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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BBC0C7 it is the complementary color #443F38. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BBC0C7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BBC0C7 shade: #C0C0C2, #D1D2D5, #E2E4E8 and #F3F6FB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BBC0C7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BBC0C7 shade: #BBC0C7, #AAAEB4, #999CA1, #888A8E and #77787B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BBC0C7 shade: #BBC0C7, #BBBDC7, #BDBBC7, #C0BBC7 and #C3BBC7

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BBC0C7 shade: #BBC0C7, #BBBDC7 and #BBBBC7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BBC0C7 shade matches the following richer shades: #BBC0C7, #B1BFD1, #A7BDDB, #9DBBE5 and #94BAEF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BBC0C7 shade: #BBC0C7, #C5C2BE, #CFC4B4, #D9C5AA and #E3C7A0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BBC0C7 shade: #BBC7C7, #BBC4C7, #BBC0C7, #BBBDC7 and #BDBBC7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BBC0C7 shade: #8E96A2, #A4ABB5, #BBC0C7, #D2D5DA and #E9EAED

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BBC0C7 shade: #BBC0C7, #C5BBC7 and #C5C7BB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BBC0C7 shade: #BBC0C7, #C7BBC0 and #C0C7BB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BBC0C7 shade: #BBC0C7, #C5BBC7, #C7C2BB and #BEC7BB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BBC0C7 shade: #BBC0C7, #C7BBC6, #C7C2BB and #BBC7BC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 6 / 4 / 0 / 22

HEX #BBC0C7

RGB 187 192 199

HSL 215, 0.1%, 0.76%

LAB 77.51, -0.38, -4.12

 

Complementary color

CMYK 0 / 7 / 18 / 73

HEX #443F38

RGB 68 63 56

HSL 35, 0.1%, 0.24%

LAB 26.93, 0.72, 5.06

 

CMYK 1 / 1 / 0 / 24

HEX #C0C0C2

RGB 192 192 194

HSL 240, 0.02%, 0.76%

LAB 77.76, 0.38, -1.01

 

CMYK 2 / 1 / 0 / 16

HEX #D1D2D5

RGB 209 210 213

HSL 225, 0.05%, 0.83%

LAB 84.2, 0.21, -1.61

 

CMYK 3 / 2 / 0 / 9

HEX #E2E4E8

RGB 226 228 232

HSL 220, 0.12%, 0.9%

LAB 90.54, 0.06, -2.19

 

CMYK 3 / 2 / 0 / 2

HEX #F3F6FB

RGB 243 246 251

HSL 217.5, 0.5%, 0.97%

LAB 96.79, -0.09, -2.75

 

CMYK 6 / 4 / 0 / 22

HEX #BBC0C7

RGB 187 192 199

HSL 215, 0.1%, 0.76%

LAB 77.51, -0.38, -4.12

 

CMYK 6 / 3 / 0 / 29

HEX #AAAEB4

RGB 170 174 180

HSL 216, 0.06%, 0.69%

LAB 70.95, -0.24, -3.56

 

CMYK 5 / 3 / 0 / 37

HEX #999CA1

RGB 153 156 161

HSL 217.5, 0.04%, 0.62%

LAB 64.26, -0.09, -2.99

 

CMYK 4 / 3 / 0 / 44

HEX #888A8E

RGB 136 138 142

HSL 220, 0.03%, 0.55%

LAB 57.43, 0.07, -2.4

 

CMYK 3 / 2 / 0 / 52

HEX #77787B

RGB 119 120 123

HSL 225, 0.02%, 0.47%

LAB 50.43, 0.24, -1.78

 

CMYK 6 / 4 / 0 / 22

HEX #BBC0C7

RGB 187 192 199

HSL 215, 0.1%, 0.76%

LAB 77.51, -0.38, -4.12

 

CMYK 6 / 5 / 0 / 22

HEX #BBBDC7

RGB 187 189 199

HSL 230, 0.1%, 0.76%

LAB 76.73, 1.22, -5.27

 

