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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BBA367 it is the complementary color #445C98. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BBA367. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BBA367 shade: #C0A362, #D1B575, #E2C788, #F3D99B and #FFEBAE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BBA367. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BBA367 shade: #BBA367, #AA9154, #997F41, #886D2E and #775B1B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BBA367 shade: #BBA367, #BB8C67, #BB7667 and #BB6767

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BBA367 shade: #BBA367, #BBB967, #A5BB67, #8FBB67 and #78BB67

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BBA367 shade matches the following richer shades: #BBA367, #CCAA55, #DEB244 and #F0BA32

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BBA367 shade: #BBA367, #A99B79, #97948B, #858C9C and #7484AE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BBA367 shade: #BB7567, #BB8B67, #BBA267, #BBB867 and #A7BB67

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BBA367 shade: #8F7940, #AC914D, #BBA367, #C7B484 and #D4C5A0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BBA367 shade: #BBA367, #70BB67 and #8067BB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BBA367 shade: #BBA367, #67BBA2 and #A267BB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BBA367 shade: #BBA367, #70BB67, #6780BB and #B267BB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BBA367 shade: #BBA367, #67BB78, #6780BB and #BB67AA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 13 / 45 / 27

HEX #BBA367

RGB 187 163 103

HSL 42.86, 0.38%, 0.57%

LAB 67.83, 0.57, 34.33

 

Complementary color

CMYK 55 / 39 / 0 / 40

HEX #445C98

RGB 68 92 152

HSL 222.86, 0.38%, 0.43%

LAB 39.83, 9.33, -35.64

 

CMYK 0 / 15 / 49 / 25

HEX #C0A362

RGB 192 163 98

HSL 41.49, 0.43%, 0.57%

LAB 68.23, 2.16, 37.54

 

CMYK 0 / 13 / 44 / 18

HEX #D1B575

RGB 209 181 117

HSL 41.74, 0.5%, 0.64%

LAB 74.75, 1.47, 36.25

 

CMYK 0 / 12 / 40 / 11

HEX #E2C788

RGB 226 199 136

HSL 42, 0.61%, 0.71%

LAB 81.18, 0.87, 35.02

 

CMYK 0 / 11 / 36 / 5

HEX #F3D99B

RGB 243 217 155

HSL 42.27, 0.79%, 0.78%

LAB 87.51, 0.36, 33.86

 

CMYK 0 / 8 / 32 / 0

HEX #FFEBAE

RGB 255 235 174

HSL 45.19, 1%, 0.84%

LAB 93.33, -1.98, 32.11

 

CMYK 0 / 13 / 45 / 27

HEX #BBA367

RGB 187 163 103

HSL 42.86, 0.38%, 0.57%

LAB 67.83, 0.57, 34.33

 

CMYK 0 / 15 / 51 / 33

HEX #AA9154

RGB 170 145 84

HSL 42.56, 0.34%, 0.5%

LAB 61.17, 1.28, 35.64

 

CMYK 0 / 17 / 58 / 40

HEX #997F41

RGB 153 127 65

HSL 42.27, 0.4%, 0.43%

LAB 54.38, 2.15, 36.99

 

CMYK 0 / 20 / 66 / 47

HEX #886D2E

RGB 136 109 46

HSL 42, 0.49%, 0.36%

LAB 47.45, 3.23, 38.29

 

CMYK 0 / 24 / 77 / 53

HEX #775B1B

RGB 119 91 27

HSL 41.74, 0.63%, 0.29%

LAB 40.38, 4.6, 39.29

 

CMYK 0 / 13 / 45 / 27

HEX #BBA367

RGB 187 163 103

HSL 42.86, 0.38%, 0.57%

LAB 67.83, 0.57, 34.33

 

CMYK 0 / 25 / 45 / 27

HEX #BB8C67

RGB 187 140 103

HSL 26.43, 0.38%, 0.57%

LAB 61.91, 13.16, 26.69

 

