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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BBA218 it is the complementary color #445DE7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BBA218. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BBA218 shade: #C0A213, #D1B426, #E2C639, #F3D84C and #FFEA5F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BBA218. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BBA218 shade: #BBA218, #AA9005, #997E00, #886C00 and #775A00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BBA218 shade: #B9A018, #B97418, #B94918, #B91E18 and #B91818

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BBA218 shade: #B9A018, #A6B918, #7AB918, #4FB918 and #24B918

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BBA218 shade matches the following richer shades: #B9A018 and #C9AC07

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BBA218 shade: #B9A018, #A89428, #978839, #867D4A and #75715B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BBA218 shade: #B94818, #B97318, #B99E18, #A8B918 and #7EB918

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BBA218 shade: #70610E, #948013, #B9A018, #DDC01C and #E5CC3D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BBA218 shade: #BBA218, #18B91D and #5D18B9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BBA218 shade: #BBA218, #18B99E and #9E18B9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BBA218 shade: #BBA218, #18B91D, #1832B9 and #B918B3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BBA218 shade: #BBA218, #18B94D, #1832B9 and #B91883

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 13 / 87 / 27

HEX #BBA218

RGB 187 162 24

HSL 50.8, 0.77%, 0.41%

LAB 66.88, -3.77, 66.22

 

Complementary color

CMYK 71 / 60 / 0 / 9

HEX #445DE7

RGB 68 93 231

HSL 230.8, 0.77%, 0.59%

LAB 45.4, 36.29, -72.62

 

CMYK 0 / 16 / 90 / 25

HEX #C0A213

RGB 192 162 19

HSL 49.6, 0.82%, 0.41%

LAB 67.35, -1.64, 67.84

 

CMYK 0 / 14 / 82 / 18

HEX #D1B426

RGB 209 180 38

HSL 49.82, 0.69%, 0.48%

LAB 73.76, -3.18, 69.24

 

CMYK 0 / 12 / 75 / 11

HEX #E2C639

RGB 226 198 57

HSL 50.06, 0.74%, 0.55%

LAB 80.1, -4.49, 69.56

 

CMYK 0 / 11 / 69 / 5

HEX #F3D84C

RGB 243 216 76

HSL 50.3, 0.87%, 0.63%

LAB 86.35, -5.62, 69.23

 

CMYK 0 / 8 / 63 / 0

HEX #FFEA5F

RGB 255 234 95

HSL 52.13, 1%, 0.69%

LAB 92.1, -8.63, 67.94

 

CMYK 0 / 13 / 87 / 27

HEX #BBA218

RGB 187 162 24

HSL 50.8, 0.77%, 0.41%

LAB 66.88, -3.77, 66.22

 

CMYK 0 / 15 / 97 / 33

HEX #AA9005

RGB 170 144 5

HSL 50.55, 0.94%, 0.34%

LAB 60.34, -2.09, 63.81

 

CMYK 0 / 18 / 100 / 40

HEX #997E00

RGB 153 126 0

HSL 49.41, 1%, 0.3%

LAB 53.7, -0.11, 59.09

 

CMYK 0 / 21 / 100 / 47

HEX #886C00

RGB 136 108 0

HSL 47.65, 1%, 0.27%

LAB 46.92, 2.05, 53.5

 

CMYK 0 / 24 / 100 / 53

HEX #775A00

RGB 119 90 0

HSL 45.38, 1%, 0.23%

LAB 39.97, 4.34, 47.78

 

CMYK 0 / 14 / 87 / 27

HEX #B9A018

RGB 185 160 24

HSL 50.68, 0.77%, 0.41%

LAB 66.15, -3.6, 65.56

 

CMYK 0 / 37 / 87 / 27

HEX #B97418

RGB 185 116 24

HSL 34.29, 0.77%, 0.41%

LAB 54.94, 20.53, 56.46

 

