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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BB9EE4 it is the complementary color #44611B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BB9EE4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BB9EE4 shade: #C09EDF, #D1B0F2, #E2C2FF, #F3D4FF and #FFE6FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BB9EE4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BB9EE4 shade: #BB9EE4, #AA8CD1, #997ABE, #8868AB and #775698

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BB9EE4 shade: #BB9FE4, #CE9FE4, #E09FE4, #E49FD4 and #E49FC2

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BB9EE4 shade: #BB9FE4, #A99FE4 and #9F9FE4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BB9EE4 shade matches the following richer shades: #BB9FE4, #BA95ED and #B88BF7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BB9EE4 shade: #BB9FE4, #BDA9DA, #BFB3D0, #C1BDC6 and #C2C7BC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BB9EE4 shade: #9FA8E4, #A89FE4, #BA9FE4, #CD9FE4 and #DF9FE4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BB9EE4 shade: #8E5FD1, #A57FDA, #BB9FE4, #D2BFED and #E9DFF6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BB9EE4 shade: #BB9EE4, #E49FBA and #9FE49F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BB9EE4 shade: #BB9EE4, #E4BA9F and #9FE4BA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BB9EE4 shade: #BB9EE4, #E49FBA, #C8E49F and #9FE4C8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BB9EE4 shade: #BB9EE4, #E49FA6, #C8E49F and #9FE4DD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 18 / 31 / 0 / 11

HEX #BB9EE4

RGB 187 158 228

HSL 264.86, 0.56%, 0.76%

LAB 69.91, 24.32, -31.43

 

Complementary color

CMYK 30 / 0 / 72 / 62

HEX #44611B

RGB 68 97 27

HSL 84.86, 0.56%, 0.24%

LAB 37.59, -22.83, 34.96

 

CMYK 14 / 29 / 0 / 13

HEX #C09EDF

RGB 192 158 223

HSL 271.38, 0.5%, 0.75%

LAB 70.17, 24.77, -28.25

 

CMYK 14 / 27 / 0 / 5

HEX #D1B0F2

RGB 209 176 242

HSL 270, 0.72%, 0.82%

LAB 76.69, 24.2, -28.44

 

CMYK 11 / 24 / 0 / 0

HEX #E2C2FF

RGB 226 194 255

HSL 271.48, 1%, 0.88%

LAB 82.9, 22.45, -25.78

 

CMYK 5 / 17 / 0 / 0

HEX #F3D4FF

RGB 243 212 255

HSL 283.26, 1%, 0.92%

LAB 88.62, 18.28, -16.98

 

CMYK 0 / 10 / 0 / 0

HEX #FFE6FF

RGB 255 230 255

HSL 300, 1%, 0.95%

LAB 93.91, 12.79, -8.97

 

CMYK 18 / 31 / 0 / 11

HEX #BB9EE4

RGB 187 158 228

HSL 264.86, 0.56%, 0.76%

LAB 69.91, 24.32, -31.43

 

CMYK 19 / 33 / 0 / 18

HEX #AA8CD1

RGB 170 140 209

HSL 266.09, 0.43%, 0.68%

LAB 63.26, 24.94, -31.31

 

CMYK 19 / 36 / 0 / 25

HEX #997ABE

RGB 153 122 190

HSL 267.35, 0.34%, 0.61%

LAB 56.5, 25.63, -31.22

 

CMYK 20 / 39 / 0 / 33

HEX #8868AB

RGB 136 104 171

HSL 268.66, 0.29%, 0.54%

LAB 49.59, 26.39, -31.15

 

CMYK 22 / 43 / 0 / 40

HEX #775698

RGB 119 86 152

HSL 270, 0.28%, 0.47%

LAB 42.53, 27.23, -31.1

 

CMYK 18 / 30 / 0 / 11

HEX #BB9FE4

RGB 187 159 228

HSL 264.35, 0.56%, 0.76%

LAB 70.15, 23.76, -31.06

 

