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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BBC5F1 it is the complementary color #443A0E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BBC5F1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BBC5F1 shade: #C0C5EC, #D1D7FF, #E2E9FF and #F3FBFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BBC5F1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BBC5F1 shade: #BBC5F1, #AAB3DE, #99A1CB, #888FB8 and #777DA5

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BBC5F1 shade: #BBC5F1, #BFBBF1, #CEBBF1, #DCBBF1 and #EBBBF1

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BBC5F1 shade: #BBC5F1 and #BBBBF1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BBC5F1 shade matches the following richer shades: #BBC5F1, #B4C1F7 and #AEBCFE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BBC5F1 shade: #BBC5F1, #C1C9EA, #C8CDE3, #CFD1DD and #D5D5D6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BBC5F1 shade: #BBE2F1, #BBD4F1, #BBC6F1, #BEBBF1 and #CDBBF1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BBC5F1 shade: #768AE3, #99A8EA, #BBC5F1 and #DDE2F8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BBC5F1 shade: #BBC5F1, #F1BBF1 and #DBF1BB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BBC5F1 shade: #BBC5F1, #F1BBC6 and #C6F1BB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BBC5F1 shade: #BBC5F1, #F1BBF1, #F1E6BB and #BBF1BB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BBC5F1 shade: #BBC5F1, #F1BBE0, #F1E6BB and #BBF1CB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 22 / 18 / 0 / 5

HEX #BBC5F1

RGB 187 197 241

HSL 228.89, 0.66%, 0.84%

LAB 80.09, 5.81, -22.86

 

Complementary color

CMYK 0 / 15 / 79 / 73

HEX #443A0E

RGB 68 58 14

HSL 48.89, 0.66%, 0.16%

LAB 24.6, -1.42, 27.65

 

CMYK 19 / 17 / 0 / 7

HEX #C0C5EC

RGB 192 197 236

HSL 233.18, 0.54%, 0.84%

LAB 80.29, 6.22, -19.86

 

CMYK 18 / 16 / 0 / 0

HEX #D1D7FF

RGB 209 215 255

HSL 232.17, 1%, 0.91%

LAB 86.69, 5.97, -20.15

 

CMYK 11 / 9 / 0 / 0

HEX #E2E9FF

RGB 226 233 255

HSL 225.52, 1%, 0.94%

LAB 92.43, 1.86, -11.42

 

CMYK 5 / 2 / 0 / 0

HEX #F3FBFF

RGB 243 251 255

HSL 200, 1%, 0.98%

LAB 98.14, -1.89, -2.83

 

CMYK 22 / 18 / 0 / 5

HEX #BBC5F1

RGB 187 197 241

HSL 228.89, 0.66%, 0.84%

LAB 80.09, 5.81, -22.86

 

CMYK 23 / 19 / 0 / 13

HEX #AAB3DE

RGB 170 179 222

HSL 229.62, 0.44%, 0.77%

LAB 73.58, 6.09, -22.63

 

CMYK 25 / 21 / 0 / 20

HEX #99A1CB

RGB 153 161 203

HSL 230.4, 0.32%, 0.7%

LAB 66.96, 6.4, -22.41

 

CMYK 26 / 22 / 0 / 28

HEX #888FB8

RGB 136 143 184

HSL 231.25, 0.25%, 0.63%

LAB 60.19, 6.73, -22.22

 

CMYK 28 / 24 / 0 / 35

HEX #777DA5

RGB 119 125 165

HSL 232.17, 0.2%, 0.56%

LAB 53.28, 7.12, -22.05

 

CMYK 22 / 18 / 0 / 5

HEX #BBC5F1

RGB 187 197 241

HSL 228.89, 0.66%, 0.84%

LAB 80.09, 5.81, -22.86

 

CMYK 21 / 22 / 0 / 5

HEX #BFBBF1

RGB 191 187 241

HSL 244.44, 0.66%, 0.84%

LAB 77.86, 12.44, -26.25

 

CMYK 15 / 22 / 0 / 5

HEX #CEBBF1

RGB 206 187 241

HSL 261.11, 0.66%, 0.84%

LAB 79.05, 17.07, -24.32

 

CMYK 9 / 22 / 0 / 5

HEX #DCBBF1

RGB 220 187 241

HSL 276.67, 0.66%, 0.84%

LAB 80.24, 21.5, -22.4

 

CMYK 2 / 22 / 0 / 5

HEX #EBBBF1

RGB 235 187 241

HSL 293.33, 0.66%, 0.84%

LAB 81.59, 26.32, -20.22

 

CMYK 22 / 18 / 0 / 5

HEX #BBC5F1

RGB 187 197 241

HSL 228.89, 0.66%, 0.84%

LAB 80.09, 5.81, -22.86

 

CMYK 22 / 22 / 0 / 5

HEX #BBBBF1

RGB 187 187 241

HSL 240, 0.66%, 0.84%

LAB 77.55, 11.23, -26.74

 

CMYK 22 / 18 / 0 / 5

HEX #BBC5F1

RGB 187 197 241

HSL 228.89, 0.66%, 0.84%

LAB 80.09, 5.81, -22.86

 

CMYK 27 / 22 / 0 / 3

HEX #B4C1F7

RGB 180 193 247

HSL 228.36, 0.81%, 0.84%

LAB 78.79, 7.29, -28.12

 

CMYK 31 / 26 / 0 / 0

HEX #AEBCFE

RGB 174 188 254

HSL 229.5, 0.98%, 0.84%

LAB 77.35, 10.01, -34.11

 

CMYK 22 / 18 / 0 / 5

HEX #BBC5F1

RGB 187 197 241

HSL 228.89, 0.66%, 0.84%

LAB 80.09, 5.81, -22.86

 