CMYK 0 / 61 / 87 / 27

HEX #B94918

RGB 185 73 24

HSL 18.26, 0.77%, 0.41%

LAB 45.83, 43.04, 49.02

 

CMYK 0 / 84 / 87 / 27

HEX #B91E18

RGB 185 30 24

HSL 2.24, 0.77%, 0.41%

LAB 40.1, 58.73, 44.31

 

CMYK 0 / 87 / 87 / 27

HEX #B91818

RGB 185 24 24

HSL 0, 0.77%, 0.41%

LAB 39.64, 60.03, 43.93

 

CMYK 0 / 14 / 87 / 27

HEX #B9A018

RGB 185 160 24

HSL 50.68, 0.77%, 0.41%

LAB 66.15, -3.6, 65.56

 

CMYK 10 / 0 / 87 / 27

HEX #A6B918

RGB 166 185 24

HSL 67.08, 0.77%, 0.41%

LAB 71.47, -24.74, 69.23

 

CMYK 34 / 0 / 87 / 27

HEX #7AB918

RGB 122 185 24

HSL 83.48, 0.77%, 0.41%

LAB 68.68, -42.35, 65.78

 

CMYK 57 / 0 / 87 / 27

HEX #4FB918

RGB 79 185 24

HSL 99.5, 0.77%, 0.41%

LAB 66.84, -56.08, 63.48

 

CMYK 81 / 0 / 87 / 27

HEX #24B918

RGB 36 185 24

HSL 115.53, 0.77%, 0.41%

LAB 65.86, -64.42, 62.23

 

CMYK 0 / 14 / 87 / 27

HEX #B9A018

RGB 185 160 24

HSL 50.68, 0.77%, 0.41%

LAB 66.15, -3.6, 65.56

 

CMYK 0 / 14 / 97 / 21

HEX #C9AC07

RGB 201 172 7

HSL 51.03, 0.93%, 0.41%

LAB 70.83, -3.1, 72.57

 

CMYK 0 / 14 / 87 / 27

HEX #B9A018

RGB 185 160 24

HSL 50.68, 0.77%, 0.41%

LAB 66.15, -3.6, 65.56

 

CMYK 0 / 12 / 76 / 34

HEX #A89428

RGB 168 148 40

HSL 50.63, 0.62%, 0.41%

LAB 61.36, -4.26, 56.01

 

CMYK 0 / 10 / 62 / 41

HEX #978839

RGB 151 136 57

HSL 50.43, 0.45%, 0.41%

LAB 56.57, -4.39, 43.42

 

CMYK 0 / 7 / 45 / 47

HEX #867D4A

RGB 134 125 74

HSL 51, 0.29%, 0.41%

LAB 52.1, -4.27, 28.97

 

CMYK 0 / 3 / 22 / 54

HEX #75715B

RGB 117 113 91

HSL 50.77, 0.13%, 0.41%

LAB 47.43, -2.42, 12.79

 

CMYK 0 / 61 / 87 / 27

HEX #B94818

RGB 185 72 24

HSL 17.89, 0.77%, 0.41%

LAB 45.65, 43.5, 48.88

 

CMYK 0 / 38 / 87 / 27

HEX #B97318

RGB 185 115 24

HSL 33.91, 0.77%, 0.41%

LAB 54.7, 21.08, 56.27

 

CMYK 0 / 15 / 87 / 27

HEX #B99E18

RGB 185 158 24

HSL 49.94, 0.77%, 0.41%

LAB 65.62, -2.53, 65.13

 

CMYK 9 / 0 / 87 / 27

HEX #A8B918

RGB 168 185 24

HSL 66.34, 0.77%, 0.41%

LAB 71.62, -23.89, 69.42

 

CMYK 32 / 0 / 87 / 27

HEX #7EB918

RGB 126 185 24

HSL 81.99, 0.77%, 0.41%

LAB 68.9, -40.86, 66.05

 