CMYK 10 / 30 / 0 / 11

HEX #CE9FE4

RGB 206 159 228

HSL 280.87, 0.56%, 0.76%

LAB 71.91, 29.65, -28.2

 

CMYK 2 / 30 / 0 / 11

HEX #E09FE4

RGB 224 159 228

HSL 296.52, 0.56%, 0.76%

LAB 73.7, 35.34, -25.29

 

CMYK 0 / 30 / 7 / 11

HEX #E49FD4

RGB 228 159 212

HSL 313.91, 0.56%, 0.76%

LAB 73.57, 33.76, -16.69

 

CMYK 0 / 30 / 15 / 11

HEX #E49FC2

RGB 228 159 194

HSL 329.57, 0.56%, 0.76%

LAB 73.01, 30.77, -7.63

 

CMYK 18 / 30 / 0 / 11

HEX #BB9FE4

RGB 187 159 228

HSL 264.35, 0.56%, 0.76%

LAB 70.15, 23.76, -31.06

 

CMYK 26 / 30 / 0 / 11

HEX #A99FE4

RGB 169 159 228

HSL 248.7, 0.56%, 0.76%

LAB 68.63, 18.35, -33.53

 

CMYK 30 / 30 / 0 / 11

HEX #9F9FE4

RGB 159 159 228

HSL 240, 0.56%, 0.76%

LAB 67.85, 15.45, -34.8

 

CMYK 18 / 30 / 0 / 11

HEX #BB9FE4

RGB 187 159 228

HSL 264.35, 0.56%, 0.76%

LAB 70.15, 23.76, -31.06

 

CMYK 22 / 37 / 0 / 7

HEX #BA95ED

RGB 186 149 237

HSL 265.23, 0.71%, 0.76%

LAB 68.06, 31.06, -39.25

 

CMYK 26 / 44 / 0 / 3

HEX #B88BF7

RGB 184 139 247

HSL 265, 0.87%, 0.76%

LAB 66.04, 38.35, -47.92

 

CMYK 18 / 30 / 0 / 11

HEX #BB9FE4

RGB 187 159 228

HSL 264.35, 0.56%, 0.76%

LAB 70.15, 23.76, -31.06

 

CMYK 13 / 22 / 0 / 15

HEX #BDA9DA

RGB 189 169 218

HSL 264.49, 0.4%, 0.76%

LAB 72.4, 16.67, -22.11

 

CMYK 8 / 14 / 0 / 18

HEX #BFB3D0

RGB 191 179 208

HSL 264.83, 0.24%, 0.76%

LAB 74.74, 9.76, -13.09

 

CMYK 3 / 5 / 0 / 22

HEX #C1BDC6

RGB 193 189 198

HSL 266.67, 0.07%, 0.76%

LAB 77.17, 3.07, -4.03

 

CMYK 3 / 0 / 6 / 22

HEX #C2C7BC

RGB 194 199 188

HSL 87.27, 0.09%, 0.76%

LAB 79.58, -3.72, 4.89

 

CMYK 30 / 26 / 0 / 11

HEX #9FA8E4

RGB 159 168 228

HSL 232.17, 0.56%, 0.76%

LAB 70.16, 10.38, -31.22

 

CMYK 26 / 30 / 0 / 11

HEX #A89FE4

RGB 168 159 228

HSL 247.83, 0.56%, 0.76%

LAB 68.55, 18.05, -33.66

 

CMYK 18 / 30 / 0 / 11

HEX #BA9FE4

RGB 186 159 228

HSL 263.48, 0.56%, 0.76%

LAB 70.06, 23.45, -31.2

 

CMYK 10 / 30 / 0 / 11

HEX #CD9FE4

RGB 205 159 228

HSL 280, 0.56%, 0.76%

LAB 71.81, 29.34, -28.36

 

CMYK 2 / 30 / 0 / 11

HEX #DF9FE4

RGB 223 159 228

HSL 295.65, 0.56%, 0.76%

LAB 73.6, 35.02, -25.46

 

