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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BBA0EC it is the complementary color #445F13. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BBA0EC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BBA0EC shade: #C0A0E7, #D1B2FA, #E2C4FF, #F3D6FF and #FFE8FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BBA0EC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BBA0EC shade: #BBA0EC, #AA8ED9, #997CC6, #886AB3 and #7758A0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BBA0EC shade: #BCA1EC, #D0A1EC, #E4A1EC, #ECA1E0 and #ECA1CB

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BBA0EC shade: #BCA1EC, #A7A1EC and #A1A1EC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BBA0EC shade matches the following richer shades: #BCA1EC, #B998F5 and #B68FFE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BBA0EC shade: #BCA1EC, #BEAAE3, #C1B3DA, #C3BCD1 and #C6C5C8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BBA0EC shade: #A1AFEC, #A7A1EC, #BBA1EC, #CFA1EC and #E3A1EC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BBA0EC shade: #8A5CDE, #A37EE5, #BCA1EC, #D4C3F3 and #EDE6FA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BBA0EC shade: #BBA0EC, #ECA1C3 and #A5ECA1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BBA0EC shade: #BBA0EC, #ECBBA1 and #A1ECBB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BBA0EC shade: #BBA0EC, #ECA1C3, #D2ECA1 and #A1ECCA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BBA0EC shade: #BBA0EC, #ECA1AC, #D2ECA1 and #A1ECE1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 21 / 32 / 0 / 7

HEX #BBA0EC

RGB 187 160 236

HSL 261.32, 0.67%, 0.78%

LAB 70.71, 25, -34.57

 

Complementary color

CMYK 28 / 0 / 80 / 63

HEX #445F13

RGB 68 95 19

HSL 81.32, 0.67%, 0.22%

LAB 36.86, -22.38, 37.54

 

CMYK 17 / 31 / 0 / 9

HEX #C0A0E7

RGB 192 160 231

HSL 267.04, 0.6%, 0.77%

LAB 70.95, 25.4, -31.42

 

CMYK 16 / 29 / 0 / 2

HEX #D1B2FA

RGB 209 178 250

HSL 265.83, 0.88%, 0.84%

LAB 77.46, 24.81, -31.57

 

CMYK 11 / 23 / 0 / 0

HEX #E2C4FF

RGB 226 196 255

HSL 270.51, 1%, 0.88%

LAB 83.37, 21.37, -25.06

 

CMYK 5 / 16 / 0 / 0

HEX #F3D6FF

RGB 243 214 255

HSL 282.44, 1%, 0.92%

LAB 89.1, 17.23, -16.27

 

CMYK 0 / 9 / 0 / 0

HEX #FFE8FF

RGB 255 232 255

HSL 300, 1%, 0.95%

LAB 94.39, 11.75, -8.26

 

CMYK 21 / 32 / 0 / 7

HEX #BBA0EC

RGB 187 160 236

HSL 261.32, 0.67%, 0.78%

LAB 70.71, 25, -34.57

 

CMYK 22 / 35 / 0 / 15

HEX #AA8ED9

RGB 170 142 217

HSL 262.4, 0.5%, 0.7%

LAB 64.08, 25.65, -34.5

 

CMYK 23 / 37 / 0 / 22

HEX #997CC6

RGB 153 124 198

HSL 263.51, 0.39%, 0.63%

LAB 57.33, 26.37, -34.46

 

CMYK 24 / 41 / 0 / 30

HEX #886AB3

RGB 136 106 179

HSL 264.66, 0.32%, 0.56%

LAB 50.45, 27.15, -34.45

 

CMYK 26 / 45 / 0 / 37

HEX #7758A0

RGB 119 88 160

HSL 265.83, 0.29%, 0.49%

LAB 43.42, 28.02, -34.47

 

CMYK 20 / 32 / 0 / 7

HEX #BCA1EC

RGB 188 161 236

HSL 261.6, 0.66%, 0.78%

LAB 71.03, 24.74, -34.06

 

