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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BBBDD9 it is the complementary color #444226. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BBBDD9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BBBDD9 shade: #C0BDD4, #D1CFE7, #E2E1FA and #F3F3FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BBBDD9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BBBDD9 shade: #BBBDD9, #AAABC6, #9999B3, #8887A0 and #77758D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BBBDD9 shade: #BABCD8, #C0BAD8, #C8BAD8, #D0BAD8 and #D8BAD8

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BBBDD9 shade: #BABCD8 and #BABAD8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BBBDD9 shade matches the following richer shades: #BABCD8, #B1B4E1, #A9ADE9, #A0A5F2 and #979EFB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BBBDD9 shade: #BABCD8, #C3C3CF, #CBCBC7, #D4D2BE and #DDDAB5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BBBDD9 shade: #BACCD8, #BAC4D8, #BABCD8, #C0BAD8 and #C8BAD8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BBBDD9 shade: #8589BA, #A0A2C9, #BABCD8, #D4D6E7 and #EFEFF6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BBBDD9 shade: #BBBDD9, #D8BAD4 and #C8D8BA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BBBDD9 shade: #BBBDD9, #D8BABC and #BCD8BA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BBBDD9 shade: #BBBDD9, #D8BAD4, #D8D6BA and #BAD8BE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BBBDD9 shade: #BBBDD9, #D8BACB, #D8D6BA and #BAD8C7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 14 / 13 / 0 / 15

HEX #BBBDD9

RGB 187 189 217

HSL 236, 0.28%, 0.79%

LAB 77.26, 4.88, -14.23

 

Complementary color

CMYK 0 / 3 / 44 / 73

HEX #444226

RGB 68 66 38

HSL 56, 0.28%, 0.21%

LAB 27.48, -4.12, 17.34

 

CMYK 9 / 11 / 0 / 17

HEX #C0BDD4

RGB 192 189 212

HSL 247.83, 0.21%, 0.79%

LAB 77.49, 5.48, -11.14

 

CMYK 10 / 10 / 0 / 9

HEX #D1CFE7

RGB 209 207 231

HSL 245, 0.33%, 0.86%

LAB 83.94, 5.25, -11.57

 

CMYK 10 / 10 / 0 / 2

HEX #E2E1FA

RGB 226 225 250

HSL 242.4, 0.71%, 0.93%

LAB 90.29, 5.03, -12

 

CMYK 5 / 5 / 0 / 0

HEX #F3F3FF

RGB 243 243 255

HSL 240, 1%, 0.98%

LAB 96.15, 2.17, -5.76

 

CMYK 14 / 13 / 0 / 15

HEX #BBBDD9

RGB 187 189 217

HSL 236, 0.28%, 0.79%

LAB 77.26, 4.88, -14.23

 

CMYK 14 / 14 / 0 / 22

HEX #AAABC6

RGB 170 171 198

HSL 237.86, 0.2%, 0.72%

LAB 70.7, 5.12, -13.86

 

CMYK 15 / 15 / 0 / 30

HEX #9999B3

RGB 153 153 179

HSL 240, 0.15%, 0.65%

LAB 64.01, 5.37, -13.49

 

CMYK 15 / 16 / 0 / 37

HEX #8887A0

RGB 136 135 160

HSL 242.4, 0.12%, 0.58%

LAB 57.17, 5.65, -13.12

 

CMYK 16 / 17 / 0 / 45

HEX #77758D

RGB 119 117 141

HSL 245, 0.1%, 0.51%

LAB 50.18, 5.96, -12.77

 

CMYK 14 / 13 / 0 / 15

HEX #BABCD8

RGB 186 188 216

HSL 236, 0.28%, 0.79%

LAB 76.9, 4.88, -14.24

 

CMYK 11 / 14 / 0 / 15

HEX #C0BAD8

RGB 192 186 216

HSL 252, 0.28%, 0.79%

LAB 76.85, 7.92, -14.27

 

