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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BBA5DE it is the complementary color #445A21. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BBA5DE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BBA5DE shade: #C0A5D9, #D1B7EC, #E2C9FF, #F3DBFF and #FFEDFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BBA5DE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BBA5DE shade: #BBA5DE, #AA93CB, #9981B8, #886FA5 and #775D92

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BBA5DE shade: #BBA5DD, #CAA5DD, #D9A5DD, #DDA5D2 and #DDA5C3

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BBA5DE shade: #BBA5DD, #ACA5DD and #A5A5DD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BBA5DE shade matches the following richer shades: #BBA5DD, #B99BE7, #B691F1 and #B487FB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BBA5DE shade: #BBA5DD, #BDAFD4, #BFB9CA, #C2C3C0 and #C4CDB6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BBA5DE shade: #A5AEDD, #ACA5DD, #BBA5DD, #CAA5DD and #D9A5DD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BBA5DE shade: #8D69C7, #A487D2, #BBA5DD, #D2C3E9 and #E8E1F4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BBA5DE shade: #BBA5DE, #DDA5BD and #A6DDA5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BBA5DE shade: #BBA5DE, #DDBBA5 and #A5DDBB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BBA5DE shade: #BBA5DE, #DDA5BD, #C8DDA5 and #A5DDC6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BBA5DE shade: #BBA5DE, #DDA5AC, #C8DDA5 and #A5DDD7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 16 / 26 / 0 / 13

HEX #BBA5DE

RGB 187 165 222

HSL 263.16, 0.46%, 0.76%

LAB 71.38, 19.11, -25.87

 

Complementary color

CMYK 24 / 0 / 63 / 65

HEX #445A21

RGB 68 90 33

HSL 83.16, 0.46%, 0.24%

LAB 35.3, -18.63, 29.59

 

CMYK 12 / 24 / 0 / 15

HEX #C0A5D9

RGB 192 165 217

HSL 271.15, 0.41%, 0.75%

LAB 71.64, 19.63, -22.7

 

CMYK 11 / 22 / 0 / 7

HEX #D1B7EC

RGB 209 183 236

HSL 269.43, 0.58%, 0.82%

LAB 78.16, 19.15, -22.97

 

CMYK 11 / 21 / 0 / 0

HEX #E2C9FF

RGB 226 201 255

HSL 267.78, 1%, 0.89%

LAB 84.57, 18.7, -23.24

 

CMYK 5 / 14 / 0 / 0

HEX #F3DBFF

RGB 243 219 255

HSL 280, 1%, 0.93%

LAB 90.29, 14.6, -14.47

 

CMYK 0 / 7 / 0 / 0

HEX #FFEDFF

RGB 255 237 255

HSL 300, 1%, 0.96%

LAB 95.6, 9.18, -6.47

 

CMYK 16 / 26 / 0 / 13

HEX #BBA5DE

RGB 187 165 222

HSL 263.16, 0.46%, 0.76%

LAB 71.38, 19.11, -25.87

 

CMYK 16 / 28 / 0 / 20

HEX #AA93CB

RGB 170 147 203

HSL 264.64, 0.35%, 0.69%

LAB 64.74, 19.63, -25.68

 

CMYK 17 / 30 / 0 / 28

HEX #9981B8

RGB 153 129 184

HSL 266.18, 0.28%, 0.61%

LAB 57.97, 20.21, -25.51

 

CMYK 18 / 33 / 0 / 35

HEX #886FA5

RGB 136 111 165

HSL 267.78, 0.23%, 0.54%

LAB 51.06, 20.85, -25.36

 

CMYK 18 / 36 / 0 / 43

HEX #775D92

RGB 119 93 146

HSL 269.43, 0.22%, 0.47%

LAB 43.98, 21.56, -25.24

 

CMYK 15 / 25 / 0 / 13

HEX #BBA5DD

RGB 187 165 221

HSL 263.57, 0.45%, 0.76%

LAB 71.35, 18.89, -25.38

 

CMYK 9 / 25 / 0 / 13

HEX #CAA5DD

RGB 202 165 221

HSL 279.64, 0.45%, 0.76%

LAB 72.69, 23.67, -23.21

 