CMYK 18 / 14 / 0 / 8

HEX #C1C9EA

RGB 193 201 234

HSL 228.29, 0.49%, 0.84%

LAB 81.32, 3.96, -17.22

 

CMYK 12 / 10 / 0 / 11

HEX #C8CDE3

RGB 200 205 227

HSL 228.89, 0.33%, 0.84%

LAB 82.64, 2.59, -11.45

 

CMYK 6 / 5 / 0 / 13

HEX #CFD1DD

RGB 207 209 221

HSL 231.43, 0.17%, 0.84%

LAB 84.01, 1.58, -6.16

 

CMYK 0 / 0 / 0 / 16

HEX #D5D5D6

RGB 213 213 214

HSL 240, 0.01%, 0.84%

LAB 85.3, 0.19, -0.5

 

CMYK 22 / 6 / 0 / 5

HEX #BBE2F1

RGB 187 226 241

HSL 196.67, 0.66%, 0.84%

LAB 87.63, -9.45, -11.51

 

CMYK 22 / 12 / 0 / 5

HEX #BBD4F1

RGB 187 212 241

HSL 212.22, 0.66%, 0.84%

LAB 83.97, -2.18, -17

 

CMYK 22 / 18 / 0 / 5

HEX #BBC6F1

RGB 187 198 241

HSL 227.78, 0.66%, 0.84%

LAB 80.35, 5.27, -22.47

 

CMYK 21 / 22 / 0 / 5

HEX #BEBBF1

RGB 190 187 241

HSL 243.33, 0.66%, 0.84%

LAB 77.78, 12.14, -26.37

 

CMYK 15 / 22 / 0 / 5

HEX #CDBBF1

RGB 205 187 241

HSL 260, 0.66%, 0.84%

LAB 78.97, 16.76, -24.45

 

CMYK 48 / 39 / 0 / 11

HEX #768AE3

RGB 118 138 227

HSL 228.99, 0.66%, 0.68%

LAB 59.5, 16.59, -47.54

 

CMYK 35 / 28 / 0 / 8

HEX #99A8EA

RGB 153 168 234

HSL 228.89, 0.66%, 0.76%

LAB 69.98, 10.22, -34.82

 

CMYK 22 / 18 / 0 / 5

HEX #BBC5F1

RGB 187 197 241

HSL 228.89, 0.66%, 0.84%

LAB 80.09, 5.81, -22.86

 

CMYK 11 / 9 / 0 / 3

HEX #DDE2F8

RGB 221 226 248

HSL 228.89, 0.66%, 0.92%

LAB 90.11, 2.52, -11.25

 

CMYK 22 / 18 / 0 / 5

HEX #BBC5F1

RGB 187 197 241

HSL 228.89, 0.66%, 0.84%

LAB 80.09, 5.81, -22.86

 

CMYK 0 / 22 / 0 / 5

HEX #F1BBF1

RGB 241 187 241

HSL 300, 0.66%, 0.84%

LAB 82.16, 28.27, -19.31

 

CMYK 9 / 0 / 22 / 5

HEX #DBF1BB

RGB 219 241 187

HSL 84.44, 0.66%, 0.84%

LAB 92.38, -16.4, 23.73

 

CMYK 22 / 18 / 0 / 5

HEX #BBC5F1

RGB 187 197 241

HSL 228.89, 0.66%, 0.84%

LAB 80.09, 5.81, -22.86

 

CMYK 0 / 22 / 18 / 5

HEX #F1BBC6

RGB 241 187 198

HSL 347.78, 0.66%, 0.84%

LAB 80.92, 21.05, 1.95

 

CMYK 18 / 0 / 22 / 5

HEX #C6F1BB

RGB 198 241 187

HSL 107.78, 0.66%, 0.84%

LAB 91.01, -23.66, 21.62

 

CMYK 22 / 18 / 0 / 5

HEX #BBC5F1

RGB 187 197 241

HSL 228.89, 0.66%, 0.84%

LAB 80.09, 5.81, -22.86

 

CMYK 0 / 22 / 0 / 5

HEX #F1BBF1

RGB 241 187 241

HSL 300, 0.66%, 0.84%

LAB 82.16, 28.27, -19.31

 

CMYK 0 / 5 / 22 / 5

HEX #F1E6BB

RGB 241 230 187

HSL 47.78, 0.66%, 0.84%

LAB 91.18, -2.96, 22.33

 

CMYK 22 / 0 / 22 / 5

HEX #BBF1BB

RGB 187 241 187

HSL 120, 0.66%, 0.84%

LAB 90.35, -27.31, 20.61

 

CMYK 22 / 18 / 0 / 5

HEX #BBC5F1

RGB 187 197 241

HSL 228.89, 0.66%, 0.84%

LAB 80.09, 5.81, -22.86

 

CMYK 0 / 22 / 7 / 5

HEX #F1BBE0

RGB 241 187 224

HSL 318.89, 0.66%, 0.84%

LAB 81.63, 25.26, -10.98

 

CMYK 0 / 5 / 22 / 5

HEX #F1E6BB

RGB 241 230 187

HSL 47.78, 0.66%, 0.84%

LAB 91.18, -2.96, 22.33

 

CMYK 22 / 0 / 16 / 5

HEX #BBF1CB

RGB 187 241 203

HSL 137.78, 0.66%, 0.84%

LAB 90.68, -24.52, 12.81

 

Description

Color code: HEX #BBC5F1 | qconv.com Color code: HEX #BBC5F1 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 187 red, 197 green and 241 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
187 197 241 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 22 cyan, 18 magenta, none yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
22% 18% 0% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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