CMYK 12 / 32 / 0 / 7

HEX #D0A1EC

RGB 208 161 236

HSL 277.6, 0.66%, 0.78%

LAB 72.86, 30.82, -31.08

 

CMYK 3 / 32 / 0 / 7

HEX #E4A1EC

RGB 228 161 236

HSL 293.6, 0.66%, 0.78%

LAB 74.85, 37.04, -27.86

 

CMYK 0 / 32 / 5 / 7

HEX #ECA1E0

RGB 236 161 224

HSL 309.6, 0.66%, 0.78%

LAB 75.27, 37.4, -20.61

 

CMYK 0 / 32 / 14 / 7

HEX #ECA1CB

RGB 236 161 203

HSL 326.4, 0.66%, 0.78%

LAB 74.59, 33.89, -10.14

 

CMYK 20 / 32 / 0 / 7

HEX #BCA1EC

RGB 188 161 236

HSL 261.6, 0.66%, 0.78%

LAB 71.03, 24.74, -34.06

 

CMYK 29 / 32 / 0 / 7

HEX #A7A1EC

RGB 167 161 236

HSL 244.8, 0.66%, 0.78%

LAB 69.3, 18.6, -36.89

 

CMYK 32 / 32 / 0 / 7

HEX #A1A1EC

RGB 161 161 236

HSL 240, 0.66%, 0.78%

LAB 68.84, 16.9, -37.64

 

CMYK 20 / 32 / 0 / 7

HEX #BCA1EC

RGB 188 161 236

HSL 261.6, 0.66%, 0.78%

LAB 71.03, 24.74, -34.06

 

CMYK 24 / 38 / 0 / 4

HEX #B998F5

RGB 185 152 245

HSL 261.29, 0.82%, 0.78%

LAB 69.01, 30.95, -42.14

 

CMYK 28 / 44 / 0 / 0

HEX #B68FFE

RGB 182 143 254

HSL 261.08, 0.98%, 0.78%

LAB 67.09, 37.27, -50.1

 

CMYK 20 / 32 / 0 / 7

HEX #BCA1EC

RGB 188 161 236

HSL 261.6, 0.66%, 0.78%

LAB 71.03, 24.74, -34.06

 

CMYK 16 / 25 / 0 / 11

HEX #BEAAE3

RGB 190 170 227

HSL 261.05, 0.5%, 0.78%

LAB 73.05, 18.37, -26.03

 

CMYK 11 / 18 / 0 / 15

HEX #C1B3DA

RGB 193 179 218

HSL 261.54, 0.35%, 0.78%

LAB 75.23, 12.46, -17.79

 

CMYK 7 / 10 / 0 / 18

HEX #C3BCD1

RGB 195 188 209

HSL 260, 0.19%, 0.78%

LAB 77.38, 6.42, -9.66

 

CMYK 1 / 1 / 0 / 22

HEX #C6C5C8

RGB 198 197 200

HSL 260, 0.03%, 0.78%

LAB 79.68, 0.9, -1.39

 

CMYK 32 / 26 / 0 / 7

HEX #A1AFEC

RGB 161 175 236

HSL 228.8, 0.66%, 0.78%

LAB 72.42, 9.04, -32.08

 

CMYK 29 / 32 / 0 / 7

HEX #A7A1EC

RGB 167 161 236

HSL 244.8, 0.66%, 0.78%

LAB 69.3, 18.6, -36.89

 

CMYK 21 / 32 / 0 / 7

HEX #BBA1EC

RGB 187 161 236

HSL 260.8, 0.66%, 0.78%

LAB 70.95, 24.44, -34.2

 

CMYK 12 / 32 / 0 / 7

HEX #CFA1EC

RGB 207 161 236

HSL 276.8, 0.66%, 0.78%

LAB 72.77, 30.52, -31.24

 

CMYK 4 / 32 / 0 / 7

HEX #E3A1EC

RGB 227 161 236

HSL 292.8, 0.66%, 0.78%

LAB 74.75, 36.72, -28.02

 