CMYK 32 / 55 / 0 / 18

HEX #8E5FD1

RGB 142 95 209

HSL 264.74, 0.55%, 0.6%

LAB 50.14, 42.59, -52.17

 

CMYK 24 / 42 / 0 / 15

HEX #A57FDA

RGB 165 127 218

HSL 265.05, 0.55%, 0.68%

LAB 60.1, 32.92, -41.31

 

CMYK 18 / 30 / 0 / 11

HEX #BB9FE4

RGB 187 159 228

HSL 264.35, 0.56%, 0.76%

LAB 70.15, 23.76, -31.06

 

CMYK 11 / 19 / 0 / 7

HEX #D2BFED

RGB 210 191 237

HSL 264.78, 0.56%, 0.84%

LAB 80.22, 15.34, -20.36

 

CMYK 5 / 9 / 0 / 4

HEX #E9DFF6

RGB 233 223 246

HSL 266.09, 0.56%, 0.92%

LAB 90.21, 7.56, -9.96

 

CMYK 18 / 31 / 0 / 11

HEX #BB9EE4

RGB 187 158 228

HSL 264.86, 0.56%, 0.76%

LAB 69.91, 24.32, -31.43

 

CMYK 0 / 30 / 18 / 11

HEX #E49FBA

RGB 228 159 186

HSL 336.52, 0.56%, 0.76%

LAB 72.78, 29.52, -3.56

 

CMYK 30 / 0 / 30 / 11

HEX #9FE49F

RGB 159 228 159

HSL 120, 0.56%, 0.76%

LAB 84.67, -34.92, 26.98

 

CMYK 18 / 31 / 0 / 11

HEX #BB9EE4

RGB 187 158 228

HSL 264.86, 0.56%, 0.76%

LAB 69.91, 24.32, -31.43

 

CMYK 0 / 18 / 30 / 11

HEX #E4BA9F

RGB 228 186 159

HSL 23.48, 0.56%, 0.76%

LAB 78.53, 11.24, 19.38

 

CMYK 30 / 0 / 18 / 11

HEX #9FE4BA

RGB 159 228 186

HSL 143.48, 0.56%, 0.76%

LAB 85.2, -30.17, 13.69

 

CMYK 18 / 31 / 0 / 11

HEX #BB9EE4

RGB 187 158 228

HSL 264.86, 0.56%, 0.76%

LAB 69.91, 24.32, -31.43

 

CMYK 0 / 30 / 18 / 11

HEX #E49FBA

RGB 228 159 186

HSL 336.52, 0.56%, 0.76%

LAB 72.78, 29.52, -3.56

 

CMYK 12 / 0 / 30 / 11

HEX #C8E49F

RGB 200 228 159

HSL 84.35, 0.56%, 0.76%

LAB 87.13, -20.86, 30.71

 

CMYK 30 / 0 / 12 / 11

HEX #9FE4C8

RGB 159 228 200

HSL 155.65, 0.56%, 0.76%

LAB 85.52, -27.42, 6.79

 

CMYK 18 / 31 / 0 / 11

HEX #BB9EE4

RGB 187 158 228

HSL 264.86, 0.56%, 0.76%

LAB 69.91, 24.32, -31.43

 

CMYK 0 / 30 / 27 / 11

HEX #E49FA6

RGB 228 159 166

HSL 353.91, 0.56%, 0.76%

LAB 72.26, 26.61, 6.72

 

CMYK 12 / 0 / 30 / 11

HEX #C8E49F

RGB 200 228 159

HSL 84.35, 0.56%, 0.76%

LAB 87.13, -20.86, 30.71

 

CMYK 30 / 0 / 3 / 11

HEX #9FE4DD

RGB 159 228 221

HSL 173.91, 0.56%, 0.76%

LAB 86.05, -22.96, -3.5

 

Description

Color code: HEX #BB9EE4 | qconv.com Color code: HEX #BB9EE4 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 187 red, 158 green and 228 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
187 158 228 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 18 cyan, 31 magenta, none yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
18% 31% 0% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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