CMYK 7 / 14 / 0 / 15

HEX #C8BAD8

RGB 200 186 216

HSL 268, 0.28%, 0.79%

LAB 77.49, 10.55, -13.24

 

CMYK 4 / 14 / 0 / 15

HEX #D0BAD8

RGB 208 186 216

HSL 284, 0.28%, 0.79%

LAB 78.16, 13.22, -12.17

 

CMYK 0 / 14 / 0 / 15

HEX #D8BAD8

RGB 216 186 216

HSL 300, 0.28%, 0.79%

LAB 78.85, 15.91, -11.06

 

CMYK 14 / 13 / 0 / 15

HEX #BABCD8

RGB 186 188 216

HSL 236, 0.28%, 0.79%

LAB 76.9, 4.88, -14.24

 

CMYK 14 / 14 / 0 / 15

HEX #BABAD8

RGB 186 186 216

HSL 240, 0.28%, 0.79%

LAB 76.38, 5.97, -15.02

 

CMYK 14 / 13 / 0 / 15

HEX #BABCD8

RGB 186 188 216

HSL 236, 0.28%, 0.79%

LAB 76.9, 4.88, -14.24

 

CMYK 21 / 20 / 0 / 12

HEX #B1B4E1

RGB 177 180 225

HSL 236.25, 0.44%, 0.79%

LAB 74.46, 8.37, -22.88

 

CMYK 27 / 26 / 0 / 9

HEX #A9ADE9

RGB 169 173 233

HSL 236.25, 0.59%, 0.79%

LAB 72.37, 11.72, -30.49

 

CMYK 34 / 32 / 0 / 5

HEX #A0A5F2

RGB 160 165 242

HSL 236.34, 0.76%, 0.79%

LAB 70.03, 15.9, -39.06

 

CMYK 40 / 37 / 0 / 2

HEX #979EFB

RGB 151 158 251

HSL 235.8, 0.93%, 0.79%

LAB 68.02, 19.9, -47.16

 

CMYK 14 / 13 / 0 / 15

HEX #BABCD8

RGB 186 188 216

HSL 236, 0.28%, 0.79%

LAB 76.9, 4.88, -14.24

 

CMYK 6 / 6 / 0 / 19

HEX #C3C3CF

RGB 195 195 207

HSL 240, 0.11%, 0.79%

LAB 79.12, 2.27, -6

 

CMYK 0 / 0 / 2 / 20

HEX #CBCBC7

RGB 203 203 199

HSL 60, 0.04%, 0.79%

LAB 81.58, -0.72, 1.98

 

CMYK 0 / 1 / 10 / 17

HEX #D4D2BE

RGB 212 210 190

HSL 54.55, 0.2%, 0.79%

LAB 83.87, -2.75, 10.15

 

CMYK 0 / 1 / 18 / 13

HEX #DDDAB5

RGB 221 218 181

HSL 55.5, 0.37%, 0.79%

LAB 86.43, -5.03, 18.61

 

CMYK 14 / 6 / 0 / 15

HEX #BACCD8

RGB 186 204 216

HSL 204, 0.28%, 0.79%

LAB 81.06, -3.65, -8.03

 

CMYK 14 / 9 / 0 / 15

HEX #BAC4D8

RGB 186 196 216

HSL 220, 0.28%, 0.79%

LAB 78.97, 0.59, -11.14

 

CMYK 14 / 13 / 0 / 15

HEX #BABCD8

RGB 186 188 216

HSL 236, 0.28%, 0.79%

LAB 76.9, 4.88, -14.24

 

CMYK 11 / 14 / 0 / 15

HEX #C0BAD8

RGB 192 186 216

HSL 252, 0.28%, 0.79%

LAB 76.85, 7.92, -14.27

 

CMYK 7 / 14 / 0 / 15

HEX #C8BAD8

RGB 200 186 216

HSL 268, 0.28%, 0.79%

LAB 77.49, 10.55, -13.24

 