CMYK 38 / 59 / 0 / 13

HEX #8A5CDE

RGB 138 92 222

HSL 261.23, 0.66%, 0.62%

LAB 49.9, 46.64, -59.98

 

CMYK 29 / 45 / 0 / 10

HEX #A37EE5

RGB 163 126 229

HSL 261.55, 0.66%, 0.7%

LAB 60.22, 35.6, -47.29

 

CMYK 20 / 32 / 0 / 7

HEX #BCA1EC

RGB 188 161 236

HSL 261.6, 0.66%, 0.78%

LAB 71.03, 24.74, -34.06

 

CMYK 13 / 20 / 0 / 5

HEX #D4C3F3

RGB 212 195 243

HSL 261.25, 0.67%, 0.86%

LAB 81.56, 15.05, -21.52

 

CMYK 5 / 8 / 0 / 2

HEX #EDE6FA

RGB 237 230 250

HSL 261, 0.67%, 0.94%

LAB 92.35, 5.98, -8.83

 

CMYK 21 / 32 / 0 / 7

HEX #BBA0EC

RGB 187 160 236

HSL 261.32, 0.67%, 0.78%

LAB 70.71, 25, -34.57

 

CMYK 0 / 32 / 17 / 7

HEX #ECA1C3

RGB 236 161 195

HSL 332.8, 0.66%, 0.78%

LAB 74.36, 32.64, -6.09

 

CMYK 30 / 0 / 32 / 7

HEX #A5ECA1

RGB 165 236 161

HSL 116.8, 0.66%, 0.78%

LAB 87.27, -36.34, 29.52

 

CMYK 21 / 32 / 0 / 7

HEX #BBA0EC

RGB 187 160 236

HSL 261.32, 0.67%, 0.78%

LAB 70.71, 25, -34.57

 

CMYK 0 / 21 / 32 / 7

HEX #ECBBA1

RGB 236 187 161

HSL 20.8, 0.66%, 0.78%

LAB 79.58, 14.03, 19.89

 

CMYK 32 / 0 / 21 / 7

HEX #A1ECBB

RGB 161 236 187

HSL 140.8, 0.66%, 0.78%

LAB 87.56, -33.13, 16.5

 

CMYK 21 / 32 / 0 / 7

HEX #BBA0EC

RGB 187 160 236

HSL 261.32, 0.67%, 0.78%

LAB 70.71, 25, -34.57

 

CMYK 0 / 32 / 17 / 7

HEX #ECA1C3

RGB 236 161 195

HSL 332.8, 0.66%, 0.78%

LAB 74.36, 32.64, -6.09

 

CMYK 11 / 0 / 32 / 7

HEX #D2ECA1

RGB 210 236 161

HSL 80.8, 0.66%, 0.78%

LAB 89.98, -20.86, 33.62

 

CMYK 32 / 0 / 14 / 7

HEX #A1ECCA

RGB 161 236 202

HSL 152.8, 0.66%, 0.78%

LAB 87.89, -30.24, 9.15

 

CMYK 21 / 32 / 0 / 7

HEX #BBA0EC

RGB 187 160 236

HSL 261.32, 0.67%, 0.78%

LAB 70.71, 25, -34.57

 

CMYK 0 / 32 / 27 / 7

HEX #ECA1AC

RGB 236 161 172

HSL 351.2, 0.66%, 0.78%

LAB 73.74, 29.3, 5.66

 

CMYK 11 / 0 / 32 / 7

HEX #D2ECA1

RGB 210 236 161

HSL 80.8, 0.66%, 0.78%

LAB 89.98, -20.86, 33.62

 

CMYK 32 / 0 / 5 / 7

HEX #A1ECE1

RGB 161 236 225

HSL 171.2, 0.66%, 0.78%

LAB 88.45, -25.42, -2.06

 

Description

Color code: HEX #BBA0EC | qconv.com Color code: HEX #BBA0EC | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 187 red, 160 green and 236 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
187 160 236 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 21 cyan, 32 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
21% 32% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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