CMYK 5 / 6 / 0 / 22

HEX #BDBBC7

RGB 189 187 199

HSL 250, 0.1%, 0.76%

LAB 76.36, 2.97, -5.8

 

CMYK 4 / 6 / 0 / 22

HEX #C0BBC7

RGB 192 187 199

HSL 265, 0.1%, 0.76%

LAB 76.6, 3.99, -5.42

 

CMYK 2 / 6 / 0 / 22

HEX #C3BBC7

RGB 195 187 199

HSL 280, 0.1%, 0.76%

LAB 76.84, 5.02, -5.04

 

CMYK 6 / 4 / 0 / 22

HEX #BBC0C7

RGB 187 192 199

HSL 215, 0.1%, 0.76%

LAB 77.51, -0.38, -4.12

 

CMYK 6 / 5 / 0 / 22

HEX #BBBDC7

RGB 187 189 199

HSL 230, 0.1%, 0.76%

LAB 76.73, 1.22, -5.27

 

CMYK 6 / 6 / 0 / 22

HEX #BBBBC7

RGB 187 187 199

HSL 240, 0.1%, 0.76%

LAB 76.21, 2.29, -6.04

 

CMYK 6 / 4 / 0 / 22

HEX #BBC0C7

RGB 187 192 199

HSL 215, 0.1%, 0.76%

LAB 77.51, -0.38, -4.12

 

CMYK 15 / 9 / 0 / 18

HEX #B1BFD1

RGB 177 191 209

HSL 213.75, 0.26%, 0.76%

LAB 76.81, -1.11, -10.66

 

CMYK 24 / 14 / 0 / 14

HEX #A7BDDB

RGB 167 189 219

HSL 214.62, 0.42%, 0.76%

LAB 75.9, -0.96, -17.51

 

CMYK 31 / 18 / 0 / 10

HEX #9DBBE5

RGB 157 187 229

HSL 215, 0.58%, 0.76%

LAB 75.06, -0.43, -24.26

 

CMYK 38 / 22 / 0 / 6

HEX #94BAEF

RGB 148 186 239

HSL 214.95, 0.74%, 0.76%

LAB 74.6, 0.19, -30.42

 

CMYK 6 / 4 / 0 / 22

HEX #BBC0C7

RGB 187 192 199

HSL 215, 0.1%, 0.76%

LAB 77.51, -0.38, -4.12

 

CMYK 0 / 2 / 4 / 23

HEX #C5C2BE

RGB 197 194 190

HSL 34.29, 0.06%, 0.76%

LAB 78.56, 0.33, 2.37

 

CMYK 0 / 5 / 13 / 19

HEX #CFC4B4

RGB 207 196 180

HSL 35.56, 0.22%, 0.76%

LAB 79.64, 1.15, 9.4

 

CMYK 0 / 9 / 22 / 15

HEX #D9C5AA

RGB 217 197 170

HSL 34.47, 0.38%, 0.76%

LAB 80.51, 2.78, 16.1

 

CMYK 0 / 12 / 30 / 11

HEX #E3C7A0

RGB 227 199 160

HSL 34.93, 0.54%, 0.76%

LAB 81.68, 4.14, 23.17

 

CMYK 6 / 0 / 0 / 22

HEX #BBC7C7

RGB 187 199 199

HSL 180, 0.1%, 0.76%

LAB 79.35, -4.09, -1.42

 

CMYK 6 / 2 / 0 / 22

HEX #BBC4C7

RGB 187 196 199

HSL 195, 0.1%, 0.76%

LAB 78.56, -2.5, -2.58

 

CMYK 6 / 4 / 0 / 22

HEX #BBC0C7

RGB 187 192 199

HSL 215, 0.1%, 0.76%

LAB 77.51, -0.38, -4.12

 

CMYK 6 / 5 / 0 / 22

HEX #BBBDC7

RGB 187 189 199

HSL 230, 0.1%, 0.76%

LAB 76.73, 1.22, -5.27

 

CMYK 5 / 6 / 0 / 22

HEX #BDBBC7

RGB 189 187 199

HSL 250, 0.1%, 0.76%

LAB 76.36, 2.97, -5.8

 

