.16, 20.01, -21.56

 

CMYK 0 / 24 / 18 / 18

HEX #D09EAA

RGB 208 158 170

HSL 345.6, 0.35%, 0.72%

LAB 70.01, 20.38, 0.99

 

CMYK 24 / 0 / 20 / 18

HEX #9ED0A6

RGB 158 208 166

HSL 129.6, 0.35%, 0.72%

LAB 79.12, -24.56, 15.66

 

CMYK 10 / 24 / 0 / 18

HEX #BB9ED0

RGB 187 158 208

HSL 274.8, 0.35%, 0.72%

LAB 69.16, 20.01, -21.56

 

CMYK 0 / 11 / 24 / 18

HEX #D0BA9E

RGB 208 186 158

HSL 33.6, 0.35%, 0.72%

LAB 76.68, 3.47, 17.06

 

CMYK 24 / 0 / 11 / 18

HEX #9ED0BA

RGB 158 208 186

HSL 153.6, 0.35%, 0.72%

LAB 79.57, -20.76, 5.64

 

CMYK 10 / 24 / 0 / 18

HEX #BB9ED0

RGB 187 158 208

HSL 274.8, 0.35%, 0.72%

LAB 69.16, 20.01, -21.56

 

CMYK 0 / 24 / 18 / 18

HEX #D09EAA

RGB 208 158 170

HSL 345.6, 0.35%, 0.72%

LAB 70.01, 20.38, 0.99

 

CMYK 13 / 0 / 24 / 18

HEX #B4D09E

RGB 180 208 158

HSL 93.6, 0.35%, 0.72%

LAB 80.34, -18.33, 21.8

 

CMYK 24 / 0 / 6 / 18

HEX #9ED0C4

RGB 158 208 196

HSL 165.6, 0.35%, 0.72%

LAB 79.82, -18.71, 0.65

 

CMYK 10 / 24 / 0 / 18

HEX #BB9ED0

RGB 187 158 208

HSL 274.8, 0.35%, 0.72%

LAB 69.16, 20.01, -21.56

 

CMYK 0 / 23 / 24 / 18

HEX #D0A19E

RGB 208 161 158

HSL 3.6, 0.35%, 0.72%

LAB 70.43, 16.94, 8.26

 

CMYK 13 / 0 / 24 / 18

HEX #B4D09E

RGB 180 208 158

HSL 93.6, 0.35%, 0.72%

LAB 80.34, -18.33, 21.8

 

CMYK 24 / 1 / 0 / 18

HEX #9ECDD0

RGB 158 205 208

HSL 183.6, 0.35%, 0.72%

LAB 79.32, -14.59, -6.52

 

Description

Color code: HEX #BB9ED0 | qconv.com Color code: HEX #BB9ED0 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 187 red, 158 green and 208 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
187 158 208 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 10 cyan, 24 magenta, none yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
10% 24% 0% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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