CMYK 28 / 26 / 0 / 27

HEX #8589BA

RGB 133 137 186

HSL 235.47, 0.28%, 0.63%

LAB 58.44, 9.78, -26.07

 

CMYK 20 / 19 / 0 / 21

HEX #A0A2C9

RGB 160 162 201

HSL 237.07, 0.28%, 0.71%

LAB 67.67, 7.55, -20.16

 

CMYK 14 / 13 / 0 / 15

HEX #BABCD8

RGB 186 188 216

HSL 236, 0.28%, 0.79%

LAB 76.9, 4.88, -14.24

 

CMYK 8 / 7 / 0 / 9

HEX #D4D6E7

RGB 212 214 231

HSL 233.68, 0.28%, 0.87%

LAB 85.94, 2.54, -8.58

 

CMYK 3 / 3 / 0 / 4

HEX #EFEFF6

RGB 239 239 246

HSL 240, 0.28%, 0.95%

LAB 94.63, 1.26, -3.38

 

CMYK 14 / 13 / 0 / 15

HEX #BBBDD9

RGB 187 189 217

HSL 236, 0.28%, 0.79%

LAB 77.26, 4.88, -14.23

 

CMYK 0 / 14 / 2 / 15

HEX #D8BAD4

RGB 216 186 212

HSL 308, 0.28%, 0.79%

LAB 78.74, 15.18, -9.08

 

CMYK 7 / 0 / 14 / 15

HEX #C8D8BA

RGB 200 216 186

HSL 92, 0.28%, 0.79%

LAB 84.45, -10.74, 12.98

 

CMYK 14 / 13 / 0 / 15

HEX #BBBDD9

RGB 187 189 217

HSL 236, 0.28%, 0.79%

LAB 77.26, 4.88, -14.23

 

CMYK 0 / 14 / 13 / 15

HEX #D8BABC

RGB 216 186 188

HSL 356, 0.28%, 0.79%

LAB 78.08, 11.03, 2.95

 

CMYK 13 / 0 / 14 / 15

HEX #BCD8BA

RGB 188 216 186

HSL 116, 0.28%, 0.79%

LAB 83.63, -14.9, 11.69

 

CMYK 14 / 13 / 0 / 15

HEX #BBBDD9

RGB 187 189 217

HSL 236, 0.28%, 0.79%

LAB 77.26, 4.88, -14.23

 

CMYK 0 / 14 / 2 / 15

HEX #D8BAD4

RGB 216 186 212

HSL 308, 0.28%, 0.79%

LAB 78.74, 15.18, -9.08

 

CMYK 0 / 1 / 14 / 15

HEX #D8D6BA

RGB 216 214 186

HSL 56, 0.28%, 0.79%

LAB 85.12, -4.02, 14.09

 

CMYK 14 / 0 / 12 / 15

HEX #BAD8BE

RGB 186 216 190

HSL 128, 0.28%, 0.79%

LAB 83.58, -14.87, 9.5

 

CMYK 14 / 13 / 0 / 15

HEX #BBBDD9

RGB 187 189 217

HSL 236, 0.28%, 0.79%

LAB 77.26, 4.88, -14.23

 

CMYK 0 / 14 / 6 / 15

HEX #D8BACB

RGB 216 186 203

HSL 326, 0.28%, 0.79%

LAB 78.48, 13.57, -4.59

 

CMYK 0 / 1 / 14 / 15

HEX #D8D6BA

RGB 216 214 186

HSL 56, 0.28%, 0.79%

LAB 85.12, -4.02, 14.09

 

CMYK 14 / 0 / 8 / 15

HEX #BAD8C7

RGB 186 216 199

HSL 146, 0.28%, 0.79%

LAB 83.8, -13.21, 5.04

 

Description

Color code: HEX #BBBDD9 | qconv.com Color code: HEX #BBBDD9 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 187 red, 189 green and 217 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
187 189 217 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 14 cyan, 13 magenta, none yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
14% 13% 0% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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