CMYK 12 / 7 / 0 / 36

HEX #8E96A2

RGB 142 150 162

HSL 216, 0.1%, 0.6%

LAB 61.8, -0.37, -7.28

 

CMYK 9 / 6 / 0 / 29

HEX #A4ABB5

RGB 164 171 181

HSL 215.29, 0.1%, 0.68%

LAB 69.72, -0.46, -5.98

 

CMYK 6 / 4 / 0 / 22

HEX #BBC0C7

RGB 187 192 199

HSL 215, 0.1%, 0.76%

LAB 77.51, -0.38, -4.12

 

CMYK 4 / 2 / 0 / 15

HEX #D2D5DA

RGB 210 213 218

HSL 217.5, 0.1%, 0.84%

LAB 85.18, -0.09, -2.83

 

CMYK 2 / 1 / 0 / 7

HEX #E9EAED

RGB 233 234 237

HSL 225, 0.1%, 0.92%

LAB 92.7, 0.21, -1.58

 

CMYK 6 / 4 / 0 / 22

HEX #BBC0C7

RGB 187 192 199

HSL 215, 0.1%, 0.76%

LAB 77.51, -0.38, -4.12

 

CMYK 1 / 6 / 0 / 22

HEX #C5BBC7

RGB 197 187 199

HSL 290, 0.1%, 0.76%

LAB 77, 5.71, -4.78

 

CMYK 1 / 0 / 6 / 22

HEX #C5C7BB

RGB 197 199 187

HSL 70, 0.1%, 0.76%

LAB 79.79, -2.84, 5.75

 

CMYK 6 / 4 / 0 / 22

HEX #BBC0C7

RGB 187 192 199

HSL 215, 0.1%, 0.76%

LAB 77.51, -0.38, -4.12

 

CMYK 0 / 6 / 4 / 22

HEX #C7BBC0

RGB 199 187 192

HSL 335, 0.1%, 0.76%

LAB 76.97, 5.12, -1.01

 

CMYK 4 / 0 / 6 / 22

HEX #C0C7BB

RGB 192 199 187

HSL 95, 0.1%, 0.76%

LAB 79.41, -4.6, 5.16

 

CMYK 6 / 4 / 0 / 22

HEX #BBC0C7

RGB 187 192 199

HSL 215, 0.1%, 0.76%

LAB 77.51, -0.38, -4.12

 

CMYK 1 / 6 / 0 / 22

HEX #C5BBC7

RGB 197 187 199

HSL 290, 0.1%, 0.76%

LAB 77, 5.71, -4.78

 

CMYK 0 / 3 / 6 / 22

HEX #C7C2BB

RGB 199 194 187

HSL 35, 0.1%, 0.76%

LAB 78.64, 0.5, 4.12

 

CMYK 5 / 0 / 6 / 22

HEX #BEC7BB

RGB 190 199 187

HSL 105, 0.1%, 0.76%

LAB 79.26, -5.3, 4.93

 

CMYK 6 / 4 / 0 / 22

HEX #BBC0C7

RGB 187 192 199

HSL 215, 0.1%, 0.76%

LAB 77.51, -0.38, -4.12

 

CMYK 0 / 6 / 1 / 22

HEX #C7BBC6

RGB 199 187 198

HSL 305, 0.1%, 0.76%

LAB 77.14, 6.21, -4.02

 

CMYK 0 / 3 / 6 / 22

HEX #C7C2BB

RGB 199 194 187

HSL 35, 0.1%, 0.76%

LAB 78.64, 0.5, 4.12

 

CMYK 6 / 0 / 6 / 22

HEX #BBC7BC

RGB 187 199 188

HSL 125, 0.1%, 0.76%

LAB 79.07, -6.15, 4.08

 

Description

Color code: HEX #BBC0C7 | qconv.com Color code: HEX #BBC0C7 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 187 red, 192 green and 199 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
187 192 199 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 6 cyan, 4 magenta, none yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
6% 4% 0% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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