CMYK 0 / 13 / 88 / 56

HEX #70610E

RGB 112 97 14

HSL 50.82, 0.78%, 0.25%

LAB 41.26, -2.87, 44.62

 

CMYK 0 / 14 / 87 / 42

HEX #948013

RGB 148 128 19

HSL 50.7, 0.77%, 0.33%

LAB 53.79, -3.2, 55.19

 

CMYK 0 / 14 / 87 / 27

HEX #B9A018

RGB 185 160 24

HSL 50.68, 0.77%, 0.41%

LAB 66.15, -3.6, 65.56

 

CMYK 0 / 13 / 87 / 13

HEX #DDC01C

RGB 221 192 28

HSL 50.98, 0.78%, 0.49%

LAB 77.97, -4.44, 75.6

 

CMYK 0 / 11 / 73 / 10

HEX #E5CC3D

RGB 229 204 61

HSL 51.07, 0.76%, 0.57%

LAB 81.94, -6.12, 70.01

 

CMYK 0 / 13 / 87 / 27

HEX #BBA218

RGB 187 162 24

HSL 50.8, 0.77%, 0.41%

LAB 66.88, -3.77, 66.22

 

CMYK 87 / 0 / 84 / 27

HEX #18B91D

RGB 24 185 29

HSL 121.86, 0.77%, 0.41%

LAB 65.73, -65.45, 60.92

 

CMYK 50 / 87 / 0 / 27

HEX #5D18B9

RGB 93 24 185

HSL 265.71, 0.77%, 0.41%

LAB 30.6, 60.64, -70.2

 

CMYK 0 / 13 / 87 / 27

HEX #BBA218

RGB 187 162 24

HSL 50.8, 0.77%, 0.41%

LAB 66.88, -3.77, 66.22

 

CMYK 87 / 0 / 15 / 27

HEX #18B99E

RGB 24 185 158

HSL 169.94, 0.77%, 0.41%

LAB 67.55, -44.54, 2.87

 

CMYK 15 / 87 / 0 / 27

HEX #9E18B9

RGB 158 24 185

HSL 289.94, 0.77%, 0.41%

LAB 40.29, 69.79, -53.98

 

CMYK 0 / 13 / 87 / 27

HEX #BBA218

RGB 187 162 24

HSL 50.8, 0.77%, 0.41%

LAB 66.88, -3.77, 66.22

 

CMYK 87 / 0 / 84 / 27

HEX #18B91D

RGB 24 185 29

HSL 121.86, 0.77%, 0.41%

LAB 65.73, -65.45, 60.92

 

CMYK 87 / 73 / 0 / 27

HEX #1832B9

RGB 24 50 185

HSL 230.31, 0.77%, 0.41%

LAB 29.36, 42.68, -72.42

 

CMYK 0 / 87 / 3 / 27

HEX #B918B3

RGB 185 24 179

HSL 302.24, 0.77%, 0.41%

LAB 44.55, 73.56, -43.35

 

CMYK 0 / 13 / 87 / 27

HEX #BBA218

RGB 187 162 24

HSL 50.8, 0.77%, 0.41%

LAB 66.88, -3.77, 66.22

 

CMYK 87 / 0 / 58 / 27

HEX #18B94D

RGB 24 185 77

HSL 139.75, 0.77%, 0.41%

LAB 66.08, -61.11, 43.4

 

CMYK 87 / 73 / 0 / 27

HEX #1832B9

RGB 24 50 185

HSL 230.31, 0.77%, 0.41%

LAB 29.36, 42.68, -72.42

 

CMYK 0 / 87 / 29 / 27

HEX #B91883

RGB 185 24 131

HSL 320.12, 0.77%, 0.41%

LAB 42.16, 67.2, -18.17

 

Description

Color code: HEX #BBA218 | qconv.com Color code: HEX #BBA218 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 187 red, 162 green and 24 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
187 162 24 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 13 magenta, 87 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 13% 87% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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