CMYK 2 / 25 / 0 / 13

HEX #D9A5DD

RGB 217 165 221

HSL 295.71, 0.45%, 0.76%

LAB 74.11, 28.54, -20.91

 

CMYK 0 / 25 / 5 / 13

HEX #DDA5D2

RGB 221 165 210

HSL 311.79, 0.45%, 0.76%

LAB 74.15, 27.85, -14.8

 

CMYK 0 / 25 / 12 / 13

HEX #DDA5C3

RGB 221 165 195

HSL 327.86, 0.45%, 0.76%

LAB 73.69, 25.27, -7.26

 

CMYK 15 / 25 / 0 / 13

HEX #BBA5DD

RGB 187 165 221

HSL 263.57, 0.45%, 0.76%

LAB 71.35, 18.89, -25.38

 

CMYK 22 / 25 / 0 / 13

HEX #ACA5DD

RGB 172 165 221

HSL 247.5, 0.45%, 0.76%

LAB 70.11, 14.23, -27.39

 

CMYK 25 / 25 / 0 / 13

HEX #A5A5DD

RGB 165 165 221

HSL 240, 0.45%, 0.76%

LAB 69.56, 12.11, -28.27

 

CMYK 15 / 25 / 0 / 13

HEX #BBA5DD

RGB 187 165 221

HSL 263.57, 0.45%, 0.76%

LAB 71.35, 18.89, -25.38

 

CMYK 20 / 33 / 0 / 9

HEX #B99BE7

RGB 185 155 231

HSL 263.68, 0.61%, 0.76%

LAB 69.13, 26.05, -34.29

 

CMYK 24 / 40 / 0 / 5

HEX #B691F1

RGB 182 145 241

HSL 263.13, 0.77%, 0.76%

LAB 66.94, 33.06, -43.22

 

CMYK 28 / 46 / 0 / 2

HEX #B487FB

RGB 180 135 251

HSL 263.28, 0.94%, 0.76%

LAB 64.96, 40.44, -51.83

 

CMYK 15 / 25 / 0 / 13

HEX #BBA5DD

RGB 187 165 221

HSL 263.57, 0.45%, 0.76%

LAB 71.35, 18.89, -25.38

 

CMYK 11 / 17 / 0 / 17

HEX #BDAFD4

RGB 189 175 212

HSL 262.7, 0.3%, 0.76%

LAB 73.7, 12.1, -16.87

 

CMYK 5 / 8 / 0 / 21

HEX #BFB9CA

RGB 191 185 202

HSL 261.18, 0.14%, 0.76%

LAB 76.09, 5.31, -7.81

 

CMYK 1 / 0 / 2 / 24

HEX #C2C3C0

RGB 194 195 192

HSL 80, 0.02%, 0.76%

LAB 78.64, -0.89, 1.37

 

CMYK 4 / 0 / 11 / 20

HEX #C4CDB6

RGB 196 205 182

HSL 83.48, 0.19%, 0.76%

LAB 81.17, -7.18, 10.4

 

CMYK 25 / 21 / 0 / 13

HEX #A5AEDD

RGB 165 174 221

HSL 230.36, 0.45%, 0.76%

LAB 71.89, 7.1, -24.7

 

CMYK 22 / 25 / 0 / 13

HEX #ACA5DD

RGB 172 165 221

HSL 247.5, 0.45%, 0.76%

LAB 70.11, 14.23, -27.39

 

CMYK 15 / 25 / 0 / 13

HEX #BBA5DD

RGB 187 165 221

HSL 263.57, 0.45%, 0.76%

LAB 71.35, 18.89, -25.38

 

CMYK 9 / 25 / 0 / 13

HEX #CAA5DD

RGB 202 165 221

HSL 279.64, 0.45%, 0.76%

LAB 72.69, 23.67, -23.21

 

CMYK 2 / 25 / 0 / 13

HEX #D9A5DD

RGB 217 165 221

HSL 295.71, 0.45%, 0.76%

LAB 74.11, 28.54, -20.91

 