CMYK 0 / 37 / 45 / 27

HEX #BB7667

RGB 187 118 103

HSL 10.71, 0.38%, 0.57%

LAB 56.59, 25.35, 19.59

 

CMYK 0 / 45 / 45 / 27

HEX #BB6767

RGB 187 103 103

HSL 0, 0.38%, 0.57%

LAB 53.22, 33.52, 14.98

 

CMYK 0 / 13 / 45 / 27

HEX #BBA367

RGB 187 163 103

HSL 42.86, 0.38%, 0.57%

LAB 67.83, 0.57, 34.33

 

CMYK 0 / 1 / 45 / 27

HEX #BBB967

RGB 187 185 103

HSL 58.57, 0.38%, 0.57%

LAB 73.7, -11.05, 41.67

 

CMYK 12 / 0 / 45 / 27

HEX #A5BB67

RGB 165 187 103

HSL 75.71, 0.38%, 0.57%

LAB 72.57, -20.91, 39.9

 

CMYK 24 / 0 / 45 / 27

HEX #8FBB67

RGB 143 187 103

HSL 91.43, 0.38%, 0.57%

LAB 71.12, -29.33, 37.77

 

CMYK 36 / 0 / 45 / 27

HEX #78BB67

RGB 120 187 103

HSL 107.86, 0.38%, 0.57%

LAB 69.83, -37.42, 35.88

 

CMYK 0 / 13 / 45 / 27

HEX #BBA367

RGB 187 163 103

HSL 42.86, 0.38%, 0.57%

LAB 67.83, 0.57, 34.33

 

CMYK 0 / 17 / 58 / 20

HEX #CCAA55

RGB 204 170 85

HSL 42.86, 0.54%, 0.57%

LAB 71.04, 2.37, 47.72

 

CMYK 0 / 20 / 69 / 13

HEX #DEB244

RGB 222 178 68

HSL 42.86, 0.7%, 0.57%

LAB 74.69, 4.73, 59.92

 

CMYK 0 / 23 / 79 / 6

HEX #F0BA32

RGB 240 186 50

HSL 42.95, 0.86%, 0.57%

LAB 78.39, 7.45, 70.83

 

CMYK 0 / 13 / 45 / 27

HEX #BBA367

RGB 187 163 103

HSL 42.86, 0.38%, 0.57%

LAB 67.83, 0.57, 34.33

 

CMYK 0 / 8 / 28 / 34

HEX #A99B79

RGB 169 155 121

HSL 42.5, 0.22%, 0.57%

LAB 64.37, -0.28, 19.72

 

CMYK 0 / 2 / 8 / 41

HEX #97948B

RGB 151 148 139

HSL 45, 0.05%, 0.57%

LAB 61.33, -0.57, 5.14

 

CMYK 15 / 10 / 0 / 39

HEX #858C9C

RGB 133 140 156

HSL 221.74, 0.1%, 0.57%

LAB 58.17, 0.87, -9.35

 

CMYK 33 / 24 / 0 / 32

HEX #7484AE

RGB 116 132 174

HSL 223.45, 0.26%, 0.57%

LAB 55.35, 4.45, -24.08

 

CMYK 0 / 37 / 45 / 27

HEX #BB7567

RGB 187 117 103

HSL 10, 0.38%, 0.57%

LAB 56.35, 25.91, 19.27

 

CMYK 0 / 26 / 45 / 27

HEX #BB8B67

RGB 187 139 103

HSL 25.71, 0.38%, 0.57%

LAB 61.66, 13.71, 26.36

 

CMYK 0 / 13 / 45 / 27

HEX #BBA267

RGB 187 162 103

HSL 42.14, 0.38%, 0.57%

LAB 67.56, 1.11, 33.99

 

CMYK 0 / 2 / 45 / 27

HEX #BBB867

RGB 187 184 103

HSL 57.86, 0.38%, 0.57%

LAB 73.43, -10.53, 41.33

 

CMYK 11 / 0 / 45 / 27

HEX #A7BB67

RGB 167 187 103

HSL 74.29, 0.38%, 0.57%

LAB 72.72, -20.12, 40.11

 

CMYK 0 / 15 / 55 / 44

HEX #8F7940

RGB 143 121 64

HSL 43.29, 0.38%, 0.41%

LAB 51.71, 0.98, 34.09

 

CMYK 0 / 16 / 55 / 33

HEX #AC914D

RGB 172 145 77

HSL 42.95, 0.38%, 0.49%

LAB 61.27, 1.51, 39.44

 

CMYK 0 / 13 / 45 / 27

HEX #BBA367

RGB 187 163 103

HSL 42.86, 0.38%, 0.57%

LAB 67.83, 0.57, 34.33

 

CMYK 0 / 10 / 34 / 22

HEX #C7B484

RGB 199 180 132

HSL 42.99, 0.37%, 0.65%

LAB 73.84, -0.32, 26.99

 

CMYK 0 / 7 / 25 / 17

HEX #D4C5A0

RGB 212 197 160

HSL 42.69, 0.38%, 0.73%

LAB 79.88, -0.53, 20.49

 

CMYK 0 / 13 / 45 / 27

HEX #BBA367

RGB 187 163 103

HSL 42.86, 0.38%, 0.57%

LAB 67.83, 0.57, 34.33

 

CMYK 40 / 0 / 45 / 27

HEX #70BB67

RGB 112 187 103

HSL 113.57, 0.38%, 0.57%

LAB 69.44, -40.01, 35.31

 

CMYK 32 / 45 / 0 / 27

HEX #8067BB

RGB 128 103 187

HSL 257.86, 0.38%, 0.57%

LAB 49.35, 28.65, -40.87

 

CMYK 0 / 13 / 45 / 27

HEX #BBA367

RGB 187 163 103

HSL 42.86, 0.38%, 0.57%

LAB 67.83, 0.57, 34.33

 

CMYK 45 / 0 / 13 / 27

HEX #67BBA2

RGB 103 187 162

HSL 162.14, 0.38%, 0.57%

LAB 70.2, -31.55, 4.75

 

CMYK 13 / 45 / 0 / 27

HEX #A267BB

RGB 162 103 187

HSL 282.14, 0.38%, 0.57%

LAB 52.92, 38.47, -35.01

 

CMYK 0 / 13 / 45 / 27

HEX #BBA367

RGB 187 163 103

HSL 42.86, 0.38%, 0.57%

LAB 67.83, 0.57, 34.33

 

CMYK 40 / 0 / 45 / 27

HEX #70BB67

RGB 112 187 103

HSL 113.57, 0.38%, 0.57%

LAB 69.44, -40.01, 35.31

 

CMYK 45 / 32 / 0 / 27

HEX #6780BB

RGB 103 128 187

HSL 222.14, 0.38%, 0.57%

LAB 53.93, 6.88, -33.8

 

CMYK 5 / 45 / 0 / 27

HEX #B267BB

RGB 178 103 187

HSL 293.57, 0.38%, 0.57%

LAB 54.82, 43.24, -31.9

 

CMYK 0 / 13 / 45 / 27

HEX #BBA367

RGB 187 163 103

HSL 42.86, 0.38%, 0.57%

LAB 67.83, 0.57, 34.33

 

CMYK 45 / 0 / 36 / 27

HEX #67BB78

RGB 103 187 120

HSL 132.14, 0.38%, 0.57%

LAB 69.31, -40.04, 26.21

 

CMYK 45 / 32 / 0 / 27

HEX #6780BB

RGB 103 128 187

HSL 222.14, 0.38%, 0.57%

LAB 53.93, 6.88, -33.8

 

CMYK 0 / 45 / 9 / 27

HEX #BB67AA

RGB 187 103 170

HSL 312.14, 0.38%, 0.57%

LAB 55.24, 42.91, -21.33

 

Description

Color code: HEX #BBA367 | qconv.com Color code: HEX #BBA367 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 187 red, 163 green and 103 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
187 163 103 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 13 magenta, 45 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 13% 45% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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