CMYK 29 / 47 / 0 / 22

HEX #8D69C7

RGB 141 105 199

HSL 262.98, 0.46%, 0.6%

LAB 51.71, 34.14, -43.96

 

CMYK 22 / 36 / 0 / 18

HEX #A487D2

RGB 164 135 210

HSL 263.2, 0.45%, 0.68%

LAB 61.55, 26.2, -34.58

 

CMYK 15 / 25 / 0 / 13

HEX #BBA5DD

RGB 187 165 221

HSL 263.57, 0.45%, 0.76%

LAB 71.35, 18.89, -25.38

 

CMYK 10 / 16 / 0 / 9

HEX #D2C3E9

RGB 210 195 233

HSL 263.68, 0.46%, 0.84%

LAB 81.08, 12.37, -16.92

 

CMYK 5 / 8 / 0 / 4

HEX #E8E1F4

RGB 232 225 244

HSL 262.11, 0.46%, 0.92%

LAB 90.57, 5.82, -8.39

 

CMYK 16 / 26 / 0 / 13

HEX #BBA5DE

RGB 187 165 222

HSL 263.16, 0.46%, 0.76%

LAB 71.38, 19.11, -25.87

 

CMYK 0 / 25 / 14 / 13

HEX #DDA5BD

RGB 221 165 189

HSL 334.29, 0.45%, 0.76%

LAB 73.52, 24.29, -4.21

 

CMYK 25 / 0 / 25 / 13

HEX #A6DDA5

RGB 166 221 165

HSL 118.93, 0.45%, 0.76%

LAB 83.2, -28.37, 21.92

 

CMYK 16 / 26 / 0 / 13

HEX #BBA5DE

RGB 187 165 222

HSL 263.16, 0.46%, 0.76%

LAB 71.38, 19.11, -25.87

 

CMYK 0 / 15 / 25 / 13

HEX #DDBBA5

RGB 221 187 165

HSL 23.57, 0.45%, 0.76%

LAB 78.25, 8.86, 15.66

 

CMYK 25 / 0 / 15 / 13

HEX #A5DDBB

RGB 165 221 187

HSL 143.57, 0.45%, 0.76%

LAB 83.6, -24.76, 10.93

 

CMYK 16 / 26 / 0 / 13

HEX #BBA5DE

RGB 187 165 222

HSL 263.16, 0.46%, 0.76%

LAB 71.38, 19.11, -25.87

 

CMYK 0 / 25 / 14 / 13

HEX #DDA5BD

RGB 221 165 189

HSL 334.29, 0.45%, 0.76%

LAB 73.52, 24.29, -4.21

 

CMYK 10 / 0 / 25 / 13

HEX #C8DDA5

RGB 200 221 165

HSL 82.5, 0.45%, 0.76%

LAB 85.36, -16.55, 25.23

 

CMYK 25 / 0 / 10 / 13

HEX #A5DDC6

RGB 165 221 198

HSL 155.36, 0.45%, 0.76%

LAB 83.86, -22.61, 5.49

 

CMYK 16 / 26 / 0 / 13

HEX #BBA5DE

RGB 187 165 222

HSL 263.16, 0.46%, 0.76%

LAB 71.38, 19.11, -25.87

 

CMYK 0 / 25 / 22 / 13

HEX #DDA5AC

RGB 221 165 172

HSL 352.5, 0.45%, 0.76%

LAB 73.06, 21.66, 4.48

 

CMYK 10 / 0 / 25 / 13

HEX #C8DDA5

RGB 200 221 165

HSL 82.5, 0.45%, 0.76%

LAB 85.36, -16.55, 25.23

 

CMYK 25 / 0 / 3 / 13

HEX #A5DDD7

RGB 165 221 215

HSL 173.57, 0.45%, 0.76%

LAB 84.29, -19.08, -2.88

 

Description

Color code: HEX #BBA5DE | qconv.com Color code: HEX #BBA5DE | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 187 red, 165 green and 222 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
187 165 222 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 16 cyan, 26 magenta, none yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
16% 26% 0% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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